The Myth of Fingerprints
- Original title
- The Myth of Fingerprints
- Year
- 1997
- Running time
- 91 min.
- Country
United States
- Director
- Screenwriter
- Cast
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- Julianne Moore
- Hope Davis
- Noah Wyle
- Blythe Danner
- Roy Scheider
- James Legros
- Laurel Holloman
- Brian Kerwin
- Michael Vartan
- Arija Bareikis
- See all credits
- Music
- Cinematography
- Producer
- Genre
- Drama. Action | Thanksgiving. Independent Film (US)
- Synopsis
- A Sundance Festival special, this indie family comedy-drama was given unduly harsh treatment by critics when it was released. Starring as the long-estranged son of an emotionally distant father, Noah Wyle comes home to his family for Thanksgiving in hopes of reconnecting with his old girlfriend, and receives unexpected results. But he's not the only one coming back. There's the brother with a cute fiancée (Hope Davis), who doesn't quite understand what all the tension is about. There's the glum sister (a hilarious Julianne Moore) who is down on love and everything else until she connects with a childhood acquaintance. And Mom (Blythe Danner) is there to referee it all. But the central conflict involves Wyle and his father (Roy Scheider in a wonderfully eccentric performance). --Marshall Fine (from amazon.com)
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NEWAbout similar movies and series:Similar Movies to The Myth of FingerprintsSimilarity over 75%Similarity between 60% and 75%Similarity between 40% and 60%Similarity below 40%
- Awards
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1997: Independent Spirit Awards: Nominated for Best Supporting Male (Roy Scheider)1997: Sundance Film Festival: Nominated for Grand Jury Prize - Dramatic1997: Mar del Plata Film Festival: Official Selection2000: Independent Spirit Awards: Nominated for Producers Award
- Critics' reviews
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"A low-key holiday drama that's refreshing not only because it lacks the big discovery melodrama of most similar movies but because it's entirely believable."
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"This engrossing blend of humor and heartbreak only hints at the causes, from betrayal to child abuse, of this family's dysfunction. Hang on. Attention is richly rewarded."
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"It's a decorous film, conventionally well-made, but don't be fooled. Its emotional impact is considerable."
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"It's probably not the last word in WASP angst, but it's eloquent, witty, graceful and as sharp as can be."
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