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George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011)
George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011)
ratings:
Length:
68 minutes
Released:
May 1, 2011
Format:
Podcast episode
Description
George Hunka’s book Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama (Eyecorner Press, 2011) offers a series of challenges, provocations and meditations on Theatre (with a capital “T”). It’s a valuable piece of work to wrestle with, inviting both consideration and criticism. Much of Word Made Flesh is distilled from his public musings on his website Superfluities – now Superfluities Redux. Hunka became known as an early adopter of blogging, but quickly distinguished himself from most theatre bloggers by keeping his head squarely in the world of theory, and spending as little time as possible on the “business” of theatre. His perspective is sadly rare: more interested in how plays are made and what they have to say, than how to market and fund them. Our conversation touches on the health to be found in depression, Beckett as a comedian, the idea of utility as a paradigm for art, and the audience as a collective versus the audience as an individual.
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Released:
May 1, 2011
Format:
Podcast episode
Titles in the series (100)
Koritha Mitchell, “Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930” (University of Illinois Press, 2012): Koritha Mitchell‘s Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 (University of Illinois Press, 2012) is, as described on the publisher’s webpage, “the first full-length critical study of lynching plays ... by New Books in Literary Studies