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    Harmony Exercises Grade 5

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    Riche
    The document contains 14 musical exercises that provide soprano, alto, tenor and bass lines. The exercises are to be harmonized by adding inner voices and cadential notes. Specific instructions are given for each exercise, such as only harmonizing the cadences, using a pianoforte or vocal style, and looking for opportunities to use a cadential 6/4 chord.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Harmony Exercises Grade 5

    Uploaded by

    Riche
    540 views3 pages
    The document contains 14 musical exercises that provide soprano, alto, tenor and bass lines. The exercises are to be harmonized by adding inner voices and cadential notes. Specific instructions are given for each exercise, such as only harmonizing the cadences, using a pianoforte or vocal style, and looking for opportunities to use a cadential 6/4 chord.

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    theory ameb

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    The document contains 14 musical exercises that provide soprano, alto, tenor and bass lines. The exercises are to be harmonized by adding inner voices and cadential notes. Specific instructions are given for each exercise, such as only harmonizing the cadences, using a pianoforte or vocal style, and looking for opportunities to use a cadential 6/4 chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    540 views3 pages

    Harmony Exercises Grade 5

    Uploaded by

    Riche
    The document contains 14 musical exercises that provide soprano, alto, tenor and bass lines. The exercises are to be harmonized by adding inner voices and cadential notes. Specific instructions are given for each exercise, such as only harmonizing the cadences, using a pianoforte or vocal style, and looking for opportunities to use a cadential 6/4 chord.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    Harmony exercises

    Add alto, tenor and bass parts. Include some passing and auxiliary notes. (PN= passing note)

    PN
    1.


    2.

    3. A minor


    PN


    PN PN


    4.



    PN PN

    5.

    6. PN PN

    PN
    7.



    Add alto, tenor and bass parts. Include some passing and auxiliary notes. (PN= passing note)
    2


    8. PN


    PN


    PN

    PN
    PN PN

    9.

    PN
    10. PN

    PN

    PN PN

    11.

    PN

    (Passing notes no longer indicated for you.)


    12.


    13.

    14



    15


    Harmonise just the cadences with a preceding chord. In all exercises look for
    opportunities to use cadential 6/4 3
    The melody modulates to the relative, dominant or subdominant.
    1.



    Harmonise this bass line, just at the cadences and use an appropriate
    2. preceding chord before each cadence. Use pianoforte style.

    Harmonise this soprano line, just at the cadences and use an appropriate
    preceding chord before each cadence. Use pianoforte style.



    3.

    Harmonise just the cadences with a preceding chord. Use 4 part vocal style.


    4.

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