The Book of Salt Quotes

“The irony of acquiring a foreign tongue is that I have amassed just enough cheap, serviceable words to fuel my desires and never, never enough lavish, impudent ones to feed them.”
― Monique Truong, The Book of Salt

“I was certain t find the familiar sting of salt, but what I needed to know was what kind: kitchen, sweat, tears or the sea.”
― Monique Truong, The Book of Salt

“Alcohol, I had learned, was an eloquent if somewhat inaccurate interpreter. I had placed my trust that December night in glass after glass of it, eager not for drink but for a bit of talk. ”
― Monique Truong, The Book of Salt

“I am forced to admit that I am, to them, nothing but a series of destinations with no meaningful expanses in between. ”
― Monique Truong, The Book of Salt

“Although we strap time to our wrists, stuff it into our pockets, hang it on our walls, a perpetually moving picture for every room of the house, it can still run away, elude and evade, and show itself again only when there are minutes remaining and there is nothing left to do except wait till there are none.”
― Monique Truong, The Book of Salt

“All my favorite establishments were either overly crowded or pathetically empty. People either sipped fine vintages in celebration or gulped intoxicants of who cares what kind, drowning themselves in a lack of moderation, raising a glass to lower inhibitions, imbibing spirits to raise their own. ”
― Monique Truong, The Book of Salt

“WE all need a story of where we came from and how we got here.”
― Monique Truong, Bitter in the Mouth

“As a father, he was generous. More or less. The "less" was because he never gave me what I wanted. He gave me only what he wanted me to have. I found this was often true with philanthropy and with love. The giver's desire and fulfillment played an important role.”
― Monique Truong, Bitter in the Mouth

“After a week's worth of failed fairy tales—stories that made my eyelids flutter open and not shut—my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State.”
― Monique Truong, Bitter in the Mouth

“Language is a house with a host of doors, and I am too often uninvited and without the keys.”
― Monique Truong, The Book of Salt

“Time that refuses to be translated into a tangible thing, time without a number or an ordinal assigned to it, is often said to be "lost." In a city that always looks better in a memory, time lost can make the night seem eternal and full of stars.”
― Monique Truong, The Book of Salt

“Time for me had always been measured in terms of the rising sun, its setting sister, and the dependable cycle of the moon. but at sea, I learned that time can also be measured in terms of water, in terms of the distance traveled while drifting on it. When measured in this way, nearer and farther are the path of time's movement, not continuously forward along a fast straight line. When measured in this way, time loops and curlicues, and at any given moment it can spiral me away and then bring me rushing home again.”
― Monique Truong, The Book of Salt

“The irony of acquiring a foreign tongue is that I have amassed just enough cheap, serviceable words to fuel my desires and never, never enough lavish, imprudent ones to feed them. It is true, though, that there are some French words that I have picked up quickly, in fact, words that I cannot remember not knowing. As if I had been born with them in my mouth, as if they were seeds of a sour fruit that someone else ate and then ungraciously stuffed its remains into my mouth. ”
― Monique Truong, The Book of Salt

“The truth about my family was that we disappointed one another. When I heard the word 'disappoint,' I tasted toast, slightly burned. But when I saw the word written, I thought of it first and foremost as the combining or the collapsing together of the words 'disappear' and 'point,' as in how something in us ceased to exist the moment someone let us down. Small children understood this better than adults, this irreparable diminution of the self that occurred at each instance, large and small, of someone forgetting a promise, arriving late, losing interest, leaving too soon, and otherwise making us feel like a fool. That was why children, in the face of disappointments, large and small, were so quick to cry and scream, often throwing their bodies to the ground as if their tiny limbs were on fire. That was a good instinct. We, the adults or the survivors of our youth, traded in instinct for a societal norm. We stayed calm. We swallowed the hurt. We forgave the infraction. We ignored that our skin was on fire. We became our own fools. Sometimes, when we were very successful, we forgot entirely the memory of the disappointment. The loss that resulted, of course, could not be undone. What was gone was gone. We just could no longer remember how we ended up with so much less of our selves. Why we expected nothing, why we deserved so little, and why we brought strangers into our lives to fill the void.”
― Monique Truong, Bitter in the Mouth

“Every day when I walk the streets of this city, I am just that. I am an Indochinese laborer, generalized and indiscriminate, easily spotted and readily identifiable all the same. It is this curious mixture of careless disregard and notoriety that makes me long to take my body into a busy Saigon marketplace and lose it in the crush. There, I tell myself, I was just a man, anonymous, and, at a passing glance, a student, a gardener, a poet, a chef, a prince, a porter, a doctor, a scholar. But in Vietnam, I tell myself, I was above all just a man.”
― Monique Truong, The Book of Salt

“When they are like this, I remember what the man on the bridge had told me: "The French are all right in France." What he meant, he explained, was that when the French are in the colonies they lose their natural inclination toward fraternity, equality, and liberty. They leave those ideals behind in Mother France, leaving them free to treat us like bastards in the land of our birth.”
― Monique Truong, The Book of Salt

“My self-righteous rage burns until I am forced to concede that I, in fact, have told them nothing. This language that I dip into like a dry inkwell has failed me.”
― Monique Truong, The Book of Salt

“And so, like a courtesan, forced to perform the dance of the seven veils, I grudgingly reveal the names, one by one, of the cities that have carved their names into me, leaving behind the scar tissue that forms the bulk of who I am.”
― Monique Truong, The Book of Salt

“Though contrary to what the Old Man would have me believe, the vocabulary of servitude is not built upon my knowledge of foreign words but rather on my ability to swallow them.”
― Monique Truong, The Book of Salt

“He wrote that it would have been better for me to hear it all in person. What he meant was that paper was not strong enough to bear the weight of what he had to say but that he would have to test its strength anyway.”
― Monique Truong, The Book of Salt

“I had forgotten how different my language looks on paper, that its letters have so little resemblance to how they actually sound. Words, most I had not spoken for years, generously gave themselves to me. Fluency, after all, is relative. On that sheet of paper, on another side of the globe, I am fluent.”
― Monique Truong, The Book of Salt

“Such a "match," even if identified, would only allow me the illusion of communication and you the illusion of understanding. I could claim, for example, that my first memory was the taste of an unripe banana, and many in the world would nod their heads, familiar with this unpleasantness. But we all haven't tasted the same unripe fruit. In order to feed not so alone in the world, we blur the lines of our subjective memories, and we say to one another, "I know exactly what you mean!”
― Monique Truong, Bitter in the Mouth

“Lovers who have lived a lifetime together have the luxury of never having to say anything new.”
― Monique Truong, The Book of Salt

“Sorrow, even when tempered by sweat and toil into a whisper weight of gold, is still sorrow. Worthless to us both in the end, Má.”
― Monique Truong, The Book of Salt

“We loved our opposites so that we could free ourselves from our selves.”
― Monique Truong, Bitter in the Mouth

“Seconds before, we were a boy and a girl standing next to each other. The distance between our bodies was out of habit and not out of lack of curiosity. His movement was swift and unexpected. I remembered the smell of his clothes--his mom, like mine, must have used Tide--as the first of the atmospheric changes. The second was the instant warming of the air temperature as his breath came near. The third was that it became suddenly dark. As Wade pulled away, he said my name aloud for no one but himself.”
― Monique Truong, Bitter in the Mouth

“I know you are in your best áo dài. You bought it when you were just eighteen. Gray is not a color for a young woman. Gray is the color you wanted because you were practical even then, knew that gray is a color you would grow into, still wear when your hair turned white. You snap yourself into this dress and cannot help but notice that it hangs from your body, nothing to cling to. Your breasts are smaller now than when he first saw them. Your belly bears the scars of your four sons and your one husband. You touch your face the way that no one else has since I have gone. You smile because you know that I am with you, understand your need to don this dress, a thing you can call your own. You know that I am holding your hand, leading you out the front door of his house. You step out into the street, and you are a sudden crush of gray. Silk flows from your body, softness that he had taken away. In the city of my birth, you keep the promise that we made to each other. We swore not to die on the kitchen floor. We swore not to die under the eaves of his house.”
― Monique Truong, The Book of Salt

“I close my eyes, a useless flutter. I open them, and I see you half a world away. I hear fever parting your lips. I feel your shivering, colorless geckos running down your spine. I smell the night sweat that has bathed you clean.”
― Monique Truong, The Book of Salt

“Má, please do not cry. I know I could have bought bread with it, a room for the night. I could have bought acts of love with it, but I could have never bought back the years of your life. Sorrow, even when tempered by sweat and toil into a whisper weight of gold, is still sorrow. Worthless to us both in the end, Má. Better that a stranger circles the globe with it than your youngest son.”
― Monique Truong, The Book of Salt

“Obey,' like 'worship,' is a strong word. Her mother and father had told her so, and she believed them. They gave her life, they told her, so that she could give them grandsons. She had been prepared to perform that task from the very beginning. When her body took the first step, her mother found for her a husband. A scholar-prince, the girl had imagined. In the days that followed her mother's announcement, the girl was reminded again and again that she must obey this man. He must be wise, the girl thought. She must not displease him. He must be sensitive, the girl thought. She must not leave him. He must be kind, the girl thought. From the soft mouth of the woman who gave her life, my mother received the words that would keep her, still and unmoving, underneath the Old Man. The words swam with her in the dark and kept her from reaching up with a knife and cutting his neck like that of a chicken. Her mother told her to swallow her anger, and she gulped it down until her belly became distended with it. Worse, her mother knew that it would.”
― Monique Truong, The Book of Salt