Gaga Lomize (Saqartvelo) : Romantizmi: Teqsti Da Konteqsti
Gaga Lomize (Saqartvelo) : Romantizmi: Teqsti Da Konteqsti
Gaga Lomize (Saqartvelo) : Romantizmi: Teqsti Da Konteqsti
(saqarTvelo)
26
romantizmi: teqsti da konteqsti
27
gaga lomiZe
28
romantizmi: teqsti da konteqsti
potencialobis sakiTxi
29
gaga lomiZe
30
romantizmi: teqsti da konteqsti
31
gaga lomiZe
32
romantizmi: teqsti da konteqsti
33
gaga lomiZe
34
romantizmi: teqsti da konteqsti
teqstis analizi/paraleli
35
gaga lomiZe
36
romantizmi: teqsti da konteqsti
37
gaga lomiZe
38
romantizmi: teqsti da konteqsti
39
gaga lomiZe
40
romantizmi: teqsti da konteqsti
41
gaga lomiZe
damowmebani:
Abrams M. H. English Romantic Poets: Modern Essays in Criticism. Oxford University Press; 1975.
Bregadze, K’onst’ant’ine. Germanuli Romant’izmi. Tbilisi: “meridiani”, 2012 (konstantine bregaZe.
germanuli romantizmi. Tbilisi: meridiani, 2012).
Calhoon, K.S. Fatherland: Novalis, Freud, and the Discipline of Romance. Wayne State Univ Press, 1992.
Dodashvili, Solomon. Saiubileo K’rebuli. Midzghvnili S. Dodashvilis Dabadebis 180 Ts’listavisadmi.
Tbilisi: tbililisi un-t’is gam-ba, 1986 (dodaSvili, solomon. saiubileo krebuli. miZRv-
nili s. dodaSvilis dabadebis 180 wlisTavisadmi. Tbilisi: Tbil. un-tis gam-ba,
1986).
Jamburia, K’akha da K’atsit’adze, Kakha. Kartuli Romant’izmis Ist’oriul-kult’uruli k’ont’ekst’i. Kartu-
li Romant’izmi – Natsionaluri da Int’ernatsionaluri Sazghvrebi. Tbilisi: Shota rustavelis kartuli
lit’erat’uris inst’it’ut’i, 2012 (jamburia, kaxa da kacitaZe, kaxa. qarTuli romantizmis
istoriul-kulturuli konteqsti. qarTuli romantizmi – nacionaluri da in-
ternacionaluri sazRvrebi. Tbilisi: SoTa rusTavelis qarTuli literaturis
instituti, 2012.
Limnatis, Nectarios G. German Idealism and the Problem of Knowledge: Kant, Fichte, Schelling, and
Hegel Series: Studies in German Idealism, Vol. 8, Springer 2008: 276-277.
Lomidze, Tamar. “Merani” (St’rukt’uruli Analizi)”. Lit’erat’ura da Khelovneba, 1-2 (1992) (lomiZe T.
„merani“ (struqturuli analizi)“. literatura da xelovneba, 1-2, 1992).
42
romantizmi: teqsti da konteqsti
Lomidze, Tamar. Mirbis, Mimaprens.. Leksi, Mkholod Erti Leksi. Tbilisi: 1995 (lomiZe T. mirbis,
mimafrens. leqsi, mxolod erTi leqsi. Tbilisi: 1995).
Lomidze, Tamar. Nik’oloz Baratashvilis P’oet’uri St’ilis P’roblema. Akhali P’aradigmebi, I, 1998) (lo-
miZe T. „nikoloz baraTaSvilis poeturi stilis problema“. axali paradigmebi, I,
1998).
Lomidze, Tamar. Mkhat’vruli Azrovnebis Taviseburebebi Kartul Romant’izmshi. Lit’erat’uruli Dziebani,
XIX, Tbilisi: 1998) (lomiZe T. „mxatvruli azrovnebis Taviseburebebi qarTul roman-
tizmSi“. literaturuli Ziebani, XIX, Tbilisi: 1998).
Lomidze, Tamar. Nikoloz Baratashvilis “Khma Idumali”. St’rukt’uruli Analizi. Lit’erat’ura da Khelovne-
ba, 3, Tbilisi: 1999) (lomiZe T. „nik. baraTaSvilis „xma idumali“ (struqturuli ana-
lizi)“. literatura da xelovneba, 3, Tbilisi: 1999).
Lomidze, Tamar. K’arnavaluri Mot’ivebi Kartvel Romant’ik’osta Shemokmedebashi. Lit’erat’uruli
Dziebani, XXV, Tbilisi: 2004) (lomiZe T. „karnavaluri motivebi qarTvel romantiko-
sTa SemoqmedebaSi“. literaturuli Ziebani, XXV, Tbilisi: 2004).
Lomidze, Tamar. “me”-s kontseptsia Kartvel Romant’ik’ost’a Shemokmedebashi. Sjani, 6 (2005)
(lomiZe T. „me“-s koncefcia qarTvel romantikosTa SemoqmedebaSi. sjani, 6 (2005).
Lomidze, Tamar. Pilosophia da P’oezia – Pikht’e da Baratashvili. Semiot’ik’a, 2 (2007) (lomiZe, T.
filosofia da poezia – fixte da baraTaSvili. semiotika, 2 (2007).
Lotman Yuri. Besedy o Russkoy Kulture. Byt i Tradicii Russkogo Dvoryanstva (XVIII-nachalo XIX
veka) (Лотман Ю. Беседы о русской культуре. Быт и традиции русского дворянства (XVIII-начало
XIX века,).
Nak’udashvili, Nino. Lit’erat’uruli Mimdinareobebi. Tbilisi: 2010 (nakudaSvili, nino. litera-
turuli mimdinareobebi. Tbilisi: 2010).
Nutsubidze, Tamar. Ts’erilebi Lit’erat’urisa da K’ult’uris Shesakheb. Tbilisi: Lit’erat’uris Inst’it’ut’is
gamomtsemloba, 2010 (Tamar nucubiZe. werilebi literaturisa da kulturis Sesaxeb.
T
Y bilisi: literaturis institutis gamomcemloba, 2010).
Shatirishvili, Zaza. Kartuli Leksi Natsionalizmis Khanashi: 1859-1961. Semiot’ik’a, 1, Tbilisi: 2010 (zaza
SaTiriSvili. qarTuli leqsi nacionalizmis xanaSi: 1859-1916. semiotika. 1, Tbilisi:
2010).
Tilottama, Rajan “The Prose of the World”: Romanticism, the Nineteenth Century, and the Reorganiza-
tion of Knowledge; Modern Language Quarterly December 2006 67(4).
Tevzadze, Guram. Solomon Dodashvili. 1-li Gamotsema. Tbilisi: gamomtsemloba “diogene”, 2005 (Te-
vzaZe, guram. solomon dodaSvili. 1-li gamocema. Tbilisi: gamomcemloba `dio-
gene~, 2005).
Kartveli Romant’ik’osebi Lit’erat’urisa da Khelovnebis Shesakheb. Tbilisi: Tbilisis universit’et’is
gamomtsemloba, 1980 (qarTveli romantikosebi literaturisa da xelovnebis Sesax-
eb. Tbilisi: Tbilisis universitetis gamomcemloba, 1980).
Kartuli P’ublitsist’ik’a. Krest’omatia (XIX sauk’une). Tbilisi: Tbilisis universit’et’is gamomtsemloba,
2007 (qarTuli publicistika. qrestomaTia (XIX saukune). Tbilisis universitetis
gamomcemloba, 2007).
XIX-XX Sauk’uneebis Kartvel Mts’eralta Ep’ist’oluri Memk’vidreoba. T. I. Tbilisi: gamomtsemloba “uni-
versali”, 2011 (XIX-XX saukuneebis qarTvel mweralTa epistoluri memkvidreoba. t. I.
Tbilisi: gamomcemloba `universali~, 2011).
43
gaga lomiZe
Gaga Lomidze
(Georgia)
Romanticism: Text and Context
Summary
44
romantizmi: teqsti da konteqsti
The repressed nature of an individual comes to the surface and destroys everything
on its way. This mechanism works like a Freudian anthropological model. In Baratash-
vili’s case, for example, in his poem “Mystic voice” we see a concept of “voice of con-
science”. This concept offers a key to interpretation of the poem as well as Baratashvilis
behavior in real life. “Voice of Conscience” is the same as Superego and reminds of “Elfk-
ing” by Goethe, where positions of elfking and father of a child contradict each other like
temptation and taboo. From here there are two directions one can follow: one takes us to
Castration Anxiety and another – to Superego. When an individual is unable to realize
him/herself in a given social environment, the so-called “world-weariness” starts; weari-
ness because of the things unrealized in the given environment, because the environment
is limited.
Romanticism does not give priority to the characters (because it implies something
that is already realized, fulfilled). Romanticism prefers lyric poetry instead. Juvenilism is
one of its characteristics. It resembles youth, when from the vast possibilities nothing is
realized yet.
45