Compact cinema camera featuring RED’s unparalleled image quality, color science, and groundbreaking global shutter sensor technology in a shockingly small and versatile form factor.

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Global Shutter

Capture every movement, burst, and flash without sacrificing an ounce of dynamic range or overall image quality.

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Movement

Capture fast-moving action like it’s meant to be captured. No blurred or curved lines. Just perfect pixels in every shot.

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Dynamic Range

KOMODO stays true to RED’s reputation and heritage of unrivaled dynamic range. Capture every detail from the most cinematic shots.

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Flash

The KOMODO 6K sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want.

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VFX

No rolling shutter artifacts means less time fixing footage for camera tracking/match-move. Saving valuable time and money in post-production and VFX.

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    Movement

    Capture fast-moving action like it’s meant to be captured. No blurred or curved lines. Just perfect pixels in every shot.

  • Global Shutter Thumb 2

    Dynamic Range

    KOMODO stays true to RED’s reputation and heritage of unrivaled dynamic range. Capture every detail from the most cinematic shots.

  • Global Shutter Thumb 3

    Flash

    The KOMODO 6K sensor isn't phased by quick bursts of light like strobes or lightning, so users never have to compromise getting the shot they want.

  • Global Shutter Thumb 4

    VFX

    No rolling shutter artifacts means less time fixing footage for camera tracking/match-move. Saving valuable time and money in post-production and VFX.

REDCODE

The latest evolution of REDCODE is optimized for KOMODO. Allowing users to continue unlocking unbelievable image capture potential and creative flexibility with a new simplified user experience.

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6K RESOLUTION

Shooting on a bigger canvas allows creators to unlock more creative flexibility with benefits such as stabilization, reframing, and more.

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6K Full Frame6K Crop
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Stabilization

Capturing in higher resolution allows you to stabilize for the perfect shot in post


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Original Shot
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Post Zoom

Have confidence in always capturing every perfect moment, no matter how subtle.


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  • Go Anywhere
    Capture Any Shot

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  • Freedom to Roam

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  • Impossible Shots Made Possible

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High-Resolution Touch Screen

Easily Preview Content and Navigate Menus

KOMODO Touch Screen Product

VERSATILE LENS MOUNT

KOMODO’S RF MOUNT PROVIDES TREMENDOUS FLEXIBILITY AND COMPATIBILITY WITH A WIDE ARRAY OF EF AND PL LENSES AND THE ABILITY TO LEVERAGE ADAPTERS W/ INTERNAL ND FILTERS.


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4K Output

Whether on set or online, take advantage of live 4K monitoring output to review content or stream.

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Media

CFAST 2.0 media allows users to use a widely accessible, standardized, and reliable media source

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Batteries

KOMODO uses either Canon BP955 (4900mAh) or BP975 (7350mAh), allowing users to choose an industry standard and widely relied-upon power source

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THE FROZEN FEW

ON THE ROAM - JASON MOMOA BTS

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Technical Specifications

KOMODO 6K Image
SENSOR TYPE KOMODO® 19.9 MP Super 35mm Global Shutter CMOS
EFFECTIVE PIXELS 6144 x 3240
SENSOR SIZE 27.03 mm x 14.26 mm (Diagonal: 30.56mm)
DYNAMIC RANGE 16+ stops
MOUNT TYPE RF mount
Accepts Canon RF Mount Based Lenses and Adapters.
Supports Canon EF with full electronic communication via compatible Canon RF Mount Adapters
See Lens Compatibility List for more details
MAX DATA RATESUp to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cards
REDCODE® RAW MAX FRAME RATES40 fps at 6K 17:9 (6144 x 3240)
50 fps at 6K 2.4:1 (6144 x 2592)
48 fps at 5K 17:9 (5120 x 2700)
60 fps at 4K 17:9 (4096 x 2160)
120 fps at 2K 17:9 (2048 x 1080)
PLAYBACK FRAME RATES (PROJECT TIME BASE)23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions
AVAILABLE REDCODE® SETTINGSREDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps
REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps
REDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 120 fps
REDCODE® RAW
ACQUISITION FORMATS2
6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x
5K 17:9 (5120 x 2700)
4K 17:9 (4096 x 2160) and 16:9
2K 17:9 (2048 x 1080)
APPLE PRORES4K (4096 × 2160) at ProRes 422 HQ and ProRes 422 up to 60 fps
2K (2048 × 1080) at ProRes 422 HQ and ProRes 422 up to 120 fps
CONSTRUCTIONAluminum Alloy
WEIGHT2.10 lbs (without body cap and Cfast card)
BATTERY TYPETwo slots for BP-9XX series batteries
DC POWER INPUT+7 to +17 V DC via the integrated 2-pin DC-IN port
Operating Temperature0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
STORAGE RELATIVE HUMIDITY0% to 85% non-condensing
COLOR MANAGEMENTImage Processing Pipeline 2 (IPP2)
Supports 33×33×33 3D LUTs
Supports import of CDLs
AUDIOIntegrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz
Additional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz
REMOTE CONTROLWiFi for camera control via interchangeable antenna with SMA connection
Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port
Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed
MONITOR OUTPUTSIntegrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes
12G-SDI: Up to 4096 x 2160 4:2:2 for 60p
6G-SDI: Up to 4096 x 2160 4:2:2 for 30p
3G-SDI: Up to 2048 x 1080 4:2:2 for 60p
1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONSIntegrated 2.9" 1440x1440 touchscreen LCD with preview and camera control
Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framing
RED CONTROL Access full camera controls and live preview from iOS or Android(coming soon) devices.
Available from the Apple App Store and Google Play Store. RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separately).

1. For more information on compatible accessories, go to red.com/third-party-accessories

* Tech specs reflect both current and projected information. Everything is subject to change.

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