Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
Escaping his abusive home life in upstate New York, fourteen-year-old, Chappie—called Bone after his tattoo—falls in with an assortment of drug dealers and Rastafarians. Angry and hard, Bone is also resilient and proves to have the biggest heart with a soft spot for others who have been dealt a terrible hand by life. In Rule of the Bone, Russell Banks masterfully explores the themes of class and race and the lives of the forgotten in rural America. Chappie has a lot to say about everything, and you may not like how he says it, but he is more often right than wrong.
Bone is a punked-out teenager, living in a trailer with his alcoholic mother and abusive stepfather. Rejected by his parents, out of school and in trouble with the police, he's now into drugs and shoplifting as he drifts through dope squats and shopping malls. Until, breaking away from a group of biker thieves, he finds refuge in an abandoned school bus with I-Man, an exiled Rastafarian who dramatically changes his life.
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
Many of us writers are subject to the terrible cliché of substance abuse, none so much as Charles Bukowski. Having dabbled in the debauched myself, Ham on Rye sadly reflects what life could be like if the idiocy of adolescence continues into adulthood. This book is hilarious, vulgar, shocking, and oddly insightful. Not only is this my favourite Bukowski book, but it’s the book that introduced me to his work and changed my writing forever.
'He brought everyone down to earth, even the angels' LEONARD COHEN
Charles Bukowski is one of the greatest authors of the twentieth century. The autobiographical Ham on Rye is widely considered his finest novel. A classic of American literature, it offers powerful insight into his youth through the prism of his alter-ego Henry Chinaski, who grew up to be the legendary Hank Chinaski of Post Office and Factotum.
This book is set in the scorching hot summer of 1900, often noted by young people of the time as a moment of hope, peace, and infinite possibility. They didn’t know what was coming for them. Neither does Hartley’s narrator, a fatherless 12-year-old boy spending his summer holiday with the wealthy family of a school friend.
I loved the imagery in the book: a stolen afternoon of coed swimming in a sky-blue river; a village cricket game that exposes both class tension and a forbidden romance; a green summer suit with smoked-pearl buttons that makes a boy suddenly conscious of how he is seen in the world.
When the boy becomes an unknowing accomplice in the affair between his friend’s debutante older sister and a tenant farmer, the course of his life is permanently distorted. Fans of Atonement and Lady Chatterley’s Lover will adore this book.
L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.
'The past is a foreign country: they do things differently there'
When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The…
In terms of style, I see Cormac McCarthy as a writer who fully takes on Hemingway’s dictum of simplicity in the service of conveying complex emotion, and takes it even further by eschewing what he sees as unneeded punctuation: One would be hard-pressed to find a comma anywhere in this book, and the dialogue has no quotation marks (and then there is McCarthy’s famous disdain for the semicolon). I found this style distracting for the first page, but I immediately got used to it, and it made the story become a smooth flow of scenes and events at once vivid and disturbing.
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
