NIELSEN 2019 YEARENDreportUS PDF
NIELSEN 2019 YEARENDreportUS PDF
NIELSEN 2019 YEARENDreportUS PDF
YEAR-END
MUSIC REPORT
U.S. 2019
A milestone year for streaming, 2019 marked the first time on-demand streams surpassed
1 trillion during a 12-month period in the United States. The year ended with 1.15 trillion
on-demand streams, fueled by a big year for hitmakers Post Malone, Taylor Swift and Ariana
Grande as well as breakthrough artists like Billie Eilish, Lizzo and Lil Nas X. Tech trends like
TikTok helped usher in a new wave of viral hits, while K-Pop and Latin acts continued the
globalization of music reaching U.S. fans.
Speaking of global, 2019 marked the first full year of Nielsen’s global music measurement
in 2019. Go to pages 20 -22 to find exclusive insights from this year’s findings, including the
dozen-plus songs in the elite 4 Billion+ Stream Clubs (led by “Old Town Road,” the year’s
most-streamed song worldwide) as well as exclusive insights into how music fans’
consumption behaviors vary in Japan, India, Germany and the UK.
In addition to exclusive data from 2019, this report includes charts ranking the most-
consumed artists, songs and albums of the 2010s, with stats revealed her for the first
time. The decade-based chart is topped by superstar artists Adele, Taylor Swift, Drake,
Kenny Chesney and Tim McGraw.
All data cited in this report is compiled by Nielsen Music/MRC Data. This report covers music
consumption for the 12-month period from January 4, 2019, through January 2, 2020
(as compared to January 5, 2018-January 3, 2019).
This year’s report also marks the beginning of a new era for Nielsen Music, which on December
18 was acquired by Valence Media as the anchor unit for the company’s newly established
MRC Data division. The acquisition reunites the industry’s leading music consumption platform
with the preeminent Billboard charts, after a near-decade-long separation, to create the most
comprehensive global provider of data and analytics to the music industry and consumers,
servicing all digital service providers (DSPs), record labels, radio and music retailers. Other
companies in the Valence Media portfolio include dick clark productions, Billboard-The
Hollywood Reporter Media Group, MRC Film, MRC Television and MRC Non-Fiction.
Over the course of the next 40-plus pages, we hope you’ll find lots of datapoints to help inform
and empower your 2020 – and the rest of the coming decade. And as always, we welcome
your feedback to inform how our measurement products can better serve you in music’s
ever-changing landscape. Email us at [email protected].
IN MEMORIUM 14
2019 TIMELINE 16
Note: The term “total album equivalent consumption” describes the number of physical
and digital albums that were sold and the total number of album equivalent songs from
downloads and song streaming volume. For the sake of clarity, the definition of album
equivalent consumption does not include listening to music on broadcast radio or digital
radio broadcasts. Unless otherwise noted, all numbers are volume.
HIGHLIGHTS
TOTAL ALBUM EQUIVALENT CONSUMPTION ON-DEMAND SONG STREAMING - VIDEO
(ALBUM + TEA + ON-DEMAND AUDIO/VIDEO SEA)
ON-DEMAND STREAMING
(AUDIO + VIDEO) 2019 2018 % CHG.
365.4 MILLION
FIRST-WEEK ON-DEMAND AUDIO STREAMS
for songs from Post Malone’s Hollywood’s Bleeding,
making it the year’s biggest streaming week
278,000
EQUIVALENT UNITS EARNED
of Hollywood’s Bleeding in its debut week
“Sunflower” - 6 million on-demand streams
“Wow.” - 5 million on-demand streams
“Circles” - 3 million on-demand streams
BILLIE EILISH
Billie Eilish, who turned 18 in December, became the youngest-ever artist
to be named Billboard’s Woman of the Year as well as earn nominations in
all of the Grammys’ top four categories. She made her awards show debut
with a standout performance at November’s American Music Awards.
313,000
EQUIVALENT UNITS EARNED
of Eilish’s debut full-length When We All Fall Asleep Where Do We Go? in its first
week, 2019’s sixth biggest week and third largest for a female artist
176,000
VINYL UNITS SOLD
of When We All Fall Asleep…, making it 2019’s No. 2 best-selling vinyl
release. The album was one of 2 non-catalog titles among 2019’s
top 10 best-selling vinyl albums
1.3 BILLION
ON-DEMAND STREAMS
for “bad guy,” 2019’s No. 3 most-consumed hit
Billie Eilish performs onstage during the 7th Annual We Can Survive, presented by AT&T, a RADIO.COM event,
6 Copyright © 2020 The Nielsen Company at The Hollywood Bowl on October 19, 2019. (Photo by Kevin Winter/Getty Images for RADIO.COM)
LIZZO
Surprise synch success and all-star remixes fuel
underground star’s mainstream breakthrough
769%
SPIKE IN CONSUMPTION of “Truth Hurts” the week
ending April 25, following the premiere of Netflix’s
romantic comedy “Someone Great” on April 19
736 MILLION
YTD STREAMS of “Truth Hurts,” which tied Iggy Azalea’s
record for most weeks (seven) spent at No. 1 on the
Billboard Hot 100 for a song by a female rapper
79%
SPIKE IN CONSUMPTION of Lizzo’s “Good As Hell”
the week ending Oct. 31 following the premiere of
remix with Ariana Grande on Oct. 25
Lizzo performs at the 2019 American Music Awards, November 24, 2019, in Los Angeles, California. (Photo by Kevin Winter/Getty Images for dcp)
236 MILLION
ON-DEMAND STREAMS
for “Boy With Luv” (featuring Halsey), BTS’ most-consumed song to date
981 MILLION
ON-DEMAND STREAMS
for “Baby Shark” by Pinkfong, whose videos of the popular children’s song
have been viewed globally over 3 billion times
168,000
FIRST-WEEK CONSUMPTION UNITS
for SuperM’s The First Mini-Album, which became the fourth Korean-language
album to top the Billboard 200 in October
*Lil Nas X attends the 53rd annual CMA Awards, November 13, 2019, in Nashville, Tennessee. (Photo by Jason Kempin/Getty Images)
**Saweetie performs at the REVOLT X AT&T on October 27, 2019, in Los Angeles, California. (Photo by Phillip Faraone/Getty Images for REVOLT)
TEENS
74 MILLION
FIRST-WEEK AUDIO ON-DEMAND STREAMS
for songs from Luke Combs’ November release What You See Is What
You Get, the highest-ever single-week streaming activity for a country
album
461 MILLION
Luke Combs performs at the ATLIVE Concert 2019, November 17,
2019, in Atlanta, Georgia. (Photo by Carmen Mandato/Getty Images)
ON-DEMAND STREAMS
for Blanco Brown’s “The Git Up,” a self-described “trailer trap”
song that spent 12 weeks at No. 1 on Hot Country Songs
76,000
FIRST-WEEK EQUIVALENT ALBUM UNITS
for Thomas Rhett’s Center Point Road, Rhett’s second No. 1 album
on the Billboard 200 and the year’s 11th biggest country album
RADIO SPOTLIGHT:
TOP 40 MINTS NEW STARS
Lewis Capaldi performs at TRNSMT Festival, July 14, 2019, in Glasgow, Scotland. (Photo by Jeff J Mitchell/Getty Images)
Lil Nas X performs at WiLD 94.9’s FM’s Jingle Ball, December 8, 2019, in San Francisco, California. (Photo by Steve Jennings/Getty Images for iHeartMedia)
Normani performs at KIIS FM’s Jingle Ball, December 6, 2019, in Inglewood, California. (Photo by Amy Sussman/Getty Images)
The two Record Store Day events of 2019 helped yield vinyl’s third-, fourth- and fifth-largest best-
selling weeks as of Dec. 23, respectively, since Nielsen Music/MRC Data began measuring the format in 1991.
The first Record Store Day on April 13 saw 827,000 vinyl albums sold industry-wide during the week ending
April 18, up 12.8% from Record Store Day 2018, when 773,000 vinyl albums were sold the week ending April 26,
2018. The second event, Record Store Day Black Friday on Nov. 29, drew an even larger 855,000 vinyl albums
sales during the week of Nov. 28 through 25, making it the best-selling Record Store Day event
of all time and the biggest album sales week of 2019, with 2.8 million albums sold across
all formats (vinyl, CD, cassette, download, etc.). Week ending Dec. 26, vinyl sales hit an
all time record of 1.2 million.
Vinyl now represents 26% of all physical sales in 2019, with 18.8 million units
sold throughout the year, compared to 54.8 million units of CDs.
215 MILLION
spike in total steams
for Juice WRLD’s catalog the week ending December 12
235%
increase in on-demand streams for
“Lucid Dreams,” his 2018 breakthrough single,
the week ending December 12
7
Number of songs
that entered or re-entered the Billboard Hot 100
the week ending December 12, with combined
streams of 1.6 billion
Juice Wrld performs at the 2019 iHeartRadio Music Festival, September 21, 2019, in Las Vegas, Nevada. (Photo by Bryan Steffy/Getty Images)
Copyright © 2020 The Nielsen Company 13
RIC OCASEK
The Cars saw a 580% lift in
catalog consumption during the
week of Sept. 19, following the
Sept. 15 passing of longtime
frontman Ocasek. The group’s
hits “Drive” (5,000) and “Just
What I Needed” (2,000) were
1985-2019
the biggest-selling downloads
on Sept. 16, the first full day
NIPSEY HUSSLE following his passing.
The murder of 33-year-old
rapper and community activist
1939-2019
Nipsey Hussle (born Ermias
Asghedom) sparked a 2,776%
GINGER BAKER
spike in consumption of his
The drummer/co-founder of
catalog on March 31, the day of
Cream and Blind Faith saw a
his death. Victory Lap, his most
154% in those bands’ catalog
recent album at time of death,
consumption during the week
earned 747,000 equivalent 1949-2019
of Oct. 6, the day of the
units YTD, led by 167 million
musician’s death.
on-demand streams for “ EDDIE MONEY
Double Up” featuring Belly and The classic rock singer’s catalog
DOM KENNEDY, Nipsey Hussle’s saw a 1,095% lift in consumption
most-consumed song of 2019. following his passing on Sept. 13.
“Take Me Home Tonight,” his
1986 hit single, was streamed 3.1
million times in the U.S. in the
first three days following the sing-
er’s death, while his songs “Two
Tickets To Paradise,” “Shakin”
and “Baby Hold On” all entered
the top 12 of Billboard’s Rock
Digital Songs chart.
1952-2019
JAMES INGRAM
The R&B singer’s catalog saw a
681% increase in consumption the
week ending Jan. 31, following his
SULLI, F(X) 1937-2019
passing on Jan. 29. The lift was led
The K-Pop singer and actress’ by a 6,500% surge in song sales
passing on Oct. 14 led to a during the three-day time period,
137% increase in catalog including 6,000 copies sold of a
consumption for her band f(x) 1999 re-recording of his 1981 hit
the week ending Oct. 17. with Quincy Jones, “Just Once.”
ART NEVILLE
The Neville Brothers saw a
353% lift in catalog consump-
tion the week ending July 25,
following the July 22 passing of
1958-2019
co-founder Art Neville.
1955-2019
MARIE FREDRIKSSON, ROXETTE
Streaming consumption of Roxette’s MARK HOLLIS (TALK TALK)
catalog increased 770% on Dec. 10 Influential ’80s alt-pop group
and 11, following the Dec. 10 an- Talk Talk saw a 629% increase in
nouncement of lead singer Fredriks- catalog consumption the week
son’s passing. The streaming activity ending Feb. 27, following the Feb.
was led by three of the band’s four 25 announcement of frontman
No. 1 hits on the Billboard Hot 100: Mark Hollis’ passing.
“It Must Have Been Love” (1.4
million, up 560%), “Listen To Your
Heart” (700,000) and “The Look”
(464,000, up 606%).
TIMELINE
2019
FEBRUARY 3
Maroon 5 MAY 31
headlines the 2019 Super
Bowl Halftime Show and Elton John biopic
sees downloads of the
FEBRUARY 10 “Rocketman” is released
band’s catalog spike 434% in theaters, sparking
Kacey Musgraves’
from the day prior. an 84% increase in
Golden Hour wins
consumption of the
Album of the Year at the
musician’s catalog the
2019 Grammy Awards.
week ending June 6.
The exposure helped the
album accumulate 436 million
on-demand streams in 2019,
a 254 million increase
from 2018.
MARCH 1
Jonas Brothers
reunite for their first
single in six years, “Sucker.”
The song instantly becomes
the band’s biggest hit to date,
debuting at No. 1 on the
Hot 100 with 42.8 million
first-week on-demand
streams.
2020
SEPTEMBER 1
Taylor Swift’s Lover
achieves the biggest
consumption week for any NOVEMBER 24
album since her previous
release, 2017’s Reputation. The 2019 American Music Awards
The album earned 867,000 air on ABC, inspiring a 95% boost in
equivalent units the downloads for the songs performed
week ending August 29, during the telecast that night.
accounting for 27% of Tracks from Post Malone, Selena
JULY 21 all the country’s total album Gomez, Halsey and others sells
volume that week. a collective 27,000 downloads -
OCTOBER 2 up from 14,000 on Nov. 23.
Ed Sheeran’s
No. 6 Collaborations President Donald Trump
Project becomes the shares a tweet of a meme
singer-songwriter’s featuring Nickelback’s
third No. 1 on the 2005 hit ”Photograph”
Billboard 200, that is later removed due
with first week to copyright violation.
consumption The buzz around the
of 173,000. clip sparks a 4.7% lift in
consumption of the track
during the week
ending Oct. 3.
Taylor Swift is the only artist to have three titles in the top 10 selling Albums of the 2010s: 1989
(6.2 million), Speak Now (4.7 million) and Red (4.5 million.)
Frozen led the 2010s movie-music revival as the top-selling soundtrack of the decade, and No. 8
best-selling title overall with 4.3 million sold.
Rounding out the top 10 Album Artists of the 2010s are rappers Eminem (No. 3) and Drake (No. 5),
pop star Justin Bieber (No. 4), catalog acts The Beatles (No. 6) and Elvis Presley (No. 10), country
stars Luke Bryan (No. 7) and Lady Antebellum (No. 8) and crooner Michael Bublé (No. 9.)
Just one year after its release, Lil Nas X’s “Old Town Road”
totaled enough streaming activity in 2019 to become the No. 1
Streaming Song of the 2010s, with 2.5 billion streams. “Road”
was followed by Luis Fonsi & Daddy Yankee’s “Despacito”
(2.4 billion streams), Post Malone feat. 21 Savage’s “Rockstar”
(2.1 billion), Drake’s “God’s Plan” (2.0 billion) and Mark
Ronson feat. Bruno Mars’ “Uptown Funk” (1.9 billion.)
Lil Nas X’s “Old Town Road’s” stateside breakthrough fueled billions of streams in other territories,
enough to make it the year’s most globally streamed song on audio platforms by a considerable margin.
One of the year’s most-streamed songs on video platforms? “Baby Shark,” by Pinkfong, whose cover of
the decades-old nursery rhyme made the song a massive viral hit in 2019.
Other top songs this year span a wide variety of genres (Latin, K-Pop, even Bollywood), languages
and release years.
Source: 2019 Nielsen Music/MRC Data Music 360 Reports (UK, Germany, Japan)
GERMANY JAPAN
1. Pop 1. J-Pop Local genres are well
established in Japan
2. Oldies 2. Soundtrack
and Germany. In Japan,
3. Rock 3. Classical 90% listen to local genres,
4. Weihnachtsmusik 4. Kayokyoku with J-Pop being most popular.
(Holiday) Kayokyoku, an earlier, more
5. Western Pop
5. Deutschpop traditional form of Japanese
pop that gained popularity
from the 1950s-1980s,
remains popular among
music fans.
Source: 2019 Nielsen Music/MRC Data Music 360 Reports (UK, Germany, Japan)
U.S.
76%
13%
CANADA
79%
12%
UK
83%
PHYSICAL
11%
music remains more
popular in Germany,
GERMANY with 35% intending to
71% purchase physical music
7% in the next 6 months vs.
JAPAN 28% digital, and Japan,
81% with 47% intending to
7% purchase physical music
vs. 27% digital.
OVER-THE-AIR
AM/FM radio is the go-to format for
listening in a typical week among
Music Listeners in most countries.
Radio is the top-used format in
Germany (58%)
YOUTUBE Canada (51%)
is the top-used streaming service globally, UK (51%)
with Spotify in second for most markets, U.S. (44%)
(among those aware of each service.)
But attention should be paid to Amazon The exception is Japan,
Music, which has edged ahead of Spotify in where music video websites (46%)
Japan for preferred usage and ranks close and CDs (45%) reign supreme.
behind Spotify in the UK and Germany.
Source: 2019 Nielsen Music/MRC Data Music 360 Reports (UK, Germany, Japan)
4 Ed Sheeran 2,115,000
1 Queen 2,717,000
2 Beatles 2,262,000
2 Drake 4,532,000
4 Khalid 2,502,000
2 Ozuna 868,000
3 Maluma 382,000
2 Daddy Yankee & Katy Perry feat. Snow Con Calma 1,509,000
5 Luis Fonsi & Daddy Yankee feat. Justin Bieber Despacito 1,078,000
2 Daddy Yankee & Katy Perry feat. Snow Con Calma 818,586,600 194,000
1 Drake 5,796,643,100
8 XXXTentacion 2,934,469,000
9 Khalid 2,892,549,700
Total Album
Album Song On-Demand
Rank Artist Title Equivalent
Sales Sales Audio Streams
Consumption
2 Billie Eilish When We All Fall Asleep, Where Do We Go? 2,518,000 676,000 1,226,000 2,459,589,000
TOP 10 ALBUMS
(TOTAL SALES)
Source: Nielsen Audio PPM Markets Radio Format Trends; January-November 2017, 2018 and 2019
Total
Total Physical Digital Digital Song On-Demand On-Demand
Genre On-Demand
Volume* Album Sales Album Sales Sales Audio Streams Video Streams
Streams
Read as: 27.2 of Total Album Sales come from R&B/Hip-Hop genre *Total Volume = Albums + TEA + On-Demand Audio/Video SEA
6% 8% 4% 6%
7% 10%
16% 14%
14% 16%
15% 21%
37%
60% 59%
61%
61% 69% 57%
59%
68% 67%
76% 55%
74% 3%
6% 3% 3%
4%
3% 9%
6% 58% 7% 12%
7%
8% 4% 8%
4%
6%
5% 6%
5%
3% 4% 4% 22% 24%
20% 18%
3% 20% 13% 16%
9% 2% 3% 14%
7% 1%
4% 2% 3%
Industry Total
R&B/Hip-Hop
Rock
Pop
Country
Latin
Dance/Electronic
Christian/Gospel
World Music
Holiday/Seasonal
Children
Jazz
Classical
1 Adele 23,924,000
3 Eminem 13,862,000
5 Drake 10,526,000
6 Beatles 10,309,000
2 Eminem 63,501,000
3 Rihanna 62,022,000
5 Drake 59,674,000
6 Maroon 5 50,535,000
10 Adele 41,813,000
Rank
Rank Artist Streaming On-Demand
1 Drake 36,335,298,000
3 Eminem 17,811,631,000
5 Future 13,894,227,000
8 XXXTentacion 13,074,155,000
9 Ed Sheeran 12,876,563,000
10 Rihanna 12,826,340,000
3 Maroon 5 15,581,000
6 Rihanna 13,002,000
7 P!nk 11,891,000
5 Maroon 5 85,280,711,000
8 Rihanna 79,545,135,000
10 Usher 76,655,411,000
2 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 2,438,876,000
1 Adele 21 12,009,000
2 Adele 25 9,517,000
7 Drake Feat. Majid Jordan Hold On, We're Going Home 151,000