There’s
nothing like reading a gifted author. This is Lorraine Hansberry (playwright of
A Raisin in the Sun) in her own
words. Lorraine died tragically young. There are many biographies about her,
but her own words shine.
It’s a strange autobiography, compiled after she
died and mixed with journal writings as well as unfinished plays.
What strikes
me most about her is her sharp intelligence and the aching in my heart for the
works she left unfinished. We get a glimpse of them here.
“Anyone who has ever wondered what it really means to be Black will find the answer in this book.”—MINNEAPOLIS TRIBUNE
To Be Young, Gifted and Black is a special kind of autobiography, in a very special voice. Both the story and the voice belong to a young woman from Chicago who moved to New York, won fame with her first play, A Raisin in the Sun—and went on to new heights of artistry before her tragically early death.
In turns angry, loving, bitter, laughing, and defiantly proud, the story, voice, and message are all Lorraine Hansberry’s own, coming together in…
My wife and I lived in Chicago this summer, and I wanted to educate myself about its past. You can't say you truly know about Chicago if you don't know a thing or two about one of its most powerful and memorable mayors, Richard J. Daley. You can't get a better guide than Mike Royko to tell that fascinating story.
"The best book ever written about an American city, by the best journalist of his time."- Jimmy Breslin
New edition of the classic story of the late Richard J. Daley, politician and self-promoter extraordinaire, from his inauspicious youth on Chicago's South Side through his rapid climb to the seat of power as mayor and boss of the Democratic Party machine. A bare-all account of Daley's cardinal sins as well as his milestone achievements, this scathing work by Chicago journalist Mike Royko brings to life the most powerful political figure of his time: his laissez-faire policy toward corruption, his unique brand…
The Exact Placebegan as a collection of stories about growing up on a small farm in a large family. Many were unusual and funny. An editor who critiqued my manuscript said: “You’ve found your voice and write well, but why have you left out the role of your stepfather and your faith which became an important part of who you are? If you want more than just an entertaining story, take it to a deeper level.” I was afraid revealing such things would ostracize me from my family, but I understood the wisdom of his advice. I kept the stories and rewrote the book determined to be vulnerable and honest.
I had no idea that a Cuban boy recalling his childhood could so drown me in a family and culture worlds apart from my own. Waiting for Snowevoked laughter, astonishment, and tears. The father in this story, like my own in some ways, replaced his son with another boy not even his own. Eire’s attempts to reconcile with his father never worked. I took heart from his experience. It was similar to my own attempts to cross the ravine and reach my stepfather’s love. Eire’s hilarity, sharp intellect, and ability to write the most eloquent cursing I’ve ever read kept me reading this book by a man who is now a professor of theology at Yale.
“Have mercy on me, Lord, I am Cuban.” In 1962, Carlos Eire was one of 14,000 children airlifted out of Havana—exiled from his family, his country, and his own childhood by Fidel Castro’s revolution. Winner of the National Book Award, this stunning memoir is a vibrant and evocative look at Latin America from a child’s unforgettable experience.
Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. For the Cuba of Carlos’s youth—with its lizards and turquoise seas and sun-drenched siestas—becomes an island of condemnation once a cigar-smoking guerrilla named Fidel Castro ousts President…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Using photo and newspaper archives from the Chicago Tribune, the authors ofHe Had It Comingtell the stories of four Chicago female murderers from the 1920s.
The documentation (both primary and secondary sources) and, especially, the newspaper's original high-quality historical photographs inspired me to dig deeply into similar archives when researching and writing my book.
Beulah Annan. Belva Gaertner. Kitty Malm. Sabella Nitti. These are the real women of Chicago.
You probably know Roxie and Velma, the good-time gals of the 1926 satirical play Chicago and its wildly successful musical and movie adaptations. You might not know that Roxie, Velma, and the rest of the colorful characters of the play were inspired by real prisoners held in "Murderess Row" in 1920s Chicago-or that the reporter who covered their trials for the Chicago Tribune went on to write the play Chicago.
Now, more than 90 years later, the Chicago Tribune has uncovered photographs and newspaper clippings…
I have hiked mountains in North Korea, slept outside in the Sahara Desert, ridden elephants in Thailand, dogsledded across the Arctic Circle, ridden camels through the Gobi Desert, floated in the Dead Sea, run with the bulls in Spain, hang glided over New Zealand, explored the Cu Chi tunnels in Vietnam, visited Buddhist temples in South Korea, and caught a glimpse of Nessie while on a boat ride around Loch Ness. I’ve spent most of my career working with the military. I also accepted a presidential appointment at the White House and served as an undercover officer for the Central Intelligence Agency.
I love the great outdoors, so much so that I have often pondered what it would be like to really live in the great outdoors, and for me, the epitome of living in the great outdoors would mean moving to Alaska — the last frontier. It’s so beautiful there, you can live off the grid and really revert to life before technology, and that’s exactly what Fred Hatfield did.
I think I enjoyed living vicariously through Fred, and that sometimes the grass really is greener, or the snow whiter, on the other side of the fence. I don’t think I would last very long without the comforts I’ve grown so accustomed to, and for me the desire for those comforts only grows stronger as I grow older.
This is an account of 50 years spent in the Alaskan wilderness, in the early days of the state. The author is one of America's last "new frontiersmen", who chronicles his everyday life, trials and discoveries - from death-duels with grizzlies to gold-prospecting.
I am a recovering trial lawyer (after 35 years of law practice) who took up fiction writing in my late 50s and became so interested in learning what it’s like to be a writer – and how to write better – that I began a podcast designed to encourage authors to open up about their writing lives. After more than 500+ author interviews, I remain fascinated by the many different ways that writers approach their craft and how they turn their “what-ifs” into interesting stories. The writing books that I am recommending are books I used to guide me in my interviews. I hope they will provide insight and inspiration in your writing journey.
What better way to experience what it feels like to be a writer than to read the reflections of one of the South’s beloved storytellers?
Pat Conroy was a writer who mentored other writers, quick with a blurb and a word of encouragement. In this book, we find a compilation of his thoughts on writing and publishing from interviews, magazine articles, speeches, and letters.
I loved this book because it shows the personal side of the writer, offering up tidbits about how the internet and technology were mysteries to him, along with his deeper reflections like: “The Great Santinihurt my entire family. But if I didn’t tell the truth the way I saw it, I wasn’t worth anything as a writer.”
Southern writer Rick Bragg’s homage to Pat Conroy at the end of the book is a touching exclamation point.
Final words and heartfelt remembrances from bestselling author Pat Conroy take center stage in this winning nonfiction collection, supplemented by touching pieces from Conroy’s many friends.
This new volume of Pat Conroy’s nonfiction brings together some of the most charming interviews, magazine articles, speeches, and letters from his long literary career, many of them addressed directly to his readers with his habitual greeting, “Hey, out there.” Ranging across diverse subjects, such as favorite recent reads, the challenge of staying motivated to exercise, and processing the loss of dear friends, Conroy’s eminently memorable pieces offer a unique window into the life…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This book brought me into yet another new world. Fatimah Asghar is a Pakistani, Kashmiri, Muslim-American who grew up in Cambridge, Massachusetts, and was orphaned as a child. The layers to her lived experience and perspective are so rich! If They Come For Us is an exploration of identity and coming of age in the absence of parental guidance. She exposed me to how issues of race, gender, sexuality, and violence manifest in other cultures and how it is so closely intertwined and reflective of the experiences of all marginalized people. It reinforced my understanding that we are truly more alike than we are different. The poems are beautifully written and have staying power.
“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker
NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD
an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case.
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I’ve been assigningThe World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book.
Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.
“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.
This vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy’s stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.
I am an author fortunate to be alive because of emergency medical treatments I received as an infant, treatments not available to one of my older sisters who died as a result. That I grew up in Rochester Minnesota—home to the world-famous Mayo Clinic where my father worked as a pediatric endocrinologist—also may have increased my awareness of how illness and its medical treatments can affect a young person’s life.
I greatly admire Michelle Obama and thought I knew her story. I didn’t. In this version of her memoir Becoming, adapted for young readers and full of engaging photos, she shares how her father’s multiple sclerosis marked her life: she was a young child when he first needed a cane, a freshman in college when he needed two, and a young professional in love with a man named Barack Obama when her father died. Though he never wanted his multiple sclerosis to limit his children’s lives—and it didn’t—her father’s illness may also explain Michelle Obama’s remarkable strength in the face of adversity and her genuine compassion and concern for others.
#1 NEW YORK TIMES BESTSELLER • Michelle Obama’s worldwide bestselling memoir, Becoming, is now adapted for young readers.
Michelle Robinson was born on the South Side of Chicago. From her modest beginnings, she would become Michelle Obama, the inspiring and powerful First Lady of the United States, when her husband, Barack Obama, was elected the forty-fourth president. They would be the first Black First Family in the White House and serve the country for two terms.
Growing up, Michelle and her older brother, Craig, shared a bedroom in their family’s upstairs apartment in her great-aunt’s house. Her parents, Fraser and…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Over 40 years after he left office, when he was replaced by Ronald Reagan, Carter remains an underrated and undervalued president. Alter doesn’t skimp on Carter’s shortcomings, from his sometimes rigid thinking to a nastiness that could be unleashed; the Iran-hostage debacle is also detailed in full. But using interviews with Carter and many of his associates and family members, he also makes the case, without being heavy-handed, that Carter was ahead of the curve on the ecology, voting rights, and other issues that remain frustratingly unfulfilled.
From one of America's most-respected journalists and modern historians comes the first full-length biography of Jimmy Carter, the thirty-ninth president of the United States and Nobel Prize-winning humanitarian.
Jonathan Alter tells the epic story of an enigmatic man of faith and his improbable journey from barefoot boy to global icon. Alter paints an intimate and surprising portrait of the only president since Thomas Jefferson who can fairly be called a Renaissance Man, a complex figure-ridiculed and later revered-with a piercing intelligence, prickly intensity, and biting wit beneath the patented smile. Here is a moral exemplar for our times, a flawed…
