News & Notes: New Technology and The Earliest Writing
News & Notes: New Technology and The Earliest Writing
NO. 215 fall 2012 THE Oriental INSTITUTE OF THE University OF CHICAGO
also inside:
Birds in Ancient Egypt
Babylonian Astrology
Oriental Institute Travel Program:
The Wonders of Ancient Egypt
PAGE 2 NEWS & NOTES
IN THIS ISSUE
From the Directors Study
The invention of writing is one of humankinds greatest achievements a creative
From the Directors Study 2 leap made independently by several emerging civilizations in both the Old and New
Early Writing and Administrative Practice3 Worlds. It is impossible to exaggerate the importance of this innovation, which
transformed the spoken word into a symbolic system expressed visually through a
Members Lectures 8 set of conventionalized signs. This made it possible to store information and ideas
and transmit them with precision across space and across time. Writing seems to
Between Heaven & Earth 9
have been invented at roughly the same time in the later fourth millennium bc in
Registration Form 15 both Mesopotamia and Egypt.
Although the idea of writing was invented independently in several locations,
Calendar of Events 16 each culture developed writing through its own unique pathway, and writing func-
Adult Education 18 tioned very differently in Mesopotamia, Egypt, China, and Mesoamerica. For this
reason, studying the precursors of writing in each of these civilizations can give
Sunday Films 19 us unique insights into the actual processes through which writing was invented.
Christopher Woods article in this issue of News & Notes gives us the first look
Volunteer Spotlight 20 at an exciting new project using advanced imaging technology to investigate the
Oriental Institute in the News 24 enigmatic hollow clay balls and tokens that were used in Mesopotamia immedi-
ately before the invention of writing. The key question is whether these differently
Stargazing in Ancient Babylonia 20 shaped clay objects, and the clay balls that contained them, were the first stage in
Suq Corner Back Cover the evolution of the cuneiform writing system. Were the complex and simple clay
tokens the ancestors of individual cuneiform signs or were they parts of an entire-
ly different kind of information recording system? Were the simple and complex
tokens used in different ways? Were they recording the same kinds of information,
or did they represent two (or more?) parallel ways of information storage? We can
News & Notes only answer questions like these by looking inside the sealed clay balls, and then
comparing the contents with those tokens that are found outside of the clay balls
A Quarterly Publication of as groups or isolated finds in the archaeological record. In short, the archaeological
The Oriental Institute, context and associations of the tokens are as important as the shapes of the tokens
printed exclusively as one of themselves in solving the mystery of the invention of writing. Working with his
archaeological colleague Abbas Alizadeh, Christopher Woods has been applying
the privileges of membership powerful CT scans and sophisticated 3-D image processing software to peer inside
Amy Weber, Editor the clay balls from the Oriental Institutes excava-
tions at the fourth-millennium bc site of Choga Mish
in southwest Iran. This non-destructive technology
The Oriental Institute allows us to keep the artifacts whole and unbroken,
1155 East 58th Street while still having the benefit of seeing what they
Chicago, IL 60637 contained. The results are unexpected and in some
Telephone: (773) 834-9777 ways quite surprising. As this innovative research
Facsimile: (773) 702-9853 project proceeds, it is certain to shed new light on
E-mail: [email protected] the symbolic systems of the earliest Mesopotamian
civilization, and on the invention of writing itself.
All inquiries, comments, and
suggestions are welcome
Cover illustration:
3-D CT image of Ch.M. III-752 with digitally Broken clay envelope with tokens inside
applied false-color surface; Statuette of a ba- (Ch.M. III-925A) from Choga Mish, Iran.
bird. OIM E446 (photo by Anna Ressman)
fall 2012 PAGE3
Figure 8. Radiograph of Choga Mish clay Figure 9. 3-D CT image of Ch.M. III-752 with Figure 10. Cross section of Ch.M. III-752 (plane
envelope Ch.M. III-752 digitally applied false-color surface of cut indicated in green) revealing tokens
within
fall 2012 PAGE7
For the first time in the United those whose condition required urgent
between States, an exhibit dedicated entirely to
the birds of ancient Egypt will open at
care on the part of the Museum conser-
vators. When it came time to establish
heaven & the Oriental Institute for its members a list of potential objects for the exhibi-
sport teams, such as the Saint Louis welcoming suggestions for special ex- (courtesy of the Field Museum of Natural
History)
Cardinals or the Baltimore Orioles. The hibits from graduate students, I submit-
University of Chicago chose a mythical ted a proposal to the Special Exhibits
bird as its mascot, the phoenix, whose Committee as soon as my comprehen-
origins go back to the ancient Egyptian sive exams were completed and my
benu-bird. And what about Twitter, the dissertation research was on its way.
trendy online social-networking ser- Indeed, since perusing a book that
vice, whose founders chose avian vo- Bettina Schmitz and Dina Faltings pub-
cabulary, tweeting, to communicate lished in 1987 in conjunction with their
the fast pace with which information exhibit on birds in ancient Egypt at the
can now be shared? The proliferation Pelizaeus-Museum in Hildesheim, 2 I
of birds into our culture clearly demon- have aspired to set up a similar exhibit
strates that they continue to mesmerize at the Oriental Institute showcasing the
us and make their way into our every- fascinating ancient Egyptian avifauna.
day life, just as these winged creatures My proposal was accepted, and I thus
permeated every aspect of the ancient joined the Oriental Institute Museum
Egyptians lives through their religion, team as guest curator, and with their as-
art, writing system, and diet. sistance I began designing this exhibit.
With the help of Susan Allison, assistant
registrar, I spent many afternoons re-
viewing all the objects of our collection
connected with Egyptian birds. After
some training with conservator Alison
Whyte, who showed me how to carefully
Examples of birds handle such unique and fragile artifacts,
used in modern I started closely examining all these Figure 2. Comparison of a rekhyt hieroglyph
logos: Twitter logo objects, selecting those which could be from the Red Chapel of Hatshepsut at Karnak
and University of
displayed in the show, and identifying with a northern lapwing (Vanellus vanellus)
Chicago emblem (courtesy of Jackie Garner, from an original
watercolor)
PAGE10 NEWS & NOTES
on display, thus giving the Oriental to the research undertaken to docu- Green, chief curator, who have advised
Institute Museum visitors a chance to ment them, and the publication of the and supported me all along when writ-
further discover the remarkable hold- exhibit catalog, has been an amazingly ing the exhibit narrative, selecting con-
ings of our collection. enriching experience for me. I have had tributors for the catalog, and organizing
Every phase of the exhibit prepara- the chance to closely work with regis- the show. It was extremely rewarding
tion, from the selection of the objects tration when selecting the objects; for me to be part of the team that is
with conservation when reviewing the composed of the many talented people
state and discuss- of the Oriental Institute Museum staff,
ing the potential and I cannot thank all of them enough
for display of each for their constant kindness and pa-
object; with pho- tience with me, a novice in this domain.
tography and with Forty objects, featuring a wide
the Department of variety of ancient Egyptian artifacts,
Public Education as well as facsimiles of wall paintings
and Outreach to from Beni Hassan and Thebes by Nina
design and sched- de Garis Davies, will transport the visi-
ule activities that tor into the cycle of life, death, and re-
will be offered in birth that each ancient Egyptian aspired
conjunction with to follow. According to several Egyptian
the exhibit; with creation myths, in the beginning there
exhibit design to was an egg, laid on the primeval mound
discuss the best emerging from the watery Nun from
options for the dis- which hatched the sun god, creator of
play of objects and the rest of the universe and humanity.
information panels; These humans, whom the creator god
and finally with the fashioned, were also imparted with
Publications Office avian characteristics. At their head,
who has beauti- pharaoh embodied the god Horus on
fully designed the earth, the divine falcon who was chosen
catalog that will when he was still in the egg (fig. 1).
accompany the His subjects, the rekhyt, are depicted as
exhibit. Since the lapwings, raising worshipping and sub-
beginning of this missive hands toward their ruler (fig. 2).
project, I have es- Just as the world ultimately
Figure 5. Tempera by Nina Davies, from the tomb of Khnumhotep II at p e c i a l l y wo r ke d emerged from the primeval egg (fig.
Beni Hassan. A hoopoe (Upupa epops), a masked shrike (Lanius nubicus), a with Emily Teeter, 3), every human being was conceived
special exhibits co- and fashioned in the egg and was born
red-backed shrike (Lanius collurio), and a redstart (Phoenicurus phoenicurus)
are perched on an acacia tree beside a pond (D. 17882; photo by Anna
Ressman) ordinator, and Jack from her/his mothers womb, like a
fall 2012 PAGE11
Figure 6. Tempera by Nina Davies, from the Theban tomb-chapel of Nebamun. The geese from Nebamuns aviaries are gathered and brought before a scribe
who is in charge of recording their number (D. 17884; photo by Anna Ressman)
chick hatching from the egg. The new- and wading birds finding food aplenty and temples (fig. 6). Some others were
born child, no longer protected by the in the low water and mudflats. These killed straightaway and processed for
eggshell that is, the womb was migratory birds would have been seen immediate consumption, or preserved
vulnerable to diseases and required the as a further manifestation of the cyclic in fat and salt for later use. While not
help of protective deities. The vulture rebirth of the universe, whose poten- as frequent in the diet as fish, poultry
goddess Nekhbet, quintessential sym- tials were exploited both pragmatically was indeed included among the com-
bol of protection whose large wings em- and symbolically. mon dishes available to the majority of
brace and envelop her young , was Fowlers organized expeditions the population.
called upon in spells and was depicted to catch large numbers of waterfowl These vibrant and colorful flocks
on amulets and other magical imple- using clap nets. To maximize their of birds did not fail to inspire Egyptian
ments (fig. 4). chances of filling their game bag, an- craftsmen and artisans. As early as the
Children growing up on the banks cient Egyptians made use of birds, often Predynastic period, they incorporated
of the Nile would have been surround- herons, as decoys tied near the pond in the waterfowl motif into their work.
ed by a multitude of bird species whose which the net had been installed be- Just as the seasonal gatherings of birds
numbers increased exponentially dur- forehand. Flying ducks and geese, re- in the marshlands of Egypt became a
ing migration (fig. 5). The spectacular assured by the presence of this wading literary metaphor for bustling mul-
arrival of millions of waterfowl in the bird seemingly indicative of a pond titudes and the passage of time, birds
fall coincided with the Nile flood. As the teeming with fish without human dis- also became a symbol of bounty, fertil-
water receded, the rich sediments from turbance land on the pond to join it, ity, and even love. Thus, the depictions
the Ethiopian highlands brought a re- unaware of their fate. Some of the birds of ducklings and goslings, when careful-
newed potential for life in the land and trapped under the net were intended ly held in the arms of a young woman,
welcomed large flocks of ducks, geese, to fill the poultry yards of households were filled with erotic symbolism. Birds
Figure 7. Cosmetic
dish in the shape of a
sleeping duck, with its
reflection in the water
AIC 1894.610 (courtesy
of the Art Institute of
Chicago)
Rozenn Bailleul-
LeSuer with
Harris hawk on
Rozenn Bailleul-LeSuer is a PhD candidate in Egyptology in the Department of Near Eastern Languages hand (photo by
Bob LeSuer)
and Civilizations at the University of Chicago and curator of the exhibit Between Heaven & Earth:
Birds in Ancient Egypt. After studying chemical engineering in France, as well as Greek and Latin in
Vermont, she is now able to combine her passion for birds and her academic interest in Egypt. Her dis-
sertation is entitled The Exploitation of Avian Resources in Ancient Egypt: A Socio-economic Study.
Medicine and Magic in the Ancient World: A Search for the Cure
Wed Oct 10 Wed Oct 17 Wed Oct 24 Sat Oct 27 OR Entire 4-week series
Bird Walk in Jackson Park
The Birds of Ancient Egypt Symposium
OI/ASOR Educators Event
K12 teachers seeking CPDUs for eligible programs, please check here
grand Total
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meeting. Those who cancel after the first class meeting, but before the second class meeting, will receive a full refund minus a $50 cancellation
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PAGE16 NEWS & NOTES
october 21 | Sunday
Bird Walk
Bird Walk in Jackson Parks
Wooded Island
7 | Sunday The Bibles Buried Secrets 8:00 am
Film
See page 22 for details
2:00 pm
See page 19 for details Iran: Seven Faces of a Civilization
Film
10 | Wednesday The Theory and Practice of Medicine and 2:00 pm
Magic in Ancient Egypt See page 19 for details
Volunteer Mini-Series
5:00 pm 22 | Monday Hieroglyphs by Mail
See page 23 for details Adult Education Correspondence
Course
13 | Saturday Open House Chicago at the See page 18 for details
Oriental Institute
Event 24 | Wednesday Diseases and Epidemics in Ancient
10:00 am Mesopotamia and Religious and Magical
See page 24 for details Elements in Babylonian Medical Practice
Volunteer Mini-series
14 | Sunday Open House Chicago at the 5:00 pm
Oriental Institute See page 24 for details
Event
12:00 pm 25 | Thursday Visiting the Museum and The Mummy
See page 24 for details Films
7:00 pm
Pioneer to the Past: The Life and Times See page 29 for details
of James Henry Breasted
Film 27 | Saturday Mesopotamian Texts and the
1:30 and 4:30 pm Knowledge Assumptions of Medical
See page 19 for details Diagnosis and Panel Discussion
Volunteer Mini-series
15 | Monday The Dawn of History: Society and Culture 10:00 am
in Ancient Mesopotamia See page 23 for details
Adult Education Online Course
See page 18 for details 28 | Sunday The Secret of the Mummies
Family Program
Between Heaven & Earth: 1:30 pm
Birds in Ancient Egypt See page 20 for details
Members Preview Event
6:00 pm Mummies Made in Egypt
See page 24 for details Film
2:00 and 2:30 pm
17 | Wednesday Between Heaven & Earth: See page 19 for details
Birds in Ancient Egypt
Gallery Talk
12:15 pm
See page 22 for details
Magical Healing in Ancient Greece and
november
4 | Sunday Islam: Empire of Faith
Medical Healing in Ancient Greece Film
Volunteer Mini-Series 2:00 pm
5:00 pm See page 19 for details
See page 23 for details
fall 2012 PAGE17
The following courses are co-sponsored by the Graham School of General Studies.
fall Adult Each course provides Teacher Recertification CPDUs from the Illinois State Board of
Education, and each counts as an elective for the Graham Schools non-credit certificate
Education Courses in Arabic Language and Cultures. For more information, call Public Education at (773)
702-9507.
Each Sunday afternoon, enjoy the best in documentary and feature films on the ancient Near East at
Sunday Films the Oriental Institute. Films begin at 2:00 pm, and running times range from 30 to 50 minutes unless
otherwise noted. There is no admission fee. Following the films, museum docents will be available in
the galleries to answer questions about our exhibits.
October 7 The Bibles Buried Secrets ancient Egyptian mummies are studied some of the worlds richest wildlife
(2008) 110 min and preserved. This half-hour film is habitats and has shaped the ways and
A powerful intersection of science, shown at 2:00 pm and repeated at 2:30 beliefs of cultures since the beginning
scholarship, and scripture, this pm. of recorded history. Narrated by
landmark documentary from the Academy Award winner F. Murray
PBS NOVA series presents the latest November 4 Islam: Empire of Faith Abraham, this spectacular film takes
in archaeological scholarship and (2000) you on an odyssey of exploration as
explores some of the biggest questions This highly acclaimed two-part PBS you journey down the entire length of
in biblical studies: Where did the film tells the story of Islams first the Nile.
ancient Israelites come from? Who thousand years, showing how it
wrote the Hebrew Bible, when, and sustained the intellectual legacies of December 9 Pale Male
why? How did the worship of one God Greece, Egypt, and China and brought See below for details.
the foundation of modern Judaism, immeasurable advances in science,
medicine, and art to Europe in the December 16 The Silver Pharaoh
Christianity, and Islam emerge? (2010)
Middle Ages. This film is being shown
October 14 Pioneer to the Past: The in conjunction with Arab Heritage This film tells the story of pharaoh
Life and Times of James Henry Breasted Month in Chicago. Part 1 screens at Psusennes, whose royal tomb is one
(2004) 1:00 pm and is 90 minutes long. Part of the most spectacular and least
From WTTWs Chicago Stories, this 2 screens at 3:30 pm and also runs 90 well known in Egypt. Discovered
film presents the scholarly vision and minutes. on the eve of World War II, the tomb
entrepreneurial flair of Chicago-area received little fanfare, and treasures
The following two films, shown on succes- such as the pharaohs remarkable
native James Henry Breasted, founder
sive Sundays, are episodes from Akhenaten silver sarcophagus remained forgotten
of the Oriental Institute. Pioneer to the
and Nefertiti: Rulers of Egypt (2002). This until now.
Past will be shown on the half hour
series explores the reign of the revolution-
from 1:30 to 4:30 pm in conjunction
ary pharaoh who replaced the Egyptian pan- December 23 and 30, 2012 Holiday
with Open House Chicago at the
theon with a single deity, the sun god Aten. break, no film screenings.
Oriental Institute.
November 11 The Sun Was the Only
October 21 Iran: Seven Faces of a
Witness
Civilization (2007)
This major documentary uses the
latest technology to showcase the
Filmed on location in Egypt, the expert
commentary and lavish reenactments FILM SCREENING
in this episode bring Akhenatens
celebrated art and archaeology of Iran
religious revolution dramatically to
Pale Male
over the past 7,000 years. A cinematic
life. Sunday, December 9
adventure that features spectacular
graphic reconstructions superimposed November 18 The Mummies of the
2:00 pm
on images of actual architectural Heretics FREE
remains, the film brilliantly recaptures After his death, Akhenaten was
the ancient treasures of Iran in ways Of the millions of newcomers who flock
declared a heretic, and efforts were
never before possible. to New York City, a red-tailed hawks
made to erase all traces of his reign.
astounding arrival in 1991 made his-
This episode explores the nineteenth-
October 28 Mummies Made in Egypt tory when he chose an exclusive Fifth
century discovery of the pharaohs
(2001) Avenue apartment building as his
famed city of Amarna and the search
This award-winning childrens film home. Oscar winner Joanne Woodward
for the mummies of the heretic king
from the Reading Rainbow series uses narrates this award-winning film that
and his queen, Nefertiti.
live-action and animation to take shows how a powerful bird of prey, af-
an in-depth look at the ancient and November 25 No film showing during fectionately dubbed Pale Male, be-
fascinating world of mummies. Shown Thanksgiving weekend came an instant celebrity as he courted
in conjunction with the special family his mate on Woody Allens balcony, built
event The Secret of the Mummies (see December 2 Nile: River of the Gods a penthouse nest and fiercely protected
p. 20). The film goes on a unique visit (1994) 102 min it, and then taught his baby chicks to
behind the scenes at the Museum of Coursing 4,000 miles through three fly. The Audubon Society proclaims this
Fine Arts in Boston to explore how countries, the Nile River sustains film a classic (85 min).
PAGE20 NEWS & NOTES
Who makes the Oriental Institute a spoken. His facility with languages led
leader in research on the ancient Near him to study comparative cultures at
East? You do! The Oriental Institute has Wesleyan University in Connecticut
wonderful volunteers who are constantly and to ultimately receive his PhD in
working with the public as well as behind Germanic languages and letters from
the scenes on a wide variety of research the University of Michigan.
projects. News & Notes has added an In his professional life, Robert
ongoing special section to spotlight was a technical translator for intel-
some of our outstanding volunteers each lectual property at a Chicago-area law is a left-handed pitcher and an enthusi-
quarter. firm. Upon his retirement, it seemed
R
astic St. Louis Cardinals fan!
obert Wagners life-long passion only natural for Robert to return to Robert describes himself as very
for Egyptology began as a young his fascination with Egyptology and driven and takes his volunteer work
boyhood dream. As a child he kept a the ancient Near East. He was eager to very seriously. When he is in town, you
scrapbook in which his very first entry apply his skills and talents to help the can find him working in the west base-
was a Chicago Tribune article on an Oriental Institute. In 2003 Robert be- ment, deeply engrossed in his current
Egyptian discovery, the Khufu funeral came a volunteer for Clemens Reichel project. Robert takes great pride in all
bark. As an inquisitive seventh-grader, on the Diyala Project. Later he began that he has accomplished as a volunteer.
Robert took the opportunity to come to volunteering in the Museum Archives
the Oriental Institute to speak to Robert with John Larson on the Medinet Habu If you are interested in finding out more,
McCormick Adams for a writing assign- papers from Berlin. come join Robert and become a docent or
ment. The assignments purpose was to Robert and his wife reside in volunteer at the Oriental Institute! Become
interview someone he admired and who Beverly. They both love music and at- a part of the Oriental Institute Volunteer
exemplified what he wanted to become. tend many concerts and cultural events Program.Explore the many options avail-
Robert was fortunate to grow up throughout the area. Robert is an avid able at http://oi.uchicago.edu/getinvolved/
in a bilingual home where German was stamp collector and enjoys baseball. He volunteer
join/renew today!
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Cut out and send form to: The Oriental Institute Membership Office, 1155 East 58th Street, Chicago, IL 60637
PAGE22 NEWS & NOTES
Scout Programs
in memoriam Eleanor
Your Story
Did you meet your significant other
On July 28, the Oriental Institute lost Guralnick.
at the Oriental Institute? We want to
a dear friend and valued colleague. Image
hear your story! Please contact the
used with
Eleanor Guralnick, who served as a permission Membership Department at (773) 834-
research associate with the Institute, from the AIA 9777 or [email protected]
passed away in Chicago. Since 2006, to share your experience.
Eleanor focused her efforts at the
Institute on the Khorsabad Relief
Project, working to identify, clean, pho-
tograph, and catalogue carved stone Scholarship, a Ryerson Fellowship for
relief fragments from King Sargon IIs Travel, and a University Scholarship.
palace at Khorsabad. Using her imagi- Eleanor was actively engaged with the
nation combined with diligent schol- Archaeological Institute of America at
arship, Eleanor pieced together many both the local and national society lev-
fragments to form an enormous, rich els. She held every possible office with
portrait of a vanished civilization. Her the Chicago Society of the AIA and built
work on the Khorsabad reliefs formed the organization to become a model for
the basis of many published papers outreach to both adults and children. At
on topics ranging from use of color to the national level, Eleanor also served
studies on detailed elements and new as AIA general trustee and chaired the
drawings of the reliefs. Along with her Regional Symposia committee. Her
scholarly articles, Eleanor edited three work on behalf of the AIA was recog-
books: The Ancient Eastern Mediterranean, nized with that organizations presti-
Sardis: Twenty-seven Years of Discovery,and gious Martha and Artemis Joukowsky
Vikings in the West. Distinguished Service Award in 2004.
A University of Chicago alumna, All of us at the Oriental Institute
Eleanor was awarded her masters de- count ourselves as fortunate to have
gree in art history in 1967 and subse- worked with Eleanor. We will remember
quently earned her PhD in classical art her with respect for her dedication and
and archaeology with a specialization in important contributions to understand-
Near Eastern art in 1970. During her stu- ing the art, archaeology, and history of
dent days at the University of Chicago, the ancient Near East. Eleanor was our
she was a recipient of a Ryerson friend and we will miss her.
electronic publications
As part of the Oriental Institutes Electronic Initiative,
all new titles are simultaneously issued in print and online as
Adobe Acrobat PDF (Portable Document Format) files deliv-
ered through the Internet. Older titles are scanned and saved
as .tif and .pdf files, with the latter being posted online, as
time and funds permit. The older titles not-scanned-in-office
are scanned by Northern MicroGraphics (NMT Corporation,
http://normicro.com), located in La Crosse, Wisconsin.
The Electronic Initiative is very successful. The uploaded
PDFs are available wherever the Internet reaches, and our
older titles all our titles, old and new are especially ap-
preciated in the countries where data were gathered and li-
brary shelves do not hold Oriental Institute titles. Over 400 titles published by the Oriental Institute from its beginnings
through 2000 are contained on these 103 disks
fall 2012 PAGE27
Granddaughter of painter
Joseph Lindon Smith visits
the Oriental Institute
by Emily Teeter
On June 8, Linden and Jay Gaspar of several other paintings that the Oriental
Gainesville, Georgia, visited the Oriental Institute commissioned JLS to paint and
Institutes exhibit Picturing the Past: I wanted to see what you had available.
Imaging and Imagining the Ancient The article which Dennis wrote about
Middle East, which features one in a JLS for the exhibit publication was won-
series of paintings of Persepolis by derful and it should inspire future inter-
Lindens grandfather Joseph Lindon est in learning more about the talents
Smith. The Gaspars heard about the ex- and abilities of my grandfather. I am
hibit from Chicago researcher Dennis so glad that one of his paintings from
OConnor, who is writing a biography Persepolis was chosen to be displayed
of Smith and who also wrote an essay in this marvelous exhibit. Jay and Linden Gaspar with a painting of
on the artist for the exhibit catalog. The As a special treat, the Gaspars Persepolis by Lindens grandfather, Joseph
Smith paintings were commissioned by also visited the office of the Oriental Lindon Smith
James Henry Breasted in 1935. They Institutes director Gil Stein to see
have not been on exhibit since 1940, another Smith painting of Scythians and importance. The rediscovery and
when they were part of an important presenting tribute from Persepolis. display of the Smith paintings signify
exhibit called Persian Art held at the Recently, Gil replaced an Egyptian- just one of many residual benefits of
Iranian Institute in New York. themed painting that hung in the office the special exhibits program that al-
During her visit, Linden recount- since at least the 1940s with the Smith lows us to use our diverse collections
ed, Dennis told me that there were work, an acknowledgment of its beauty in many different ways.
Epigraphic Survey
October 15April 15
Ray Johnson
Save the date
http://oi.uchicago.edu/ 2013 Oriental Institute Gala
research/projects/epi/ Saturday, May 11, 2013
M
fascinating lecture focused on the im-
odern astronomers observe stars, portance of the Babylonian tradition
planets, galaxies, and other celes- of astronomy and its relevance today,
tial bodies, often using high-powered as well as the motivations and activi-
telescopes and transmitters, attempting ties of astronomer-scribes. He also dis-
to unravel secrets surrounding the cre- cussed several of the Late Babylonian
ation and development of the universe. Seleucid-era tablets from Uruk in the
Although high-tech pieces of equipment collections of the Oriental Institute at
such as the Hubble space telescope are the University of Chicago.
modern inventions, the science of as- The three tablets currently dis-
tronomy really has its beginnings in played at the Adler highlight the so-
the ancient Near East. Astronomical phistication of Babylonian astronomy
observations were inscribed on cu- and its influence on later astronomical
neiform tablets from Mesopotamia thought and practice.
(modern Iraq) from as early as the Old One tablet (OIM A3409), dated to
Babylonian period, nearly four thou- the third century bc, is a table of co-
sand years ago, and continued toward ordinates that plots the morning posi-
the end of the first millennium bc. The tions of the planet Mercury. This piece
astronomical traditions of Babylonia, is particularly interesting as it describes
in Central and Southern Mesopotamia, the rotation of one of the quickest plan-
were passed on to the ancient Greeks, in ets in orbit around the sun, all without
turn leading to innovations in Islamic Figure 1. Image of the display featuring Oriental the advantage of modern astronomical
astronomy, knowledge later to be inher- Institute clay tablets at the Adler Planetarium. The technology.
ited by scholars in medieval Europe. Anu-Belshunu tablet (OIM A3405) is at the front. The second tablet (OIM A3413),
In acknowledgment of the as- Installed April 2012 dating to circa 200150 bc, explains
tronomical achievements of an- the procedure for determining the
cient Mesopotamia, Chicagos Adler that can be seen on permanent dis- various lunar phases and positions that
Planetarium is currently displaying play in the Edgar and Deborah Jannotta marked the beginning, middle, or end of
(until Spring 2015) three cuneiform Mesopotamian Gallery at the Oriental a month in the Mesopotamian calendar.
clay tablets on loan from the Oriental Institute Museum, which is accompa- The start of a new month was marked
Institute of the University of Chicago. nied by a star chart showing the major by the appearance of a new crescent
This small display (fig. 1) highlights Babylonian constellations (fig. 2). moon in the night sky.
the role of astronomy in Babylonia dur- The suggestion to display these The third tablet (OIM A3405) is per-
ing the Seleucid (Hellenistic) period three tablets at the Adler Planetarium haps the most intriguing (fig. 3). It was
(30565 bc). The display also informs followed the Roderick S. Webster written by the astronomer-scribe Anu-
visitors of the astronomical tablets Memorial Lecture held at the Adler Belshunu and contains calculations of
Figure 2. Star chart showing approximate locations for some Babylonian constellations. The capitalized Latin names of constellations, as known today, can
be compared with translations of Akkadian names immediately below. The images derive from ancient Mesopotamian sources (Hanau-Strain Associates)
fall 2012 PAGE29
the positions of the five planets visible using cuneiform script, a time in which Committee of the Oriental Institute and mem-
ber of the Steering Committee of the Webster
to the naked eye: Mercury, Venus, Mars, scribes from the Greek world came into Club for the History of Astronomy at the Adler
Jupiter, and Saturn. Although inscribed direct contact with scribes in Babylonia, Planetarium, for her interest in and encourage-
in around 191 bc, it actually projected perhaps exchanging and sharing ideas ment of this loan.
back the movement of these planets to and knowledge that would be passed on
5
The lecture can be accessed online via the fol-
make calculations for the period 252 and transformed down the ages to the lowing link: http://www.adlerpodcast.com/adler-
mix/episodes/2011/september.m4v
241 bc. This information was used to present day.3 3
A selection of further reading related to
create a horoscope for someone born Babylonian astronomy includes: John M. Steele,
during a period around sixty or seventy Calendars and Years: Astronomy and Time in the
years before the time it was composed. notes Ancient Near East (Oxford, 2007) and A Brief
Professor Steele speculates that the in- 1
The Oriental Institute thanks staff of the
Introduction to Astronomy in the Middle East
(London, 2008); Hermann Hunger, Astronomical
formation recorded in this tablet may Adler Planetarium, especially Vice President
Diaries and Related Texts from Babylonia, Volume
have been used by Anu-Belshunu to cre- for Collections Dr. Marvin Bolt and Collections
5: Lunar and Planetary Texts (Vienna, 2001); Otto
Manager Jennifer E. Brand. We also thank Walter
ate his own personal horoscope. Farber, professor of Assyriology and curator of
Neugebauer, A History of Ancient Mathematical
Such tablets were used for a num- the Tablet Collection of the Oriental Institute;
Astonomy: Part One (New York, 1975); and Erica
ber of purposes, from serving as calen- Andrew Dix, assistant curator of the Tablet
Reiner (formerly Oriental Institute), Babylonian
Celestial Divination, in Ancient Astronomy and
dars for religious rituals, to creating Collection; and Oriental Institute Museum staff
Celestial Divination, edited by N. M. Swerdlow,
horoscopes and reading omens. They for making this happen. We extend our appre-
pp. 2138 (Cambridge, 1999).
ciation to Andrea Dudek, member of the Visiting
could have been used to predict out-
comes, both positive and negative, as
well as prepare for rituals enacted when
astronomical events were predicted
to take place, such as a solar or lunar
eclipse.
Most importantly, Babylonian as-
tronomy opened the gateway to the
future development of astronomy. The
Seleucid (Hellenistic) period in which
these tablets were written was the final FILM PREMIERE &
stage in a nearly 3,000-year tradition of
SPECIAL FILM
SHOWING
Visiting the Museum
and
The Mummy
Thursday, October 25
7:00 PM
Breasted Hall
FREE. Pre-registration not required
Thrills and chills await you at this pre-
miere screening of Visiting the Museum
(17 min.) produced by Latino Art Beat,
a not-for-profit national arts organiza-
tion that encourages filmmaking by tal- We invite you to come in an an-
ented Latino youth. In this short film, cient Egyptian-style costume or even
two teenaged boys see a clip of the clas- as an Egyptologist and stay for more
sic Boris Karlov movie The Mummy on scary entertainment with a screening
Figure 3. Fragmentary cuneiform clay tablet their way to do research at the Oriental of the 1932 Karlov classic (73 min.). This
featuring calculations of planetary movements. Institute. Filmed in the Institutes gal- film will be introduced by John Larson,
It was composed in the late Babylonian dialect leries, the suspense builds as the boys Oriental Institute Museum archivist and
of Akkadian by the astronomer-scribe Anu-
Belshunu in Uruk, in what is now southern Iraq,
discover and then much to their dis- film historian, who will also be a judge
around 191 BC (OIM A3405) may! accidentally bring an ancient as we award prizes for the best Egyptian
Egyptian mummy to life. costume.
PAGE30 NEWS & NOTES
Saturday, March 9 Thursday, March 14: LUXOR Saturday, March 16: LUXOR
Depart Chicago on Lufthansa Airlines. After a morning flight to Luxor, tour- Returning to the Niles west bank, we
ing begins at the magnificent sanctuary tour some of the hundreds of tombs
Sunday, March 10: CAIRO
of Amun-Re at Karnak with its maze of of the nobles, spread over two square
Arrive in Cairo and transfer to Mena
monumental gateways, obelisks, pil- miles. These tombs are of special in-
House Oberoi Hotel, located at the foot
lared halls, and subsidiary shrines. We terest for their naturalistic murals,
of the Great Pyramid. This evening we
will also visit Karnaks open-air muse- which give us an intimate view of life
meet with Dr. Bell for dinner.
um. The remainder of the day will be in ancient Egypt. We will also stop at
Mena House Oberoi Hotel (D)
at leisure. This evening we attend a re- the ancient village of the artisans, Deir
Monday, March 11: CAIRO ception at Chicago House, the home of el-Medina, one of the best-preserved
We begin our touring with an explora- the Oriental Institute Epigraphic Survey town sites in Egypt and the subject of
tion of Memphis, the first capital of a project. the television series Ancient Lives.
united Egypt, and Saqqara, the necropo- Steigenberger Hotel (B/D) Option: An early morning hot-air bal-
lis of Memphis. At Saqqara we tour the loon ride over the spectacular monu-
Step Pyramid complex of Djoser, which
Friday, March 15: LUXOR
Today we cross the Nile to visit the ments of Luxor.
predates the Giza Pyramids and is the Steigenberger Hotel (B/L)
tombs of the Valleys of the Kings and
worlds first monumental building
Queens. Among the tombs to be visited Sunday, March 17: LUXOR
constructed entirely in stone. We also
are those of Tutankhamun and three Today we drive north through villages
visit the Saqqara Museum, the smaller
other pharaohs selected from the tombs of baked-mud houses and lush cultivat-
Pyramid of Teti a Sixth Dynasty king
opened to the public today. We will also ed lands bordering the Nile to Dendera
whose burial chamber is covered with
visit the Temple of Queen Hatshepsut at to visit the Temple of Hathor, goddess
Pyramid Texts to ensure the survival of
Deir el-Bahri, one of the most spectacu- of love, music, and wine. Although this
his soul and the tombs of the nobles
lar monuments in Egypt, and the Colossi temple was built largely in the first
Ti and Ptahhotep and Mereruka.
of Memnon. century bc, it occupies the site of a
Mena House Oberoi Hotel (B/L/D)
Steigenberger Hotel (B/L/D) much older building. On the roof of the
Tuesday, March 12: CAIRO temple is a plaster cast of the famous
Our touring today brings us to the only Zodiac of Dendera (original in Paris),
surviving representatives of the Seven one of three circular representations
Wonders of the Ancient World, the of the heavens found in Egypt. We con-
Pyramids of Giza and the Sphinx. We tinue to Abydos, where we will tour the
will have an opportunity to enter one Temple of Seti I, viewing the famous
of the pyramids and to visit the mu- List of Kings and some of the most beau-
seum where the remarkably preserved tifully painted reliefs surviving from
remains of the Solar Boat of Cheops are Pharaonic times, and the nearby small
displayed. temple of Ramesses II.
Mena House Oberoi Hotel (B/L) Steigenberger Hotel (B/L/D)
Wednesday, March 13: CAIRO Monday, March 18: CRUISE/LUXOR
The focus of this day is the Egyptian This morning our luggage will be trans-
Museum, where we will view the ferred to the new deluxe MS Farah, our
highlights of its huge collection in- floating hotel for the next four nights.
cluding the mummy room and the ob- We continue our touring on the west
jects from the tomb of Tutankhamun. bank with the temples and chapels
Touring continues with a walking tour of Medinet Habu, the largest built by
in Islamic Cairo. This warren of streets Ramesses III, and the Ramesseum,
is lined with a multitude of fascinating where lies the fallen statue of Ramesses
architecture. We end our walk in the re- II that inspired Shelleys famous poem
nowned Suq Khan al-Khalili. Ozymandias. We will have our lunch
Mena House Oberoi Hotel (B/L/D) on board the Farah and, in the late af-
fall 2012 PAGE31
Oriental Institute
The University of Chicago
1155 East 58th Street Chicago, Illinois 60637
(773) 702-9514
CORNER
THE SUQ
New Title
Between Heaven & Earth: Birds in Ancient Egypt
Rozenn Bailleul-LeSuer
Catalog of the exhibit of the same name.
Pp. 232; 210 illustrations (mostly in color). $29.95
Suq, The Oriental Institute Gift Shop Telephone: (773) 702-9509 E-mail: [email protected]