Kat Hooper's Reviews > Midwinter

ORIGINALLY POSTED AT Fantasy Literature.

I was attracted to Midwinter because of the beautiful cover art (by Chris McGrath) and the publisher's blurb. This sounds like my kind of story. Unfortunately, this novel didn't deliver what I was looking for, but it had so much potential that I hold out hope for future efforts from Matthew Sturges.

Midwinter starts out well. The prose is pleasant -- perfectly readable and without any pretensions. Usually this is the first place an author will lose me, but Mr Sturgis didn't.

The main characters, especially Mauritane, Silverdun, Satterly, and Raieve, are intriguing and I was fully expecting to be drawn into their lives. However, I never was. Part of the problem was the third-person point of view that shifted unexpectedly. It never settled down long enough to examine the hearts of the key players. Some of the secondary characters such as Lady Anne, Queen Mab, Hy Pezho, and Purane-Es were given excellent characterization, so I know that Mr Sturgis is capable. But, the main characters never opened up for me, so I felt like an outsider during their quest.

I also never quite felt the setting. It's midwinter and our heroes are traveling, eating, sleeping, and fighting outdoors in the snow, but I never felt cold. Most of the characters are fae and we are several times told how different they are from humans, but we are never shown how they are different (except that toward the end of the book we're told that they are drained by cold iron, and they have funny ears).

There are some flashes of imaginative brilliance (I loved the shifting areas in the Contested Lands, and the messages sprites were hilarious), but there are also a lot of elements that just seem weirdly cobbled together (e.g., the philosophy discussions, the humans stuck in faery, the changeling trade, Avalon, Sylvan, the Arcadian religion, the Thule Man, cars and rebar, Mab's flying city, the prophecy). I may be completely wrong about this, but I have noticed in other new novelists a tendency to throw in a bunch of disparate ideas -- as if the author had been collecting these fancies for years and then assembled them all in their first novel. Or, sometimes perhaps they do this because these elements came up during their research and they feel the need to include them. I am not accusing Mr Sturgis of either of these motivations, but that's just what it feels like. I found myself often saying "huh? Where did that come from? ... Where's the kitchen sink?" I am certainly not asking for my fantasy to be straight-up medieval-style epic, but this was just confusing.

So, basically it was the lack of characterization of the heroes and the strange hodgepodge that kept me from enjoying Midwinter as much as I thought I would. I do, however, have high hopes for Matthew Sturges and I would not refuse to read a different story in another setting. Read more Matthew Sturges book reviews at Fantasy literature.