Tryptique

Download as pdf or txt
Download as pdf or txt
You are on page 1of 14
At a glance
Powered by AI
This piece is a solo guitar work that explores various musical elements and forms across multiple pages of musical notation.

The piece is structured as a triptych, or three-part composition, with different musical sections labeled on subsequent pages.

This piece is written solely for solo classical guitar.

triptyque

pour guitare seule

-I-


Allegro
5
5
5

prelude
a
m

Erik Otte

2 ~ b b 0 b b b b b ~ b b b b ~ bb b b b b ~ b b b b b b b ~ b b b b ~ bb b b b b
4 24 b b b b b b b b
b b b b b b b b 2
m
l.v.
murmurando e assai scorrevole
o=D
1

m i

III

%%%%%*
%%%%%
0
0
2 ~ b b b b bb b b b b b bb b 22 ~ b ~ bb b b bb b b bb b b bb b bb b bb b b b J4b b b
~b
b
> b3
4
3
n
# poco marcato sempre
%%%%%
simile
0 0
~ bb bb bb
bb bb
bb b b b b ~ bb bb bb
bb bb
bb b b b b
J
b
3b
b g b b b b b ~ b> b b b ~ b b b J b
g b b b b b ~ b> b b b ~ b b b
.
.
#
#
molto tenuto
%%%%%
1
4
VI
.
0
0
J b J4b b b b b b b b b b b b b b b b b b b b b J b J b b b b b b b b b b b b b b b b b bb 1b J J J
b bg b b b b b J b gb
b b b b b
b2 b
J 2bF b
>
F
m
F

F
.
.
3
piu
#
w
%%%%%
J J J bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b bb b
b b b b J b 3b b J b b b b b
1b
2b
J
b
g
2
1
0
2
F
n

bb b
4
bg
piu # F
11

JJJ

: tenuto

%%%%%%%%%%%
bb b bb b bb b bb b bb b bb b bb b f bb b bb b bb b bb b bb b bb b
2 b b Jb b b b
2
b b J b b b b>
Erik Otte 1997, all rights reserved
String Edition No. 9715

Tryptique

agitato

J J J bb b bb b bb b 3b bb b 2 bb b 3b b b2J b b b b b1 b
3b
4
2 J b 2 b 1b
2 2 Jb
l
3
n
m
affrettando
n %%%%%
3
tranquillo
0
1
P
b
J J J lb bb b bb b bb b b bb b b bb b b bb b bb b b bb b
4
4
2 J b b b

g
b
bb
FF 0 2

Tempo I
%%%%%%%%%%
%%%%%%%%%%%%%%
b b b b
J J J f b bb b b bb b b bb b bb b bb b bb b
b
2 J b b
4
2
b
b
b
>
g
b
#
.
.

.
g

%%%%%%%%%%%%%%%
13

b b

bbbb b bb
1
b
2

2b

flag.nat.3
p

15

17

p
p

b
b b

b
b
b b b b b f2
b b b b b 2
b
b
2

BIV

J J J 2 b bb b b bb b b bb
4
2
FF
%%%%%%%%

b b bb b b bb b b bb b bb bb b b bb b 2J b b J b b b b4 b bb b b bb b b bb b b b bb2 b b b b bb b
4
F
1
8
>
>
F

3
%%%%%%%%%%% XI %% l
. 0 4
.
m
J J J J b b J b b b b bb b b bb b b bb b b bb b b b bb b f 3 J b b b b b b 1 b b b b b b b b b b b
b
b
4
2
5
b
F
8
>

F cresc.
3 g
19

21

3
.
%%%%%
0
J J J -1b b b b b b b b b b b1J b b b 2 3 J b gb b b b b b b b b b b b b b b b b b bb 1b b bb b
2
2b
4
4
5
2
2
m >
n
.
g
.
.
.
m
n
1/2 BVI
III
4
%%%%%%%%%
l
0
J J J bb 1b bb b bb b bb b f m 3bb 4b b bb b bb b b bb b b bb b b bb b b
b
4
2 2Jb
2 2 b
5
1b

0
g

g
23

25

String Edition No. 9715

-2-

VIII

Tryptique

%%%%%
J J J - bb b b b b bb b b b b bb b 2 bb b b b b b b b b b b b b b b b b b b b b b
b
b b
b b
b b
b b
b
4
5 1J b
22 b g
b
b

F
0
>
>

esitando
F
%%%%
I
27

0
0

bb
bb
bb bb bb bb bb b b bb
bb bb bb bb b b bb bb
1b
4
J
b
b
b
b
b
b
b
b
b
b
J
b
b
b bg b b b b b b b b b
1
2 b
b bF
b
g
b
b
>
4 F
0

F
3 F
>
#
29

IV

0
0 0

31

bb
bb bb
bb bb bb bb bb f bb ~2b bb b bb b bb b bb b bb
J
b
b
b
b 0b b b b 4b b b b 24 g b
b
b
b
b
b 2
b
b
b

b
~
b
2

2
3
b
og
b
3

molto cresc.
n

b
b
b
b
b
b
b
b
b
b
4 2 b b b ~ b b b b b b b b f2 gb b ~ b b b b b b b b b b b b b b b 2
g
b
bb
g
3
%%%%%%%%%%
P
r
b
b
b
b
b
b
b
b
b
f b
f
4 2 ~ bb b b b b b b b b b b b 2 gb b ~ b b b b b b b b b b b b b b 5
bb
g
m.g.
m.g.
b
m.g.
g

IX
%%%%%%
III
l
%%%%%
marcato il canto
l
4b
4
3b 1 ~ b
1b 3 ~ b
0
b b
b b b b b
3
b

~
b
f
4
b
0b
2
2
2
4 5 1b J b J b
b g
0b
w 3
b g
.
.
IV
%%%%
3 ~
1
4
~
b
b
b
2
b
b
b
P
b
b
b
4
2
b
b
b 2 3 ~ b 0b b b b b b b b b b b b b b b b b 2
2
4
~b
b
1
b
%%%%%
n
.
. murmurando
.
#
33

35

37

39

flag.nat.12

String Edition No. 9715

-3-

Tryptique

%%%%%%
%%%%%% 1/2 BIV
senza rigore
. 2 1 0
b 3 b
b 4
4Jb
~
b
b

f
b b
b
4 2 b1 J b b b b b b b b b
2 1J b 2 b b b
b
b
b
b
b
b
b
b
3J
b
b
0b
IV

41

%%%%
%%%%
.
.
.
J3b b b b b b b b
b 2
b Jb b b b b b Jb b b
bb
b
4b
4 2 Jb
b b b b
b 2 J b 2 b
b b b b b b b
b
b
1
1
. bb
. bb
b
b
molto tenuto
%%%%%%%%%%
l
BIV
1
1
b4
come~prima
3b ~ 1b
J
b
b b ~b b b b b b
b b b b b

3
f
4 Jb Jb
3
4 5 1 JJ bb J b b
5

1
b
J b gg
1
w 3
BVI
. .
7
%%%%%%%
4
~ ~b
~

b
b
2
b
b
P
b
b
b
~
b
b b b b b
3
b
~
b
b
b

b
b
b
b
b
4 2
2 1 ~b
b
b
1~ b
43

.
0
b

45

47

flag.nat.12

f
5
2
f5

. 7 . %%%%% j
.
0
1
2
J
b
b
J2b J 1b
b b J b g4 b b b b b b b b J1b b J b b b b J b b b b b J b b b
f
3J b
4 5 1J b
2
Jb
>
b
3
n o1
.
n
#
BIX

49

%%%%%%
%%%%%
IV
0 0
3
0 4
4 1 b b b J b b b J b b b b> b b bb b b b b b b b b J b b b f2 J4b b b b b b b b b b b b2 b 4b b b b b b b

b
1~ g
.
1
. J b
1 ~ g
.

%%%%%
Jb g b
C
4 J b b b b b b b b b b b b b b b b b b b b 5 g b J b b b b b b b b b b b b b b b b b b f5
~ g
> #

g
.
3
piu #
52

55

String Edition No. 9715

-4-

Tryptique
II
%%%%
. . .
.
VI
b
1 b
Jb b Jb
%%% b ~ b ~ b b ~ b
0
4
J
b
b b b b b b b b b b b b b b b 2b b 2
f Jb b b

b
4 5
2
2 g b1 b b b b b
2
4
1 1
b

4
g
0
2
g
n
3 1

tranquillo
.
. .
VIII .
%%%%%%%%% III
4
.
.
.
.
b b 4b b b b b b
b
0
P b b ~ b b b b b b b b b b b b b b b b b b f
2 g
P
b
b
F ~ b
4 2 b b b
bb b 2
b
b
F
F
rall.
4
3
molto espressivo
.
~ bb 1b
2
1
~
b
f

b
4 2 ~ b b b b b b b b b b b b b b b b b b 2 ~ b b b b b b b b b b b ~ b b b b b0 b b b b b
# murmurando
accel. al tempo I

IX

57

60

62

65

.
.
.
~ bb b
~ bb b
~
b
b
~b b b b b b b b b b b ~b b b b b b b b b b ~b b b b b b b b

rCoda

.
bb

D.S. al Coda

~ bb bb bb f
b
b ~b b b b b b b b 2

u
1 JF
b
b
b
b
b
~
b
b
b
b
b
8
1
4 f2 ~ b b b b b b b b b> b b b b b ~ b b b b b b ~ b b b b b b ~ b b b b b J b U 3 J F
1J F
#
1 JF
4
rall. poco a poco

69

BIV

~ bb

senza arpeggiando

String Edition No. 9715

-5-

Tryptique

- II -

interlude
( improvisation )

Andante, con molto espressione

BIII

l
4.
1.3. .1. 2 . 3

1
CC C. . 2 C. p 3
3

.
. . .
4.
2
#
p
1C.
.
n
1
n .C. n C.1.
n
F
.
.
2
3
j .
J
III

VI

rit.

molto rubato sempre

C.k0 . 4
P C.1.
0 .
2
n
b 3

CC
.
.
1
1C

#
C. 2 .
. .
.
.
n .4
n .
3
3
3

VII

rit.

.
.
4
.
0
.
p
2 .
0
VI

. .
j C. .

C
.

.
CC l

.
.

pp
.
. .

#
p 1C. 2 .
.
.
n
.
n
.
.
.
.
C
.
F
.
4 3 .
..
. .
..
. .
.
. .
rit.
j
6

come prima

CC

.
.

.
.
.

#
C
.

.
C
C
.
.
.
.
C
.

.
.
n .
n 3
n .
n .
3
3

rit.
J
9

C.
P C. . . .
b 3

l
k
.. . 3 k

4.
1
4
.
1

3
4
.
1
1
.

CC 1 4. 1 ..
.

.
.

.
.4C.
. 4. .4 ~~4.
2
4
.
2 .
.

4
.
2
1
4
#
g
l
n 14.1 4. F
n 1 4.1 4. n 4.4 . n 4. . ~~~~ 0
3 3
rit. 3
3
3
molto rit.
J
J
rit.
BVI

BVI

12

IX
I
j
1.
4 .6
4
2
1.
g ~~3 .
.... 1. ~~ 0 .
0.
..... 3 8 8
~~~
~~~
m3
~~~
~~~
7
7
~~~
~~~ 0
4
g ~~~ . .
~~~1C.
.f . .
P
f .... P
.
.
.
~~~C.1 . .
.
.
C
.
.
.
~
~~~ .3 .
.
~~~ .
.
~~ .
~

poco agitato 1/2 BIII


15
k a

CC
#
#

15

CC

m i

String Edition No. 9715

-6-

Tryptique

VIII

2
j
..1
3 4
P
1 C.
4.
.

.
. 8
~~~
8
C
.
1C. .
...
k .
.
4
4
.
.
8
8
2
. 5
~~~
1
0.
2
~~~ U
j subito
J
~~~ 1
~~~CC..
f . .. .
P

.
C
.
6
2 . .
.
5
4
~~~ .
.
~~~ .
molto tranquillo

III

BIV

CC
#
17

CC
#
17

CC
#

flag.art. 19

. .2
g ~~ 0 .
.
g ~~
~~~ J
~~~
C ~~1
# C gg ~~~~3 .
... . . . f .
.
~~~ . .
..
~~ .
CC

CC
#
20

VII

g
g

III

19

g
g

k
1
l
.
2
3 C2. .
0
. . . .3. l m
3 2 . .
.4.4. g
...3. .C.

19

20

molto rall.

molto rall.
IX
XII

l
III
1
. 4 .14.. 2 4.41 .
7
3 2.C.
l
3
0 C.
. 8
2
8
g 0.
u
3 2.0 .
3
.
..1.
5
....4.
~~~
j
~~~ b 7
n
n
~~~ m
g ~~4 4..
u
P
6
5
~~~1 . . . fF . .
~~~1 .
.
..

tranquillo

XI

flag.art. 19

flag.art. 19

CC p P 8 421 .
.. 8
#
g 8

molto tranquillo j

22

VI

VII

P 8 24 C.
.
. 8
3
8

P 8 34 .
.
. 8

1
8

1

4

1
3
n
4
.
.
8

4 . . C C.
g 8 2 . . C .
.
3 >l

IV

flag.art. 19

l.v.

pg
pg

8 p
3 g

flag.art.

rit.

molto rubato, quasi cadenza

4
.
1
CC p 4 8
.
.
3
.
8
.
.
.
.
.. ..
1. 8
.
.
.
.
.
#
g 0 .1. 2 . .
8
. 4 .
.
.. 2 ..
..
3
3
.
4
o
j
48
j8
8
8
0
0
CC 2
. ...
.. ...
.. ...
#
.
C
.
.
.
.
.
.
.
3
.
.
1
26

flag.art.

flag.art.

30

String Edition No. 9715

-7-

Tryptique

C
# C
33

molto espressivo

p
.
.
. 2. . . g 4. 1 14.0. 2 .41.
2
.
.
.
g
C
.
C
.
.
C
.
4
.
.
4.
.
.

.
.
0
3
3
.
3.
4
14.
J
VI
k

III

BVI

BIII

3
. 2.. . ~ 3 . 1 .6 . 2 1.7 1.. .. ..
CC p 4l
1
2
.
C. 4 .
0 .
. g ~~~
. . f . f.
4.
#
g C. 1C.
.
1
~~~ j accel.
.
4.
2
1 4.
6
~~~
A
rit.
~~~2 .
CC p

4
6
6
. . ..
4 ~ 4.m
4.
#
g ~~~4 4.
g
1 .
.
4
.
~~~3
A
A
~~~4 .
~~1

36

i a m

36

A7 A A 6
A7 A A
0
7
A
A
I

CC 4. . 4.4. .f
4.

.
.
4
.
4.
4 .
0.
. . . . .m .
. . 4 3 .
C
.

.
.
4
.
4. 2

1
4.4. .
J
CC
F
0
.
.
4
1 4

A A.BVIII
4
AA
. .
A A4. .
.. .. . .... .. . ...
~
~
.
.
CC 4.4... . . .
.

.
.
~
. . ~~
pp

.
.
.
~
.
4.
~~~
~~U
~~~2
CC
~~~4
.
.
. pp
6
~~4
~~
agitato

39

39

41

41

Tempo I come prima


rit.
8
8 P C. .

4 .
.. . ....
0
C
.
.
.
.
.
.
.
C
.
CC p
C. . C... C... . C...

.
#
p
.
C
.
F
n. F

j .
flag.nat.12

43

CC
.
.
.
.
.

#
n .C. n C.. C.
n . .
. .
n . .
. C
3
3
3
46

String Edition No. 9715

-8-

C.
.
P C.. . .
.
4
.
.
.
3

Tryptique
due corde

jk

CC ~ w
~~~1 3
#
~~~1
1
J
40

50


C ..
.

C.

p p p i
1

F
1
p 2 C

4
3j

flag.art. j

String Edition No. 9715

-9-

n P 6
.
C
~~~ .
.
j~ A
pizz.

Tryptique

- III -

postlude

Allegro molto

(toccata)

44 1 2
bb b b b b b b
#
bb b b b b b b
bb b b b
3 b b b
b bb
b
b b b simile
b
b bb
b
b
~
b
~
b
~
PPPP

1/2
BIV
III
0

m
i

b 4b fb
44 b b 1
bbb
b
b
b
b
b
b
b
b
b
b
#
b bb
b
4b b b b b b b 4b b b b b b b
~
b
~
b
~
b
F
n
IV
m
4
C come prima
0 3 0
b
b
4 . 3
# 4 01 ....4b~~ b%b b b b b b b b b b b b b b b b b b b b b b b b
bb b b b
.
%
1. ~
b
2.
b b ~ bb
. %
g

4 2

b4b fb

1 2 1

bb bb
b
b bb
~

b
4

m i p m

p m i p m i p m i

b b b
bb b b b
b
b b ~ bb

p i

bbb
44 b b
b 4b fb
b
b
b
b
b
b
b
b
b
b
#
b bb
b
4b b b b b
bb
4b b b b b
bb
~
b
~
b
~
b
F
n
12

44 b 4b fb
b b b
b
b
#
b b b
~
b
15

BV

bb b
b b b b b b b b b
.
b
b b b
...4fbb
..
.. f
w g
PPPPPPPPPPPPPP
PPPPP
m

4
1
1
2
3
1

4b
44241 ..ffbbb b b b b b b b b b b b b b 211 ...f4bbbb b b b %b b b b b b %b b b 1b
.. b
b
k
#
4 .
3.
..
3 .
1.
1 .
1.
. f
w
w

BVII

17

String Edition No. 9715

-9-

Tryptique
BVIII

b b
b fb1
b 42 .. bb b
b fb1 b
b
bb
.
b
b
bb bb
44 ... bb b b b
bbb
1 .
..f bb b b b
b
b
3 .
... b
#
1 . f
.
1.
.
w
w
PPPPPPPP
I
2
4
b
b
b
04
f
2
1 .
.
4
b
b
b
b
b
2
4 1 . b b b b
bb
b fb 1 b b
bb bb b b b b b b b b b b
# 4 12 ....fb
b

b
b
b
b
3fb
1 .
.
w
g
19

4
1
1
1
3
1

21

tranquillo

23

44 . b
... bb b b b b b b b b b b b b ... bbb b b b b b b b b b b b b
...fb
b
b
fb
...ffb
f
b
.
2
.
n

@
@ 0
44 . b
444
b
b
5
5
5
5
b
b
b
... b b
b b
b
bbb bbbb b b
#

b 4ff bbbbbbb b b
...ffb bfb b b

F
PPPPPPPPP
PPPP BII1
0
0.b
444 1 1 3b4b2 bbb bbb bbb bbb bbb bb
bb b
>
b
0.
b
b
b
.
1
.
b
b
b
b
b
b
3
#

b
b bb b bb b b b b b b b b b b b
.
b

b b b 03 ....4b%b b b b b b b bb b b b b b b b b b b b b b
%
b
%
. %
0 .
F
25

tranquillo

28

444
#
30

bbb
bbb
bbb
>3 ....b bb
b
... b b b b b b b b b b b b b bb b b b
...
.

444
#

32

simile

PPPPP
b

~bb
f0b 0b 1fb3 b b b b b b b b 2
b
b
... 4bb b b b b
...
...
rit.
accel.
a

simile

bb
b
b
b
bb b b b bb b b b bb b b b bbb b b b bb b b b bbb b b b
%
%

bb

String Edition No. 9715

-10-

flag.nat.12

... b b b
...3 4bb b b bb b b bb b b
... ~ %
b
b
.. ~ %

Tryptique
VIII

IV

BIII

b
b
.. 1 fbbb b bb b b b bb b b bbbb b b b
... 3
f b b
f

1
444 3
b b bb fb 0bbb b bbb b fb 4b b b bbb b bbb b
b
b
#
b fb b b
b
m
m
3

3 1

1 2 0

34

accel.

... bb
.2

cresc.

b
k
444 ... 2 bfb
b
b
bb
... bb3 b b b bb b b b bb b b b 3
b
b

f
b
.
b
b
#
3
...3 4b b b b b b b b b b b b b
...0 b
.44 b b
... ~ %
g
BIV

36

444 3
#
3
38

b
1

b
b
b b fb bb b bb b b b b bbb b bbb b b
IX
2

a
m
i

dim.

VI

b
1

b
b
f
b
b
b b b b b b b bbb b bbb b
2 b b fb
n

cresc.

4
4
4
444
2
f
b
4
b
4
bb
b
b
b
bb
b
b
b
b
b
b
b
b
b

b
b
#
b
b
b
b
b
bbb b bb
b 4b b
bbb
b 4b b
bb fb
bb b
b 3n
b
~
~
~
1
n ~
g
1/2 BVI

VI

40

II

1 2

444 11..4~b b
b b b b fb b b
4
b
4b b
b
b
b
b
b
4
.
#
b
b
b
b
b
b
b
1 .4b
b
b
b
b
b
b
b
4
b
b
3.

...
~
~
~
..
g
g
n
BVII
k
43

simile

444 fb b
lb b fb4b bb fb4b bb fb4b 3
4b b

b
b
1 b
#
b b 4b b b
b b b b b
3
3
4b
3
b
1

~
~

BVIII
BVI

fbb11 4 bb bb bb
bb bb
.
f
444 3 ...442 bbb 4b f0bbb b bb b44bbb
.
f
b
b
b
b
b
b
b
b

b
b
b
b
b~ b b b b b b
#
3 ...3 4b~ b b 0 b b~ b b b b b b b ....23 b~ 1 b b
... ~
~
... ~
~

45

47

String Edition No. 9715

-11-

2 4

Tryptique
VIII

fb 4

0 30 2 0 1
1 4b

444... 4bfbb 4b b fb b 4b b fb b 4b b fb b 4b > fb b bbb 4b j b b b b b fb 4 32 4b b bbb b f2b


...
#
3 b b b~ b k
3 j

J
...
rall.
b
~ g espressivo
..

Lento

1/2 BIX

49

Tempo I
k
l

4442 fb b b b b b b b b b b b b b b b
b b b b fb b b b b b b b b b b b
3
#

w
52

l.v.

0
2
2
1
f44
444 b b b b 3
1

b
b
b
b
b b b b b b b b 4b b b b fb b b b
#
fb b b b b b b b
3
54

come prima

D.S. al Coda

4
2
44
0 0 3

4
#
3 b b b
bb b b b b b b
bb b b b 3 0 1 2
b
4
b
b
b b b ~ b b simile b
b b~ bb
b fb 4b 4b b

1 0

56

59

piu mosso

Coda

44 . b
...bb b b b b b b b b b b b b 3 ~b% b b
bb bb
b
b
b
...f b
b b
b
b
~
..0
F
cresc. poco a poco

61

44
b b b
b b b b b b b
b b b b b b b
bbbb
b
b
b
b~ b
b fb
bf~ b
b b
b f~ b
b
b
3
cresc. poco a poco

2
4
44
b b b
#
b b b b b b b
b b b b fb b b fb b b b b b b b
b
b
b~ b
b b
b~ b
b b
~
b
g
String Edition No. 9715
0 1

64

-12-

Tryptique

44 fb b
3 fbbb
b
b
b

b
b
b
#
fb b
b 3b
~

b b

67

b%

b b b b b

b%

b b b b b

VI

44 fbb b b b b b b b b b b b b 12 fbbb b b b b b b b b b b b b fbbb b b b b b b b b b b b b


b
4
#
b%
b%
b%
b%
b%
b
b b %
b

69

4
# 4
72

m1

bb
b
b b

b0b bbbbbbbbbb b
1
1
0
0
b
m
m
k
b
b
bb

p i m i

bb
b
b b

2 34

bbb

bbb

String Edition No. 9715

-13-

bb
b
b b

bbb

bb
b
b b

bb
~

You might also like