Voice Therapy Does Science Support The Art
Voice Therapy Does Science Support The Art
Voice Therapy Does Science Support The Art
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Voice Therapy:
Does Science Support the Art?
Three primary orientations to the treatment of functional voice disorders have emerged in the lit eratura.
Hygienic approaches focus on the elimination of behaviors considerad to be harmful to the vocal mechanism.
Symptomatic approaches target the direct modification of aberrant features of pitch, loudness, and quality.
Finally, physiologic methods approach treatment holistically, as they work to retrain and rebalance the
subsystems of respiration,phonation, and resonance.With the va- riety of approaches now available, selection
of appropriate and effective techniques can be chal- lenging for clinicians.The purposes of tliis review are to:
(1) describe various hygienic, symptomatic, and physiologic approaches to voice treatment, (2) investígate the
evidence base behind the thera- peutic approaches, (3) draw conclusions regarding the relative strength of
hygienic, symptomatic, and physiologic tlierapies, and (4) suggest directions for futura study.
therapy were chosen, not because of scientiñc evidence, but rule out extraneous variables and propose cause-effect
because of clinician preference.As a result, Moore proposed determinations.A review of studies conducted in recent years
that voice therapy remained primarily an art, without sufficient demonstrates the emergence of these rigorous designs
scientiñc foundations. Since Moore’s reflection on the (Bassiouny, 1998; Laukkanen, Syrja, Laitala, & Leino, 2004;
literatura, a number of other authors have echoed his cali for MacKenzie, Millar, Wilson, Sellars, & Deary, 2001; Pedersen,
empirical support of therapeutic methods (Hillman, Gress, Beranova, & Moller, 2004; Rattenbury, Carding, & Finn, 2004;
Hargrave, Walsh, & Bunting, 1990; John- son, Roy et al., 2001, 2002, 2003; Stemple, Lee, D’Amico, &
1985;Pannbacker, 1998; Perkins, 1985;Ramig &Ver- dolini, Pickup, 1994;Verdolini,Titze, & Fennell, 1994;Verdolini-
1998; Reed, 1980). As a result of these calis, the field has seen Marston, Sandage, &Titze, 1994;Verdolini-Marston,Titze, &
a slow, but steady, emergence of die scien- tific evidence that Druck- er, 1990).
Moore desired.
Voice therapy outcomes research has evolved through
three main stages. Early articles on the benefit of voice therapy The Challenges of Outcomes Research
carne in the form of descriptive case seríes reports, expert
opinions, and anecdotal com- ments (Hillman et al., 1990). The slow progression of treatment outcomes research over
Although, capable of pro- viding information on therapy with tlie decades is perhaps understandable con- sidering the
individual subjects, tírese models did not allow for complexities of tliis type of research. Vari- ous factors have
generalization to the larg- er population of voice therapy limited tliis form of research in voice, including the etliical
subjects. During tliis pe- riod.the lack of objective measures considerations of delayed or no- treatment experimental
made more detailed, scientiñc study of the voice challenging designs, the lack of sufficient numbers of subjects for large
(Reed, 1980). group studies, the lack of controlled methods of voice therapy
The 1980s brought great advancements in acoustic and (the artistic natura of voice therapy), and the variability of
visual perceptual measures of the voice and ush- ered in a new patient etiologies in group studies (Pannbacker, 1998; Reed,
phase of voice research, tbe instrumental stage. In 1985, 1980).
Johnson responded to recent instrumental advances of the Despite the limiting factors noted above, a number of
period by stating, “the profession is at the threshold of being studies have emerged tliat demónstrate the influence of voice
able to validate years of clini- cal practice in voice disorders therapy in general in the treatment of voice disorders in adults
with efficient data collec- tion techniques” (p. 129). Johnson (Bloch, Gould & Hirano, 1981; Deal, Mc- Clain, & Suddertli,
was proven correct in liis prediction, as the 1990s brought 1976; Holmberg, Hillman, Hammar- berg, Sodersten, & Doyle,
about a dramatic increase in outcomes studies using data 2001; Lancer, Syder, Jones, & LeBoutillier, 1988;MacKenzie
collected from the instrumental assessment of voice et al., 2001;McCrory, 2000; McFarlane & Watterson, 1990;
(Pannbaker, 1998). However.many of the studies conducted Murry & Woodson, 1992; Pannbacker, 1999; Peacher &
during tliis period contained nrethodologic flaws and a lack of Holinger, 1947; Ramig & Verdolini, 1998);findings regarding
rigor in their design; other studies failed to provide information treatment outcomes in children have been less clear (Kahane &
related to the duration of treatment, frequency of treat- ment, Mayo, 1989; Kay, 1982; Lee & Son, 2005; Sander, 1989;
and subject characteristics. In addition, many studies relied Shearer, 1972; Toohill, 1975) Although these studies provide
upon survey research and retrospectivé anal- yses; few studies critical information regarding the contribution of the therapy
met the rigorous randomized, control criteria required for pura process in recovery, clinicians rely upon information related to
efficacy research (Pannbacker, 1998). The studies of tliis the outcomes offered by specific methods of treatment. Such
period, although capable of producing data on client studies have been less common in the literatura.
improvement with therapy, lacked the proper controls to The purpose of this article is to present a critical review of
demónstrate a cause-ef- fect relationship between the therapy outcomes research related to specific treat-
metlrod and voice change (Bassiouny, 1998). Extraneous
variables were able to exert influence in the studies, limiting
conclu- sions regarding the puré causal effects of the treatment
method.
Voice therapy outcomes research needed to con- front tlie
final stage in its evolution—the adoption of rigorous
experimental designs, including randomized control triáis or
well-controlled witliin-subject designs (Belirman & Orlikoff,
1998; Hegde, 1985). Such designs would allow researchers to
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VOICE THJERAPY 51
ment methods for functional voice disorders. Studies discussing philosopliies of therapy have undergone little change in the past
specific treatment methods within the three primary 25 years. Stemple classified voice therapy approaches as
orientations to voice therapy—hygienic, symptomatic, and belonging to one of four maior categories: hygienic,
physiologic—are reviewed. Each study is examined to symptomatic, psy- cliogenic, and physiologic. Certainly, most
determine the level of evidence it provides in support of the would agree that divisions such as those above are, perhaps,
given method. Conclusions regarding areas of strength and more ac- ademic than practical. However, elassiñeations do
areas for future development are presented. offer a useful veliicle for comparing and evaluating various
At the time of tliis review, more tlian 30 years have passed metliodologies. Thus, tliis evidence review follows the basic
since Moore’s (1971) commentary on the state of tlie voice orientations proposed by Reed and Stemple and will ineludes
therapy literature. Have the years produced the evidence that hygienic, symptomatic, and physiologic approaches to voice
Moore so desired? Has the field re- mained primarily an art therapy.
form, or has it progressed to be- ing an art form undergirded by
science? The following review responds to tliose questions.
Hygienic Voice Therapy
Hygienic methods for voice improvement have been
Defining Functional Voice Disorders described in many elassie voice therapy texts (Andrews, 2002;
Boone, 1971; Case, 1996; Colton & Casper, 1996; Deem &
The definition of voice disorders has broadened over the Miller, 2000; Hicks & Bless, 2000; Stemple, 1993; Stemple et
years. Early works defined voice disorders as any de- viation of al., 2000; West, Kennedy, & Carr, 1947; Van Riper & Irwin,
pitch, loudness, quality, or tempo from age, gender, or cultural, 1958). Foundational to the hygienic orienta- tion of therapy are
expectations (Boone, 1971;Van Riper & Irwin, 1958). More two beliefs: (1) many functional voice disorders are initiated
current definitions, however, have shifted from a focus on the and maintained by behaviors that bring harm to the laryngeal
voice signal to a focus on the individual. One such definition by structures; (2) elimination of harmful and traumatic behaviors
Stemple et al. (2000) states “a voice disorder exists when either will lead to improved vocal performance. Hygienic approaches
the structure or function, or botli, of the laryngeal mechanism to voice therapy, therefore, focus on tlie identification and
no lon- ger meet the voicing requirements established for the subsequent elimination of poor vocal behaviors followed by the
mechanism by the speaker” (p. 2).This more recent definition development of proper vocal behaviors.
broadened the scope of the term “voice disorder” by including Within tliis orientation, vocal hygiene management has
individuáis such as the professional voice user who, by clinical been characterized in a number of ways. Some authors have
standards, falls within the range of normal, yet who reports considered vocal hygiene as one component of a larger and
failure of the voice to meet personal requirements. more comprehensive voice therapy proto-
The term 'functional voice disorder” may be more difficult col(Andrews,2002;Boone, 1971;Colton & Casper, 1996; Deem
to define. Some have used the term functional to refer to voice & Miller, 2000; Hicks & Bless, 2000; Stemple et al.,
disorders that occur in the absence of identifiable laryngeal 2000;West et al., 1947;Van Riper & Irwin, 1958). Others have
pathology (Boone & McFarlane, 1988;Van Riper & Irwin, argued that vocal hygiene may, at times, stand alone as the solé
1958). Otlier schemes have re- served the termfunctional for method of addressing voice problems (Andrews, 2002; Colton
descriptions of voice disorders with a psychological origüi & Casper, 1996). Colton and Casper pointed out that either
(Boone, 1971).Finally, some authors have described as perspective may be appropriate for adoption by clinicians. They
functional those voice disorders related to inappropriate use, or stated, “vocal hygiene may constitute the entire rehabilitation
functioning, of the vocal mechanism (Stemple et al., 2000). In program, or it may be one part of the program” (p. 300). Over
tliis final scheme, the term functional disorder may inelude be- tlie years, vocal hygiene has been a mainstay in vocal
nign mucosal disease wliich evolved secondary to functional rehabilitation programs (Mueller & Larson, 1992).
behaviors. Functional voice disorders as defined m tliis final
scheme focus on the physiologic aspeets of tíie laryngeal Symptomatic Volee Tberapy
system, rather than on the structural causes or consequences of
inappropriate use.Tliis latter definition is the perspective of Symptomatic voice therapy is based upon the con- cept of
choice for tliis article. symptom modiñeation. Voice therapy under this model focuses
Orientations to Voice Therapy on the remediation of aberrant vocal symptoms in the areas of
pitch, loudness, and quality.Al- though symptomatic methods
can be identified in early speech correction texts (Van Riper &
Over the years, a variety of approaches have emerged for
Irwin, 1958; West et al., 1947), tliis particular orientation to
the treatment of functional voice disorders. Occa- sional
voice therapy carne to the forefront after being introduced in
attempts have been made to categorize these approaches
Boone’s 1971 seminal text, The Voice and Voice Therapy.
according to their theoretical foundations. In 1980,Reed
Symptomatic voice therapy was based upon the belief that
reviewed the prevailing philosopliies of voice therapy. At that
modiñeation and correction of vocal, respiratory, and resonance
time, perspectives varied from hygienic and symptomatic
symptoms would lead to improvement in the voice condition.
management to holistic, physiologic management. Stemple’s
Boone’s (1971) symptomatic approach involved the use of
(2005) discussion of voice therapy demonstrates that the basic
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Levels of Evidence
VOICE TIIERAPY 53
ele was published in Englisli. Selected studies were rated according to outeomes is not considerad in the rating of studies.
the five-level classification system of Butler and Darrah (2001). Studies within each of the tliree primary voice therapy
orientations are presented in the following discussion. The authors’
conclusions regarding the overall status of research within each
Scope and Intention of the Review orientation also are presented.