Feldenkrais Unstable Equilibrium
Feldenkrais Unstable Equilibrium
Feldenkrais Unstable Equilibrium
John C. Hannon
This article, fifth in a series, explores the concept of unstable equilibrium as a
form of dynamic repose. This presumes that movement best complies with the
Principle of Least Effort when the initial posture incorporates maximal potential
energy with minimal inertia. Such action, properly controlled, incorporates
strength, dexterity and a quickened reaction time. Also introduced is the idea of
reversibility; an attribute, described by Feldenkrais, indicating excellence in motor
control. Different forms of gait provide a vehicle for discussion. Exercises and a
sitting treatment featuring unstable equilibrium are presented. # 2001 Harcourt
Publishers Ltd
Introduction
John C. Hannon DC
Certified Feldenkrais Practitioner
1141 Pacific St. Suite B
San Luis Obispo, CA
E-mail: [email protected]
Received April 2001
Accepted May 2001
...........................................
Journal of Bodywork and Movement Therapies (2001)
5(3), 207^221
# 2001 Harcourt Publishers Ltd
doi: 10.1054./jbmt.2001.0230. available online at
http://www.idealibrary.com on
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Box 1 Milton Erickson recalls learning to walk the second time around
Dr Erickson began a teaching seminar by asking the participants to describe walking. He then stated I had to learn to stand up
twice once as an infant and once as an 18-year-old boy. I was totally paralyzed at 17. I had a baby sister. I watched her
creeping around and I watched her to see how she stood up. And I learned from my baby sister, 17 years younger than me, how
to stand up.
First you reach up and pull yourself up. Then accidentally, sooner or later (you all make the same accident). You discover that
you put some weight on your foot. And then, and never get them crossed, because if you get your feet crossed you cant stand up.
You have to learn to keep your feet as far apart as you can. Then you keep your knees straight and your body betrays you again
you bend at the hips.
After a while, after many efforts, you manage to keep your knees straight and you hang on the side of the playpen. You have
four bases two of your feet and two of your hands.
And then what happens when you lift this arm? You sit down. It is quite a job to learn to lift this hand and a bigger job to put
your hand out because your body goes over that way, and that way. And you have to learn to keep your balance no matter how
you move this you discover that your knee bends and you sit down. Then you haul yourself up and you try the other foot and the
knee bends again.
It takes a long time to learn to put your weight on your feet and to keep your knees straight. You have to learn to keep your feet
far apart. And then you have to learn how to move this hand. And you then you have to learn to coordinate it with the movement
of your head, your shoulders and your body. And finally you can stand up with both hands free.
Now how do you shift from two feet to one foot? It is an awfully big job because the first time you try to do it, you forget to hold
your knees straight and your hips straight, and you sit down. After a while you learn to put all your weight on one foot and then
you move one foot forward and that alters your center of gravity, so you fall down.
It takes a long time to learn how to put one foot forward. So, you finally take your first step and it seems to be pretty good. Then
you take the second one with the same foot and that doesnt seem so good. You take a third one and sit down. It takes a long
time to go right, left, right, left, right, left. You all can walk, yet you really dont know the movements or the processes. (Zeig,
1979).
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Box 2
Feldenkrais (1997) describes a standing exercise, turning to the left, involving choice of dierent vertical axes (See Figure 9)
Feldenkrais described a standing turn in several ways. He noted that, in many people, their muscular state of tension would make
rotation very inefficient. For example, if the head and lumbar vertebrae were held immobile, turning to the side would be an
awkward, laborious and slow operation-necessitating at least three steps (1977). By contrast, in the study of Judo, he pointed
out that the human body is best fitted for rotation around its vertical axis, and when this is performed on one toe, with all its
members held near the body, it is swift and practically effortless (1962). This finding is echoed in Yang Cheng-Fus Twelve
Important Points of Tai Chi Chuan which state that the substantial and insubstantial must be differentiated .. keep your weight
on one foot at a time (Cheng & Smith 1987).
In this selection Feldenkrais instructs a class in turning to the left while standing up.
The left side, the middle of the chest must come over the left heel. That means the body is not strained in the back, but on the
contrary, it strains in the abdominal muscles. There is a movement toward the left side so the shoulder and the hip [shift] onto the
same axis, parallel to the middle of the spine.
Pay attention not to turn the shoulders [relative to one another], but only the right shoulder around the left. [Continue] until it
will be possible to go over to the [left] leg [using] one movement, without hesitation. The transition to the leg will be similar to
what you are now hearing in my speech. [You] do not hear a halt in my breathing while I do it or not do it. Shift the weight like
this many times.
Slowly notice that the left side serves as an axis. The left hip joint and the left shoulder are on one line, without force, and do not
move. Feldenkrais then shows the difference between turning as described above, (on an axis of the left shoulder and hip), with
the turning most people use without thinking. . . . Turning around the spine. If I stand and turn around myself, the spine . . . is the
axis. I am turning half here and half there. That means when I am turning from left to right, the left shoulder moves around the
spine and the right shoulder also.
What we are trying to do is a faster turning movement. It enables turning with better balance. This time the axis . . . is around the
joint on which I am turning. . . . These movements enable very fast movements with agile balance. [Balance] where it is possible to
make a turn at great speed because it is one movement instead of two. (Feldenkrais 1997)
Skeletal antinomies
The skeleton demonstrates a triplet
of intertwined antinomies. For
example, the spine is nimble enough
to be fastened precisely into any one
of a multitude of shapes. It can
faithfully maintain that
configuration to serve a single task.
At the same time, there is low
survival value if so constrained.
A stooped posture may best serve
gardening but it hardly allows for a
quick getaway. For this reason, the
alert martial artist always reserves
several movement options for
instant reaction.
Secondly, the spine must
thoroughly and massively armor the
delicate nervous system yet provide
wide gaps so as to not limit
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Box 3
Acture: Dr Feldenkrais described acture as a better word than posture; he noted that posture relates to action not to the
maintenance of any given position. He stated (1985), that the ability to stop an action, a process, restart it, reverse it, or drop it
altogether is one of the finer criteria of proper acture. Another quotation which applies to acture is: Good upright posture
allows a minimal muscular effort to move the body with equal ease in any direction (Feldenkrais 1972).
Dexterity: Professor Nicholai Bernstein (1996) updated the definition of dexterity to something more than harmony in
movement. He felt that dexterity was finding a motor solution for any situation and in any condition. He noted that the demand
for dexterity is not in the movements themselves but in reacting appropriately to the surrounding conditions. Feldenkrais (1977)
described it as the all-around matured individual. He stated that such an individual is recognizable by his outstanding capacity
for recovery from unexpected shocks or disturbances, mental, emotional or mechanical. Faulty recovery is never found in one of
these planes of activity alone.
Sensorium: the sum total of an individuals sensory cues which allow a coherent relationship to their environment. Examples
abound everywhere. Extending above and beyond the head are sensory signals such as the aural Doppler shift that allows us to
duck the swinging tree limb. The cloud of signals ranges throughout the body all the way down to the contact of our soles which
grounds us; in other words, the innumerable trains of visual, tactile, haptic and enteroceptive signals which provide us with a
feeling of continuity and connection to our world. Chaitow (1999) reminds us that the musculoskeletal system is both the
greatest energy consumer of the body and its largest organ of sensory input.
Sensory motor atrophy: a metaphor describing the blunting or impoverishment of the sensorium. Imagine shod feet walking on a
tropical beach. Soles so constrained they cannot feel the bite of a sand flea nor a jellyfishs sting. Those feet do not notice the
suns warmth, the tides surge, the sinking into loamy wet sand nor the slippery-slick squelch of trodden seawrack.
Sensory motor amnesia (Hanna 1989): Thomas Hanna coined this term to describe a somatic state which may form after injury or
long term stress. This functional amnesia is not due to organic disease of the nervous system or locomotor system; instead, it
represents a dysfunction of the information processing inherent in motor control. The self-image of the person becomes changed.
The persons distorted self-image prompts an apprehensive guarding of their muscles, which limits movements with or without
pain. In addition, the person is unaware of the distortion or restriction in their activities. Nor can they notice that this
apprehension sacrifices coordination and dexterity while loading unneeded muscular effort upon their movement patterns.
Potential energy
The human body makes available
several types of potential energy.
There is the stored chemical energy
in the muscles which allows for
instant action. Then there is the
stored mechanical energy available
in being in an upright stance.
Figures 1 and 2 show a model of
different energy states. When the
ball has sunk into the depression, it
has no more potential energy, that
energy has been transformed into
the kinetic energy of rolling. This is
a state of stable equilibrium.
On the other hand, the ball poised
on top of the hill has potential
energy. Although the ball is just as
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Palindromic movement
Palindromes such as the word
rotator read forward or backward.
It may be useful to consider
movements in the same way. A
hallmark of movement excellence is
that the motion lacks superfluous
effort. Inefficient locomotion
displays either stifled movement or
ungainly carriage.
Awkwardness such as this is so
widespread it is difficult to observe
at first. Imagine how shocked you
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Fig. 3 The upright human at either end of the spectrum. (A) The standing human, echoing
Dantes quotation, is upright and free when unrestricted by durable motor tone. Virtually no
muscle effort is needed to stand if the centre of gravity is sustained over the feet with the weightbearing joints are centrated. (B) Typical zones of tension, described in the Part 3: (Volume 4 No.
4, pages 261272). Stability installment of this series, create postural faults, adverse tension and
require excessive effort to maintain postural stability.
Anticipatory postural
adjustments
Recent research has started to
unravel how the body pre-plans
movement to minimize effort and
maximize stability and speed.
Anticipatory postural adjustments
(APA) are used to maintain
equilibrium and perform the
movement. Aruin and Almeida
(1997) found that Downs Syndrome
people had a different postural
Dynamic repose
The skeleton allows for folding and
turning in many ways. In fact,
turning, or rotation, is implied in the
word vertebra which derives from
the same root serving vertigo.
Despite many ligamentous, fascial
and skeletal restrictions, a person in
good health may move in any
direction. Limiting this freedom are
the many forms of restriction
encountered daily in our offices.
Consider that the striving for
perfection found in dance, martial
arts, yoga, mime, etc may mature
the nervous systems level of motor
control. By stripping away excess
effort and developing skill at
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Gait
Hamwee (1999, p. 50) describes how
two donkeys walk together up a
narrow mountain path. He notes
that the donkeys lean into each
other as they walk; he reasons that
the donkey on the outside of the
path feels safer by leaning away
from the edge. If the outside donkey
slipped or a bit of the path crumbled
away, the donkey would fall inwards
against the other donkey. The idea is
a compelling one; we all want
support. But, just as a crutch is
needed during convalescence, the
best moment of healing is when the
person develops the strength to lift
away from the crutch. Finding our
own anchors of stability is a
challenge we all face.
Consider the six-legged insect in
Figure 4. Notice how the stability of
a three-legged stool can provide a
stable base for the insect. By lifting
three legs out of the way and falling
forward on the three standing legs,
the insect can propel themselves
forward. All that remains is to land
on the new set of three legs and then
hoist up the body for another step.
The centre of gravity always remains
within the triangle outlined by the
standing three legs.
The four legged animal, being
much higher in the air than the
insect, has the advantage of
being able to take longer steps.
Counterbalancing this advantage is
8
In motion, the job becomes more elaborate by
other influences such as momentum and elastic
recoil. Perhaps these complications are mitigated by
a visceral yearning toward a felt-sense goal. That of
learning better ways to move toward comfort,
thereby fulfilling the want of some absent good.
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Fig. 4 Examples of gait. (A) The insect lifts three legs and advances itself to rest upon the three other legs. (B) The four-legged animal, if its centre of
gravity remains within the confines of three support legs, remains stable. Move the centre of gravity over that border, the animal will topple. (C) The
footprints of an unsteady person show how small the support area compared to the bodys mass. (D) The additional support of a cane widens the
triangle of support significantly.
Fig. 5 Hip zone of circumduction perimeter of the upright adult. Notice the wide, and varying
range, of hip ranges of motion. (Illustration adapted from Kapandji, 1987).
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Box 4
Feldenkrais on gait (1977). He described his gold standards for determining the quality of motion
Having established the principle of maximum potential energy in the mechanical frame of the body, we must note that any
deviations from that principle must be considered inadequate; in other words, to maintain the body in a way such that the centre
of gravity is lower than it could be annuls the advantages recognised in the principle. Thus in proper walking, the centre of
gravity of the human body should go up and down so slightly that it is practically maintained at the level at which it is when
standing on the forward foot, with the one behind still touching the ground with the two bigger toes. Ideally, no work at all
should be done in the field of gravity. The only resistance to overcome should be that of the joints which arrange themselves so as
to shift the centre of gravity horizontally forward.
In the average mans gait, these conditions are far from being realised, and more work is involved than necessary; as in all
physical bodies the loss of energy involved is accountable in the deformation of the supports and joints. There are people with
excellent body mechanisms who walk in a manner fulfilling the theoretical conditions: it is difficult to describe the proper act
concisely and with sufficient precision and clarity. Only example or film projection can adequately convey the idea and procedure.
It may be said, however, that the gait satisfying the established principle is as follows: propulsion forward is obtained by the
upper parts of the body moving forward first, the advancing leg propping up and stopping them from falling further down. The
ankle of the advancing leg should not therefore be advanced further than the vertical through the centre of gravity of the trunk at
the moment the trunk comes to rest over the ankle. The other leg lengthens by extending the ankle joint; it does not push to
propel the body forward, but serves to direct and stabilise only. The horizontal component forward, obtained by letting the trunk
fall, is used for propulsion. The work for moving forward is provided by the potential energy stored in the body. The potential
energy is restored by straightening the forward leg at the moment of underpropping the body. People with proper body
mechanisms walk in this fashion. It is easy and graceful because it involves the least effort and labour. The grace of such walking
is obtained from the unity of action. When an act is efficient no energy is wasted. This means also that no movement unnecessary
for the act is done. The body moves, therefore, smoothly and describes clear curves or lines. The aesthetic search for design and
purity is thus also satisfied.
Perfect maturity of the antigravity function is recognisable by the narrowness of gait. The traces left by the feet when advancing
fit between two parallel lines, about two-thirds of the width of both feet apart. The two heels never touch the ground
simultaneously. Prints of the bare feet on the ground would be so spaced that the following points would be on one straight line
the middle of each heel and the edge of the second toe facing the big toe. The legs move simply, i.e., they do not do anything
else but the movement strictly necessary for the purpose. So does the whole body.
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Fig. 7 The ischial rock: an exploration of ease, unstable equilibrium and skeletal poise. Two symbols are borrowed from electronics for this
illustration. The sign for ground will designate a solid anchoring of the skeleton at that location. The sign for resistance will denote motor tone
sufficient to restrict the desired joint movement. (A) The exercise is seen in the starting position and in (B) the range of forward and backward
excursion is seen for the trunk. (C) This view shows the alignment of joint centration from the hip to the toe on the support leg. (D) Here is seen the
small but important pendulum motion of the clasped, yet dangling, leg. Notice that the rounded ischial tuberosity is ideal for rocking. With suitable
relaxation of the spinal extensors and anterior spinal muscles, (iliopsoas, scalenes, deep neck flexors), the entire rocking unstable equilibrium is
controlled and powered by head nodding.
11
12
The stool was patella height, as measured from the
floor while standing.
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Box 5
Gait exercises
Gluck (1996) describes two gait exercises to develop dexterity. To review more about Bernsteins definition of dexterity, see Part 3
of this series: Stability (Hannon 2000c).
Lightness of foot: prepare some paper in the following way, roll out 30 feet of paper toweling upon a slippery smooth floor and
wet it thoroughly. Practice walking barefoot atop the paper until your gait neither tears or bunches the strip. Is it possible to run
the strip without disturbing the paper? A re-phrasing of Tragers famous comment comes to mind: Why ask how fast you can
run, ask how lightly you can land (Liskin 1996). Crab side scurry: stand with your back to a wall and crouch your knees so they
point to the sides in an exaggerated bow stance. Both your lead foot and head face the direction of travel. Lower your ipsilateral
shoulder and maintain your rear foot at least 135 degrees away from the direction of travel.
Bring your rear foot forward of the lead foot without losing the rear foots angle. Shift weight and bring the other foot forward to
its original position. Quietly, quickly, easily step at least a yard at a time with a double quick-time march. Practice until you are
able to move this way in low shadows only 4 feet high.
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Fig. 8 (A) A schematic of the knees and elbows position. (B) Notice the stable tetrahedron formed by the therapists back, arms, knees and the
clients back. This stability reduces random touch and allows for stillness to precede the therapeutic application of precisely metered force. (C) Just as
in walking, there is a weight shift onto either ischium possible in this position. By selectively pushing with the heels, an unstable equilibrium is created
with the tetrahedron leaning onto the client. (D) By balancing on either ischium it is easy to spin, tilt, or lean the tetrahedron, allowing the therapists
hands to remain soft, and harness gravity to deliver the treatment. (E) The client can be positioned in an unstable equilibrium of their own; the sidelying trunk is rolled one way while the pelvis sprawls in another direction. The resulting torsion fixes the spine and changes the clients breathing
pattern. This allows the therapist to manually apply a steady, subtle, traction and twist force. In this way, the two peoples combined unstable
equilibria may act as a spatial therapeutic lense. This lense, suitably positioned, may focus the rhythmic power of the clients own breath, in harmony
with the arrested falling of the tetrahedron, to provide the therapeutic force.
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Conclusion
Unstable equilibrium is a form of
dynamic repose. Repose is a state of
quiet readiness which contains as
much stillness as is consistent with
the potential for instant action in
any direction. By accessing the
potential energies, mechanical,
emotional and metabolic, inherent
in an upright posture embodying
dynamic repose, powerful and swift
action may be launched.
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Development of postural adjustment
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Bernstein N, Latash MS, Turvey MT 1996
Bernstein on Dexterity and its
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Mahwah
Chaitow L 1999 Soft tissue manipulation:
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E R R AT U M
Self-treatment of mid-thoracic
dysfunction: a key link in the body
axis
C. Liebenson
Journal of Bodywork and Movement
Therapies 2001; 5: 9098
The publishers would like to
apologise for the omission of an
author, J. W. Delany, in the
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