Journalist, cinema critic and essayist. He writes for “CIAK” Magazine. He is on the board of directors of “Segnocinema”. He has published several books, among which are “Once Upon a Time in America-Photographic Memories” (1988); “The Last Emperor-Story of a Journey toward West” (1991); “L’immagine-cinema” (1992), “Bertolucci’s Buddha” (1995); “Westmoreland Naples-Beat Poses and Visions from the Newark Theater to Parthenope” (1997); “Tutto il cinema di Sergio Leone” (1999); “Disney Recipes-From Animation to Inspiration” (as editor, 2003).
Marcello GarofaloBeing a (film) journalist since many years I have to tell you that I don't suffer of the "Writer's Block": I like to write, I collect many notes about…moreBeing a (film) journalist since many years I have to tell you that I don't suffer of the "Writer's Block": I like to write, I collect many notes about the story and the dialogues of my characters and so generally I know exactly what I want to write. Therefore if I want to relax myself after some writing, I go to do something else, like cooking or designing images in Photoshop. (less)
Marcello GarofaloThe Best Thing is to Bring My Characters to Life. A propos of my novel "The Sizzling Nights of the Diabolical Dr.Carelli", regarding the characters I …moreThe Best Thing is to Bring My Characters to Life. A propos of my novel "The Sizzling Nights of the Diabolical Dr.Carelli", regarding the characters I was interested in looking for a certain originality for each of them, reserving them a precise character not attributable to others already read or already seen before, a language and attitudes also that, in keeping with this, they were not immediately foreseeable. Analogous speech is true for the plot: the wires must be all connected in the final, as well as a number of surprises to be guaranteed. Entertain, give fun, surprise with the malice of an "Adults’ Fairy Tale" narrated for the first time. (less)