IP - 12/IP - 16 R C S: Technical Manual
IP - 12/IP - 16 R C S: Technical Manual
IP - 12/IP - 16 R C S: Technical Manual
TECHNICAL MANUAL
WHEATSTONE CORPORATION
600 Industrial Drive
New Bern, North Carolina 28562
tel 252-638-7000 / fax 252-637-1285
NOTE: This equipment has been tested and found to comply with the limits for a
Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed
to provide reasonable protection against harmful interference when the equipment
is operated in a commercial environment. This equipment generates, uses, and can
radiate radio frequency energy and, if not installed and used in accordance with the
instruction manual, may cause harmful interference to radio communications. Opera-
tion of this equipment in a residential area is likely to cause harmful interference in
which case the user will be required to correct the interference at his own expense.
This equipment must be installed and wired properly in order to assure compliance
with FCC regulations.
Now, to the right of the System pane, select the System 3rd Party Devices tab.
Click the Add button to bring up the Add 3rd Party Device dialog:
Type in a convenient Name and insert the IP Address
of the device being added. Leave the TCP Port at the
default setting of 60021. From the Host Blade drop
down select the BLADE that you want to associate the
3rd Party device with. Click Ok.
This completes the process of adding the device to the
System 3rd Party Devices tab. The added device should
show up in the System pane under the BLADE you added
it to. If it does not show up, or if it shows up but has a
yellow question mark on it, then there is either a network
issue that needs attention, or the device is not connected
to the network at all, or one or more steps have been
omitted or done incorrectly in the configuration process.
IP-12/IP-16
Technical Manual
Table of Contents
Chapter 1 - General Information
Introduction..................................................................................... 1-2
Control Surface Placement............................................................ 1-3
Power Supply.................................................................................. 1-4
Failsafe Dual Redundant Supply.................................................................................1-4
Connections.................................................................................... 1-5
Energizing....................................................................................... 1-5
Appendix
Replacement Parts List..................................................................A-2
General Information
Chapter Contents
Introduction..................................................................................... 1-2
Control Surface Placement............................................................ 1-3
Power Supply.................................................................................. 1-4
Failsafe Dual Redundant Supply.................................................................................1-4
Connections.................................................................................... 1-5
Energizing....................................................................................... 1-5
General Information
Introduction
The Wheatstone twelve- or sitxeen-input IP-12/IP-16 control surface offers a great
way for a small to medium radio operation to enter the world of networked audio.
Tapping into the power of WheatNet-IP Intelligent Network technology through the
use of the included WheatNet‑IP 88cb audio Console Blade/mix engine, it’s a perfect
low‑cost, small-footprint solution.
Each of the 12/16 input modules is equipped with an LED source name display
and an A/B source selector whose sources can be set via a rotary encoder in the master
section. Each input module has access to four program busses and has cue and talkback
switches. A 100mm long-throw fader and lighted channel ON/OFF switches round out
the module. The master section offers control room, studio, and headphone controls
with source selection, and an onboard headphone jack and amplifier. Timer controls, a
master talkback button, and a built-in cue speaker with volume control are provided.
There are four event switches and six programmable buttons available for user functions.
The m
eterbridge has three stereo pairs of bright 30-segment horizontal LED bargraph
meters, as well as an on-board timer with controls located in the master section.
4-7/16"
4-11/16"
16-11/16"
7-1/2"
4 HOLES D=3/16";
USE #8 SCREWS
3-7/16"
Power Supply
The IP-12/ IP‑16 control surface is pow-
ered by a factory supplied power adapter with
100-240V/50‑60Hz input, 25W maximum output
power, and a 4 foot long output cable.
DC Power Output Pinout
PIN # OUTPUT
1 COM
5 2 4 2 COM
3 1
3 +5VDC
4 -15V
5 +15V
The power supply adapter is supplied with a 3-wire grounded AC cord The power feed recom-
that should be plugged into a “clean” AC power source, that is, an AC mended in the text is often
installed and referred to in
source that feeds only the control room audio gear. This source should studios as an “isolated AC
be a separate feed from those powering lighting, air-conditioning, or any ground” outlet. It is usually
orange in color.
other non-audio machinery.
Connections
The rear panel has two 5-pin DIN power supply connectors, mounted on the Host
Controller card, for power supply connections.
The rear panel also has an RJ-45 connector that provides the control surface c onnection
to a standard Ethernet network switch.
Unscrew the control surface’s rear panel to access these connectors. Note that there
is clearance at the bottom of the rear panel for cable passage.
Energizing
Assuming the IP-12/ IP‑16 control surface is properly placed, and its power supply
correctly connected to the console, you may now energize the power supply adapter by
plugging it into the AC mains. The control surface’s switches and meterbridge displays
will assume factory default settings.
Note: To de-energize the console, unplug the power supply adapter’s AC cord from
the AC mains. Never de-energize the console by disconnecting the cable that connects
the console and power supply adapter together.
During the control surface booting up process the meterbridge 8-character LED
isplays will show the surface’s software version. In the event that you need to consult
d
the factory about the IP-12/ IP‑16 control surface, you may need to have this information.
Surface Configuration
Chapter Contents
Getting Started................................................................................ 2-2
Tabbed Navigation......................................................................... 2-3
System Info Pane........................................................................................................2-4
Engine Tab...................................................................................................................2-6
Talent Access Tab........................................................................................................2-7
VDips Tab....................................................................................................................2-8
Monitor Config Tab.....................................................................................................2-11
Buttons Tab................................................................................................................2-12
Visibilities Tab.............................................................................................................2-13
Surface Configuration
Getting Started
The IP-12/IP-16 control surface connects via Ethernet to its audio engine, the
heatstone WheatNet-IP 88cb audio Console BLADE. Note that the Console BLADE
W
must be connected to a Gigabit port on a switch. A powerful 1RU device containing the
console’s digital signal processing, input, output, and logic circuitry, the engine has no
fans and may be located either next to the control surface or at a remote location.
The IP-12/IP-16 control surface comes with the IP Series Console Setup Tool Graphical
User Interface (GUI) program, intended to be straightforward in setup connection between
the control surface and the Console BLADE. On a user-supplied computer c onnected
through an Ethernet switch to the IP-12/IP-16 and the Console BLADE, install the GUI
by running the installer file wheatnetip_ipconsole_setup_X_X_X.exe, where “X_X_X”
is replaced with the version number, such as “1_0_0”. The installer creates a program
with file name of WheatNetIpConsoleGui.exe. Double-click the icon for this file, or its
shortcut, to run the GUI.
Tabbed Navigation
The IP-12/IP-16 GUI features a tabbed navigation architecture to easily access f eatures
with a minimum number of mouse clicks.
The IP-12/IP-16 GUI screen is vertically divided into two parts with a Function Pane
on the left side and a System Info Pane on the right side. The Main Menu Tab buttons
are located on the left side of the function display area. You may access any of the Main
Menu Tabs by simply clicking on them.
At the bottom of the screen is a Devices Pane that displays a list of IP-12/IP-16
devices that the IP-12/IP-16 GUI has been configured to communicate with. Click Add...
to add a device to the list, Edit... to change the name of an IP-12/IP-16 or give the GUI a
different IP address to talk to it on, or Remove to delete the device currently highlighted
in the list. To the right of these buttons is the Online checkbox, which is used to toggle
the GUI connection to the highlighted device between online (checked) and offline (not
checked).
The Function Pane and System Info Pane contents change according to the tab selected
in each area. Both of these Panes are relocatable within the GUI window by clicking
on the Pane’s handle (the rows of the double dots with the Pane name in between) and
dragging the Pane to the new location. You can even drag one or both of these Panes
outside of the GUI window, a handy feature if you have two monitors. To bring a Pane
back into the GUI, double‑click its title bar.
GUI MENU
IP-12/IP-16
IP-12 / Feb 2013
/ Dec 2014 page 2 – 3
SURFACE CONFIGURATION
You will notice that the System Info Pane now has content. Here is an example
of what you might see on the Sources tab (remember, your signal names and other
information will almost surely be different than the data shown here):
As we discuss the GUI there will be times when we need to access signal names.
If you have not scanned the system, or loaded a saved data set, you will not be able
to see or choose individual signals.
Engine Tab
Mix Engine Blade’s Info – In this section you will set the Mix Engine BLADE ID
and the IP Address of the the Engine to which the surface will connect.
Inputs – Not Used.
Meters – The switched meter on the surface’s meterbridge displays the signal level
of a user selected source or the Cue signal level when an input fader’s CUE switch is
activated. To activate the Auto Cue function check the Switched Meter Auto Cue box.
Use the Mode dropdown box to choose from Peak & Average, Peak Only, or Average
Only.
Machine Logic – The purpose of this option is to allow the privileged operator to
determine the conditions under which START and STOP signals are sent in response
to a command to turn a channel ON or OFF. Channel ON and OFF commands can
come from two different sources:
• Surface – a channel can be turned ON or OFF by a surface action, such as pressing
the ON or OFF switch, or moving a fader if EFS has been enabled
• Remote (RMT) – a channel can be turned ON or OFF by sending it a command
from a system Logic I/O card via the RemOn and RemOff functions.
When the No LIO with RMT check box is checked, LIO signals are globally
blocked for all input faders if the channel ON and OFF commands are initiated from
the system Logic I/O card.
Input/Output – In most cases, you will want the Use default signal mapping checkbox
to be checked, to insure that signals are properly mapped. This insures that the surface
signals appear at the designated connectors on the Console BLADE. If you want to
re-arrange or re-purpose the signals, leave this checkbox unchecked.
IP-12/IP-16
IP-12 / Feb 2013
/ Dec 2014 page 2 – 6
SURFACE CONFIGURATION
It may be desirable to limit some of the operations that can be performed by talent
using the IP-12/IP-16.
Events – Operation of the four EVENT buttons on the SC-12 Studio Control Module
can be limited as follows:
• If Allow Save Events is not checked, the operator will not be able to program
the EVENT buttons to save Events.
• If Allow Take Events is not checked, the operator will not be able to use the
EVENT buttons to take Events.
X Controllers – Selection of fader sources by using the A and B INPUT buttons on
the IN-12 Input Module can be limited as follows:
• If Allow Program A/B Buttons is not checked, the operator will not be able to
use the A and B INPUT buttons to change fader sources.
Bus Assignments – Use of the ASSIGN buttons (PGM, AUD, AUX, and OL) to de-
termine the bus or buses that the fader will feed can be limited as follows:
• If Allow PGM Bus Assign is not checked, the operator will not be able to use
the PGM ASSIGN button to change the fader’s feed status to the PGM bus.
• If Allow AUD Bus Assign is not checked, the operator will not be able to use the
AUD ASSIGN button to change the fader’s feed status to the AUD bus.
• If Allow AUX Bus Assign is not checked, the operator will not be able to use the
AUX ASSIGN button to change the fader’s feed status to the AUX bus.
• If Allow OL Bus Assign is not checked, the operator will not be able to use the
OL ASSIGN button to change the fader’s feed status to the OL bus.
IP-12/IP-16 / Dec 2014 page 2 – 7
SURFACE CONFIGURATION
VDips Tab
Many surface functions, such as Mute, Tally, and Machine Start Pulsed, are
rogrammed from the VDips tab. VDip settings are attributes of the Source signal and
p
will follow the signal onto different faders of the surface, or even other surfaces.
When the IP-12/IP-16 GUI is first started, the VDips tab Signals list contains only
one item, Default. If you select Default you will be editing the VDip settings of all
sources in the system, except those you have specifically overridden.
If you want to edit the VDip settings of a specific signal to be different than the
default settings you first need to add the signal to the Signals list. Click the Add... button
to bring up the Add Signal dialog.
Click the button with the three dots (ellipsis) to the right of the Source Signal field
to bring up the Source Picker dialog.
PFL/Cue Dropout – When a channel’s CUE button is pressed it will assign the c hannel’s
signal to the CUE bus. When PFL/Cue Dropout is checked it causes the channel’s CUE
function to be de-activated whenever the channel ON switch is pressed.
EFS - This function causes the channel to turn OFF when the fader is fully down or
turn ON when the fader is brought up from the fully down position. The ON and OFF
switches can still control the channel.
OL Pre Fader – When checked, causes the signal, when assigned to the surface’s
OL output, to be tapped before the fader.
Timer Restart - The surface’s digital timer can be programmed to automatically reset
to zero and begin counting up when the channel’s ON button is pressed. To enable this
function the AUTO button in the timer section of the SC‑12 Studio Control Module has
to be activated.
Fader Cue – Assigns the signal to the Cue bus when the fader is moved all the way
down. The CUE button can still be used to change the CUE status.
OL Pre On – When checked, causes the signal, when assigned to the surface’s
OL output, to be tapped before the channel ON switch.
Mach Start Pulsed – If this box is not checked, a Machine Start command will
give a steady closure, similar to an On Tally. If your external machine needs to see a
momentary pulse instead, check this box.
Remote Ready – The channel’s OFF switch normally has its LED indicator c ontrolled
by the switch itself. This is the factory default setting. When Remote Ready is checked,
the channel’s OFF switch LED can be controlled by an external source machine. This
requires additional configuration in the optional Navigator GUI to fully implement
the feature.
OL Off Line – This function determines what will be heard at the fader’s Bus Minus
output when the fader is off. If the box is not checked, when the fader is off the same
bus will feed the bus minus that feeds it when the fader is on, as determined by the
Bus Minus Base Mix selection below. But if the OL Off Line box is checked, when
the fader is off the Bus Minus output will be fed from the OL bus instead.
Studio Mutes – Input channels can be programmed to mute the various monitors when
the channel is ON. There are four Studio Mutes checkboxes, one for each m onitor
section plus one for CUE. The checked boxes show which monitors are muted.
Studio Tallies – Turning the channel ON can activate a remote tally indicator. There
are four tally control lines. The checked boxes show which tallies are activated. This
requires additional configuration in the optional Navigator GUI to fully implement
the feature.
Bus Minus Direct Out – For each fader, determines if the Bus Minus output is a
mix-minus of the selected Bus Minus Source (unchecked) or is a Direct Output of
the selected input source (checked). On faders where the Bus Minus Direct Out box
is checked, the OL Off Line box (above) will have no effect.
Bus Minus Base Mix – This function determines which bus the Bus Minus output is
a mix-minus of. Any of the four PGM, AUD, AUX, or OL busses can be selected as
the Bus Minus Source. If, for example, PGM is selected, then the Bus Minus output
will consist of the audio on the PGM Bus, minus the signal assigned to the fader. This
is true when the fader is turned on. It also true when the fader is turned off, unless
the OL Off Line box is checked (above). This setting will have no effect on any fader
where the Bus Minus Direct Out box is checked (above).
The Control Room, Headphone, and Studio monitor outputs are normally interrupted
with cue audio whenever a fader is switched into cue. However, if the Cue Defeat box
is checked for a given monitor, then cue will no longer interrupt that monitor output.
The output levels of the three monitors normally follow their respective level c ontrols
on the CR-12 Control Room Module and the SC-12 Studio Control Module. But it is
possible to lock the level of each of the monitors.
Using the studio monitor as an example, adjust the STUDIO level control on the
SC-12 to the desired level, then check the Level Locked box in the Studio section of
the Monitor Config tab. The monitor output will remain at the fixed level regardless
of any changes in the STUDIO level control position. If at a later time you decide to
unlock the level, the level will still be unchanged until the next time the STUDIO knob
is moved, at which point it will follow the knob once again.
After making changes you must click Apply for the changes to take effect. If you’ve
made a change and decided you don’t want to make that particular change after all you
can click Cancel, which will cancel any changes you made since entering the Monitor
Config tab, or since you last clicked Apply.
Buttons Tab
The CR-12 Control Room Module has, among its controls, six SOFT KEY buttons
with indicating LEDs, labeled P1, P2, P3, P4, P5, and P6. These buttons are also known
as Programmable Buttons, and are designed to perform user-programmable functions.
The Buttons tab is used to set up each button at a basic level of functionality by
using the Function drop-down box on the Buttons tab for the particular button 1 – 6
being used. The choices are:
• None – in this mode button presses are ignored and the button does not light
• Tally – in this mode button presses are ignored – the button illumination is c ontrolled
by a logic signal programmed to do so
• Toggle – in this mode the button acts like a toggle, with one press turning it on
and the next press turning it off – the button is illuminated by the surface when in
the on state and is not illuminated in the off state
• Momentary/Surface LED – in this mode the button has a momentary action, on
while pressed and off when released – the button’s illumination is controlled by
the surface, being lit while the button is pressed
• Momentary/LIO LED – in this mode the button has a momentary action, on
while pressed and off when released – the button’s illumination is controlled by
a logic signal programmed to do so
It’s important to note that, although basic functionality is set here, in all cases except
None there will be additional configuration, needed to complete the desired functionality,
that must be done in the optional Navigator software. Refer to the WheatNet-IP Audio
Over IP Network manual for details.
Visibilities Tab
Visibilities – Use the Visibility Option setting to limit the sources the user sees
when dialing up a source on the IP-12/IP-16. This feature is helpful, especially in large
systems with lots of signals.
Scroll up and down the Channel list, check or uncheck signals as desired for that
channel, and click the Apply button to save the visibility options. If you have made
changes and then decided you don’t want to put the changes into effect, click Cancel.
This will cancel any changes you made since entering the screen or since clicking
Apply, whichever happened most recently.
Check the Global Alpha Sort box to sort the list of channels in alphanumeric order
when selecting sources on the IP-12/IP-16.
Check Allow No Source if you want NOSOURCE to be allowed for that channel.
If NOSOURCE is not allowed then the channel must always have a source selected.
Right-clicking in the Channel area of the Visibilities tab pops up a menu with some
useful shortcuts on it:
• Copy – Choose this item to copy the visibility settings of the currently selected
channel.
• Paste – Choose this item to paste visibility settings that have been copied from
one channel to the currently selected channel.
• Paste All – Choose this item to paste visibilities that have been copied from one
channel to all channels.
• All – Choose this item to select all signals in the system to be visible to the c urrently
selected channel. This also puts a check in the Allow No Source check box.
• None – Choose this item to deselect all signals for the currently selected channel.
This also removes the check, if present, in the Allow No Source check box.
IP-12/IP-16 / Dec 2014 page 2 – 13
SURFACE CONFIGURATION
Enter the MAC Address, which you will find on a label on the IP-12/IP-16. Enter
a Name for the IP-12/IP-16 and specify the IP Address for the IP-12/IP-16. If needed,
change the default Subnet and Gateway settings (see your friendly IP person to find
out what you should use). Please note, when entering any of the network parameters
(everything you are changing on this screen except the Name) it is best to highlight the
complete default entry, delete it, then type in the complete new entry. In the IP Address,
Subnet, and Gateway fields use the period (aka dot) to move from one octet to the next
to avoid having leading spaces.
Once all the data is properly entered in the
dialog, click START to begin the process. You
will be prompted to reboot the IP-12/IP-16.
Click OK to dismiss the reboot prompt (but
make sure the IP Assignment dialog is still
showing).
Reboot the IP-12/IP-16 by cycling power to it
(you will not be able to use Hardware>Reboot...
to do this). Watch the Requests entry near the bottom of the IP Assignment dialog. You
should see this number increment to something other than 0. Once you see the Requests
number change, you can click STOP, then click the red X in the upper right corner of
the IP Assignment dialog. The IP-12/IP-16 now has the new network parameters you
have assigned to it.
IP-12/IP-16
Controls and Functions
Chapter Contents
To select a new source, press and hold the desired button, A or B, until it
begins to flash. This acts to arm the button to take its source. While the button
is flashing, the display shows the programmed source for the selected button,
or NoSource if the button is not programmed. Once the button is flashing,
release it, and then press it again. This will cause the current source for that
channel to be replaced by the one programmed for the selected button. If you
don’t press the button the second time, the button will stop flashing after a
short timeout and the source will not be changed.
A similar process is used to program a source for a button. Press and hold
the desired button until it flashes, then rotate the ENCODER on the CR-12
module until the desired source appears in the channel’s display, then press
the TAKE button (which is also flashing) below the ENCODER to finish
programming the button. Please note that this process does not replace the
current source for the channel, but only programs the selected button. If you
then want to change to the source you just programmed you must press and
hold the button again until it flashes, then press it one more time to take the
new source to the channel.
There may be times when you don’t want to change the programming for
either A or B but want to select a third source for the channel. You can do this
by pressing and holding both A and B together until both are flashing, then
dialing up the desired source on the ENCODER and pressing TAKE. This will
immediately take the third source to that channel and the A and B b uttons will
go off (to indicate the current source is not programmed for either A or B).
This source is not remembered as a third source for the channel. Do a new
source selection (A or B) and the next time you want a third source you will
need to repeat the above process.
Depending on how the IP-12/IP-16 is configured, you may be able to
select any source in the system or you may have a limited choice of sources
for one or more of the channels.
IP-12/IP-16 / Dec 2014 page 3 – 2
IP-12 CONTROLS AND FUNCTIONS
Assign Switches
Output switches assign the selected source signal to any combination
of the surface’s four stereo outputs – PGM (program), AUD (audition),
AUX (auxiliary), and OL (off line). The button will be lit when the source
is assigned to its respective bus. To remove a source from the bus, press the
button again; the light will go off to indicate that the source is no longer
assigned to that bus.
User access privileges may be configured to limit Bus Assignment on the
Talent Access tab of the IP Series Console Setup Tool GUI.
The OL Bus
The OL Bus has a special function in relation to a channel’s Bus Minus
output. Each signal that can be assigned to a channel will specify which bus
(PGM, AUD, AUX, or OL) provides the base Bus Minus mix (that is, which
bus the Bus Minus output is a mix-minus of) when that channel is on. When
the channel is off, however, the base Bus Minus mix may be the same as
when the channel is on, or may be configured to utilize the OL bus instead.
This allows the Bus Minus output to have different content when the channel
is off than it does when the channel is on.
Both the base Bus Minus mix and the use of the OL bus as base when
the channel is off are configured in the VDip settings (see the section VDips
Tab in chapter 2).
TB Switch
The TB switch routes the TB audio, typically the operator’s microphone, to
the BUS MINUS output for that channel, allowing the operator to talkback to
the talent hearing that BUS MINUS signal. To set the TB audio source, make
a crosspoint between the desired source and the destination signal IP12TkBk.
CUE Switch
The CUE switch assigns the selected source to the CUE bus, letting the
control surface operator monitor the channel’s pre-fader signal.
Fader
Channel output level is set by a 100mm, professional, conductive plastic
linear fader.
Channel ON Switch
The channel ON switch turns the channel signal ON and fires any channel
ON (START) logic to the fader’s source signal. The switch LED lights to
indicate the channel is ON.
METERS
The METERS section consists of three VU meter pairs on the control
surface’s meterbridge and a group of METERS select buttons, located on
the CR-12 module.
VU Meter Pairs
VU meter pairs (PROGRAM, AUDITION, and SWITCHED) are stereo
LED bargraph type meters.
The level of the signal being metered is indicated by the number of
display elements that are lighted. The more elements lighted, the stronger
is the signal being displayed. The right three LEDs in each bargraph are
red to indicate when the signal level is approaching a clipping (distorted)
level. The next ten LEDs are yellow, indicating a normal level range, and the
remaining LEDs are green. The top member of the pair indicates the level
of the signal’s left channel, while the bottom member of the pair indicates
the level of the signal’s right channel.
The left VU meter pair shows the level of the PGM output, the middle pair
shows AUD output, and the right VU meter pair (SWITCHED) shows the
level of the signal that is selected for it (AUX, X1, or X2). The SWITCHED
meters will also display the CUE signal level when an input fader’s CUE
switch is activated if the IP-12/IP-16 has been so configured.
METERS Select Button
The METERS buttons select the source for the switched meter pair, as
indicated above.
TB (Talkback) Button
The TB button lets the operator’s microphone signal interrupt the normal
feed to the studio speakers, allowing the operator to talk to the performers
in the Studio. Note that the Talkback source, typically the board operator’s
mic, must first be cross connected to the surface’s TB input.
IP-12/IP-16 / Dec 2014 page 3 – 7
IP-12 CONTROLS AND FUNCTIONS
TIMER Buttons
The control surface timer is provided with an AUTO-RESTART function
so that input modules can automatically reset the timer display (located on the
meterbridge) to zero and start a new count, allowing the announcer to easily
track his own pace. The AUTO button must be lit to enable this function,
and signals must be configured as well to determine which ones, if any, will
trigger the auto restart.
The S/S (start/stop) button halts the timer, holds the last count, and then
restarts and accumulates the count when depressed again—perfect for compiling
tapes of desired duration.
RESET has a dual-mode capability:
- if you depress it while the timer is counting, the display will instantly
reset to zero and start a fresh count;
- if the timer is already stopped, depressing this button will reset the timer
to zero, where it will hold until start is pressed.
The HOLD button allows you to hold the display for a longer viewing
duration, while still allowing the counter to continue in the background.
Releasing the button will then display the current count.
EVENT Buttons
The IP-12/IP-16 includes a snapshot save and recall feature that saves all
of the surface’s switch settings to a unique Event file. These saved Events
may be recalled as required at any time.
To recall an Event, press and hold the appropriate EVENT button 1, 2, 3,
or 4 until it lights, release the button, then press it again. An Event will not
change the status of a channel that is ON when the Event is recalled.
To save an Event, press and hold the appropriate EVENT button until it
lights, then continue holding it until it flashes. The current surface switch
settings at the time the save is done will be reestablished when that Event is
recalled, except for any channels that are on at the time of recall.
User access privileges may be configured to limit access to Save and/or
Take Events in the Talent Access tab of the IP Series Console Setup Tool GUI.
Installation Tips
• Place any surge protection circuits as close as possible to the WheatNet‑IP or other
device being protected.
• Establish a low impedance common ground in your facility and try to route all
grounds to that point.
• Choose the best power conditioning / UPS units that you can afford and suitable
for your equipment – focus on the features and options you need. The better UPS
products can prevent thousands of dollars in equipment damage – some even come
with an external equipment damage warranty.
• Unbalanced analog audio connections to the Console BLADE RJ-45 connectors can
be done in different ways. The following wiring methods are worthy of consideration:
• connections can be made with UTP (unshielded twisted pair) cable such as CAT5
• for an audio input to the BLADE, connect the unbalanced source hot wire (for
example, the center pin of an RCA connector) to the RJ-45 HI pin, and connect
the unbalanced source ground (for example, the shell of an RCA connector)
to the RJ-45 LO pin
• for an audio output from the BLADE, the same connections can be made as
are used for the inputs
• although not recommended, connections can be made with shielded twisted pairs,
such as is normally used for balanced analog audio connection
• for an audio input to the BLADE, connect the unbalanced source hot wire to
one wire of the twisted pair and the unbalanced source ground to the other wire
of the pair – at the BLADE end, connect the wire carrying the hot signal to the
RJ-45 HI pin and the wire carrying the ground to the RJ-45 LO pin – connect
IP-12/IP-16 / Dec 2014 page 4 – 2
WHEATNET-IP 88cb CONSOLE BLADE
the shield to a convenient ground connection at one end only – typically when
equipment is being connected in this fashion you choose to make your ground
connection consistently at either the source or the destination, using the same
grounding scheme wherever in the system such connections are made
• for an audio output from the BLADE, the same connections can be made as are
used for the inputs
• adapters are commercially available with RJ-45 connectors on one end and the
appropriate audio connector type, such as RTS or XLR, on the other
• balanced to unbalanced adapters, also called baluns, are commercially available to
transform the unbalanced connection to a balanced connection – these are usually
active devices and will account for level differences as well as converting between
balanced and unbalanced connections
• For digital audio connections always use a good quality digital audio cable with a
characteristic impedance of 110 ohms.
The AES/EBU specification, with its broad impedance tolerance, allows for cables with impedances
from 88 ohms to 132 ohms – 110 ohms is ideal. Twisted pair cable should be shielded, and in the
case of multi-pair cable, each pair should be individually shielded. Foil shielding is recommended for
permanent installations and foil shield plus overall braid should be used in applications where frequent
flexing of the cable will occur. One cable pair is capable of carrying two channels of digital audio.
Generic “audio” cable such as Belden 8451 may be used for interconnecting AES3
digital audio devices but only for distances of less than about 25 feet. The actual
cable length that will work satisfactorily in an installation is primarily determined
by the error correction and jitter tolerance of the AES3 receiver device and the
cable used.
The impedance of most “analog” cables ranges from 40 ohms to 70 ohms and represents a large
impedance mismatch from the nominal 110 ohms required in the AES3 standard. Such mismatch
will result in signal reflections, causing bit errors at the AES3 receiver. The higher capacitance of
generic analog cables also slows down the rise time of the digital data signals, impairing the ability
of the AES3 receiver to accurately detect digital signal transitions. This may result in increased jitter.
Energizing
There is no power switch. The AC line input voltage is permitted to be between 90
and 260VAC, 50 or 60Hz. Power consumption is under 100VA.
Aggressive AC input filtering is utilized at the AC input of the WheatNet‑IP; however,
it is always advisable to use external surge protection and/or an uninterruptible power
supply (UPS), especially where AC power quality is questionable, such as at a remote
transmitter site.
Power conditioning, surge suppression, and even power backup devices are wise
investments when using sensitive modern electronic devices that use an internal computer.
Use of a UPS (uninterruptible power supply) is a good idea and will protect the
WheatNet-IP from short duration power interruptions which may cause it to reboot.
During boot up, audio is interrupted for approximately 40 seconds.
I/O Connections
Two female XLR connectors are microphone preamplifier inputs. Recessed rear
panel phantom power switches and gain trims can be independently configured, and one
RJ-45 connector connects the preamp outputs to any one of the Analog Input RJ‑45’s.
Eight RJ-45 connectors are for audio inputs. The first four RJ-45 jacks are analog
inputs which can be set up as four stereo, eight mono, or any combination of stereo
and mono. The last four RJ-45 jacks are AES digital inputs.
The Console BLADE also has eight RJ-45 connectors for audio outputs. The first
four RJ-45 jacks are set up as analog stereo outputs, and the last four RJ-45 jacks are
set up as AES digital outputs. The “Console” template, by default, has a signal map
that automatically cross connects the surface’s Program, Headphone, Cue, and Studio
signals to the designated outputs. The Digital outputs follow the Analog outputs and
cannot be independently connected to different audio sources.
An RJ-45 and four 1/4" jacks are provided for headphone and cue outputs.
Four XLR male connectors are provided for control room and studio outputs.
The BLADE also has two more RJ-45 connectors to provide 12 logic ports, which
can be individually designated during setup as inputs or outputs. These ports are where
you wire the various external switches, indicators, and control functions you need in
your facility.
There are two RJ-45 jacks for Ethernet. One is for 1 Gigabit Ethernet – connect
this one to your network. The 100 Megabit Ethernet port is not used – do not connect
anything to this port.
Consult the wiring diagram on page 4-8 for detailed information.
The unit has a standard IEC power connector. The BLADE has an internal power
supply that will accept 100-240 volts 50/60 hertz AC power.
Inputs
The WheatNet‑IP 88cb can be fed from three different types of inputs: microphone,
analog line level, and AES-3 digital.
When processing mic level (-50dBu nominal) inputs, the input to the internal
microphone preamplifiers is fed from one of the two female XLR connectors. When
using the internal microphone preamplifiers, a jumper must be connected from the
MIC OUTS RJ-45 to a selected Analog input (1-4). The mic preamp has digitally
controlled gain, up to a maximum of 70dB, and displays remarkably high performance
and a ccuracy. Phantom power is available via recessed rear panel switches.
Four RJ-45 connectors can be used for analog line level inputs. The line level analog
audio inputs are +4dBu balanced. The analog line inputs exhibit a bridging impedance
and can handle signals up to +20dBu.
To handle digital line level sources there are four additional RJ-45 connectors.
The digital inputs of the WheatNet‑IP 88cb (inputs 5-8) will accommodate digital
inputs having a wide range of sample rates. These inputs will be sample rate converted to
the system’s chosen sample rate of 44.1kHz or 48kHz, which is set in the System Wizard
when bringing up the BLADE after a Factory Reset (or when first setting the BLADE
up out of the box), or via the optional WheatNet‑IP Navigator GUI. The GUI also allows
you to select input 8 of the digital BLADE, or of any BLADE that has a digital input as
input 8, to be a primary external reference, and a digital input 8 from a different BLADE
to be a secondary external reference. Please note that the sample rate of a digital input 8
should be the same, either 44.1kHz or 48kHz, as the system’s chosen sample rate.
AES sources are by design stereo; if the BLADE is not set to be stereo the appropriate
Left or Right signal within the AES stream will be applied to the signal path.
MIC IN XLR
XLR#1 Pin 1 – SH
XLR#1 Pin 2 – HI Mic 1 In
XLR#1 Pin 3 – LO
XLR#2 Pin 1 – SH
XLR#2 Pin 2 – HI Mic 2 In
XLR#2 Pin 3 – LO
Outputs
The WheatNet‑IP 88cb provide four stereo analog outputs on RJ-45 connectors,
four digital AES formatted outputs on RJ-45 connectors, cue and headphone outputs
on an RJ-45 connector and on 1/4" jacks, and control room and studio monitor outputs
on XLR male connectors.
CR OUT XLR
XLR#1 Pin 1 – SH
XLR#1 Pin 2 – HI CR Lt Out
XLR#1 Pin 3 – LO
XLR#2 Pin 1 – SH
XLR#2 Pin 2 – HI CR Rt Out
XLR#2 Pin 3 – LO
RJ-45 C Pin 1 – HI
RJ-45 C Pin 2 – LO PGM C Lt Out
RJ-45 C Pin 3 – HI
RJ-45 C Pin 6 – LO PGM C Rt Out
RJ-45 D Pin 1 – HI
RJ-45 D Pin 2 – LO PGM D Lt Out
RJ-45 D Pin 3 – HI
RJ-45 D Pin 6 – LO PGM D Rt Out
Logic Ports
The WheatNet‑IP 88cb has two LOGIC I/O RJ-45 connectors that provide 12 Universal
logic ports.
CUE/HDPN OUT
RJ-45 #4 RJ-45 #8 RJ-45 D RJ-45 D
RJ-45
1 LINE 4 LT IN HI 1 AES 8 IN HI 1 PGM D LT OUT HI 1 PGM AES D OUT HI
1 HDPN LT OUT HI
2 LINE 4 LT IN LO 2 AES 8 IN LO 2 PGM D LT OUT LO 2 PGM AES D OUT LO
2 HDPN LT OUT LO
3 LINE 4 RT IN HI 3 3 PGM D RT OUT HI 3
3 HDPN RT OUT HI
4 4 4 4
4 CUE LT OUT HI
CUE LT OUT LO 5 5 5 5
5
HDPN RT OUT LO 6 LINE 4 RT IN LO 6 6 PGM D RT OUT LO 6
6
CUE RT OUT HI 7 7 7 7
7
CUE RT OUT LO 8 8 8 8
8
NOTE: CUE/HDPN OUT RJ-45 and 1/4” jacks audio connections are paralleled. Either may be used.
Network Setup
The System Wizard starts by showing System Wizard start up message on its front panel,
and then displays BLADE ID: DISABLED.
Simply scroll the front panel knob one click for the display to change to
BLADE ID: 1 and press the front panel TAKE switch.
The display will change to show the default IP address. Make a note of this address in
case you want to use web browser access in the future, then press TAKE again to accept the
address. Please note, if you cannot accept this default IP addressing scheme you can change
the IP address, subnet mask, and gateway to be something that will work for you.
The wizard will next allow you to select the system sample rate as either 44.1 kHz or 48
kHz. Choose the sample rate that is best for your system.
Finally the display will show I/O TEMPLATE. For Wheatstone‑IP 88cb there are three
templates available:
• Choose the Console_Stereo_In template to create all of the needed signals for your IP-12/
IP‑16 control surface. When using this template the input signals are created as stereo
sources. This template maps all of the Program, Headphone, Cue, and Monitors signals.
IP-12/IP-16 / Dec 2014 page 4 – 9
WHEATNET-IP 88cb CONSOLE BLADE
• Choose the Console_Mono_In template to create all of the needed signals for
your IP‑12 control surface. When using this template the input signals are
created as Mono sources. This template maps all of the Program, Headphone,
Cue, and Monitors signals.
• Choose the Custom template to create your own layout. Note that if you chose
the Custom signal template (because you wanted to use both stereo and mono
signals) you will have to use the optional Navigator GUI to create sources “CUSTOM” configu-
ration only applies to
and destinations and define which ones are to be mono or stereo before you Sources, the Destina-
can actually make any cross connections (refer to WheatNet-IP Audio Over tions are fixed.
IP Network manual).
Scroll the knob to the template you want to use and press the front panel
TAKE switch and you’re done. After completing the setup process the BLADE
will attempt to join the network. During this process a CONNECTING... message
will appear on the display.
Once the BLADE has successfully joined the network the front panel will
display:
To access the Main Menu rotate the encoder and select the desired option by
pressing TAKE.
You can use the front panel controls to make crosspoint connections. First turn
the encoder knob through the menu selections until OUTPUTS... is shown. Press
the switch and the display will show the first audio destination, corresponding to
the first output jack. The default name BL01D01: NO SRC will be shown in the
display. This cryptic shorthand means “BLADE 01, destination 01 has no source
connected to it.” Obviously, then, there will be no audio output at destination 1.
Pressing the front panel TAKE switch will change the source section of the
display to show underlines flashing under the source name, indicating that the
source can now be changed. Scroll the knob until the desired source is shown
and press the switch. The crosspoint connection will be made and the display will
change to indicate the destination/source connection. Turning the knob again will
change the display to the next destination, where the process can be repeated. In
this manner, connections for all of the destinations can be made. Note that you
can connect any source to any destination. You can connect the same source to
multiple destinations. If you wish to break a connection to a particular destination,
simple select that destination via the encoder, and scroll through the sources until
you see NO SRC and select it.
In addition to the normal destinations (eight to 16, depending on configuration)
each BLADE has a special destination corresponding to the front panel headphone
IP-12/IP-16 / Dec 2014 page 4 – 10
WHEATNET-IP 88cb CONSOLE BLADE
jack. Like any other destination, you can choose the source connected to it, allowing you
to monitor any source on a pair of headphones plugged in to the BLADE. To control
the volume of this headphone output, scroll through the front panel menus until you see
HEADPHONE... and select it. The encoder knob now functions as a volume control for
the headphone jack. The display will show HDPN LEVEL: XX ———— where “XX”
is a number from 1 to 10 indicating relative loudness. The number of dashes next to
these digits also increase to give a “gas gauge” style indication of loudness. To change
the loudness of the headphone output, momentarily press and release the knob; the level
indicators will start flashing and you can turn the encoder to increase or decrease the
level. To choose which audio channel you are monitoring at the headphone jack, scroll
the knob until you see the HDPN SOURCE: xxxxxxxx display (xxxxxxxx represents
the name of the current source for the headphone destination), and press the switch. The
encoder will now let you scroll through the available sources; press the switch when
you find the one you want. Of course, if desired, the optional Navigator GUI can also be
used to choose a source for the headphone destination, just as it can for any other one.
You can use the front panel encoder to set the front panel meter mode for the BLADE.
There are 16 LED bargraph meters on the front panel. These can show either the input
signal levels for each source, or the output signal levels for each destination. To choose,
scroll through the front panel menus until you find METERS... and select it with the
switch. The front panel display will change to show the current mode, either INPUTS
or OUTPUTS. Scroll the knob to select your preference and select it with the switch.
Note there are front panel mode LEDs that indicate whether the meters are showing
input levels or output levels. Also, these meters show audio levels after any gain trim-
ming has been applied, so if for some reason you have the gain for a particular channel
cranked down, you may not see any meter indication even though audio is there.
Connecting to this stand alone BLADE with the optional Navigator GUI will allow
you to create user defined names for each of the source and destination signals, trim their
audio levels, meter the audio, define logic, set silence detect parameters, and a host of
other functions. See the WheatNet-IP Navigator GUI chapter of the WheatNet-IP Audio
Over IP Network manual for details.
You also have access to some of these functions via a web browser. See the Web
Interface chapter of the WheatNet-IP Audio Over IP Network manual.
IP-12/IP-16 / Dec 2014 page 4 – 11
WHEATNET-IP 88cb CONSOLE BLADE
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change,
dobby to advance
scroll to change
scroll to change
scroll to change,
dobby to advance
scroll to change,
dobby to advance
scroll to change
scroll to change
scroll to change,
dobby to advance
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change,
dobby to advance
switch to select,
scroll to change
switch to select,
scroll to change
switch to select,
scroll to change
switch to select,
scroll to change
scroll to change
switch to select,
scroll to change
scroll to change
scroll to change
scroll to change
scroll to change,
dobby to advance
Chapter Contents
Overview.......................................................................................... 5-2
Ethernet IP Addressing .............................................................. 5-2
Ethernet Interface Wiring............................................................... 5-2
Hook-Ups......................................................................................... 5-3
“CT20” RJ-45 - Main Ethernet Connector..................................................................5-3
Typical Straight-Through Cable...................................................................................5-3
Overview
The host controller provides the centralized intelligence for the IP-12/IP-16
control surface. The HC-12 communicates to the Console Blade via TCP/IP over
Ethernet through a standard ethernet hub or switch.
Hardware and software configuration, as well as real time crosspoint information,
is saved in non-volatile storage on the HC-12 card and is restored at power up or
reset. This configuration information provides details to the host application running
on the HC-12, such as the specific audio hardware available.
Ethernet IP Addressing
The Wheatstone IP-12/IP-16 control surface ships with the host controller IP
address set to 192.168.87.201. Stand-alone systems (not interfaced to a station’s
existing network) require no IP address changes.
Hook-Ups
The “CT20” RJ-45 connector for Ethernet connection is located on the center of
the bottom side of the HC-12 PCB.
Ethernet Connector
“CT20” RJ-45 – Ethernet Connector (RJ-45)
Pin 1 – TXD +
Pin 2 – TXD - 1 TXD +
Pin 3 – RXD + 2 TXD -
Pin 4 – N/C 3 RXD +
Pin 5 – N/C 4 N/C
Pin 6 – RXD - 5 N/C
Pin 7 – N/C 6 RXD -
Pin 8 – N/C 7 N/C
8 N/C
INSTALL ONE
GND
10
3 4 3 4
CT3
X1
1
1N914 D7 1N914 D3 X3
3
X4
SW7 SW3 4
4148 D14 4148 D10
X3 2 1 X3 2 1 X5
5
Y01
3 4 3 4 6
Y02
7
FADREF
AUX OL 8
INSTALL ONE INSTALL ONE 9
FADR1
1N914 D8 1N914 D4
GND
10
SW8 SW4
4148 D13 4148 D9
X4 2 1 X4 2 1
CT1
FADREF
A A
3 4 3 4 3
FADR1
2
GND
TB CUE 1
IPSW-12
CONTRACT NO.
- SA UR US - Sergey Averin -
Y01 Y02
APPROVALS DATE
DRAWN DB/WWP 4-5-11 600 Industrial Drive
CHECKED New Bern, NC 28562
DB
SIZE FSCM NO. DWG. NO. REV
ISSUED WWP B 15S0001 A
W# 700972 SCALE IPSW-12A PCB SHEET 1 OF 1
2 1
IP-12 / Sep 2011 page 6 - 2
S C H E M AT I C D R AW I N G S
SW1 SW2
4148 D4 4148 D3
X5 2 1 X5 2 1
3 4 3 4
B ON OFF B
Y01 Y02
2 2
3 3
4 4
X5 X5
5 5
Y01 Y01
6 6
Y02 Y02
7 7
8 8
9 9
A 10 10
A
ONSW-12
CONTRACT NO.
- SA UR US - Sergey Averin -
APPROVALS DATE
DRAWN DB/WWP 6-12-12 600 Industrial Drive
CHECKED New Bern, NC 28562
DB
SIZE FSCM NO. DWG. NO. REV
ISSUED WWP B 15S0002 C
W# 700973 SCALE ONSW-12C PCB SHEET 1 OF 1
2 1
IP-12 / Jun 2012 page 6 - 4
SCHEMATIC DRAWINGS
INSTALL ONE INSTALL ONE INSTALL ONE INSTALL ONE 1N914 D10
1N914 D13 1N914 D1 1N914 D12 1N914 D6
1N914 D9
SW10 SW1 SW9 SW6
D D
4148 D40 4148 D28 4148 D29 4148 D23
X1 2 1 X1 2 1 X1 2 1 X1 2 1
4148 D32
X1 B
3 4 3 4 3 4 3 4
CE1
Y45 C
3 B
4148 D31 C 2
X2 A 1 A
INSTALL ONE AUX INSTALL ONE UTL INSTALL ONE TAKE INSTALL ONE AUD Y43 E
5 D E 4
3 4 3 4 3 4 3 4
INSTALL ONE 1 INSTALL ONE 2 INSTALL ONE PGM INSTALL ONE UTL
1N914 D15 1N914 D3 1N914 D19 1N914 D8
3 4 3 4 3 4 3 4
C C
1N914 D16 1N914 D4 1N914 D20
3 4 3 4 3 4
PGM3 PGM4 1
INSTALL ONE INSTALL ONE
1N914 D17 1N914 D5
SW14 SW5
4148 D36 4148 D24
X5 2 1 X5 2 1
3 4 3 4
PGM5 PGM6
B B
CT2 CT3
X1 X1
PCB MOUNTED POT 1 1
X2 X2
2 2
FADREF
X3 X3
3 3
10K 3 2 FADR21
CUE CR1 1 4
X4
4
X4
X5 X5
5 5
Y41 Y41
GND 6 6
Y42 Y42
7 7
Y43 Y43
8 8
Y44 Y44
9 9
Y45 Y45
10 10
CT1
Y46 Y46
FADREF 11 11
3
Y47 Y47
CR 2
FADR22 12 12
FADR22 FADR22
GND 13 13
1
FADREF FADREF
14 14
FADR21 FADR21
3 PIN JST FOR POT MOUNTED OFF PCB 15 15
A CRSW-12 A
GND GND
CONTRACT NO.
16 16
- SA UR US - Sergey Averin -
APPROVALS DATE
DRAWN DB/WWP 4-20-11
600 Industrial Drive
CHECKED DB New Bern, NC 28562
ISSUED SIZE FSCM NO. DWG. NO. REV
WWP
D 15S0003 B
W# 700974 SCALE CRSW12B PCB SHEET 1 OF 1
8 7 6 5 4 3 2 1
3 4 3 4 3 4
3 4 3 4 3 4
3 4 3 4 3 4
3 4 3 4 3 4
3 4 3 4 3 4
1 2 HOLD
B B
CT2 CT3
X1 X1
1 1
PCB MOUNTED POT X2 X2
2 2
X3 X3
FADREF 3 3
X4 X4
10K 3 2 FADR23 4 4
STUDIO CR1 1 X5 X5
5 5
Y51 Y51
6 6
GND Y52 Y52
7 7
Y53 Y53
8 8
Y54 Y54
9 9
Y55 Y55
10 10
CT1 11 11
FADREF
3 12 12
FADR24 FADR24 FADR24
HDPN 2 13 13
GND FADREF FADREF
1 14 14
FADR23 FADR23
15 15
3 PIN JST FOR POT MOUNTED OFF PCB GND GND
16 16
A SCSW-12 A
CONTRACT NO.
EVENT PANEL NEEDS 5 Y + 2 RE ?
- SA UR US - Sergey Averin -
APPROVALS DATE
DRAWN DB/WWP 5-5-11 600 Industrial Drive
CHECKED DB New Bern, NC 28562
ISSUED SIZE FSCM NO. DWG. NO. REV
WWP
D 15S0004 B
W# 700975 SCALE SCSW12B PCB SHEET 1 OF 1
8 7 6 5 4 3 2 1
Appendix
Contents
Replacement Parts List..................................................................A-2
IPSW-12 LOADED CARD INPUT MODULE LOADED SWITCH CARD ASSEMBLY 009021
CRSW-12 LOADED CARD CONTROL ROOM LOADED SWITCH CARD ASSEMBLY 009025
SCSW-12 LOADED CARD STUDIO CONTROL LOADED SWITCH CARD ASSEMBLY 009027
FADER MONO LINEAR TAPER FADER WITH LONGER KNOB BRACKET 540052
POT KNOB 21mm BLACK COLLET KNOB FOR 1/8” SHAFT, NO LINE 520126
POT CAP 11mm BLACK/005 CAP W/ LINE FOR 15mm KNOB 530037
POT CAP 11mm BLACK PLAIN CAP FOR 15mm KNOB 530279
NKK SWITCH JB15 SWITCH W/BRIGHTER GREEN LED AND SILICON GASKET 510289
NKK SWITCH JB15 SWITCH W/BRIGHTER RED LED AND SILICON GASKET 510290
JB15 SWITCH W/BRIGHTER YELLOW LED AND SILICON GAS-
NKK SWITCH 510291
KET
NKK SWITCH CAP WHITE SWITCH CAP 530004
ON/OFF SWITCH CAP SOLID WHITE CAP FOR 03 STYLE SWITCH 530361
11mm ROTARY ENCODER WITH THREADED BUSHING, 13.5mm
ENCODER 560003
SHAFT LENGTH
POWER CONNECTOR PIN 40 AMP RIGHT ANGLE PCB MOUNT PLUG LONG 200117
ON/OFF SWITCH LED 3MM RED LED FOR ON/OFF SWITCH 600077