TEETH is such an immersive, interesting story. Reading it kind of felt like watching one of Hayao Miyazaki's darker, more adult movies, like Princess Mononoke, where human nature is put under the microscope and nothing is resolved with easy answers. It's set on an island with magical fish. Eating them cures any disease and prolongs life. Rudy is there with his family because his younger brother has cystic fibrosis, and if he doesn't eat the fish, his lungs don't work.
One day, while on the shore, Rudy meets a being named Teeth. Teeth is a mermaid-- sort of-- but not the kind that they make dolls of. He's hideously ugly and every night, he opens the fish traps and frees the fish, depleting the supply that all of the islanders desperately need. He also hates humans, but for whatever reason, he lets Rudy get close. And as the story progresses and the two boys grow closer, Rudy learns more about the mysterious Teeth and the secrets the island harbors.
This was not a perfect story by any means-- I do feel the ending lacked closure and some of that was intentional and some of it felt like an omission-- but it was transportive, lyrical, and beautiful, with a truly well done cast of "unlikable" and flawed characters, and a setting that was practically a character itself. I'm shocked that this book has fallen into obscurity instead of becoming a classic, because it is SO good. Thank god I have more Hannah Moskowitz books on my Kindle. I think I might have to read everything she ever wrote because this was just... amazing.
CRACKED was published in 2013 and it shows, but not in a bad way. The tough as nails, sentient-Hot-Topic-tee, soul-devouring, ball-busting heroine is perfectly cast in the mold of Anita Blake-inspired, "strong female protagonists" that were popular in the day. She comes across as a little one-dimensional now, but I did enjoy her arrogance and sarcasm, and how she's an obvious reactionary response to the more Bella Swan-y heroines that were also popular at this time. If you enjoy Wednesday Addams-coded heroines, you'll love this.
The book literally opens with the heroine inside a mental asylum, pretending to be an inpatient so she can attack a predatory male nurse who preys on his female patients. His end is gory, and attracts the attention of some demons on the scene, who also planned to take the man's soul. Instead, they try to come for her and Meda, the heroine, is saved by some well-meaning but inept teen demon slayers called "Templars," including a doofy golden boy himbo named Chi.
Meda plays up the damsel in distress act while hiding her half-demon identity, determined to learn more about her heritage and this new, potentially dangerous enemy. The results are honestly pretty funny, and the book is fast-paced and filled with action, in a way that would honestly make it equally appealing to readers of all genders. I would have liked this more if I'd read it when it first came out, because I was in my early twenties then. Now, it's a little too YA for me, and Meda's one note sarcasm shtick got a little old after a while. I appreciate what this book represents, and it's a testament to its quality that it's aged as well as it has, but Harley Laroux has basically spoiled me for all other demon books.
That said, if you love the TV show, Wednesday, and are looking for something with similar vibes for Halloween, this would be a great pick. And the ebooks for the entire series are very affordably priced.
It's been a while since I read a work of erotic horror that pushed my limits like this, but still made me feel so compelled to continue. So this is what a mouse hypnotized by a serpent feels like. First, a word of warning: the trigger warnings are all the way in the very back and I missed them going in. This is very violent, and graphically so, including disfiguration and what I would consider body horror. One of the triggers, for example, is "destructive fisting."
Ehvy is a medical examiner who is on a tour of an old creepy mansion with friends, when she happens to meet one of the descendants of the house, Will Sandridge. His presence there intrigues her because not only is he incredibly attractive, and they have an instant connection, his family history is highly sordid. Sex parties and murdering of the townsfolk? Naughty, naughty. But Ehvy is very into naughty. She is also very into Will.
I don't want to say too much else but the story becomes a cat and mouse game of sorts between Will and Ehvy. Ehvy is determined to know more about the man who literally haunts her dreams, and Will is... well, eager to continue their relationship in a way that is frightening, once you see what else he gets up to in his free time. Until the very end, I was never 100% completely sure what endgame was.
People who like gothic horror, erotic horror, and vampires who actually act like vampires will enjoy this book. The writing was great, and stylistically, this feels very much in the vein (ha, vein) of authors like Clive Barker and Lucy Taylor. If you read this, expect bloodsplatter.
Thanks to the author for providing me with a copy!
WHEN WE WERE MAGIC is kind of like The Craft meets Lisa Frankenstein, but delightfully queer and strangely surreal. The book literally opens with the heroine, Alexis, accidentally murdering a guy during a hookup by making his dick explode with magic. Desperate, she calls in her squad of five friends to help her. They're all kinda sorta witches, and their original plan is to bring him back to life with magic. Instead, they separate his body into pieces, including his heart.
There's a little bit of The Telltale Heart with this book, too, as the pieces of the boy haunt each girl as they're forced to dispose of the body, while also reckoning with how his disappearance/murder impacts the community, their relationships, and their magic. I think the beginning was stronger than the middle and the end, which felt a little unsatisfying to me. Especially since I know Gailey can do better. I'm reading one of their adult novels right now, JUST LIKE HOME, and it positively drips atmosphere and character development.
One of my friends said that this would make a better movie than it would a book and I see what she means. It would be a good visually arresting artsy horror movie, like Lisa Frankenstein or Velvet Buzzsaw. Not bad, though.
THE HOUSE OF LOST WIVES was an impulse buy. I thought the cover was beautiful and the blurb sounded very Bluebeard-y. Then I checked out the sample and thought it looked awesome. Better yet, my friend lacy agreed to buddy-read this with me, because the only thing better than a gothic read is a gothic read with friends.
Lizzie is the daughter of a gambler/alcoholic and an enabler in Victorian England. She's gently-raised but her father's shittiness with money has steered her a little too close to the crime- and poverty-stricken parts of Victorian England, as we see right at the beginning when she and her sister cower in the face of shady repo men who take some of their family heirlooms after roughing up their dad.
Now an adult woman, Lizzie is about to be married off to the same man that her sister married... before she died mysteriously and suspiciously. Her parents don't care, though, because Lord Blountford has agreed to forgive her dad's gambling debts if he can marry her and that's too good of a deal to resist.
We follow Lizzie in her new soon-to-be-married life as she navigates the mansion and realizes that her husband had FOUR other wives. Also, she can talk to them... because she can see and hear ghosts. Which sounds like it should be twee, but it actually makes this feel like a fun grown-up version of Meg Cabot's Mediator series that really adds to the gothic vibe of the story.
As far as gothics go, this is a pretty gentle one. But it's really fun. The mystery kept me turning pages, there's a bit of a romance (several, actually), and the heroine's SA is handled BEAUTIFULLY. I really appreciated that it was off page and how realistic her PTSD was. It was handled very delicately and I thought that was great and wanted to make a point of calling that out.
I'm feeling some major Halloween vibes right now so all I want to read are gothic romances and vampires, and HER SOUL TO TAKE was, like, exactly what I needed in this moment to scratch the itch. Not only is it a deliciously smutty story about a demon with a degradation kink, it's also darkly atmospheric, with cults, demons, eldritch horrors, sacrifices, creepy small towns, and cannibalism. Wooooo.
I actually don't have too much to say about this one, to be honest, mostly because I think it's best to go in cold (unless you need to review the trigger warnings). For a horror romance, it's pretty lite on the actual horrors; I think the biggest triggers are probably the degradation scenes and the nipple piercing. The romance itself is actually pretty sweet once it gets rolling and the banter is top-tier, even as it shifts from enemies to lovers. Loved Rae's alt girl blogger vibe and the shenanigans Leon got up to with his fork tongue. The cemetery "dining" scene will be living rent-free in my head for a while. Also, there's a chubby kitty named Cheesecake that lives.
This was a buddy-read with my friend Corvina. WALK OF THE SPIRITS has been on my TBR for a while because Richie Tankersley Cusick is one of my favorite horror/thriller books of all time. Most of her books are YA but she has two adult titles. Her adult titles are among her best work, I think because she had to dial stuff way down for her YA publishers. Even so, her older stuff tends to be wilder than her newer books. WALK OF THE SPIRITS is so mild that it could probably be on the Disney channel.
There's a lot about this book I did like, though. Nobody does atmosphere like this author. I also thought the heroine was bland but fine (surprised by how many people were calling her obnoxious in the reviews; she's almost ridiculously inoffensive). Also, one of the other girls talks about how she's had casual sex and the heroine is super unjudgemental about it, which is a rarity for the 00s. I also liked the Louisiana ghost culture elements and the fact that one of the love interests was a hot, dangerous Cajun guy.
Where this book fell apart was that it foreshadowed creepy stuff but then it didn't pay off. I had an idea of how this book would end and when I wasn't even close, I was mad, because I liked my idea better. The ending was ridiculous. Apparently, there's a sequel, so some of the open-endedness made sense, but my issues with the main storyline remain.
I still love this author but I won't be recommending WALK OF THE SPIRITS to anyone.
This was purely an impulse buy but I still think it's the best Vampire Academy adaptation out there, based on the original books. They managed to cram the entire first novel into a comic book that's under 200 pages, and they honestly did a pretty decent job. I mean, it's still basically the Reader's Digest of a YA novel, but I liked it.
Also, every time Dimitri tells Rose he'd throw himself in front of her during a Strigoi attack instead of Lissa, I swoon a little.
It hits just the same in this graphic novel.
(Though gosh, I forgot how edgelord 2000s this book was-- cutting and self-harm, slut-shaming, mean girls, and everyone obsessed with who's sleeping with whom. I loved it. It was toxic BUT I LOVED IT. I was still a teenager myself when I was reading these books, okay?? Everyone needs a YA 'ho phase.)
Also this is literally the only student x teacher romance I'll allow.
Don't read this if you don't love the original series, but if you love the original series, this will basically cement your love for it even further, I think. Just, you know, don't get *too* attached. Apparently they stopped making the graphic novels after book three because they weren't selling well. I guess other people didn't find the uncanny valley manga look of these comics as charming as I did. But some people just don't have taste.
FOLLOW ME TO THE YEW TREE is a short, sweet, and surprisingly spicy story about soulmates who are forced to fight for each other against the looming specter of death. I don't want to say too much more, but there's a little bit of death and the maiden, a little bit of a supernatural element, and a little bit of a fairytale twist. I'd highly recommend this book for anyone who read TUCK, EVERLASTING and thought that the heroine made the wrong choice. Eireann is a bad-ass bitch.
Also, side note: the hero of this book has pancolitis, which is an autoimmune disease that affects the colon and appears to result in gastrointestinal distress, bloating, and diarrhea. I saw some reviewers who thought this was gross but I loved seeing it. For years, an undiagnosed food sensitivity caused me to randomly vomit and, yes, shit. A couple times I almost shat my pants. This is something that is frequently played for comedy in movies, but until you have experienced bathroom anxiety and the terror of not knowing when you'll have another flare up, you'll never fully understand how satisfying it is to see someone who gets it.
So I really enjoyed this book and it sold me on the insta-love trope, which isn't usually something I enjoy (most authors can't pull it off, imo). So FOLLOW ME TO THE YEW TREE now joins Shiloh Sloane's LIKE NEON MORNINGS on the very short list of books that have me believing that people can fall in love after only one day.
Oh, I loved this so much. THE GHOST AND THE GOTH is one of those books that manages to make you feel nostalgic without being too dated. Set in the 2000s, it's a story of a popular cheerleader who dies suddenly and unexpectedly when she's hit by a bus filled with band geeks. Rather than going to the good or the bad place, though, she's stuck here on Earth, doomed to watch her boyfriend move on (with her best friend) and people get over her like she's so yesterday.
However, one person in the school notices that Alona, Miss Pretty and Popular, is still hanging around. And that person is Will, resident school outcast and reluctant mall goth. Everyone thinks that he's mentally ill because he can hear "voices," but the voices he can hear are the voices of the dead.
This was so great. I love difficult and spoiled heroines who get neat character arcs, and that was Alona to a T. Will is also difficult in his way, and I felt like his struggles with his abilities as a mediator were really well done. The constant threat of him losing control and being involuntarily confined felt like a great allegory for people with mental illness who have periods of self-awareness and lucidity, and the very real fear of having that taken away. Likewise, Alona's image consciousness, and her unhappiness at being "perfect" all the time felt very real in a painful way.
If you like feel-good books that are a little bit morbid and a little bit whimsical, you'll love this. It's like Freaky Friday meets Odd Thomas and that combo really worked for me. I wish this had been made into a TV show or movie. The banter was excellent and the author has a great sense for dramatic irony and comedic timing. This would translate so well to the big screen.
WOW. This is everything I want out of a dark gothic romance: strong heroine, tortured hero, vibes for days, moral ambiguity, just the tiniest bit of dub-con and a little bit of kink, and a little bit of the paranormal. I'm honestly shocked Grace Callaway wrote this, to be honest, because her newer stuff seems like it's for the fluffies, but this was DARK. Also, it's a Jane Eyre retelling?
I loved it.
Abigail Jones works as a maid in the Earl of Huxton's house. She's bookish and quiet and keeps to herself, but beneath the prudish exterior lies a dark secret: her mother was a prostitute who died in an asylum having fucked-up visions, and Abigail fears she'll end up exactly the same. She has nightmares constantly, and sometimes, during the day, she sees things that terrify her... and excite her.
After an encounter with the Earl in the library (ahem), he promotes her to the role of secretary, entrusting her as his confidant. But the closer she gets to him, the less she really knows. What's the deal with the painting of the creepy but beautiful woman in his library? What about the mysterious death of his late wife and his older brother? Where does he go all day and why does he sleep with so many women? The questions keep piling up, and the more there are, the less sure Abby is that she wants to know the answer. This doesn't even really scrape at the surface of what the book is REALLY about but I don't want to spoil things.
No, seriously. That WTF pivot in the middle is priceless.
I just loved this book so much, okay? It showed up on a list of JANE EYRE retellings and since this was one of the few that seemed to be taking the tried and true gothic route, I was immediately intrigued. The way that the author wove the foundational bits into her story while still making it absolutely her own was ingenious. This is one of those books where after I finished it, I walked away thinking, "I wish I'd thought of that." Even when things got kind of weird, I was still into it... because it was my brand of weird. The atmosphere was just as good as the romance, and the writing was simply luscious.
I'm surprised this book has such low ratings but I think part of the problem is how it was probably marketed. The contemporary historical romance crowd tends to prefer lighter fare, so if this was marketed with them in mind as an audience, I think many of them would be disgusted or put off. In terms of theme, I feel like this would actually be a better match for most dark romance readers: the gore, depravity, and morally gray antihero just fit in really neatly with what they tend to want.
Anyone who enjoys historical romances on the darker side will love this book.
Rosemont is an idealistic little town that looks like it could have come out of a Norman Rockwell painting, and is famous for its "eternal roses." But when Kit goes there with her mother to visit the paternal grandmother her father never told her existed, a pall hangs over the town. Everyone stares at her, whispering her name. She hears a strange man's voice in the middle of the night. And what's this about a festival?
STARLINGS is a pretty solid YA gothic novel with some genuinely creepy scenes and an empowered bisexual heroine and, of course, the hawt and sinister villain. I honestly wasn't expecting this to be as sensual as it was, and there were some excellent body horror scenes and implied grotesqueness that made me squirm.
Points off because it got a little weird in the third act and there wasn't as much build-up with the love interests (who weren't really love interests) as I would have liked. But if you're into vibes and atmosphere, and love folk horror, this is your jam. I recommend this particularly to fans of Ann Fraistat's WHAT WE HARVEST.
Elon Musk's ex-wife wrote a paranormal romance and nobody is talking about it?! When I found that out, obviously the book went right onto my list. I said when I hit 4,000 followers on Threads, I'd read it, and I did, so I read it. My expectations when I went in were honestly pretty low. I'd read her interview with Marie Claire and she had a great way of words when telling her own story but that doesn't always translate well to fiction.
Let's just say the Poppy Z. Brite blurb on the cover is well-warranted. This is a bizarre multi-POV romance that kind of reminded me of some of those old campy urban fantasy shows you used to see on the Sy-Fy channel. There's road trips, grunge music, tortured artists, slightly creepy age gaps, lots of alt and goth cultural references, and surprising amounts of smut and gore sprinkled into what's honestly a pretty decent goth fantasy story.
This feels like an adult version of Shadowhunters, which means that like Shadowhunters, sometimes there's too much going on and the story gets lost in all the edgy edgeness. But Musk has a great eye for details and morally grey characters, and even the villains have some level of nuance.
Would recommend for fans of Brite, Tanith Lee, and Stephen King (especially The Stand).
After reading THE DUKE'S WAGER by this author, I definitely wanted to check out more of her work. I actually just finished reading Susan Krinard's Fane series, which is a historical romance about immortal beings. When I found out that BRIDE ENCHANTED was also a historical romance about immortal beings, I was excited. There aren't a ton of older fantasy romances out there, and this one hadn't been on any of the lists I usually look at.
BRIDE ENCHANTED starts out super slow and the purple prose makes it so cheesy, but it ends up almost having these gothic Bluebeard vibes. The heroine, Eve, is plain and kind of looked over. So she's shocked when a handsome noble named Aubrey comes to town and appears to be in love with her at first sight. Given her low self-esteem about her looks, Eve is suspicious of this, and puts him off until she reluctantly admits to herself that maybe one oughtn't look a handsome husband in the mouth.
But then things get weirder. Like, he's a little too excited about children and a little too secretive about his past. He's cagey about his family and doesn't want her anywhere near his sister, who leers at Eve like she knows something she doesn't. Eventually, Eve gets super suspicious and goes to the sister, and she learns some really weird stuff about her husband, like that he was married before and didn't choose her for love.
I don't want to say too much more about this book but I did like it. This is pretty wallpaper historical as far as fantasy romances go, but I did like how it followed the typical narrative arc of late-90s/early-2000s paranormal romances. One of the reviewers for this book said it was like Twilight, and I think that's a great comparison. Aubrey is patriarchal and overbearing in his "kindness" to the heroine. I wish there had been more action but it wasn't bad. It's too bad she didn't write anymore paranormals. I kind of wish there were more books set in this world.
I've been working my way through Susan Krinard's Fane series, and I think it's safe to say that I'm obsessed. You know you're on to something amazing when you find yourself thinking that this is a world you never want to leave. I was honestly kind of disappointed that Cordelia and Donal didn't make an appearance in this book, as I was hoping that maybe this would be about their son or daughter, but hey, I'm down to read about Arion, former king of the unicorns, and his human lover.
This book is very strange and definitely has a sort of LAST UNICORN vibe. Mariah is married to a hunter named Donnington but he abandoned her on their wedding night, leaving it unconsummated. Everyone in town thinks that this is sus on a bus, especially his nosy and cold-hearted mother, Vivian, and his would be lover, Lady Westlake. While exploring the estate one day, Mariah goes into her husband's folly (basically a structure built for amusement/decor), and finds to her horror that there is a man trapped inside in a cage who looks like the photo negative version of her husband.
The cover shows a man with dark hair, but the book repeatedly says that his hair is silver. So obviously I was picturing him as Astarion from Baldur's Gate (he even sort of has a similar name, I mean-- Arion, Astarion... it fits). Anyway, she ends up naming the man Ash and befriending him, while enlisting her brother in law's help to save him from imprisonment. What ensues is really strange. They end up in Prince Albert's circle, staying with him and his set while they party nightly and indulge in some casual adultery. All the while, rumors fly about Mariah's own infidelities and the supposed madness she might have inherited from her asylum-confined mother, as she tries to discover the horrific reason for why her husband would confine another man and then leave him in a cage, half-starved.
I loved the beginning of the book. I thought it had major Bluebeard vibes. The ending left much to be desired, though. I thought LORD OF THE FOREST had a bit of a rushed ending but this one was honestly frankly ridiculous. I ended up leaving the book with even more questions than I had before. I was originally thinking I was going to give this four stars, rounded up from 3.5, but as I'm writing all of this out, I'm realizing how unsatisfied I felt by this book. Also, the sex scenes were... disappointing. Way too much gushing from both parties. I'm not a fan.
This book broke my heart and then put it back together about fifty times over the course of my reading this book. LORD OF THE BEASTS is the sequel to THE FOREST LORD, and the hero of this book, Donal, is the son of the hero of the previous book. That doesn't always work, but here it's done magnificently. Donal is half-fae and has the ability to speak to animals. He's kind of like a faerie Dr. Dolittle, and indeed, tells people that he's a veterinarian.
When he meets the heroine, he saves her and her cousin from a rampaging elephant that's escaped from the zoo. Then she goes to his estate, which is basically a farm filled with animals, and realizes that he's also the guardian of the girl who almost robbed her loathsome fiance-to-be, Viscount Inglesham. And seeing his prowess with animals, she ends up having him come to her estate to examine the desolate animals in her menagerie, all of which have been rescued from poachers, in addition to offering a permanent home for his ward, Ivy.
I liked the first book in this series a lot, but it had some notable flaws: uneven pacing, an unbelievable villain, a wishy-washy hero, and a climax that felt a little too, well, pile-on. This book, by contrast, was EVERYTHING I wanted. Donal actually reminded me a lot of Julian Sinclair from DUKE OF SHADOWS: he's noble but so, so lonely, and feels like an outcast from society because of his mixed heritage. He's soft-spoken and soft-hearted, but man, you do not want to fuck with this man or anyone he cares about, because he will END you. That's the stuff of dreams, srsly.
And the heroine in this book, Cordelia Hardcastle, was wonderful. A lot of authors write heroines who are strong and independent, but I liked how Cordelia wouldn't let anyone in and was afraid to let herself feel dependent on anyone. She had such a sad backstory and I loved her so much. I also liked how some of her kindness was selfish, even though it was coming from a good place, and how the author talked about how sometimes we think we're doing good, even though we're really serving ourselves best. There was just so much nuance to her character and she was absolutely perfect for Donal.
There's so much I want to say about this book. Like, how Donal had a teenage ward who was crushing on him and it wasn't creepy at all (seriously the bar is on the floor at this point, but everything about their relationship was handled so deftly). Or how the love for animals in this book was just so wholesome and believable (although there are some animal deaths in here, and talks about animal cruelty). In terms of the environmental messages, there's an almost Ferngully feel to this book at times, but it's done so well that it doesn't feel heavy-handed at all. And sometimes secondary characters take up too much page-time but I loved Ivy and Tod's stories just as much as Donal's and Cordelia's.
Oh, and the VILLAINS. The villains in this book were so good. Especially since the author made them just human enough that you can sort of see where they're coming from (terrifying).
I could ramble on and on but I won't. Just know that this is now a Susan Krinard fan account and I'm probably going to be reading a whole bunch of her other books in the very near future.
I was so curious about BRIDE ever since I heard that Hazelwood was breaking from her usual female-lab-scientist-in-love formula to do a PNR. And it was going to be Omegaverse lite??? With knotting? Yeah, there was no way I was knot going to read that. But this book was so hard to get a copy of. For a while, there were no used copies available and everywhere was sold out. It was popular AF. I was intrigued AF.
Now that I've finally read it, I can see why. It still has the rom-com vibes of Hazelwood's other books, but she takes a breather on the "oh my god, I'm so smol" descriptions that her heroines usually have. Misery, the vampire heroine, is still a STEM heroine-- she's a computer hacker who has been living amongst the humans for years-- but she's a lot more likable and interesting than some of Hazelwood's other heroines, and oh my god, I loved the dry humor and medical jargon. This is definitely a more scientific take on vamps.
I also loved Lowe, the hero. He was so charming and hot and nice, and kind of reminded me a little of Curran, from the Kate Daniels series. Actually, BRIDE as a whole very much has a sort of aughts paranormal throwback vibe to it, and reading it made me very nostalgic for some of the urban fantasy romances that I read back when I was in college. I'm sure that's part of the reason why other people love it, too. Even though there's not a ton of plot, it's a fun journey and there's some fantastic twists. Especially if you love her take on fake dating/misunderstanding tropes.
One of my friends went to a book con and got all these paperbacks from indie authors. She gave all the ones she didn't want to keep to me, and I was like YAS. I shall REVIEW them post-haste. First on my list was SHIFTER WARS by Kelly St. Clare because I actually had this one on my tbr anyway, and because I'd heard good things about the author, and because I kind of loved the idea of werewolves and werewolf hunters fighting out territory disputes with laser tag.
Andie was a decent heroine. She reminded me a little of Kate Daniels, but younger. You know, the vulnerable bad-ass character archetype. I'm a sucker for that in paranormal fiction. Also, as an ex-band geek, I appreciated her love for her saxophone. I don't say this enough on here but it's always great to see a heroine with hobbies and interests outside of the hero.
Sascha actually reminded me a lot of Curran from the Kate Daniels series, too, including his ideas of courtship. So I think actually that if you enjoy that series, you'll probably enjoy this author as well, as the dynamic is similar, although there's more of a YA/NA flavor to this book. Sometimes I felt like I was almost getting late-2010s/post-Twilight paranormal romance vibes.
I didn't actually care for the romance that much. For me, the best part of the book was the mystery about her heritage (kind of a disappointment, tbh), the setting, and the heroine. I felt like the descriptions of Sascha were pretty redundant. I didn't read this on ebook but part of me wants to download it on KU just so I can count up how many times "honey" was used. I feel like it had to have been at least fifty times. Definitely a lethal drinking game.
I'm not mad at this book, though. And I think the author has a really fun and accessible writing style. I would read more from her in a heartbeat, just probably not from this series. Although maybe I will, who knows? I think she has a vampire book series out and I'd be more inclined to read that, since I like vamps way more than weres.
Nenia ✨ I yeet my books back and forth ✨
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