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The Sarswela

The sarswela is a Filipino musical play that incorporates contemporary issues and love stories. It originated from the Spanish zarzuela and was introduced to Manila in 1878. Sarswuelas take different forms - some depict patriotism, some satirize Filipino society, and some attack social issues like usury. An important example is Sa Bunganga ng Pating from 1921, which tells the story of farmers struggling under usurious loans and being saved by an organization providing fair rural credit. Since the early 20th century, sarswuelas have been regularly performed by commercial troupes in cities and rural areas.

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496 views1 page

The Sarswela

The sarswela is a Filipino musical play that incorporates contemporary issues and love stories. It originated from the Spanish zarzuela and was introduced to Manila in 1878. Sarswuelas take different forms - some depict patriotism, some satirize Filipino society, and some attack social issues like usury. An important example is Sa Bunganga ng Pating from 1921, which tells the story of farmers struggling under usurious loans and being saved by an organization providing fair rural credit. Since the early 20th century, sarswuelas have been regularly performed by commercial troupes in cities and rural areas.

Uploaded by

Marlyvic Suavillo
Copyright
© © All Rights Reserved
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Download as DOCX, PDF, TXT or read online on Scribd
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The Sarswela

The Spanish zarzuela was introduced to Manila in 1878 or 1879 with a


performance of Jugar con fuego (Playing with Fire) by the troupe of Dario
Cespedes.
The sarswela is a play in prose (less often, poetry) with songs and dances,
containing from one to five acts, portraying Filipino types and situations within
the framework of a love story, and incorporating contemporary issues.
Sarswela may be created to depict lofty themes of love of country at a time of
revolution as in Walang Sugat (Not Wounded), 1902; to satirize the foibles of
Filipinos, as in Paglipas ng Dilim (After the Darkness), 1920; to attack social
evils, like usury, as in Sa Bunganga ng Pating (At the Mercy of Sharks), 1921;
or to tell an entertaining love story, as in Anak ng Dagat (Child of the Sea), 1921,
and Dalagang Bukid (Country Maiden), 1919.
An important sarswela is Julian Cruz Balmaseda ’s Sa Bunganga ng Pating. The
beautiful Nati, daughter of the landlord Don Juan, has just graduated as a
pharmacist. The widower Don Juan and his fiance, Doña Irene, both notorious
usurers, plan to marry her off to a person with influence and money, but Nati
loves Mario, the son of the peasants Andong and Maria, who are indebted to Don
Juan. At the party for Nati, Mario introduces Marcelo, who has been sent by the
government to establish rural credit for farmers to save them from usurious
practices. Later, when Andong and Maria try to pay off their debt to Don Juan,
they are shocked to find out that it has more than quintupled in two years’ time.
Because Andong cannot pay, Don Juan sends the police to confiscate the farmer’s
properties. Andong appeals to the courts, but the judge is a friend of Don Juan’s.
In desperation, the farmers harvest the rice from Don Juan’s fields for themselves.
Don Juan blames Mario for this, but Nati explains that it is Mario who protects
Don Juan’s interests. Angry, Don Juan goes to stop the peasants, but they run
after him all the way to his house. Mario intervenes and protects Don Juan.
Marcelo explains that the court has reversed its decision and will ask Andong to
pay back only the original amount that he had borrowed. Don Juan accepts the
court’s decision, reconciles with Andong and Maria, and accepts Mario as his
daughter’s fiance.
Since the early decades of the 20th century and to the present, the sarswela has
been presented by commercial troupes in the teatros of big cities like Manila,
Iloilo, and Cebu or in open-air entablado in rural areas during town fiestas.

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