Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is the classic account of the Great Terror and the Gulag. Solzhenitsyn roots Stalinist repression firmly in the Russian Revolution, blaming Marxist ideology for the camps. The literary value of this work is incontestable.
The official, one-volume edition, authorized by Solzhenitsyn
“BEST NONFICTION BOOK OF THE 20TH CENTURY” —Time
The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200…
Jeffrey H. Jackson is a prolific author and award-winning Professor of History at Rhodes College. He has written several books about the history of Europe including Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis, Paris Under Water: How the City of Light Survived the Great Flood of 1910, and Making Jazz French: Music and Modern Life in Interwar Paris. His writing has appeared in the Washington Post, CNN.com, TheHill.com, HistoryNewsNetwork.com, and in numerous other publications.
Hitler had ambivalent feelings about gay men, but Heinrich Himmler did not. The SS leader spearheaded the Nazi persecution of homosexuality in an effort to root out a perceived corruption that he believed was incompatible with the hyper-masculine doctrine of Nazism. A direct response to a flourishing gay culture in the 1920s and the medical study of “sexology,” gay men were rounded up and forced to wear the pink triangle as a sign of what the Nazis called their “degeneracy.”
This is the first comprehensive book in English on the fate of the homosexuals in Nazi Germany. The author, a German refugee, examines the climate and conditions that gave rise to a vicious campaign against Germany's gays, as directed by Himmler and his SS--persecution that resulted in tens of thousands of arrests and thousands of deaths.
In this Nazi crusade, homosexual prisoners were confined to death camps where, forced to wear pink triangles, they constituted the lowest rung in the camp hierarchy. The horror of camp life is described through diaries, previously untranslated documents, and interviews with and letters from…
I'm the child of Holocaust survivors. I grew up with parents willing to talk about their survival experiences and do so in a way that wouldn't terrify me. I asked a million questions that my parents willingly answered. I grew up passionate about this history and determined to write their stories and the stories of other survivors. I'm aware that this generation of survivors is aging and passing away. Their "voices" will soon be gone. I feel a responsibility to capture these stories and write them for the next generations. I'm about to have my thirtieth book about the Holocaust published! And I've got more book ideas on the go.
I love stories that are inspired by real people, and this is one of them; based on a true story about the author's mother who was sent to a concentration camp with her family. Anneke, the young girl of the story, must grapple with the trauma of having left behind the life she once knew. She also faces a terrible choice; standing by her father who is forced to create propaganda that conditions in the camp are good, and her own desperate need to get the truth out. The voice of the young girl is so authentic.
A pampered child used to having her own way, Anneke Van Raalte lives outside Amsterdam, where her father is a cartoonist for the Amsterdam newspaper. Though Anneke's family is Jewish, her religion means little to her. Anneke's life changes in 1942 when the Nazis invade Holland, and she and her family are deported to Theresienstadt, a concentration camp in Czechoslovakia. Not only are conditions in the camp appalling, but the camp is the site of an elaborate hoax: the Nazis are determined to convince the world that Theresienstadt is an idyllic place and that European Jews are thriving under the…
I am a Scottish writer who discovered at the age of 49 that my grandfather was an SS officer involved in the Holocaust. I wrote my book, A Nazi in the Family, to understand how a dark family secret could remain hidden for so long and I have spent the years since publication talking about my grandfather as an example of an ordinary man who turned to doing extraordinary evil.
The author, a keen observer of behaviour under appalling conditions, has an astonishingly wise and humane attitude that bears him through both internment and concentration camps. I have a personal interest in this book, and the writer, because I am the speaking partner of his daughter Noemie Lopian, and we talk at synagogues, schools, universities, and public events to ask for kindness, toleration, and understanding.
The Night lasted five years and eight days. Before the Night began, Ernst Bornstein was a precocious eighteen-year-old¬ who had an ordinary family with three siblings, two parents, and a large circle of friends and relatives. But in the autumn of 1939, decades of anti-Semitic propaganda turned into full-fledged violence. Bornstein's family was subsequently sent to Auschwitz where his parents and siblings were gassed to death. The Long Night is Bornstein's firsthand account of what he witnessed in seven concentration camps. Written with remarkable insight and raw emotion, The Long Night paints a portrait of human psychology in the darkest…
I’m the author/illustrator of over 20 books for children, ranging from whimsical fiction about anthropomorphic cats and rambunctious dogs to serious nonfiction about hidden children, unusual heroes and surprising spies of WWII and the Holocaust. Several of my nonfiction books, including The Grand Mosque of Paris, were created in collaboration.
This picture book was inspired by a true story about Henryk, a Jewish boy in WWII Poland. Henryk’s family loved music and enjoyed singing together. They couldn’t afford a piano, so Henryk learned to play Schubert on the harmonica his father had given him. When his parents were arrested by the Nazis, Henryk was deported to Dyhernfurth concentration camp. A Nazi guard heard him playing the harmonica and ordered the boy to play for him. Henryk didn’t want to play for the guard, but he had no choice. Then he found out that he also had another, more important audience: his fellow inmates could hear him play. His music was a gift for them, providing tremendous comfort during a time of despair.
The text is poetic and powerful, and the illustrations, done in a dark palette, are haunting and exquisite.
This powerful story, inspired by the life of a Holocaust survivor, is a testament to the human spirit and the transcendent power of music.
When the Nazis invaded Poland, a family is split apart. The parents are sent to one concentration camp, their son to another. Only his father's gift, a harmonica, keeps the boy's hopes alive and, miraculously, ensures his survival. When an officer discovers his talent, he makes the boy play each night. Through music the boy invokes his parents and brings comfort to the other prisoners, lifting their spirits if only for a moment at time.
I love reading stories that are a good mix of reality and fantasy, just as much as I like to write them myself. And I guess that comes from my background as a journalist. But perhaps not so, as the first stories I wrote in my teens that were published in a Dutch women’s magazine were retellings of Biblical stories. I recounted those from the point of view of women: the (future) wives of Joseph (with the ten brothers) and of Moses. I was a writer long before I became a journalist, a profession I needed to gather the knowledge I could then use to write my books, so it seems.
The book is so much better than the movie! Amis writes about a community living next to a German concentration camp, and I really liked how he focussed on the differences between the camp commander and an advisor who keeps a critical mind through it all.
I liked to see how people adapt again and again to the most gruesome situations, but also how there are rebels who never will. For me this is one of the best books about the humans behind a war, where reality and fantasy have been mixed very masterfully.
Amidst the horrors of Auschwitz, German officer, Angelus Thomsen, has found love.
But unfortunately for Thomsen, the object of his affection is already married to his camp commandant, Paul Doll.
As Thomsen and Doll's wife pursue their passion - the gears of Nazi Germany's Final Solution grinding around them - Doll is riven by suspicion. With his dignity in disrepute and his reputation on the line, Doll must take matters into his own hands and bring order back to the chaos that reigns around him.
'It is exceptionally brave.... Shakespearean.... It's exciting; it's alive; it's more than slightly mad. As…
I lived in Eastern Europe for the decade immediately after the Communist regimes collapsed. It was the most exhilarating time of my life. Originally, I titled my book list “The best teen novels set in Romania during the Cold War.” But I could only come up with three (including my own). So, I expanded my search to include Eastern Europe starting in WWII. I’m the author of three books: two nonfiction and one young adult historical fiction. I now live in western North Carolina with my husband, hold an MA in Writing, and teach at the Writing Center at a small local university.
This middle grade book takes place during WWII. The story takes the reader from Berlin to Poland, told through the eyes of a young German boy who encounters a Jewish boy on the other side of a tall fence. I loved this book because we who know about the depravity and horror of Auschwitz can see the bleak reality from a perspective of an innocent child: a boy who thinks his thin Jewish friend is dressed in pajamas.
The story of The Boy in the Striped Pyjamas is very difficult to describe. Usually we give some clues about the book on the cover, but in this case we think that would spoil the reading of the book. We think it is important that you start to read without knowing what it is about.
If you do start to read this book, you will go on a journey with a nine-year-old boy called Bruno. And sooner or later you will arrive with Bruno at a fence.
I’ve dedicated most of my writing career to the Holocaust, and in order to create novels that are historically accurate, I’ve interviewed survivors, as well as done research at many of the camps. It is one thing to study Auschwitz, but it’s an entirely different thing to walk its soil. I give lectures on the Holocaust and do readings from my novels all across the country, and I view my work as a way to open discussion about what happened in Europe between 1933-1945. As I often say, just because we live in a post-Holocaust world, does not mean we have come to understand the Holocaust.
When I first read this book, I didn’t know much about Treblinka, and in order to write my book I needed to read as much as I could about the extermination camps. I read Raichman’s memoir in one sitting because his account of surviving Treblinka is so immediate and visual. Whenever I’m asked about books on the Holocaust, I always recommend this one. He describes thousands of innocent people getting off trains, being separated, and then being forced to run naked up the “The Road to Heaven” and into the gas chambers. No other book captures Treblinka as well as this one does. Some 900,000 people died in Treblinka, and nearly all of them were Jewish. Raichman’s account is deeply moving, poignant, and heart-rending.
Quickly becoming a cornerstone of Holocaust historiography―a devastatingly stark memoir from one of the lone survivors of Treblinka.
Why do some live while so many others perish? Tiny children, old men, beautiful girls. In the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution.
In the tradition of Elie Wiesel’s Night and Primo Levi’s Survival at Auschwitz and The Drowned and the Saved, Rajchman provides the only survivors’ record of Treblinka. Originally written in Yiddish in 1945, without hope or agenda…
It was through learning Russian in my Swiss high school that I first got interested in the history of Eastern Europe. When I became fascinated by the theory of nationalism during my university studies, my geographical focus shifted to Ukraine, a society whose aspiration to nationhood has been repeatedly been contested by the neighboring great powers. For my first book, I researched the history of a fascinating nationally bifurcated family whose members have left archival traces from Moscow to Liubljana and from Kyiv to Stanford. I hold a BA degree from the University of Geneva, an MPhil from the University of Oxford, and a PhD from the University of Basel.
This is by no means an easy read. Ukrainian journalist Stanislav Aseyev experienced horrible things while he spent three years imprisoned in a torture camp of the Russian-supported so-called “Donetsk People’s Republic.”
While Aseyev refrains from including graphic details about his experiences, his account is harrowing. In his memoir, he not only takes up the best intellectual traditions of twentieth-century “camp literature” but also powerfully explains what is at stake as Ukrainians fight for their freedom against Putin’s authoritarian regime.
I met Aseyev last year and was simultaneously shocked and impressed to get to know someone who is about my age and has been forced to survive such horrors.
In The Torture Camp on Paradise Street, Ukrainian journalist and writer Stanislav Aseyev details his experience as a prisoner from 2015 to 2017 in a modern-day concentration camp overseen by the Federal Security Bureau of the Russian Federation (FSB) in the Russian-controlled city of Donetsk. This memoir recounts an endless ordeal of psychological and physical abuse, including torture and rape, inflicted upon the author and his fellow inmates over the course of nearly three years of illegal incarceration spent largely in the prison called Izoliatsiia (Isolation). Aseyev also reflects on how a human can survive such atrocities and reenter the…
I have been blessed (or cursed) with a vivid imagination since childhood. Add to that the fact that my first three years were spent on a farm in Maine with nobody around but my mother and my sister, and I grew into a person who is happy alone and making up stories. After my family moved to California, I went to school with all colors, races, and religions and my sense of inclusiveness is abundant. Most of my stories deal with unfairness imposed upon humans by other humans. Nearly all of my books are funny, too, even when I don’t mean them to be. Absurdity is my pal.
When I was a kid, I read aLife Magazine article about elephants. Specifically, it shared how the elephants tried to keep an old, beloved family member alive and mourned his passing. It touched my heart.
Set in French Equatorial Africa, The Roots of Heaven is about Morrel, who attempts to stop the extinction of elephants. It’s an uphill fight for Morrel and those few who work with him and is basically a metaphor for humanity’s struggle to survive.
I loved this book for a number of reasons, not the least of which was how hopeless Morrel’s task seems, and how he keeps fighting anyway. I feel hopeless and helpless much of the time as I watch humans kill not merely each other but the earth itself. The Roots of Heaven shows that light can still shine in the murk of destruction.
The Roots of Heaven takes as its subject the deliberate and relentless hunting and killing of elephants for their ivory. Morel, a former dentist whose survival in a Nazi concentration camp he attributes to his fixation on the freedom and companionability of elephants, travels to Africa intent on stopping the slaughter. He circulates a petition demanding their killing be made illegal. It attracts two signers: a disgraced American from the Korean War and a call girl described as "just another animal who needed protection." From here things get really interesting―politically, socially and culturally. Morel realizes that action is necessary; a…
