What have you done to our ears to make us hear echoes?: Poems
By Arlene Kim
4.5/5
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Nature
Time
Literature
Poetry
Family & Relationships
Coming of Age
Power of Language
Love Triangle
Family Secrets
Time Travel
Quest
Haunted House
Lost World
Widowhood
Lost Princess
Love
Memory
War
Identity
Book Publishing
About this ebook
In her stunning debut poetry collection, What have you done to our ears to make us hear echoes?, Arlene Kim confronts the ways in which language mythologizes memory and thus exiles us from our own true histories. Juxtaposing formal choices and dreamlike details, Kim explores the entangled myths that accompany the experience of immigration—the abandoned country known only through stories, the new country into which the immigrant family must wander ever deeper, and the forked paths where these narratives meet and diverge.
Sharing ground with Randall Jarrell’s later poems, and drawing on a dizzying array of sources—including Grimm’s Fairy Tales, Korean folklore, Turkish proverbs, Paul Celan, Anna Akhmatova, Antonin Dvorak’s letters, and the numerous fictions we script across the inscrutabilities of the natural world—Kim reveals how a homesickness for the self is universal. It is this persistent and incurable longing that drives us as we make our way through the dark woods of our lives, following what might or might not be a trail of breadcrumbs, discovering, finally, that “we are the only path.”
Winner of the 2012 American Book Award
Praise for What have you done to our ears to make us hear echoes?
“Using fairy tale archetypes like axes and keys, and diverse cultural references—from the Romanovs and code ciphers to Korean birth rituals—Arlene Kim recasts the experience of family immigration in language that manages to be both lush and restrained. This is a book to savor, give your friends, and let echo in your ears for a long time to come.” —Katrina Vandenberg, author of Atlas
“In this young century, American writing has rapidly changed and the impact of this book proves Arlene Kim is a part of this exciting transformation. Her poetry and prose challenge the concept of genre as they redefine the role of the imagination.” —Ray Gonzalez, author of Muy Macho
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What have you done to our ears to make us hear echoes? - Arlene Kim
Table of Contents
Title Page
Dedication
Rot
Spindle
One of Us
The Scar
Bird Call
Rib
Needle
Reasons We Left
Answers to the Proust Questionnaire
Season of Frogs
Hollow Tongue
I’m Sorry, Father, for Losing the Key
Spool, Book, Coin
Verna
Once, I Held Time
Exhibit A: Archive
Wilderness
Translation Plundered
Tiger-Brother
Release, Catch
What Lies in the Rest of the Wood
Before the Fires
Rabbit Song
Tracking
The Squirrel
When Thunder, Then What
Wind
Paper Suns
Turtle-Sister
Litany for Common Horses
No Gondolier
Echo
North Was Not the Way
The Collecting
Among Monarchs
Song
Mountains
Wolf-Fruit, Rind
Curse
Occupation
the path come apart
Legend
Hunt, Peck
The Cutting
Acknowledgments
Notes
More Poetry from Milkweed Editions
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Copyright Page
for LB
"Now wake up it’s time to eat! Show me your tongue, my sweet …
Boil her down to bone."
Rot
Begin
An apple. Experts agree that it starts with an apple.
*
* *
Lesson
For beginning metaphysicists and people of color
A person walks into a room. In this particular story, there is a table in the middle of the room. A tempting red apple sits on the table. The person sees red, sees just the skin of apple—not the flesh, or the seeds, or the table, or even the room. And certainly not the story. Not yet. The apple is of color. The person is of color. The apple has the property of redness. The person has the property of color. Apples can have redness, but redness can’t have apples. And people—people can have color (and apples and stories), but mostly color has people.
* * *
The Seed
It’s evening in the 1700s. Korea (Mother tells me). Palace girls gather in their nightclothes and pass peaches. Something’s too sweet, soft. Someone strokes the peach hair—small, blushing head. It shimmers. The fuzz makes her stomach turn. Sometimes she craves, sometimes she sickens. Tonight, she craves. (The secret is this: the peaches are wild with worms. The secret is this: suck rot for beauty.) Such girlish secrets worms plunder from every aging heart. Pray tomorrow she’s not pocked with years like a pit. Fatten pretty on each fleshy grub; thieve from the graveyard’s hearty worker. Harder to see than swallow, she blows the candles out whhhhhhhhhhh the sound, too soft, sweet. She sickens, swallows.
* * * *
Never, Never
The apple is red. Reddening. The peaches are ripe. Ripening. They progress—imperfect; ongoing; they do not rot. They do not ever rot.
Spindle
I am a nickel of girlhood gone,
spun feverfew once in my pouch
with foxtail and thistledown robbed from the finches. And you
stood with me too, gathering the world then, our song
collective. We were sister thieves. We were
a siege of bitterns, a deceit of lapwings, a quarrel, a filth,
a