Prabhat Samgiita – Songs 1501-1600: Translations by Abhidevananda Avadhuta: Prabhat Samgiita, #16
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About this ebook
Shrii Prabhat Ranjan Sarkar (aka Shrii Shrii Anandamurti) is widely viewed as the preeminent spiritual master of the 20th Century. Among his many and varied achievements, he gave 5018 sublime songs, most of them in Bengali and all of them in the last eight years of his life. That collection of songs is known as Prabhat Samgiita (Songs of Prabhat). This book contains Abhidevananda's English translations of Songs 1501-1600 (second edition).
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Prabhat Samgiita – Songs 1501-1600 - Shrii Prabhat Ranjan Sarkar
Prabhat Samgiita
Songs 1501-1600
All melodies and original lyrics by Shrii Prabhat Ranjan Sarkar
English translations by Ac. Abhidevananda Avadhuta
A wonderful exposition of Baba's voluminous mystical work. With Abhidevananda's impeccable English and attention to both context and detail, these are far and away the best translations of Prabhat Samgiita ever done, bar none. Ac. Bhaskarananda Avadhuta, author of Glimpses of a Mystery
Very fine translations of Prabhat Samgiita which are both accurate and poetic. Undoubtedly,
the best translations by far to date. Ac. Gunamuktananda Avadhuta, P.R. Sarkar Institute
© 2019-2020 Limited copyright in respect to translations only: Ac. Abhidevananda Avadhuta
© 1982-2020 Full copyright in respect to original lyrics and melodies: Ananda Marga Pracaraka Samgha on behalf of Shrii Prabhat Ranjan Sarkar
Graphic on cover by Tadeusz (Trilokesh) Majewski
Published by AmRevolution, Inc.
First Edition: 2020 February 20
Second Edition: 2020 June 7
Preface
Prabhat Samgiita is the collection of 5,018 songs composed by Shrii Prabhat Ranjan Sarkar, also known as Shrii Shrii Anandamurti and affectionately addressed as Baba. As the translater of this book's songs feels privileged to have been and to still be a disciple of the songs' composer, all further references to him (other than in formal citations) will be simply as Baba.
The first song of Prabhat Samgiita was given on 1982 September 14. The last song was given on 1990 October 20 (less than 24 hours before Baba's physical departure). All of the 100 songs that appear in this book were given over a period of three months from 1984 April 7 to July 5. Most of the songs in this book were given in Kolkata; and most of those songs were given in Baba’s Lake Gardens residence, known as Madhumálaiṋca (sweet flower garden
).
Baba's songs cover a multitude of themes and genres. There are devotional songs, mystical songs, and revolutionary songs. There are folk songs, children's songs, women's songs, and ballads. There are wedding songs, birthday songs, and festival songs. Regardless of the theme or the way it is expressed, in every song there is a strong spiritual undercurrent, expressive of Baba's personal philosophy of Neohumanism.
Most of the song lyrics are in Bengali or a Bengali dialect.[n1] Nevertheless, the lyrics of over 40 songs are in other languages (including English, Samskrta, Hindi, Urdu, Magahi, Maithili, and Angika).
The melodies of Prabhat Samgiita represent most, if not all, of the major and even minor classical and folk styles of India. However, these Indian musical styles are often blended, occasionally for the first time, with musical styles from different parts of the world and different historical eras.[1][2] In addition, Prabhat Samgiita introduces many melodies that are original to Baba.
As Baba rarely gave titles to his songs, the songs are generally referenced by their first line. In other words, the first line of each song is usually treated as the song's title. On the rare occasions when the first line of more than one song is the same or similar to the first line of one or more other songs, the songs may be distinguished by the song number or the second line of the song. In this book, wherever identification of a song on the basis of the first line alone might be ambiguous, that song is distinguished by adding the second line of the song, customarily separated from the first line by a comma.
All of the material in this book (and more) will eventually be available free of charge on Sarkarverse. There may even be some corrections and updates there. Proceeds from the sale of this book will be used to support Sarkarverse and its affiliated projects, primarily PROUT Films.
Notes
1. Bengali is the sixth most-spoken language in the world. Its script is the sixth most-common script. The Roman script notation for Bengali used in this book was developed by Baba himself. For details on the notation, see Roman Bengali transliteration.
References
1. Sarkar, Shrii Prabhat Ranjan (1993) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 Kolkata: Ananda Marga Publications
ISBN 81-7252-041-7
2. Sarkar, Shrii Prabhat Ranjan (1994) Acarya Vijayananda Avadhuta, ed. Prabhat Samgiita Volume 1 (in Bengali) (2nd ed.) Kolkata: Ananda Marga Publications ISBN 81-7252-082-4
Introduction
There have been several translations of Prabhat Samgiita over the past 35 years since Baba gave his first composition. None, however, have been as
well-considered or as well-researched as these translations by Ac. Abhidevananda Avadhuta (Dada).
Prabhat Samgiita is a treasure trove of subtle devotional nuances that can only be deeply experienced and absorbed in the listening devotee's heart.
Such profound and intimate spiritual bháva can never be translated into any language as it lies beyond the world of words in an eternal sphere of cosmic inspiration. In Song 1745, Baba beautifully describes this realm.
The songs of Prabhat Samgiita are Baba's gift to humanity. They express all our most noble spiritual feelings as human beings, feelings in relation to our own minds as well as to all the expressed world – plants, animals, humans, human society, and the natural environment. Yet they are coming from one who was ensconsed in the realm of eternal, cosmic bháva. As such, these songs are Baba's multi-faceted expressions from the stance of mohan vijiṋána into the jewels of nandan vijiṋána. They help stir the latent feelings of spiritual ecstasy and spiritual mission in the devotee's heart.
It is no easy task to translate into English these jewels from the original Bengali, Bengali dialect, Urdu, or other language in which Baba chose to compose them. None of the other translations to date have been as painstakingly true to the literal and spiritual meaning as those by Ac. Abhidevananda. And so this book is an incredible labor of love. In it, Dada has achieved a sublime result. For those of us who are not familiar enough with the original language of these Prabhat Samgiita songs, Dada's translations offer an invaluable tool with which we may go deep into our own personal experience of the bháva of Baba's divine compositions.
Avadhutika Ananda Gaorii Acarya
Contents
1501 Ei phagune tithi nahi gune
1502 Ajana pathik aj kena eseche
1503 Nijere charaye diyecho tumi
1504 Ghumer desher parii ese
1505 Kena ase kei ba se
1506 Rajar veshe eso amar
1507 Se chilo amar, saunge nishidin
1508 Tumi esechile, maner kone alo jvelechile
1509 Kon se nishiithe madhurima sathe
1510 Giyechile prabhu na bale na kaye
1511 Ami tomay bhalobesechi, rupe rase marmikatay
1512 Aj bhuvan bhariya dao
1513 Jarata jadi ase
1514 Tumi esechile manera nikhile
1515 Ekeri ahvane
1516 Tumi esecho bhalo besecho, man jine niyecho
1517 Ami bhuli ni tomay
1518 Patheri kanta nahiko ami
1519 Pratiiti rekhe gele
1520 Ankhi jale bhare geche kar tare
1521 Amar dike dur nimese
1522 Eso nava ghana niilakashe
1523 Phagun mase dhara sakashe
1524 He prabhu tomar liila balo ke bujhibe
1525 Tomay pelum anek pare
1526 Chile kon videshe
1527 Dustara giri launghan kari
1528 Ajana pathik eseche aji
1529 Vajre tomar baje banshii
1530 Balo na kar pare ei abhiman
1531 Phuler vane saungopane
1532 He devata balo amay
1533 Upal majhe mahacal tumi
1534 Gan geye jai alo jvele jai
1535 Kena ele aji ei asamay
1536 Maneri manane gopane gahane
1537 O je asiimer gan geye jay
1538 Ajana pathik neve esecho
1539 Tumi ele prabhu
1540 Shukno patar nupur paye
1541 Hese hese parii ese
1542 Tomay niye amar dhara
1543 Jale bhara ankhi kena
1544 Tomay amay pratham dekha, kon se atiite
1545 Kena esechile cale jabe jadi
1546 Bulbuli nace gulbagicate
1547 Tumi eso eso eso mane
1548 Tumi vasante esechile
1549 Madhumase mayakanane
1550 Ankhi mele ceye dekho
1551 Sharada prate sonalii ksete
1552 Bhal go, pahare phuteche kata na phul
1553 Tumi ele tumi ele
1554 Amar nadii madhumati
1555 Ketakii parage surabhita rage
1556 Praner parag dhele dile
1557 Gulbagicay raunin haoyay
1558 Balechile phire asbe abar
1559 Ogo ajana pathik
1560 Meghe dhaka varasay vari jhara tamasay
1561 Asa ar jaoya caoya ar paoya
1562 Tomay amay ei paricay
1563 Amar dukher rate ele prabhu
1564 Je kabhu kache ase ni mor
1565 Vajrakathora kusumakoraka
1566 Bholo na amare tumi
1567 Ami kusuma parage rayechi
1568 Cale jabe je tumi
1569 Baso amar