Michael J.'s Reviews > Set the Boy Free
Set the Boy Free
by
by
Some musician's autobiographies are tedious affairs in which the author lets everyone know how clever, creative and what a genius he or she is. Not so with Johnny Marr.
He's refreshingly to the point, and matter of fact. Not much editorializing here, except he does reveal his thoughts and feelings. There's definitely a benefit to an audiobook narrated by the author, as you can tell even more from his inflections and tone.
As founder, writer and lead guitarist for the legendary Smiths, this is essential reading for anyone interested in musical artists that make a lasting difference in their field, as the Smiths without question certainly did.
Marr tells all here, how he became interested in music and guitar, how he learned, his influences, his early efforts, forming the Smiths and partnering with Morrissey, the band's break-up, his later collaborations with Electronic, The The, Modest Mouse, The Cribs and sessions with The Pretenders, Talking Heads, and Paul McCarthy. He's seen a lot and learned a lot and shares it all.
Those expecting to read some dirt about any of these artists, or hear some trash-talking or blaming of Morrissey will be disappointed. Marr seems to get along with everybody, or at least tries to. As revealed in the story, the break-up of The Smiths had more to do with the rhythm section of the band suing over the split of royalties than anything that Marr or Morrissey did. What a shame.
He's refreshingly to the point, and matter of fact. Not much editorializing here, except he does reveal his thoughts and feelings. There's definitely a benefit to an audiobook narrated by the author, as you can tell even more from his inflections and tone.
As founder, writer and lead guitarist for the legendary Smiths, this is essential reading for anyone interested in musical artists that make a lasting difference in their field, as the Smiths without question certainly did.
Marr tells all here, how he became interested in music and guitar, how he learned, his influences, his early efforts, forming the Smiths and partnering with Morrissey, the band's break-up, his later collaborations with Electronic, The The, Modest Mouse, The Cribs and sessions with The Pretenders, Talking Heads, and Paul McCarthy. He's seen a lot and learned a lot and shares it all.
Those expecting to read some dirt about any of these artists, or hear some trash-talking or blaming of Morrissey will be disappointed. Marr seems to get along with everybody, or at least tries to. As revealed in the story, the break-up of The Smiths had more to do with the rhythm section of the band suing over the split of royalties than anything that Marr or Morrissey did. What a shame.
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Reading Progress
February 25, 2019
–
Started Reading
March 7, 2019
–
Finished Reading
March 8, 2019
– Shelved
March 8, 2019
– Shelved as:
audiobook
March 8, 2019
– Shelved as:
autobiography
March 8, 2019
– Shelved as:
music