Pyramids Quotes

“Seeing, contrary to popular wisdom, isn't believing. It's where belief stops, because it isn't needed any more.”
― Terry Pratchett

“Cheops' Law: Nothing ever gets built on schedule or within budget.”
― Robert A. Heinlein, Time Enough for Love

“The fact is that camels are far more intelligent than dolphins. They are so much brighter that they soon realised that the most prudent thing any intelligent animal can do, if it would prefer its descendants not to spend a lot of time on a slab with electrodes clamped to their brains or sticking mines on the bottom of ships or being patronized rigid by zoologists, is to make bloody certain humans don't find out about it. So they long ago plumped for a lifestyle that, in return for a certain amount of porterage and being prodded with sticks, allowed them adequate food and grooming and the chance to spit in a human's eye and get away with it.”
― Terry Pratchett, Pyramids

“The river, it's banks as yet untamed wandered languidly through thickets of rush and papyrus. Ibises waded in the shallows; in the deeps hippos rose and sank slowly like pickled eggs.”
― Terry Pratchett

“If I had the true colours to describe what I feel for you, I wouldn't waste time stringing beads of words... Instead I would run to kiss you and leave monuments on you:-
pyramids on your lips, the Taj Mahal on your skin, and the Eiffel tower in your heart.

NOTESEUM | A storm I chased”
― Daniel Derrick Mwesigye

“No, we do it for the money.
'And, because we above all must know the value of a human life, we do it for a great deal of money.
'There can be few cleaner motives, so shorn of all pretence.
'Nil mortifi, sine lucre. Remember. No killing without payment.'
He paused for a moment.
'And always give a receipt,' he added.”
― Terry Pratchett, Pyramids

“Some people call structures like the Egyptian Pyramids as 'Ancient Ruins', but we call them 'Perfect Bridges' where we can reach and touch the wonderful masters of the past!”
― Mehmet Murat ildan

“While infrasonic vibrations at around 6 hertz may influence the brain and produce various effects in humans, it seems that there must be other types of energy, or other frequencies, to explain phenomena that were noted to have occurred at the Great Pyramid more than one hundred years ago. Sir William Siemens, an Anglo-German engineer, metallurgist, and inventor, experienced a strange energy phenomenon at the Great Pyramid when an Arab guide called his attention to the fact that, while standing on the summit of the pyramid with hands outstretched, he could hear a sharp ringing noise. Raising his index finger, Siemens felt a prickling sensation.
Later on, while drinking out of a wine bottle he had brought along, he experienced a slight electric shock. Feeling that some further observations were in order, Siemens then wrapped a moistened newspaper around the bottle, converting it into a Leyden jar. After he held it above his head for a while, this improvised Leyden jar became charged with electricity to such an extent that sparks began to fly. Reportedly, Siemens' Arab guides were not too happy with their tourist's experiment and accused him of practicing witchcraft. Peter Tompkins wrote, "One of the guides tried to seize Siemens' companion, but Siemens lowered the bottle towards him and gave the Arab such a jolt that he was knocked senseless to the ground. Recovering, the guide scrambled to his feet and took off down the Pyramid, crying loudly.”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return.
How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him.
[...]
The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite.
Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“I was hoping to be able to get into the Queen's Chamber while I was in Egypt in 1986 to get a sample of the salt for analysis. I had speculated that the salt on the walls of the chamber was an unwanted, though significant, residual substance caused by a chemical reaction where hot hydrogen reacted with the limestone. Unfortunately, I was unable to get into the chamber because a French team was already inside the Horizontal Passage, boring holes into what they hoped were additional chambers. (It was discovered, after I left Egypt, that the spaces contained only sand.)
As it turned out, my research would have been redundant. Noone reported in his book that another individual had already had the same idea and done the work. In 1978, Dr. Patrick Flanagan asked the Arizona Bureau of Geology and Mineral Technology to analyze a sample of this salt. They found it to be a mixture of calcium carbonate (limestone), sodium chloride (halite or salt), and calcium sulfate (gypsum, also known as plaster of paris). These are precisely the minerals that would be produced by the reaction of hot, hydrogen-bearing gas with the limestone walls and ceiling of the Queen's Chamber.
[...]
The interior chambers of the Great Pyramid have the appearance of being subjected to extreme temperatures; and [...] the broken corner on the granite box shows signs of being melted, rather than simply being chipped away.”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“The Egyptian Pyramids are mankind's challenge to the universe, too small for the universe, but big for the humanity! The message here is clear: We are small creatures, but our minds are big and big minds can accomplish big things, build big things!”
― Mehmet Murat ildan

“The best soil is very rarely owned by the best farmer, seeds too often eaten prematurely by either crows or ravens, and crops reaped, never to be seen again.”
― Aegeiptw

“When you understand the great secret with which man can influence anything he wants, you will understand your true nature and abilities.”
― Dushica Labovich, The Salvador Dali Formula

“If the Egyptian Pyramids were not made in the shape of a pyramid, but in the shape of a sphere of the same size, then we could be convinced that it was aliens, not Egyptians, who built them!”
― Mehmet Murat ildan

“Smyth is credited for noting another anomaly in the Queen's Chamber—there were flakes of white mortar exuding from stone joints inside the shaft. Analysis of the mortar found it to be plaster of paris—gypsum (calcium sulfate). Smyth also described this chamber as having a foul odor, which caused early visitors to the chamber to beat a hasty retreat, and it was assumed that tourists were relieving themselves, though the way Smyth described this chamber, few people stayed long enough to do so. However, as I will make clear, this odor may not have been the result of unhygienic conditions but of the chemical process that once occurred in the Queen's Chamber.
One of the greatest mysteries of this chamber has been the salt encrustation on the walls. It was up to one-half-inch thick in places, and Petrie took it into account when he made measurements of the chamber. The salt also was found along the Horizontal Passage and in the lower portion of the Grand Gallery. How did salt come to build up on the walls?”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“The evidence presented in this book, for the most part, was recorded many years ago by men of integrity who worked in the fields of archaeology and Egyptology. That much of this evidence was misunderstood only reveals the pressing need for an interdisciplinary approach to fields that have until recently been closed to nonacademics and others outside the fold of formal archaeology and Egyptology. Much of our ignorance of ancient cultures can be placed at the feet of closed-minded theorists who ignore evidence that does not fit their theories or fall within the province of their expertise. Sometimes it takes a machinist to recognize machined parts or machines! As a result, much of the evidence that supports a purpose for the Great Pyramid as anything other than a tomb has been ignored, discounted without serious consideration, or simply explained away as purely coincidental. Is it coincidence that the Great Pyramid is so huge and so precise? That the King's Chamber contains so many indications that tremendous forces disturbed it or were created within it at one time? Are the exuviae, the chocolate-colored granite, the resonating chambers with their giant granite monoliths placed above, and the unique properties of the quartz crystal present in vast quantities in the granite complex all coincidental? Can the design and physical tests of the movement of sound inside the Grand Gallery be just a happy accident?”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“Engaging specialists in interpreting ancient artifacts in Egypt is absolutely necessary in establishing a credible hypothesis. Without their input, there cannot be a comprehensive understanding of the past. For instance, the pyramids on the Giza Plateau were built not by Egyptologists or archaeologists but by engineers and craftsmen. It is not surprising, therefore, that Egyptologists overlook engineering features and nuances that would be recognized immediately by those who are trained in those disciplines.”
― Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

“In the one hundred thirty years since Petrie published his seminal studies of the pyramids and temples of Egypt, the hand tools and building and sculpting tools used by men and women have improved exponentially in capability and efficiency and hard drives are better known as integral devices in a computer.
Yet we are taught that during the three thousand years that the ancient Egyptians flourished on this planet, the tools used by men and women did not change. How could this be? The finely crafted and precise boxes inside the pyramids at Giza were supposedly created in the fourth dinasty, 2500 BCE, or forty-five hundred years ago. The finely crafted and precise boxes inside the rock tunnels of the Serapeum were supposedly created in the eighteenth dynasty, 1550-1200 BCE, or thirty-five hundred years ago. We are asked to believe that in a one-thousand-year span, the ancient Egyptians did not make any significant improvement in their tools and methods for cutting hard igneous rock. We, however, have examined the results of their labor, and it is clear that the Egyptians were not stupid people. In fact, they were geniuses in their accomplishments, yet we are to accept that while they tapped into the awesome power of the human spirit and creativity, they did not ask, over the course of a full millennium, how they could do their job better--how they could demand less pain and strain from their workforce, how they could do more with less effort, how they could reduce injuries and provide workers with more time off. If there is any mystery to ancient Egypt, it is why a paradigm that was established one hundred thirty years ago still holds force among many Egyptologists and archaeologists.”
― Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

“No machines have been found in the archaeological record to support these assertions, but there is an abundance of circumstantial evidence that leads to such conclusions. Are the machines still intact and lying under the desert sand? Or were they removed completely from the areas? Or could it be that all this evidence points to an earlier civilization that suffered a cataclysm of such magnitude that much of what existed was destroyed, and what remained was susceptible to erosion, decay, and corrosion, and slowly disappeared over a long period of time? This brings us back to Robert Schoch's evaluation of the erosion pattern on the Sphinx and the Sphinx enclosure. He claimed that the period of time when sufficient rain fell in Egypt to cause this erosion was seven to nine thousand years ago. Is this sufficient time for ancient machines to turn to dust and blow away? It seems incredible to imagine, but there is reason to suspect that this could have happened.
[...]
If we follow the idea of an older civilization, therefore, the pyramids would have already been there before the first dynasty of the ancient Egyptians. The Great Pyramid was, most likely, the zenith of construction on the plateau, and the other pyramids were likely built before it was. Yet something happened to the culture that built the pyramids, and when Khufu came on the scene, he naturally chose the most impressive structure--the Great Pyramid--as his own, and his heirs took turns in claiming the rest. What event could have brought death and destruction to this ancient civilization that is referred to in Egyptian lore as being inhabited by gods of the First Time?”
― Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

“My Word is bind, stone set, no Rosetta.
The stones progress a finished pyramid of hidden codes, messages, encryption, and ancient wisdom.”
― Jose R. Coronado, The Land Flowing With Milk And Honey

“Far away from Oshoro in Nara Prefecture on the island of Honshu, there is a sacred mountain called Miwa-Yama. In a pattern with which I was now becoming familiar, this entire pyramid-shaped mountain is considered by Japan's indigenous Shinto religion to be a shrine, possessed by the spirit of a god who 'stayed his soul' within it in ancient times. His correct name is Omononushino-Kami (although he is also popularly known as Daikokusama) and according to the ancient texts he is 'the guardian deity of human life' who taught mankind how to cure disease, manufacture medicines and grow crops. His symbol, very strikingly, is a serpent -- and to this day serpents are still venerated at Mount Miwa, where pilgrims bring them boiled eggs and cups of sake.”
― Graham Hancock, Underworld: The Mysterious Origins of Civilization

“The Egyptians built pyramids to preserve corpses for the journey beyond. However, no one came back from the journey to thank them.”
― Rajesh`, Random Cosmos

“When we look at the Pyramids of Egypt, we understand the following fact: These pyramids, the largest structure that mankind built in this universe for thousands of years and boasted with great arrogance, are comically small in size in our universe! Humankind has to be humble until they can create great work on a universal scale!”
― Mehmet Murat ildan

“That's how they built the pyramids. They buried the sections as they advanced. Do you understand?”
― Roland E. Fielding, Science Fiction Stories Beyond Normal

“They had found honey in the pyramids, buried among the dead—in case they’d gotten hungry on their journey. He wondered what the dead did now, without any more paths to guide them to the stars.”
― Sara Barkat, The Shivering Ground & Other Stories

“Mountains provide safety to the opressed, few were drawn to the peeks for other reasons. What are pyramids if not artificial mountains.

Surpass Zeus in hospitality.”
― Monariatw

“Certaines personnes appellent des structures telles que les pyramides égyptiennes des "ruines anciennes", mais nous les appelons des" ponts parfaits "où nous pouvons atteindre et toucher les merveilleux maîtres du passé !”
― Mehmet Murat ildan

“Everyone who looks at the Egyptian pyramids sees and thinks something different. What I see there is an artistic and mathematical rebellion of humankind's ambition to do something extraordinary in this huge universe! There, humanity signals that it will be an important player on the endless stage called the universe!”
― Mehmet Murat ildan

“For at a certain point in time even the greatest architecture ceases to be completely architecture and becomes partially landscape. Sometimes the wheel at last turns full circles; the pyramids are now wholly landscape, Stonehenge but faintly architecture.
from the essay What should we preserve? in The Future of the Past”
― Osbert Lancaster