Skip to main content
Storied Objects
From the Smithsonian Folklife Festival
1967–present

This exhibition is both a showcase and a portal, shining a light on the “storied objects” made during the annual Smithsonian Folklife Festival. It incorporates updated entries from our 2017 50 Years | 50 Objects online exhibition and dozens more. Each contains a story of community, tradition, collaboration, and skill—and the unique experience of the maker on the National Mall. New entries will be added on a regular basis.

Gifts, commissions, demonstration pieces, and more

Since 1967, the Center for Folklife and Cultural Heritage has acquired a diverse and growing collection of objects that represent art, craft, and cultural traditions from around the world. It is housed and displayed throughout the Center’s office—greeting visitors in the lobby, filling hallway cases and walls, and standing in all free corners.

  • Folklife entry corridor
    Folklife entry lobby and corridor.
  • Folklife entry lobby

The collection numbers over 1,000 objects. Institutional memory still covers much of its history, and a growing database holds documentation of individual objects. There is also a goldmine of information in the Ralph Rinzler Folklife Archives, which holds photographs, video, and recordings from many of the Festival stages—all available to the public.

  • Ali “Skanda” Ali
    Ali “Skanda” Ali plays the East African bao game with a Festival visitor in 2014.
  • Jiří Sedlmaier discusses design
    Czech Republic egg decorator Jiří Sedlmaier discusses design in 1995.
  • Paula Rodriguez decorates a cross
    Paula Rodriguez decorates a cross with cut straw at the 1992 New Mexico program.

Festival stories tied to the featured objects are often personal—about how and why a cultural practice remains important to its maker. Sometimes the stories are serendipitous, as when participants meet from halfway around the world and discover surprising parallels in their experiences. Almost always, being part of the Folklife Festival has made a lasting impression on the maker, reinforcing the value of their work—and enriching the lives of others in the process.

—Erin Younger, exhibition curator
Erin has been a research associate with the Folklife Festival since 2014, working to document and bring new focus to the material culture collection.

Credits

Credits

.