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Film Project | 428 Titles

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The Beach (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 119 Minutes

Directed by | Danny Boyle | Cinematography by | Darius Khondji | Editing by | Masahiro Hirakubo

Starring | Leonardo DiCaprio, Tilda Swinton, Daniel York

Cameras | ARRIFLEX 235 Camera

Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Minority Report (2002)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

The Terminator (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt

Starring | Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

True Lies (1994)

Motion Picture | 2D | Film Project | Color | 1.78:1 (16x9), 2.20:1, 2.39:1 | 141 Minutes

Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Starring | Arnold Schwarzenegger, Jamie Lee Curtis, Tom Arnold, Bill Paxton

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

1941 (1979)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 118 Minutes

Directed by | Steven Spielberg | Cinematography by | William A. Fraker | Editing by | Michael Kahn

Starring | John Belushi, Dan Aykroyd, Treat Williams

Cameras | Panavision Panaflex Series Cameras

Lenses | Panavision C Series Anamorphic Lenses

Raiders of the Lost Ark (1981)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 115 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex-X Camera

Lenses | Panavision C Series Anamorphic Lenses

Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

The Sugarland Express (1974)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 110 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Edward M. Abroms, Verna Fields

Starring | Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

The Good, the Bad and the Ugly (1966)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 178 Minutes

Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli

Starring | Clint Eastwood, Eli Wallach, Lee Van Cleef

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Autumn Sonata (1978)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 99 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Björk

Cameras | ARRIFLEX 35 BL Camera

Lenses | Angenieux 20-120mm T2.9 Zoom Lens, Zeiss Standard Speed Prime Lenses

Kynodontas (2009)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 97 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Christos Stergioglou, Michele Valley, Angeliki Papoulia, Hristos Passalis

Cameras | Moviecam Compact MK2 Camera

Lenses | Optica Elite Lenses

I Love Lucy (1951)

Television Series | 2D | Film Project | Black & White | 1.33:1 (4x3) | 30 Minutes

| Cinematography by | Karl Freund, Sidney Hickox, Robert De Grasse | Editing by | Bud Molin, Dann Cahn

Starring | Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley

Cameras | Mitchell BNC Camera

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Deep (1977)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | Peter Yates | Cinematography by | Christopher Challis | Editing by | David Berlatsky

Starring | Jacqueline Bisset, Nick Nolte, Dick Anthony Williams, Robert Shaw

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Panavision Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dante’s Peak (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 108 Minutes

Directed by | Roger Donaldson | Cinematography by | Andrzej Bartkowiak | Editing by | Conrad Buff IV, Tina Hirsch, Howard E. Smith

Starring | Pierce Brosnan, Linda Hamilton, Jamie Renée Smith, Jeremy Foley

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

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