This document provides stage directions for a Samuel Beckett play titled "Come and Go". It outlines the positioning and movements of three female characters - Flo, Vi, and Ru - who sit silently together on stage, occasionally speaking and exiting. Over the course of the play, each character whispers to the others about changes they have noticed, and they eventually join hands in a symbolic gesture as the lights fade.
This document provides stage directions for a Samuel Beckett play titled "Come and Go". It outlines the positioning and movements of three female characters - Flo, Vi, and Ru - who sit silently together on stage, occasionally speaking and exiting. Over the course of the play, each character whispers to the others about changes they have noticed, and they eventually join hands in a symbolic gesture as the lights fade.
This document provides stage directions for a Samuel Beckett play titled "Come and Go". It outlines the positioning and movements of three female characters - Flo, Vi, and Ru - who sit silently together on stage, occasionally speaking and exiting. Over the course of the play, each character whispers to the others about changes they have noticed, and they eventually join hands in a symbolic gesture as the lights fade.
This document provides stage directions for a Samuel Beckett play titled "Come and Go". It outlines the positioning and movements of three female characters - Flo, Vi, and Ru - who sit silently together on stage, occasionally speaking and exiting. Over the course of the play, each character whispers to the others about changes they have noticed, and they eventually join hands in a symbolic gesture as the lights fade.
The play appears to depict three elderly women meeting and reminiscing about their past together.
It is about three elderly women, Flo, Vi, and Ru, who meet to sit together and discuss their memories of time spent together in the past.
The three characters, Flo, Vi, and Ru, are portrayed as being very similar in appearance, wearing dull colored coats and hats. They sit together silently for most of the play.
Previously Published
All 'That Fall
Endgame Happy Days How It Is Krapp's Last Tapc and Other Dramatic Pieces h'lurphy Poenls in English Proust Stories & Texts for Nothing Three Novels: Molloy, Malone Dies, The Unnamable IVaiting for Godot IVa t t Bram Van Velde (wi t h Georges Duthuit and Jacques Putnam) Samuel Beckett /Q and other. short dramatic pieces Grove Press, Inc. New York Come and Go dramaticule f or John Calder FI . 0 I VI Age undeter~llinable RI 1 l Sitting cei~tre side by side stage right to left FLO, VI, and RIJ. Very erect, faciilg front, hands clasped in laps. Silence. \!I: Ru. Rlr: YCS. VI: Flo. ~ 1 . 0 : Yes. vl : When did we three last meet? RU: Let us not speak. Silence. Exit VI right. Silence. ~1 . 0 : Ru. R U: Yes. F1.o: IVhat do you think of Vi? RU: I see little change. ( ~1. 0 inoves to cadre seat, whispers iit Rtl's ear. Appalled.) Oh! (They iook at each other. ~ r . 0 puts her finger to her lips.) Dt xs she not realize? ~1. 0: God grant not. Enter VI. FLO and RU turn back front, resume pose. vr sits right. Sileitce. FLO: Just sit together as we used to, in the playground at Miss Wade's. 68 / Samuel Beckett RU: On the log. Silence. Exit FLO left. Silence. RU: Vi. VI : Yes. RU: How do you find Flo? \!I: She seems much thc same. ( RU moves to centre seat, whispers in Vi's ear. Appalled.) Oh! (Tltey look at each other. RU puts her finger to her lips.)Has she not been told? RU: God forbid. Enter ~1. 0. R U alid VI turn back front, resume pose. FLO sits left. SiIeizce. RU: Ilolding hands . . . that way. FLO: Ilrcaming of . . . love. Sileilce. Exit RU right. Silence. vr: Flo. F1. o: Yes. \ {I: I-low do jrou think 1111 is looking? FLO: One sees little in this light. (v1 moves to centre seat, lc~llispers in Flo's ear. ~l ppal l ed. ) Oh! (They look at each other. v1 puts her finger to her lips.) Does she not know? VI : Plcasc God not. Erlter RU. VI and FLO t ur l ~ back front, resurile pose. RU sits right. Silence. \.I: hIay we not spcak of thc old days? (Silence.) Of what Come and Go / 69 l callie after? (Silence.) Shall we hold hands in the old way? After a ~i i or ne~i t they join hands as follows: Vi's right hrjrld ~vitll Rtl's right Ildnd, Vi's left hand with Flo's left hand, Flo's riglrt hand with Ru's left hand, Vi's clrtrls being abolv lill's left arm and Flo's right arm. ?'he tllree pairs of clasped hands rest on the three Zaps. Silence. Silence. NOTES Successive positions 1 Flo Vi Ru Ru Flo Ru 3, Vi Flo Ru { Ru Ru 5 Vi Ru Flo 6 lvi Vi F'lo Flo I-lands R u V i Flo W Lighting Soft, from above only and concentrated on playing area. Rest of stage as dark as possible. Costume Full-length coats, buttoned high, dull violet (RU), dull red ( vI ) , dull yellow ( FLO) . Drab nondescript hats with enough brim to shade faces. Apart from colour differentiatio~l three figures as alike as possible. Light shoes with rubber soles. I-lands made up to be as visible as possible. No rings apparent. t Come and Go / 71 Seat Narrow benchlike seat, without back, just long enough t o accomn~odate three figures almost touchiilg. As little visible as possible. It should not be clear what tbey are sitting on. Exits l' llc figures arc not secn to go off stagr They should dis- allpear a few steps from lit area. If d a i not sufficient to allow this, recourse s ho~~l d be had to screens or drapes as little visible as possible. Exits and entrances slow, without sound of feet. Ohs 'I'lircc \'cry different sounds Voices As low as compatible with audibility. Coloudess except for three "ohs" and two lines following.