Tiara's Reviews > Wisp of a Thing

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Rob Quillen is a musician known for being one of the final contestants on a reality show called So You Think You Can Sing? Despite that, Rob really isn’t one of those fifteen minute famer types and really loves music. After the tragic death of his girlfriend in a plane crash, he’s directed by a mysterious stranger to go to Cloud County, Tennessee where he’ll learn a song that will mend broken hearts. Rob is not a Tufa, but is often mistaken as one because of his looks, which he attributes to being part Filipino. As strange as the stranger’s words are to him, Rob travels to Needsville in search of this musical balm for his soul. He’s not sure if he believes he’ll find it, but he needs something to take his mind off his tragedy and get him away from people who know his face. What he finds in Needsville is mystery, an ages old power struggle, and secrets that could change the Tufa forever. Caught in the middle of this all is the sister of one the First Daughters, a feral Tufa woman who roams the woods.

This second book proved to be much more political in terms of how the Tufa live and what their future holds. As I mentioned in the last book, despite most people thinking the Tufa are all one people, they are actually two factions who are vying for power. The true villain of these books–who is actually both father and villain, in a sense–has his plots revealed more. Unlike the two villains of the last book, there’s more depth to this character and his villainy. His presence means more to the Tufa people, and his possible demise also leaves all the Tufa in a state of flux, wondering what will happen to them if he ceases to exist. This book explores the depths of cruelty and how deep hatred can run, even for those people should protect and love. Bledsoe plays around with some interesting lore and ideas where the Tufa are concerned, and I’ve enjoyed seeing where he takes their story.

I can’t stress enough that these are not pretty, flowery books. There’s plenty of violence and language. Life in the mountains is hard, even for the Tufas. Because there’s more focus on finding out who and what the Tufa are, you don’t get as many snatches of random songs as in the last book instead you get more portents and history, especially the history of where this bad blood comes from. However, the songs you do get in this book tell stories just as powerful as the last, and you get longer, fleshed out musical tales, which makes up for it because it probably all evens out in the end. Beauty is expressed in their music, but still there’s so much tragedy in it, as well, expressing the ordeals and hardships of the Tufa life.

I did listen to this one nearly the whole way through this time, but I was able to better pay attention this time even with Rudnicki’s deep, lulling voice. I think it helped tremendously that there was only one narrator for this book instead of having various breaks in the story as the narrator changes. That works for some stories, but this definitely benefited from only having one narrator. Still no singing, though, so if you’re interested in these books because you expect to get some off-key narrator singing, don’t bother. The verses are chanted, which is probably the best deal for the narrator and readers alike.

These books do an amazing job of being very accessible to new readers and acting as standalones. Sure, the same characters show up, but Bledsoe provides an amazing amount of context to what they mean to the story, even down to having some passages read almost exactly the same from the previous books. You won’t get lost regardless of which book you start with it seems, but for even more context about the Tufa, I’m sure you should get around to reading the first book at some point as the politics seem to be becoming a larger focal point now than in the first book where it was only beginning to burgeon, even though you know something’s simmering underneath the surface.

I wasn’t supremely happy with the wording of the very last line of the ending or the “epilogue” type thing that follows, especially depending on how the next story goes as far as that “epilogue” goes. Rob could sometimes come off as a “special snowflake” since he is definitely not Tufa. I liked that he didn’t learn that somewhere on his great-great-great grandmother’s side he had a Tufa relative, but there were times when things were just a little too convenient for Rob. Also, it would’ve been nice to learn more about Rob and his anger issues. I did like that, even though Rob wasn’t Tufa, he had the music in his soul and didn’t need that qualifier to make him a musician who had music in his bones. I found this story just as engaging as the first as more of the Tufa’s true nature comes to light. This also means that the story becomes more whimsical as readers learn more truths about the Tufa people. Whether you prefer the more grounded magical realism of the first book or the magical realism blended with magical fantasy of this one will totally be up to you as the reader. I enjoyed both. Side note: A painting mentioned in both this book and the prior book is a real painting. I had to go stare at it a while on Wikipedia.