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Kimberly Fain, “Colson Whitehead: The Postracial Voice of Contemporary Literature” (Rowman and Littlefield, 2015)
Kimberly Fain, “Colson Whitehead: The Postracial Voice of Contemporary Literature” (Rowman and Littlefield, 2015)
ratings:
Length:
54 minutes
Released:
Nov 30, 2015
Format:
Podcast episode
Description
Colson Whitehead’s fiction has drawn varied criticism. On the one hand, there’s the scholarship of the African diaspora, a tradition that takes the long view of Whitehead–extrapolating him from their existing canon (of Du Bois, Hurston, Ellison, etc.); on the other hand, there’s the conversation on Whitehead’s work that’s happening more in the literary main stream. On Kimberly Fain‘s view, the last word is somewhere in between, and in her Colson Whitehead: The Postracial Voice of Contemporary Literature (Rowman and Littlefield, 2015), she considers a more integral fiction: one both a product of a long history and of an intermediating pop culture.
The big task of Colson Whitehead is to position the fictionist as a “postracial” figure–a figure who represents a changing attitude on the concept and reality of race. What would it mean to live a really, truly colorblind America? You can see inklings in Whitehead, especially in his latter work. And while it is clear from Whitehead’s own (critical) writing that postracialism is–to us, now–still an ideal, it’s in the same writing where race begins to matter not less, but perhaps just in a different way. That race might begin to signify culture, community, a legacy in art–and something less sociopolitical or less economic.
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The big task of Colson Whitehead is to position the fictionist as a “postracial” figure–a figure who represents a changing attitude on the concept and reality of race. What would it mean to live a really, truly colorblind America? You can see inklings in Whitehead, especially in his latter work. And while it is clear from Whitehead’s own (critical) writing that postracialism is–to us, now–still an ideal, it’s in the same writing where race begins to matter not less, but perhaps just in a different way. That race might begin to signify culture, community, a legacy in art–and something less sociopolitical or less economic.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Released:
Nov 30, 2015
Format:
Podcast episode
Titles in the series (100)
George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011): George Hunka’s book Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama (Eyecorner Press, 2011) offers a series of challenges, provocations and meditations on Theatre (with a capital “T”). It’s a valuable piece of work to wrestle with, by New Books in Literary Studies