Doodling: The Joy of Spontaneous Art
Doodling: The Joy of Spontaneous Art
Doodling: The Joy of Spontaneous Art
LISA LIPSETT
DOODLING
THE JOY OF SPONTANEOUS ART
Lisa Lipsett, Ed. D.
We are here to become integral with the larger Earth community. The
community itself and each of its members has ultimately a wild component,
a creative spontaneity that is its deepest reality, its most profound mystery.
- Thomas Berry
One day, while I walked home along the back roads of my island
home I noticed natures doodles in the bark of trees, on blades of grass, in the
dirt, on leaves. Even the cracks in the paved portion of my route had a
doodling quality to them. The sheer number of these creations
reminded me of a capacity we share with nature - spontaneous creativity.
This article is a brief celebration of this shared capacity and how utilizing
creativebynature.org
it not only brings joy to our lives but strengthens our relationship to the living
earth. Each time we create with no plan, we spark a powerful shift to feeling,
intuition and sensation that puts us in intimate relationship with self and
Earth. We access our inherent capacity for creativity and connection and
feel more whole as wild aspects of self jump into awareness and onto the
page.
Practices that support this shift can be so helpful. To better understand
the power of spontaneous drawing and painting, educator and psychoanalyist
By awakening our
Marion Milner (1957) chronicled her personal journey to knowing self and
spontaneous nature we
the world through spontaneous expressive art, or what she termed,
better align with other
free drawing. She titled her book On Not Being Able to Paint and used the pen
creatures in the
name Joanna Field as hers was a deeply personal journey which ultimately
moment and access our
stood in sharp contrast to educational and analytic values at the time. She
capacity to empathize.
took it upon herself to make a drawing or painting each time she felt a strong
emotion or simply felt the need to create. She aptly described her experience
of a shift to a state of more complete awareness, each time she created:
When painting ... there occurred ... a fusion into a never-before-known
wholeness; not only were the object and oneself no longer felt to be separate,
but neither were thought and sensation and feeling and action.
She concludes: So what the artist ... is doing, fundamentally, is not
recreating in the sense of making again what has been lost (although he is
doing this), but creating what is, because he is creating the power to perceive
it. By continually breaking up the established familiar patterns (familiar in his
particular culture and time in history) of logical common sense divisions of
me-not-me, he really is creating nature, including human nature.
The more we are able to nurture our own spontaneity, the more
sustainable and ecologically sound our thoughts, actions, and
feelings become. We learn to trust what comes spontaneously as having
a kind of natural connected intelligence of its own. Further, by awakening
our spon-
Doodle leaves
End by drawing with your eyes closed using both hands at the same time.
What fun! Follow where your hands lead. Truly savour this time and rest
your attention on the sensations associated with the movement of your
hands.
Maybe your images will look something like those on this page.
I invite you to follow this up with a nature walk. Where do you see
doodles? Where can you doodle today? What draws you in? Maybe its an icy
rock, sand, a car window. The possibilities are endless.
Finally here's a link to a video called Ice Art I made just after the Ontario
ice storm Christmas 2013. It demonstrates that you can truly be
spontaneous anywhere at any time! http://youtu.be/NvRiaNrI6y8
Maybe it's time to start your own spontaneous art practice. There are
lots of activities to get you started in my book Beauty Muse: Painting in
Communion with Nature (2009).