Writing Unleashed 3.1
Writing Unleashed 3.1
Writing Unleashed 3.1
INTRO............................................................................................... 6
Why, what, when, where, how?..................................................... 8
Rhetorical Situation..................................................................... 10
Brainstorming & Prewriting ......................................................... 12
Thesis & Topic Sentences ........................................................... 18
Drafting ....................................................................................... 22
Revising ...................................................................................... 26
Peer Review ................................................................................ 34
Common Essay Problems .......................................................... 36
STRATEGIES.................................................................................. 38
Narration...................................................................................... 40
Description.................................................................................. 46
Illustration.................................................................................... 52
Process Analysis.......................................................................... 56
Compare & Contrast.................................................................... 62
Division & Classification............................................................... 68
Definition...................................................................................... 70
Cause & Effect Analysis............................................................... 76
Argument..................................................................................... 78
GENRES......................................................................................... 84
Memoirs....................................................................................... 86
Profiles......................................................................................... 94
Essays....................................................................................... 100
Letters........................................................................................ 104
Email.......................................................................................... 110
RESEARCH.................................................................................. 116
Beginning Research................................................................... 118
Finding Sources......................................................................... 120
Implementation of Sources........................................................ 124
NERD............................................................................................ 134
Grammar & Mechanics.............................................................. 136
Figurative Language.................................................................. 146
Style........................................................................................... 148
APPENDIX.................................................................................... 150
Sybil Priebe lives with her long- Ronda Marman has a long history Dana Anderson loves how
time boyfriend, angry little grey with education that led her to words teamed with visuals and
kitty, and huggable St. Bernard. completing three/four degrees smart document design can
She teaches a variety of courses that include undergraduates in powerfully express ideas. Prior
at NDSCS. In her spare time, she Music, Business, and English, to teaching, she spent more
likes to write, self-publish, read and a Masters in Rhetoric and than 10 years in journalism,
unconventional literature, drive Technical Writing. After a nine publications/design, and corporate
her VW bug, shop at secondhand year stint in the music business, a communications. At NDSCS, Dana
stores, go on bicycle rides, attempt brief career as a fitness trainer, and teaches composition, technical
to kayak and paddleboard, and some success as a wine steward communication, and professional
occasionally complete triathlons and caterer, she is currently trying writing classes. At home, she tries
and duathlons. to balance raising a six-year old to keep up with her three boys and
daughter, a one-year-old German husband.
Shepherd, a husband, and two fat
cats while teaching.
Acknowledgments
Thank you to the Mini-Grant Committee at the North Dakota State College of
Science (NDSCS) for accepting our project and having faith in us that we’d do an
amazing job. Thanks to Wade King and Alisa Priebe for their feedback.
Hello Teachers:
The backstory is pretty simple and obvious: We (Dana, Ronda, and I) were tired of
not finding a textbook that covered what we wanted in a very brief way. In addition
to not finding a book with the “right kind” of layout of information, we were also
concerned with price. So, after much thought, and after getting an email that our
campus was offering mini-grants to fund special projects, we jumped into the open
source arena.
We decided to make the chapters and units flexible for ourselves and future
instructors who adopt it. Some instructors may choose to use the Nerd Unit, others
may not. We realized early on that for this to work it had to have built-in flexibility
(even chapters are flexible).
So, to reiterate, chapters can be brief or elongated. This same idea flows into the
readings. This textbook won’t have readings, but we will have a short list in the
Appendix of readings online that are available for use to teachers teaching college
composition to freshmen.
Instructors should feel free to complement this free textbook with a paperback or
two. The costs will go from $50-75 to about $10-20! That’s awesome!
Hello Students:
The backstory is that the teachers who put this textbook together wanted flexibility
for themselves and less costs for their students. We’re hoping you’ll keep this
textbook as “free” as possible, and just have it electronically on your devices (save it
in Kindle or Dropbox.com or Google Drive, etc.); you can choose – yes, you have
choices too! – to head to a copy center on your campus or in your town, and print
off this bugger and have it physically with you… we’re hoping to keep that sort of
cost down, as well, by keeping the textbook brief.
As you read this textbook, you’ll see that teachers – they might even be your own!
– have written certain chapters. We did this so you could see their own writing “in
action.” After all, if we’re going to teach you how to improve your writing, we should
probably showcase our own, right?
INTRO
So, yes, we know you’ve already taken English classes. Yes,
with all the years of English classes you’ve had, you probably
should be able to write a novel right now without any help. But
our language is strange. It doesn’t make sense all the time.
Even published writers put commas in weird spots. So, you’re
here to dive into the pool of “practice makes perfect.” Teachers
- especially English teachers - want you to look spectacular
on paper. English teachers love the language, the creation of
sentences and paragraphs, and we are total nerds about an
essay that makes us laugh or cry.
WHY, WHAT, WHEN,
WHERE, HOW?
by Sybil Priebe
Students ask me why they have to take my class. They ask me this a lot. A LOT.
Now, I could be a typical teacher and roll my eyes, but I usually try to connect
these questions with the REAL WORLD. College instructors are supposed to
prepare students for that big scary REAL WORLD, right? So, often, I’ll explain
it like this:
“Do the people around you communicate well? Everyone always knows what the
other one is saying, thinking, feeling at any given moment? Or, perhaps this is a
better question: The people around you never fight or argue?”
Rarely can anyone say they haven’t seen people fight. Here’s a key to why
English is important at all levels - communication is super tricky. We create slang
on a daily basis, we text people with acronyms, and we still have people not
understanding other people even when we don’t use slang or a text message! And
don’t forget that if we can’t speak well, we probably aren’t writing well - what
does that mean in our future jobs? For our future customers? What does that
mean for us as people in relationships, friendships, etc.?
WHAT is writing all about?
What is Composition? What is Rhetoric? What is Literature? What is Linguistics?
These are terms you might only get quizzed on during Jeopardy, but if we
start from the smallest level and work our way to the largest, it goes like this:
Linguistics is the study of words, Composition is the study of arranging those
words into sentences and paragraphs and essays, and then Literature is the study
of fully composed pieces of work that may or may not be true (Nonfiction vs.
Fiction). That weird word Rhetoric? Yeah, that’s the study of Argument.
WHEN should we write?
WHERE should we write?
All the time and everywhere.
HOW can you get started with writing?
With this amazing book!
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Why should we write? // 9
RHETORICAL
SITUATION by Dana Anderson
TWEET
purpose: Share a funny
political video [entertain]
audience: Your followers
+ hashtag followers
author: Yourself
context: Polarizing 2016
U.S. Presidential Season
genre: Microblog,
multimedia
HISTORY ESSAY
purpose: Fulfill assignment
[inform]
audience: Instructor
author: Yourself
context: 200-level college
history class written in 2016
genre: Formal essay
Rhetorical Situation // 11
BRAINSTORMING
& PREWRITING 1
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What do I know?
In anything that you choose to write about, you will have some sort of advanced
knowledge. It may not be much, but it will give you a spring-board to a starting point
in your research. For instance, if your topic is climate change, think about the key
names of leaders and maybe some terms involved: Al Gore, car emissions, the polar
icecaps. You don’t have to know much about a topic, but you can get a start without
opening a book if you just think about what you already know. You will probably not
know specific statistics or dates at first, but you will know where to start.
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the terrace overlooking the ocean, because I love dinner on the terrace
overlooking the ocean; I love the waves and the unending movement of the
seas.
10. Favorite type of food: Asian
»» because I adore all kinds of vegetables, really enjoy hot food, and like the
experience of eating with chopsticks.
Now sit back and review your list. Look for patterns, similarities and differences –
things you feel strongly about. Begin to think about why you have developed these
particular preferences. Somewhere in this inventory you may find a topic for an essay,
a story worth telling…
In Addition to the Interest Inventory, consider the following:
• Dreams:
»» Your dreams, whether real-life occupational/career goals, personal wishes/
wants, or even those you have while sleeping or staring out the window while
driving, can frequently contain topics or ideas worthy of writing about.
• Memories/Experiences:
»» Thinking about who you are and the experiences that inform your identity can
be a fruitful exercise for coming up with writing topics or ways to approach a
particular topic.
• Journaling:
»» Keep track of your ideas and emotions on a regular basis. These thoughts
can be the starting point for an assignment or may provide those extra details
needed to make the paper more effective. Through tons of research, keeping a
journal has been proven to help your writing for personal or academic papers.
Reflecting on things around you as well as things you read and talk about in
class will point you in the direction you need to go to improve your writing
skills.
• Discussions with family, friends, colleagues, etc.
»» Such as talking politics with relatives, reviewing movies with friends, and
debating organizational policies with co-workers.
Prewriting for even 5 to 20 minutes can help you establish what you already know
about a paper topic, as well as aid you in discovering where you would like to go with
a paper (i.e. what you want to know). Doing so can often help prevent you from
committing to superficial and/or mundane responses. Prewriting can help you find
strong, thoughtful, and clear answers to questions posed by either the assignment
or by your consideration of it. It can reveal to you those potential areas of personal
interest within the writing task: in a manner of speaking, prewriting enables you
to “discover” yourself within the context of your topic. It can also help you nail
down responses – to move ideas from short-term memory into long-term or written
memory – so that you can get to the work of writing rather than trying to remember
what it is you want to say. That is, your thinking is often more clear and better
focused when engaged in actual writing. As such, prewriting can act as a tool to ward
off or break through what is commonly called “writer’s block.”
Prewriting Activities:
The following are techniques that can aid in the composition process, either in
coming up with ideas or in working through various obstacles along the way:
Brainstorming:
Brainstorming is one of the most effective pre-writing techniques you can use. It’s
virtually painless and can be pretty fun, if you let it! Brainstorming is easy because
there are NO RULES. Let your mind wander and think about things that you would
like to explore more. Try to create a mental web of things you can connect to one
another. Let the lightning of ideas strike you as they may. If you’d like a bit more
structure in your prewriting, try one of these methods:
Listing:
Listing allows the writer to accomplish several important tasks:
• Finding a topic (use the Interest Inventory)
• Determining whether you have enough information for a topic before
proceeding:
»» After narrowing down your topic, create a list with everything
Freewriting:
Similar to listing, only in this case you simply start writing in sentence form literally
anything that comes to mind in context of thinking about your topic and/or
assignment.
Outline:
This form of prewriting is geared more toward organization. It groups your thoughts
into a definite main point and the supporting details.
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Clustering:
Clustering is a primarily visual form of pre-writing. You start out with a central idea
written in the middle of the page. You can then form main ideas which stem from
the central idea.
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• Example A: Television has had a negative impact on American society.
• Example B: Violent television has caused some teenagers to change the way they
perceive violence in real life.
• Example C: South Park has influenced some teenagers to commit violent acts.
Unless you are planning on writing a book, Example A simply covers too much
territory. Example B is probably ideal for a longer research paper. Example C, on
the other hand, might be too restrictive if you were aiming to write a longer paper
because it only allows you to discuss one negative effect of one specific television
program, but just right for a short essay. Essentially, there is no such thing as “too
general” or “too specific.” It is simply a matter of matching the thesis to the ideal
length.
If the scope changes or your focus shifts (or even if you change your mind
completely) while you are researching or writing, it is fine to change your thesis
statement so it better reflects what you want to say about the topic, but you must be
sure that all the information in the final draft supports the new thesis.
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Tips1
1. Often, writing an introductory paragraph is the most difficult part of writing an
essay. Facing a blank page can be daunting. First, determine the context in which
you want to place your topic. In other words, identify an overarching category in
which you would place your topic, and then introduce your topic as a case-in-point.
»» For example, if you are writing about dogs, you may begin by speaking about
friends, dogs being an example of a very good friend. Alternatively, you can
begin with a sentence on selective breeding, dogs being an example of extensive
selective breeding. You can also begin with a sentence on means of protection,
dogs being an example of a good way to stay safe. The context is the starting
point for your introductory paragraph. The topic or thesis sentence is the
ending point. Once the starting point and ending point are determined, it will be
easier to connect these points with the narrative of the opening paragraph.
2. When writing an essay for a class assignment, make sure to follow your teacher
or professor’s suggestions. Most teachers will reward creativity and thoughtful
organization over dogmatic adherence to a prescribed structure. Many will not. If
you are not sure how your teacher will respond to a specific structure, ask.
3. It is often effective to end a body paragraph with a sentence that rationalizes its
presence in the essay. Ending a body paragraph without some sense of closure may
cause the thought to sound incomplete.
4. Transitions connect the paragraphs together by using key words to draw the reader
from one paragraph (idea) to the next.
5. Each body paragraph is something like a miniature essay in that they each need an
introductory sentence that sounds important and interesting, and that they each
need a good closing sentence in order to produce a smooth transition between
one point and the next. Body paragraphs can be long or short. It depends on the
idea you want to develop in your paragraph. Depending on the specific style of the
essay, you may be able use very short paragraphs to signal a change of subject or to
explain how the rest of the essay is organized.
6. Do not spend too long on any one point. Providing extensive background may
interest some readers, but others would find it tiresome. Keep in mind that the
main importance of an essay is to provide basic background on a subject and,
hopefully, to spark enough interest to induce further reading.
7. As with all writing, it is important to know your audience. Place yourself in your
teacher’s position and try to imagine reading one formulaic essay after another. If
you want yours to stand out, capture your teacher’s attention and make your essay
interesting, funny, or compelling.
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Drafting // 23
Types of Drafts 1
Rough draft
A rough draft is a very important step in the writing process. Writing more than one
draft gives you the opportunity to catch problems and see where the paper may not
be working. So, it is a very good idea to leave yourself with enough time to write at
least two or three drafts of your paper. You may want to do an outline to plan your
paper beforehand, but doing that is not always necessary. After you choose your
topic, any possible research and or sources needed in order you can begin actually
writing. While you write your rough draft, you may not feel completely satisfied
about the paper, but that’s okay because that is what a rough draft is for. You want
to give yourself a chance to work to get to the best arrangement of ideas and find
different ways of expressing them.
Form: intro, body, conclusion and paragraph
Start it, say it, finish it – that’s an academic writing draft in its simplest form.
Start it. The introduction starts it all. That’s where you get the reader involved
in what you are writing about and along the way, and it also gets them interested
in what you have to say. At the end of the introduction section, many forms of
academic writing have a thesis – the main idea or claim.
Say it. Say what you have to say, and don’t forget to set up a sequence of ideas that
will eventually lead to the conclusion. Each idea or “point” needs room to breathe,
so give it its own paragraph, at the very least. Supporting details and examples will
also help.
Finish it. The conclusion wraps it all up in a way that doesn’t just repeat the thesis-
-it makes it both bigger and more specific. The term for this kind of writing is
“synthesis.” In synthesis, the whole is greater than its parts, and that is exactly what a
good conclusion does.
Needless to say, each part involves using paragraphs, but it’s helpful at the drafting
stage to think more about “sections.” An introduction can be more than one
paragraph. A body needs to be more than one paragraph. A conclusion can be one
paragraph or more. If your natural tendency when drafting is to move full-steam
ahead in one long paragraph with the intention of breaking it up later, it’s worth the
effort to slow down a bit and make those paragraph breaks as you write. Your draft
will be better organized in the long run, a good thing for you and your future reader.
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The In-Between Drafts: Peer Review Drafts, Editing Drafts, etc.
Here, the process between drafts overlaps. By your second draft, you might already
have some revisions figured out. The third draft might be what you bring to Peer
Review. Sneak ahead a few pages to see the various drafts a student completed on a
letter-writing assignment.
Final Draft
Yay! Here’s how you know you have a final draft:
1. The overall structure and organization is solid. The thesis is clear, and your topic
sentences link back to that thesis statement. Each of the paragraphs is centered
around the topic sentence.
2. You’ve edited for clarity and audience.
3. The nerdy proofreader in you, or at your tutoring center, found any goofy errors
in punctuation, spelling, and grammar.
4. The writing assignment has been formatted in MLA or APA style; all sources are
properly cited in the text and at the end of the paper with full details.
Drafting // 25
REVISING 1
When to Revise
Your first draft shouldn’t be your final draft. No draft is ever
perfect; there’s always room for improvement. You have to have
content to work with before you revise. After you have completed
drafting your ideas and have established what you consider to be a
complete product of the thoughts you intend to convey, then dive
into the revision process.
Steps
Read carefully over your draft several times, with a different
purpose in mind to check a specific problem each time. Look first
for content (what you said), then organization (your arrangement
of ideas), and finally style (the way you use words).
Listen carefully. Read your paper aloud for confusing statements
or awkward wording. Listen for the paper’s flow and pay attention
to details one idea to the next. Each idea should come to some
sort of conclusion while introducing the next idea, and each idea
should relate to the one before it and the one after it.
Take time between readings. Allow yourself time to finish a
paper so you can put it aside and read it fresh when you go back
to it later, to be more objective.
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The essential components of content are the intended purpose, sufficient support,
and that all the details are related to the main idea of your paper.
• Achieving the intended purpose – does it provide explanation, details, argument,
or narration? Does it complete the writing assignment’s goal, as explained by
your instructor?
• Providing sufficient support – does it need more detail, facts, examples to
support the topic?
• Including relevant details – do you need to cut any irrelevant “fluff ”
information?
The importance of organization is to arrange ideas and details to make the most
effective order, and to connect ideas to show a clear logic of thought process.
• Ideas and details are arranged in the most effective order--ideas and details
should make your meaning more clear.
• Ideas are logical and clear – use of appropriate transition words to relay the
connection of thoughts (such as “therefore”, “for example”) and any use of
sentence combining techniques.
The power of your style will make the meaning clear, interesting for the audience
with purpose, and insure the sentences read smoothly.
• Is the meaning clear – did you use vague or general terms where you need to be
precise?
• Is the language interesting, appropriate for audience and purpose – is the
language to be formal or informal, did you avoid slang and clichés?
• Is it smooth – did you use a variety of sentence structures?
Four steps to revising: add, cut, replace, and reorder. These are the words you
can use in the margin of your paper as you read and make decisions to revise. If
you know the standard editing marks you can make revisions directly to the writing
context.
Questions you might ask of your final paper:
• Are you saying what you mean to say?
• Will your audience understand it?
• Will it accomplish the purpose?
If you want to be more critical of your writing, judge its readability, clarity, and
interest to its audience.
Revising // 27
Editing 1
What is editing?
Editing is sometimes confused with Revising, or with Proofreading. After you
feel you’ve revised the draft as much as is needed, editing comes into play. Editing
involves a number of small changes in a draft that can make a big difference in the
draft’s readability and coherence. Editing can happen at several points in the drafting
process--not just at the end to “fix” things that are wrong.
So, what kinds of things happen when editing? Here are a few:
• word changes
• minor sentence rearrangement
• added transitions
• changes for clarity
• minor deletions
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Where does Proofreading Come into Play?
Proofreading is the process of carefully reviewing a text for errors, especially surface
errors such as spelling, punctuation, grammar, formatting, and typing errors. So,
refining the mechanics in the proofreading phase prevents the reader from being
distracted from your ideas. Here’s a checklist can also help you catch these errors in
your writing:
◊ I have used punctuation marks and capitalization correctly.
◊ I have checked the spelling of unfamiliar words.
◊ All subjects and verbs agree.
◊ I have corrected run-ons and sentence fragments.
◊ I have used words with the correct meanings in their proper context.
Let’s look at a paragraph that is ready for editing and/or proofreading.
An example
Scrooge McDuck (pre-editing)
Scrooge McDuck is a rich and famous lucky duck that has it all: the luxurious
mansion, 3 intelligent and athletic nephews (and one niece that gets in the way), a
global industry in his name that sells anything and everything, and skyscraper sized
vault of gold coins, rubies, and iconic bags of money. Scrooge McDuck would have
it all if it weren’t for one minute problem. Every other day someone tries to steal his
money. People have moved it into the ocean and tried to claim salvage rights. They’ve
moved it away with magic, futuristic helicopters, and old-fashioned diesel trucks.
Scrooge has researched every possible idea to keep people out of his money bin.
Now he needs tosolve that problem once and for all.
This is a pretty good introduction to an essay that’s about finding the best possible solution to a
problem for a fictional character. However, taking a closer look and making a few small changes
could make it even better.
Scrooge McDuck: the Money and the Mayhem (edited version)
Scrooge McDuck is a rich and famous lucky duck that has it all: the luxurious
mansion, three intelligent and athletic nephews, and one niece that gets in the way.
Owner of a global industry in his name that sells anything and everything as well as
a skyscraper sized vault of gold coins, rubies, and iconic bags of money, Scrooge
McDuck would have it all if it weren’t for one tiny problem. Every other day
someone tries to steal his money. People have moved it into the ocean and tried to
claim salvage rights. They’ve moved it away with magic, futuristic helicopters, and
old-fashioned diesel trucks. Viewers of Ducktales know that Scrooge has researched
every possible idea to keep people out of his money bin. Now he needs to solve that
problem once and for all.
Revising // 29
Editing, Proofreading and the Writing
Process
A major question that students will probably find themselves asking is this: How do
I know when to edit a paper? How do I know it’s time to proofread? As a matter of
fact, there is no simple answer to those questions. Writing is a process that involves
several steps, and these steps do not always occur in a straight line. Writing any sort
of text is a circular rather than a linear process. Writers are rarely completely finished
with one step, even after they move onto the next.
Most people tend to think that editing tends to happen sometime near the
completion of the paper. In fact, that is not always the case. While the most
important part of writing is simply the ability to express yourself and get ideas
across, it can sometimes be helpful to take a quick break from drafting or revising
and to spend some time editing (or even proofread a bit). Sometimes, playing with
word choice, sentence structure, or transitions can help stimulate your mind, leading
to new ideas. Thus, it’s important to realize that editing is not necessarily a one-step
action, but rather something that can be done throughout the entire writing process.
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2016, 17:39 <https://en.wikibooks.org/w/index.php?title=Basic_Writing/Print_version&oldid=1273791>.
Revising // 31
STUDENT SAMPLE: DRAFTING & REVISING
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Dear Me at 15 - Third Draft
Dear Julia,
How are you? Are you shocked that I am writing to you from the future? Me too.
Here are some things I wanted to tell you:
Mom & Dad are about to divorce. This crushes you because you think it is your fault. It isn’t.
They chose to be with each other, and it didn’t work. They wanted to have you, but they
couldn’t make it work as a couple. These things are not related. Please know that!
You should focus your energy on your little sister, Hayley. She starts to rebel because of the
divorce. In school, try to say hi to her in the hallways more. Try to talk to her everyday to
show your support because the rebelling starts with her getting into trouble with her teachers
first and goes from there.
All your friends will see changes too in their lives. Tanya’s parents divorce and you are both
sad together. You two need to support each other and talk about what’s going on. When I
was first in your shoes, I ignored a lot of people, but maybe you’ll listen to this letter and
do better than me. At one point, she invites you over for a Friday night sleepover. You don’t
want to go, but you should. She needs to talk to you that night, so go and listen.
Dear Me at 15 - Proofreading
Dear Julia,
How are you? Are you shocked that I am writing to you from the future? Me, too.
Here are some things I wanted to tell you:
Mom & Dad are about going to divorce. This crushes you because you think it is your fault.
It isn’t. They chose to be with each other, and it didn’t work. They wanted to have you, but
they couldn’t make it work as a couple. These things are not related. Please know that!
You should focus your energy on your little sister, Hayley. She starts to rebel because of the
divorce. In school, try to say “Hi” to her in the hallways more. Try to talk to her everyday to
show your support because the rebelling starts with her getting into trouble with her teachers
first and goes from there.
All your friends will see changes, too, in their lives. Tanya’s parents divorce, and you are both
sad together. You two need to support each other and talk about what’s going on. When I
was first in your shoes, I ignored a lot of people, but maybe you’ll listen to this letter and
do better than me. At one point, she invites you over for a Friday night sleepover. You don’t
want to go, but you should. She needs to talk to you that night, so go and listen.
Revising // 33
PEER REVIEW 1
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• Is the writing unified/coherent?
• Did you point out the strength(s) or part(s) you found interesting?
• Is there any part that required more information?
• Is there any part that was irrelevant?
• Did you answer any questions the reader had about his/her writing?
Talking with someone else about your paper will always help you re-evaluate your
content. Sometimes it reassures you that you’ve got it right; sometimes it reveals to
you the places that need work. It is always a good idea to share your work before
submitting the final draft.
Peer Review // 35
COMMON ESSAY
PROBLEMS 1
36 \\ Intro
Asking for and Getting Help 1
If you are having trouble getting started on a paper/project, try reading the samples
offered by your instructor – or in this book. They might jump start ideas for your
own paper/project.
Once you have a draft down on paper, if you can’t attend peer review in class – or
your instructor doesn’t include that in the process of that particular paper/project –
feel free to use the brianiacs around you or the tutors at the college tutoring center.
Seek out people to read your material.
When researching, head to your local library (if your college doesn’t have one). Ask
the librarian to help you, if you feel comfortable enough; they might appreciate a
break from their duties to help out, and they are knowledgeable of their space.
For advice on writing style, there are a great number of books available. Again, check
your bookshop or library. Some books focus on the choice of the right word, others
on different aspects of style. Note that different books give different stylistic advice.
If you’re unsure about plagiarism, or worried about your writing skills, the best way
to get help is approaching your tutor or supervisor. They will be familiar with most
of the conventions, and equally important, be able to guide you to more specialized
assistance should this be necessary. In terms of plagiarism, there are a number of
useful Internet sites, including http://www.plagiarism.com/.
If you aren’t a native English speaker, you might want to consider buying a grammar
handbook. The choice of grammar books is vast, and you should pick one you feel
comfortable with. The same goes for dictionaries, if you’re not a native speaker; in
addition, look around for books focusing on English as a foreign language.
1 “Writing Better University Essays/Common essay problems.” Wikibooks, The Free Textbook Project. 9
Apr 2015, 08:11 UTC. 11 May 2016, 16:20 <https://en.wikibooks.org/w/index.php?title=Writing_Better_
University_Essays/Common_essay_problems&oldid=2840084>.