Short Films & Genre

Shorts & Genre
The great thing about shorts is that they can be anything – the only limit beyond
the cost of production is that of your own imagination. So don't be hemmed in
let your imagination fly. Play with your ideas. Play with the form. Every short can
and should be a unique vision.
Film is about telling stories in pictures, which is the most economical way of
telling a story – and in the making of shorts, economy is everything. Remember
the golden rule of filmmaking: show, don't tell. The idea and story can be focused
enough in scope to exist entirely in the viewer's head, and so logic and time can
play a much smaller role in the journey from beginning to end than in other
formats.
The best short films are often a moment that is played out, but one that has a
story at its heart a conflict that has to be resolved, where there's a deadline to
the action, where there's a choice that a character has to make. You should
always try to tell a story. Short films aren't an excuse to break all the rules – but
they are an opportunity to push the boundaries of what cinematic storytelling can
do.
It's worth thinking about
* The simplicity, clarity and economy of the storytelling
* The vision of the piece, and its visual images
* Making every element pertinent
* Making your story coherent.
It's worth being careful of
* Conflicting and incoherent worlds
* Ideas that are too conceptdriven
* A lack of narrative engine and story
* A lack of engaging characters
* A lack of focus and concision
* Action and repetition without meaning
* Descriptive dialogue
* Extended jokes with (usually unsatisfying) punchlines.
Think about how your film will play to its audience. Does your story have a
potentially universal appeal? What will the audience know and when will they
know it? What will they be guessing? What questions will they have which need
answering? And what can you show without having to explain things away?
The impact of page one is crucial. Are we emotionally engaged? What is the
vision and world of the film? Is it original? Do we inhabit the characters? Do the
world and story of the film have integrity and authenticity? The last moment is
also crucial – it's easy to come away feeling very little about a short, so work
towards a meaningful, satisfying ending.
Be careful of cliché, because there are so many of them in short films (hitmen for
hire, post office heists, people seeing themselves die, children representing
innocence, dysfunctional abusive relationships, films about writing or making
films, injokes and navelgazing). Write what you know and feel passionately
about rather than something secondhand and culled from watching other films.
Use the form to be fresh and original and unexpected you don't get that
opportunity very often in your writing career.
Think about the practicalities of writing your script so that it can be shot with a low
or limited budget – there's never enough money around to spend on making
shorts. Remember that digital technology is freeing up what filmmakers can do,
and what they can afford to do. But remember also that a low budget short
doesn't need to look cheap unless, of course, you want it to.
One potential pitfall for writers can be directing their own scripts. Many of the
most talented filmmakers write their own stories. But be careful of directing your
own work because you want 'control' over the project. Creative collaboration can
be a hugely rewarding experience and if you're not a natural filmmaker, there's a
chance you will spoil your writing with inexperienced filmmaking. Go to film
festivals, meet filmmakers – find people with whom you can collaborate.
Spare a thought to the presentation of your script. It isn't hard to make it easy to
read, and it's always worth the effort of rewriting and editing in order to make your
story shine. There are no excuses for your script to not be as perfect as it can be.
Watch as many short films as you possibly can. There is no replacement for
knowing what work is already out there, and knowing what you as an audience
(as well as a writer) think and feel about it.
GENRE
Film Genres are various forms or identifiable types, categories, classifications or
groups of films that are recurring and have similar, familiar or instantly
recognizable patterns, syntax, filmic techniques or conventions that include one
or more of the following: settings (and props), content and subject matter,
themes, mood, period, plot, central narrative events, motifs, styles, structures,
situations, recurring icons (e.g., sixguns and tengallon hats in Westerns), stock
characters (or characterizations), and stars. Many films are considered hybrids
they straddle several film genres.
Genres History: By the end of the silent era, many of the main genres were
established: the melodrama, the western, the horror film, comedies, and action
adventure films (from swashbucklers to war movies). Musicals were inaugurated
with the era of the Talkies, and the genre of sciencefiction films wasn't generally
popularized until the 1950s. One problem with genre films is that they can
become stale, clicheridden, and overimitated. A traditional genre that has been
reinterpreted, challenged, or subjected to scrutiny may be termed revisionist.
Genre SubGenre
Action Films Biographical Films (or "Biopics")

Adventure Films 'Chick' Flicks
Comedy Films Detective & Mystery Films
Crime & Gangster Films Disaster Films
Drama Films Fantasy Films
Epics/Historical Films Film Noir
Horror Films Guy Films
Musicals (Dance) Films Melodramas, Women's or "Weeper" Films
Science Fiction Films Road Films
War (Anti-War) Films Romance Films
Westerns Sports Films
Supernatural Films
Thriller-Suspense Films
Minor Film Sub-Genres
There are dozens of minor sub-categories, such as martial-arts action films,
espionage thrillers, black comedies, and more.
Other Film Categories

Animated Films
British (UK Films)
Childrens - Kids - Family-Oriented Films
Classic Films
Cult Films
Documentary Films
Serial Films
Sexual or Erotic Films
Silent Films

Short Films & Genre

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Short Films & Genre

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Shorts & Genre

Action Films Biographical Films (or "Biopics")

Other Film Categories

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