Clichés Quotes

“When a man gives his opinion, he's a man. When a woman gives her opinion, she's a bitch.”
― Bette Davis

“I hate to hear you talk about all women as if they were fine ladies instead of rational creatures. None of us want to be in calm waters all our lives.”
― Jane Austen, Persuasion

“As long as she thinks of a man, nobody objects to a woman thinking.”
― Virginia Woolf, Orlando

“Wherever you find a great man, you will find a great mother or a great wife standing behind him -- or so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.”
― Dorothy L. Sayers, Gaudy Night

“i do not say 'good-bye.' i believe that's one of the bullshittiest words ever invented. it's not like you're given the choice to say 'bad-bye' or 'awful-bye' or 'couldn't-care-less-about-you-bye.' every time you leave, it's supposed to be a good one. well, i don't believe in that. i believe against that.”
― David Levithan, Will Grayson, Will Grayson

“My own sex, I hope, will excuse me, if I treat them like rational creatures, instead of flattering their fascinating graces, and viewing them as if they were in a state of perpetual childhood, unable to stand alone.”
― Mary Wollstonecraft, A Vindication of the Rights of Woman

“I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men."

"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.”
― Jane Austen, Persuasion

“I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat, or a prostitute.”
― Rebecca West, The Young Rebecca: Writings, 1911-1917

“Do you really believe ... that everything historians tell us about men – or about women – is actually true? You ought to consider the fact that these histories have been written by men, who never tell the truth except by accident.”
― Moderata Fonte, The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men

“A man once asked me ... how I managed in my books to write such natural conversation between men when they were by themselves. Was I, by any chance, a member of a large, mixed family with a lot of male friends? I replied that, on the contrary, I was an only child and had practically never seen or spoken to any men of my own age till I was about twenty-five. "Well," said the man, "I shouldn't have expected a woman (meaning me) to have been able to make it so convincing." I replied that I had coped with this difficult problem by making my men talk, as far as possible, like ordinary human beings. This aspect of the matter seemed to surprise the other speaker; he said no more, but took it away to chew it over. One of these days it may quite likely occur to him that women, as well as men, when left to themselves, talk very much like human beings also.”
― Dorothy L. Sayers, Are Women Human? Astute and Witty Essays on the Role of Women in Society

“If men could see us as we really are, they would be a little amazed; but the cleverest, the acutest men are often under an illusion about women: they do not read them in a true light: they misapprehend them, both for good and evil: their good woman is a queer thing, half doll, half angel; their bad woman almost always a fiend.”
― Charlotte Brontë, Shirley

“Anything may happen when womanhood has ceased to be a protected occupation.”
― Virginia Woolf, A Room of One’s Own

“[I]f we revert to history, we shall find that the women who have distinguished themselves have neither been the most beautiful nor the most gentle of their sex.”
― Mary Wollstonecraft, A Vindication of the Rights of Woman

“If I made a joke about just dropping by, would you write me off as cliché?”
― Cassandra Clare, City of Ashes

“When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate.

Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader.

That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations.

Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies?

Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge.

The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.”
― China Miéville

“Come on, it’s an American tradition. Apple soup? Mom’s homemade chicken pie?'
She chuckled in spite of herself, then winced. 'It’s apple pie and Mom’s homemade chicken soup. But you didn’t do badly, for a start.”
― L.J. Smith, Nightfall

“She was heartily ashamed of her ignorance - a misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well−informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can.”
― Jane Austen, Northanger Abbey

“In reaction against the age-old slogan, "woman is the weaker vessel," or the still more offensive, "woman is a divine creature," we have, I think, allowed ourselves to drift into asserting that "a woman is as good as a man," without always pausing to think what exactly we mean by that. What, I feel, we ought to mean is something so obvious that it is apt to escape attention altogether, viz: (...) that a woman is just as much an ordinary human being as a man, with the same individual preferences, and with just as much right to the tastes and preferences of an individual. What is repugnant to every human being is to be reckoned always as a member of a class and not as an individual person.”
― Dorothy L. Sayers, Are Women Human? Astute and Witty Essays on the Role of Women in Society

“Old Marley was as dead as a doornail.

Mind! I don't mean to say that, of my own knowledge, what there is particularly dead about a doornail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a doornail.”
― Charles Dickens, A Christmas Carol

“It is extraordinarily entertaining to watch the historians of the past ... entangling themselves in what they were pleased to call the "problem" of Queen Elizabeth. They invented the most complicated and astonishing reasons both for her success as a sovereign and for her tortuous matrimonial policy. She was the tool of Burleigh, she was the tool of Leicester, she was the fool of Essex; she was diseased, she was deformed, she was a man in disguise. She was a mystery, and must have some extraordinary solution. Only recently has it occrurred to a few enlightened people that the solution might be quite simple after all. She might be one of the rare people were born into the right job and put that job first.”
― Dorothy L. Sayers, Are Women Human? Astute and Witty Essays on the Role of Women in Society

“The rule seemed to be that a great woman must either die unwed ... or find a still greater man to marry her. ... The great man, on the other hand, could marry where he liked, not being restricted to great women; indeed, it was often found sweet and commendable in him to choose a woman of no sort of greatness at all.”
― Dorothy L. Sayers, Gaudy Night

“There is no deception on the part of the woman, where a man bewilders himself: if he deludes his own wits, I can certainly acquit the women. Whatever man allows his mind to dwell upon the imprint his imagination has foolishly taken of women, is fanning the flames within himself -- and, since the woman knows nothing about it, she is not to blame. For if a man incites himself to drown, and will not restrain himself, it is not the water's fault.”
― John Gower, Confessio Amantis, Volume 1

“In fact, there is perhaps only one human being in a thousand who is passionately interested in his job for the job's sake. The difference is that if that one person in a thousand is a man, we say, simply, that he is passionately keen on his job; if she is a woman, we say she is a freak.”
― Dorothy L. Sayers, Are Women Human? Astute and Witty Essays on the Role of Women in Society

“Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...)

Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.”
― Christine de Pizan, Der Sendbrief vom Liebesgott / The Letter of the God of Love

“What we ask is to be human individuals, however peculiar and unexpected. It is no good saying: "You are a little girl and therefore you ought to like dolls"; if the answer is, "But I don't," there is no more to be said.”
― Dorothy L. Sayers, Are Women Human? Astute and Witty Essays on the Role of Women in Society

“Wine and women make wise men dote and forsake God's law and do wrong."

However, the fault is not in the wine, and often not in the woman. The fault is in the one who misuses the wine or the woman or other of God's crations. Even if you get drunk on the wine and through this greed you lapse into lechery, the wine is not to blame but you are, in being unable or unwilling to discipline yourself. And even if you look at a woman and become caught up in her beauty and assent to sin [= adultery; extramarital sex], the woman is not to blame nor is the beauty given her by God to be disparaged: rather, you are to blame for not keeping your heart more clear of wicked thoughts. ... If you feel yourself tempted by the sight of a woman, control your gaze better ... You are free to leave her. Nothing constrains you to commit lechery but your own lecherous heart.”
― Anonymous, Dives and Pauper

“When you hear men talking," said Cornelia, "all they ever do is speak ill of women. ... And I don't quite know how they managed to make this law in their favour, or who exactly it was who gave them a greater license to sin than is allowed to us; and if the fault is common to both sexes (as they can hardly deny), why should the blame not be as well? What makes them think they can boast of the same thing that in women brings only shame?”
― Moderata Fonte, The Worth of Women: Wherein Is Clearly Revealed Their Nobility and Their Superiority to Men

“In a typical college romance novel, he'd be a gorgeous but troubled sex god who'd cure all my deep-seated psych issues with a good hard fuck. I'd smell his misogyny and abusive tendencies from miles off but my brain would turn to hormone soup because abs. That's the formula. Broken girl + bad boy = sexual healing. All you need to fix that tragic past is a six-pack. More problems? Add abs.

It's Magic Dick Lit.”
― Leah Raeder, Black Iris

“Does a rake deserve to possess anything of worth, since he chases everything in skirts and then imagines he can successfully hide his shame by slandering [women in general]?”
― Christine de Pizan, Der Sendbrief vom Liebesgott / The Letter of the God of Love

“Sometimes I believe that love dies but hope springs eternal. Sometimes I believe that hope dies but love springs eternal. Sometimes I believe that sex plus guilt equals love, and sometimes I believe that sex plus guilt equals good sex. Sometimes I believe that love is as natural as the tides, and sometimes I believe that love is an act of will. Sometimes I believe that some people are better at love than others, and sometimes I believe that everyone is faking it. Sometimes I believe that love is essential, and sometimes I believe that only reason love is essential is that otherwise you spend all your time looking for it.”
― Nora Ephron, Heartburn