Directed by
Robert Harmon |
Writing Credits (WGA)
Lionel Chetwynd | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Dennis A. Brown | ... | producer |
Lionel Chetwynd | ... | executive producer |
Tim Christenson | ... | associate producer |
David Craig | ... | supervising producer: A&E Network |
Delia Fine | ... | executive producer: A&E Network |
Stephanie Germain | ... | executive producer |
Music by
Jeff Beal |
Cinematography by
David Gribble | ... | director of photography |
Editing by
Chris Peppe |
Casting By
Terri De'ath | ... | (as Terri De'Ath) |
Production Design by
Ralph Davies |
Art Direction by
Nick Bassett | ||
Andy McLaren |
Set Decoration by
Jill Cormack |
Costume Design by
Lesley Burkes-Harding |
Makeup Department
Lon Bentley | ... | makeup designer: Mr. Selleck |
Susie Glass | ... | key makeup artist (as Susan Glass) |
Kelly Mitchell | ... | additional hair and makeup artist |
Paul Pattison | ... | hair stylist supervisor / makeup supervisor |
Lisa Shearer | ... | additional makeup artist |
Kimberley Spiteri | ... | hair stylist supervisor: Mr. Selleck |
Production Management
Liz DiFiore | ... | production manager |
Ronnie Hape | ... | unit manager |
Cynthia Stegner | ... | post-production executive (uncredited) |
Second Unit Director or Assistant Director
Katie Flannigan | ... | second second assistant director |
George Lyle | ... | first assistant director |
Katie Tate | ... | second assistant director |
Art Department
Matt Cornelius | ... | stand-by props |
Troy Hannett | ... | head scenic artist |
Wade Hannett | ... | scenic foreman |
Viv Kernick | ... | property master |
Sue Mercer | ... | graphic designer |
Murray Sweetman | ... | construction manager |
Penny Kerr | ... | art dept assistant (uncredited) |
Sound Department
Alan Decker | ... | re-recording mixer |
Wayne Heitman | ... | re-recording mixer |
Tony Johnson | ... | production sound mixer |
Mark Larry | ... | sound supervisor |
Michael O'Corrigan | ... | sound supervisor |
Tim Philben | ... | re-recording mixer |
Special Effects by
Gunner Ashford | ... | special effects |
Joe Cornwell | ... | special effects technician (uncredited) |
Visual Effects by
George Port | ... | visual effects supervisor |
Camera and Electrical Department
John Enright | ... | lighting technician |
Jeremy Fusco | ... | second assistant camera |
Rob Marsh | ... | camera operator |
Jay Munro | ... | key grip |
Sean O'Neill | ... | gaffer |
Casting Department
Yvonne Bennett | ... | extras casting coordinator |
Susie Maizels | ... | casting: Australia |
Costume and Wardrobe Department
Erin O'Neill | ... | costume supervisor (as Erin O'Neil) |
Anna Bosley | ... | costume buyer (uncredited) |
Hayley May | ... | Milliner (uncredited) |
Editorial Department
Amy Flint Catherwood | ... | assistant editor (as Amy Flint) |
Location Management
Brett Higginson | ... | locations scout |
Robin Murphy | ... | location manager |
Music Department
Craig Pettigrew | ... | music editor |
Script and Continuity Department
Dianne Moffatt | ... | script supervisor |
Transportation Department
Ronnie Hape | ... | transportation manager |
Chris Wildermoth | ... | vehicle wrangler |
Spencer Faulkner | ... | unit driver (uncredited) |
Additional Crew
Gunner Ashford | ... | armorer |
Paul Carran | ... | production services: Film Factory New Zealand Limited |
April Lougheed | ... | assistant to director |
Helen Mackenzie | ... | production accountant (as Helen MacKenzie) |
Lyn Willis | ... | production coordinator |
Marlea Willis | ... | senior unit publicist: A&E Network |
Alejandro de Quesada | ... | historical consultant (uncredited) |