Cinenova Distribution Catalogue

TITLE ARTIST COUNTRY YEAR DURATION DESCRIPTION
Set to two themes from Thelonius Monk, 50/50 is about a

relationship, a reflection on love gone wrong and duel responsibility;
an argument, a seperation, and the nature of love are explored in
5050 Ruth Novaczek UK 1997 05mins images and text.
WHAT DO LESBIANS DO IN BED? With a star-studded soundtrack,
we're shown women doing everything in bed from knitting and
17 Rooms (or what do Lesbians do in Bed) Caroline Sheldon (now known as Caz) UK 1985 10mins drinking tea to having raucous pillow-fights
Documenting one night of many, a girl works her way through a
5.30-8.00 Rosemary Toner UK 1995 07mins fairground machinery and misunderstandings.
Short songs chart erotic tales in an urban topology. Includes
FISHTANK, SHIVER, KISS OF FIRE, 8 MILLION WAYS TO DIE, AND
8 Million Abigail Child USA 1992 25mins FAINT CLUE.
A celebration of lesbian desire and identity in the form of a pop
8mm Lesbian Love Film George Corzine USA 1992 04mins promo. With a tune so catchy you'll be singing it all day!
A rich and evocative experimental film using a collage of
superimposed images, live action, urban landscapes, unsettling
A Cold Draft Lis Rhodes UK 1989 30mins sounds and the spoken poetic words of an unseen woman.
A satire on the stereotyped images of lesbians, each scene is also a
take-off of a different genre of Hollywood film - the source of so
A Comedy in Six Unnatural Acts Jan Oxenberg USA 1975 25mins many of our stereotypes.
A GOAT NAMED TENSION is an audacious, witty and expertly
filmed visual and verbal play around the expression 'I've got your
goat'. At the beginning of the film, two women in 'nanny costumes'
A Goat Named Tension Kate Goodnight USA 1992 06mins representing the two female protagonists, are looking for their 'kids'.
Although rooted in the Victorian values of the time, A House Divided
A House Divided Alice Guy USA 1913 13mins breaks with the dominant tradition.
A lyrical trawl through a fictional day in the life of a performance
A Life in a Day with Helena Goldwater Sarah Turner UK 1996 20mins artist who doubles as a deck chair attendant.
A MATTER OF INTEREST uses clear and imaginative animation to
explore the complex and seemingly distant problem of international
A Matter of Interest Leeds Animation Workshop UK 1990 13mins debt
Forced to leave Ireland after the birth of her two illegitimate children
Eileen O'sulivan sought to re-establish herself in England as a
A Place away Ellie O'Sullivan UK 1989 10mins 'good' woman.
A documentary film highlighting the lives of African-American
women and their role in the civil rights movement, focusing on
A Place of Rage Pratibha Parmar UK 1991 54mins Angela Davis, June Jordan and Alice Walker.
A PRAYER BEFORE BIRTH confronts debilitating illness with
A Prayer Before Birth Jacqui Duckworth UK 1991 20mins creative vitality, simultaneously desperate and defiant.
This video examines the type of paid work that married women -
particularly those with childrenm without adequate sccess to
A Question of Choice Sheffield Film Co-op UK 1982 18mins training, in the low income bracket - find themselves doing.
Home after a formal occasion, Tilly and Ben get ready for bed. Tilly
A Short film about Snoring Darrelyn Gunzberg Australia 1997 08mins anticipates the night ahead but all Ben wants to do is sleep.
An honest exploration of how cultural identity effects the way you
A Short film about Us Ramses Underhill-Smith UK 1996 07mins feel about being a lesbian
Rosler identifies the totalitarian implications of an argument for
torture, under certain circumstances, as it appears as a guest
editorial in Newsweek magazine in 1982. Her critique is presented
as a voiceover and a dizzying assemblage of radio and print
media--articles on subjects ranging from human rights to
unemployment and global economics. Implicating the U.S.
government and American businesses for supporting regimes that
systematically use torture, she indicts the American press for its role
as an agent of disinformation through selective coverage and its use
of language, and for implicitly legitimizing points of view that
A simple case for torture Martha Rosler USA 1983 60mins support torture.
‘The film opens directly and freshly with a screen journey which is
also a kinetic light sculpture holding its rotation steadily before our
eyes. Many associations emerge as we hear the tale in relation to
this image and its shifting background. . . including a bicycle being
ridden by the filmmaker, spools and spokes, a feeling of a metal
insect or iridescent whirring dragonfly picking up the passing
colours. As the speaker rides her story, she stays in balance. There
is a still centre to the radial motion against linear road or landscape.
A feeling of cyclical storytelling comes with the account of her own
life and giving birth to a ‘computer literate and perfectly bilingual’
baby daughter. We are led to respond to her not being guaranteed
to stay in control. She had this footless being pulled out of her by
Caesarian section. Again multiple strands are knotted in this fortune
wheel: gain on the swings, lose on roundabouts, with no ‘perfection’
in relations with other beings on the round of merry, or social, or just
A Tale Part Told Sarah Turner UK 1991 04mins plain recurring intercourse.’- Sandra Lahire
How many famous Black women can you name who aren't either
sports women or entertainers'. Mostly the folks of Liverpool draw a
blank - making the point that too little is known or taught about
A tribute to Black Women A Carney, B Phillips UK 1986 22mins Black women.
Alien abduction saves Natalie from the menace of the school bullies
and takes her off to the planet Helicon, where she is asked to solve
A World of Difference Leeds Animation Workshop UK 1997 12mins the problems of failing Purple students.
This documentary explores the notion of gender through the life and
work of transexual lesbian playwright, Kate Bornstein. Poet Pat
Califia, performance artist Justin Bond, author of '100 Years of
Homosexuality' David Halprin and female-to-make transexual, Jack
Ireland, questions the usefulness of society's rigid gender system
Adventures in the Gender Trade Susan Marenco USA 1993 40mins with humour and intelligence.
Normal behaviour will be resumed after the break..' But what is
After the Break Annette Kennerley UK 1998 13mins normal when you split up with someone?
Nicole and Diana, both in their early twenties, are close friends.
After the Game Donna Grey USA 1979 19mins They have reached a crucial moment in their lives.
Quietly devastating in its demonstration of the emotional
repercussions of rape, this work is now used as a therapeutic tool
by Victim Support, the police, cancer support groups and
Aftermath Nancy Diuguid UK 1994 11mins organisations helping people recovering from torture.
AGAINST THE CURRENT is an experiemental documentary which
takes both an historical and a contemporary look at the lack of
control women have over their own bodies, focusing mainly on
Against the Current Linda Flint, Hildur Gladwin, Jane Harris UK 1985 16mins childbirth and developments in reproductive technologies.
An introductory tape to an eight part series on blindness and its
Aletheia Tran T Kim Trang USA 1992 16mins metaphors.
ALL IN YOUR HEAD raises the profile of epilepsy in an exciting and
imaginative way and aims to challenge stereotypes about this
All in your Head Jo Pearson UK 1991 06mins 'invisible' disability which affects at least 1 in 200 of the population
Quoting the techings of Aristotle, it traces the origins of modern
Western Law to Classical Greece and, by subtle juxtaposition of
images and words, calls for implementation of true equality between
All Men are Created Equal Monique Renault UK 1987 06mins men and women before the law.
Work-related stress can damage your health, in ways we are onlu
just beginning to understand. While this film raises many questions
about the causes and effects of stress, it is also accessible and
All Stressed up Leeds Animation Workshop UK 1985 12mins entertaining
This tape is a confrontation/diaologue between the filmmarker and
her mother, both naked. The gap between intention and expression
is explored as the camera isolates parts of the body, and the
women speak of how the image relates to themselves and their
Almost Out Jayne Parker UK 1984 103mins body image.
Based on a poignant autobiographical essay by Woodson, this
video adaption illustrates the pull between desire for (religious)
Among Good Christian Peoples Catherine Saalfield, Jaqueline Woodson USA 1991 30mins community and personal freedom.
AN EPIC POEM explores the contradictions in man's conception of
love through the myths and representations, which support it, and
argues that man has contructed love in his own image, reflecting his
An Epic Poem Lezli-Ann Barrett UK 1982 30mins profound anxieties about prohibited desires.
This short drama is a humorous exploration of a woman regaining
power as she challenges male supremacy in culture, the porn
An Invitiation to Marilyn C Jacqui Duckworth UK 1983 12mins industry and film.
AND WHAT DOES YOUR MOTHER DO? Is a humorous film which
cleverly uses the technique of speeded-up action, to expose basic
inequalities built into the traditional family structure, which lay the
And What Does Your Mother Do? Cine Mujer Columbia 1981 10mins bulk of responsibility and pressure on women.
ANIMATION FOR LIVE ACTION is an energetic, witty and engaging
film that cuts together animation and live action footage, both
Animation for Live Action Vera Neubauer UK 1978 25mins dramatised and documentary.
Emina, Yetka, Yehudit, Mita and Rachel: Women born at the turn of
the century in Russia or Poland, went to Palestine in the twenties 'to
build the country by building themselves'. Sixty years later they
evoke the adventures, hopes and the struggles of that period when
Anou Banou Edna Politi France/Germany 1983 85mins they beliebe that the world would change.
Two women living the same apartment block are drawn to each
other. Each is unaware of the other's desire, but a shared erotic
Apartments Megan McMurchy Australia 1977 10mins fantasy develops between them.
Employing footage from an obscure 8mm film trailer for Battle for
the Planet of the Apes to highlight the unstable relationship between
the real, historical past and the distant, imaginary future, this project
revolves around a central question: Is alien-ness indeed the
metaphor for the 20th Century as power relationships have been
embodied within our subconscious? Is there a relationship between
these forgotten formats and the discontinued political ideologies
that they depict?
Transferred from Super-8 and then processed using a combination

of high-end digital and vintage analog processing techniques,
Apeshit emphasizes the contradictory references found in both the
original text and its adaptation. Serving up Battle for the Planet of
the Apes as proof, Apeshit puts forth tolerance as an outmoded
Apeshit Leah Gilliam USA 1999 07mins technology.
A woman sits in an armchair and watches television. Behind the
Armchair Terrorist Marion Reichert UK 1994 07mins sceen lies the sociopathy of her daily life.
Sandra Lahire's film uses a combination of live action and rostrum
work to comminicate the experience of anorexia and to analyse the
Arrows Sandra Lahire UK 1984 15mins cultural causes of the condition.
At Land has a dream-like narrative in which a woman, played by
Deren, is washed up on a beach and goes on a strange journey
encountering other people and other versions of herself. Deren once
said that the film is about the struggle to maintain ones personal
identity. The composer John Cage and the poet and film critic
Parker Tyler were involved in making the film, and appear in the film,
At Land Maya Deren USA 1944 15mins which was shot at Amagansett, Long Island.
A candid conversation between the Late Start collective and Audre
Lorde. Late Start Collective were Viv Bietz, Shaheen Haq, Pratibha
Audre lorde in conversation with… Late Start Film & Video Collective 1985 27mins Parmar, Ingrid Pollard
A shocking and disturbing film about homophobia in the United
Avenge Tampa Dyke TV USA 1993 10mins States.
AWAY FROM THE SIDEWALK is about women learning to be
assertive and active participants in politics, and looks at Nigerian
women's increasingly active role in political issues affecting their
Away from the Sidewalk Gold Oruh Nigeria 1985 30mins countrys future.
AZAADI is the story of Parvati, a woman who lives in a basement
Azaadi Devika Ponnambalam UK 1991 15mins flat with her husband, a frustrated writer.
A humorous fast-paced parody of women dancing, cruising and
B.U.C.K.L.E Catherine Saalfield, Julie Tolentino USA 1994 11mins picking up women at New York City's legendary Clit Club.
An experiement in entering imaginatively the delirium of Lower East
Side, poignant and beautiful vision of late twentieth century urban
B/Side Abigail Child USA 1996 36mins life.
The tape is a personal re-creation of the role of women talking,
Bachue Patricia Diaz UK 1986 11mins singing, acting, myths.
Inspired by the film maker's poem of the same name, BACK
INSIDER HERSELF urges African-American women to reject images
placed on her…' from people who don't hear her need and don't
Back Inside Herself S. Pearl Sharp USA 1984 05mins need her here'.. And discover her own identity.
BACK TO JOSIE is set during a hot summer's day on a disused
Back to Josie Alix Mumford UK 1997 10mins railway viaduct stretching over the heart of London.
The piece continues the artist's concern with what she calls 'the
domestic scene' which she used to address issues of sexuality and
Backcomb Sarah Pucill UK 1995 05mins the construction of the feminine identity.
Set to smooth, jazzy, smoky, bar-room music, two youngwomen
Bathroom Gender Carol Ashley, Kathy Clark USA 1990 08mins safely lock themselves in a make-believe bathroom.
BED-TIME STORY questions how attitudes are often placed in our
Bed-Time story Tina Keane UK 1982 20mins subconscious minds at an early age through 'childrens stories'
Seventeen year old girls Jill and Oona explore their sexuality in
between bouts of boxing and playfighting. Yet when Oona invites
Jill back to her house, the sparring spills over into something much
Below the Belt Dominique Cardona and Laurie Colbert Canada 1999 13mins more intense.
A 4 minute television intervention piece commissioned by Channel
Bhangra Jig Pratibha Parmar UK 1990 04mins 4, celebrating Glasgow as the European cultural capital for 1990
In 1993, Bikini Kill toured the UK with grrrl associates Huggy Bear.
Lucy Thane made a documentary about the trip, also featuring
Bikini Kill in the UK Lucy Thane UK 1993 30mins appearances from the Raincoats, Sister George, and Skinned Teen.
The film examines the meaning and the implicaition of deforming
the bodies of women to match them to the symbols of man's
Binding Love Karen Ingham UK 1985 29mins imagination.
Simone and Kaya are lovers trying desperately escape New York
Bird in the Hand Catherine Saalfield, Melanie Nelson USA 1992 30mins City and the reality of their friends Ayo's abusive relationship.
BIRTHRITES is a film about 'natural' childbirth. It presents one
woman's experience of giving birth as filmed by another woman,
BIRTHRITES Robina Rose UK 1977 53mins without any insistence on simple answers.
The area concerning female nudity is a difficult one. The subject of
female sexuality is one too often avoided. The problem with
Bitter Root-Sweet Fruit Nicola Percy UK 1992 10mins avoidance is that nothing happens at all.
A Dominatrix comes home from work to relieve her slave frustration
in a piercingly tender love scene. An erotic adventure from start to
Bitter Sweet Alice B Brave USA 1993 16mins finish.
A documentary exploring, through interviews with women workers,
the effects of work on women’s health, including the issues of poor
Audrey Droisen & The Woman and Work Hazards working conditions and wages, stress, chemicals, noise, lifting,
Bitter Wages Group UK 1984 51mins sexual harassment, migrant workers, and homeworkers.
Claudia von Alemann's feature-length film, BLINDSPOT, is about an
historian who is researching the life of Flora Tristan, a 19th century
socialist and feminist rarely mentioned in conventional history
Blind Spot Claudia Von Alemann Germany 1980 111mins books.
A lone woman(the artist herself) is followed on three dreamlike
journeys where she discovers her sexuality and samples the
Bloodsports for Girls Roz Mortimer UK 1995 12mins forbidden fruit of Dr. Freud.
This experimental narrative tells the melancholy story of a young
Blue Diary Jenni Olson USA 1997 06mins dyke pining over a one-night stand with a straight girl.
New York; ten years after the most peaceful revolution that the
world has ever seen. The governing Socialist party is emphasising
Born in Flames Lizzie Borden USA 1983 90mins the need for unity on the slow road to reform.
A slice of San Francisco life in the summer of '93. Matt and Jo sit
together in their back yard and talk about their daddy/boy
Boys in the Backyard Annette Kennerley UK 1997 22mins relationship, transgender, life/love, tattoos and tomato plants.
In this documentary, four women recount their lives in Australia
Bread and Dripping Wimmins Film Collective Australia 1982 20mins during the bleak years of the economic depression of the 1930s.
Carried out over a period of four years, her research reveals not only
the sheer number of children who are victims of incest and other
forms of sexual abuse, but a justice system that fails to
Breaking Silence Theresa Tollini - Future educational films USA 1985 58mins followthrough with prosecution when incidents occur.
Combining a lively mix of animation and interviews BREAKING THE
MOULD examines why women, in particular, suffer from eating
Breaking the Mould A Douglas, K Hagget, S Green, A Mannion, D Taylor UK 1986 13mins disorders.
In a society, which labels lesbians as masculine, man-hating and
less than female, how are lesbians who choose to have children
Breaking the Silence Melanie Chait UK 1985 62mins treated?
Addresses the realistic difficulties facing mothers who decide to
breast-feed their newly born children, and contains interviews and
anecdotes from midwives, doctors, sociologists, mothers, fathers
and children. Raises questions regarding hospital practice, pre- and
post-natal care, and the social support required by the parents so
BreastFeeding M Armstrong/ M Maiguashca UK 2000 30mins that the proven benefits of breast-feeding can be acted upon.
BRED AND BORN features four generations of women in an East
London family who talk about their own experiences and close
family ties, and a womens group who discuss their roles as mothers
Bred and Born Joanna Davis, Mary Pat Leece UK 1983 75mins and daughters.
Marlene is a police woman, Peter is an army officer and Bharti is a
social worker. What they have in common as black people is that
they were transracially placed (adopted/fostered) with White/Asian
Brylcreams Better than Nothing Karol Kamya UK 1997 20mins familes at childhood.
Hilarious send-up of psychoanalytical propaganda films, illustrating
every absurd cliché about the 'lesbian nature' and raising issues of
Burden of Dykes Anne Chamberlain USA 1995 11mins self-representation and media production.
An interview with artist Rose Finn-Kelcey on her exhibition at Matts
Bureau de Change Anne Chamberlain UK 1988 11mins Gallery, London, 1988.
The notion of Babylon arose from contemplation of the Tanakh
opening it at random the filmmaker found references to wrathful
Cactus Babylon Ruth Novaczek UK 1996 21mins vengeance, human folly and the idea of evil as a human choice.
CANT YOU TAKE A JOKE is a comedy about a stole sense of
Can't you take a Joke Viki Dunn Australia 1989 26mins humour and the search for a romantic love.
Through a series of interviews with a cross-section of women, this
documentary examines the working conditions faced by outworkers
and looks at the positive actions which have been taken by the
Captive Labour Karen Ingham UK 1988 35mins workers themselves and by campaign groups.
CARMEN CARRASCAL presents a vivid and moving picture of life
Carmen Carrascal Cine Mujer Columbia 1982 30mins high in the mountains of Colombia.
CAST creates a claustrophobic and haunting space where people
Cast Sarah Pucill UK 1999 18mins and things invae worlds in which they do not normally belong.
an impressionistic drama about Louise, a young black girl growing
up in Britiain. Going to a predominantly white school and with a
busy mother who is unable to give her the attention she wants,
Louise turns to her Jamaican grandmother, via letters, to gain an
Castles of Sand Wendy Williamson UK 1987 20mins understanding of her own history.
CASUAL SHOPPER is set in a suburban shopping mall. To the
sound of muzak we watch a woman stroll from one store to another,
fondling merchandise and pausing only to react to the inquiries of
Casual Shopper Judith Barry USA 1981 28mins hopeful salespeople.
Catherine et la Sirene Martine Thoquenne 1984 06mins confirm with Martine
Catholic Guilt Martine Thoquenne UK 1986 05mins confirm with Martine
The film's central theme of desire/passion is deeply embedded in a
culture which is given its own voice through the beat of the clay pot
Chaahath(desire) Lily Gupta UK 1996 04mins used in north India.
This film creates a visual dialogue between the seen, recognised
Chameleon Tanya Mahboob Syed UK 1990 04mins and unrecognised.'
CHANGING TIME uses a process of recounting to deal with the
film-makers's own experience of sexual assault when she was a
Changing Time Lindy Summers UK 1977 20mins child of eight years old.
Charlottenburg Gill Addison UK 1999 6mins A wishful memory of days gone swimming.
Esther Kahn…, my alter ego, play's Blanche Dubois, Stanley
Kowalski, and many others as she battles with herself with the
Cheap Philosophy Ruth Novaczek UK 1993 18mins madness of a jealous lover.
When filmmaker Mai Masri returned to her hometown of Nablus
after a fourteen year absence, she discovered a new generation of
Palestinian fighters: the children of the Intifada. Children of Fire
captures their courageous story on film and paints a daring portrait
Children of Fire Mai Masri 1990 50mins of the Palestinian uprising.
CHOOSING CHILDREN is an endearing, often funny, film about
Choosing Children D Chasnoff, K Klausner USA 1984 45mins lesbians and their children
A Video which uses slides to isolate and emphasise the actions two
Clapping Songs Tina Keane UK 1981 09mins girls made while singing traditional clapping songs.
Affectionate and witty, CLOTHESLINE is on the one hand a
documentary on laundry and a social portrait of an America literally
strewn with clotheslines, and on the other an exploration of the wide
range of responses that can exist within apparently shared
Clothesline Roberta Cantow USA 1982 33mins experiences - in this case, doing the washing.
COALMINING WOMEN is a documentary about women who have
forced their way into 'men's work' in order to gain access to decent
Coalmining Women Elizabeth Barret USA 1982 40mins wage.
This piece uses animated photographs to produce powerful flashing
imagery of a womans face moving closer and closer, staring at the
Come Closer Darling Kate Windibank UK 1993 03mins viewer with deep burning passion.
A mixed media piece which uses an empty frame and mainstream
images of 'women loving women' to expose the invisibility and
Condomnation Anne Chamberlain USA 1994 08mins myths surrounding lesbians and society.
A personal exploration of the isolation experienced by women with
Consumed Chloe Doure Rousell France 1991 09mins eating disorders
A Women tried to alter her body shape by struggling into a corset.
The experiment serves to reveal the pressure on women to conform
Corset Ali Farrelly UK 1994 05mins to an unattainable ideal.
This film explores the extensive network of political leaders, drug
smugglers and weapons dealers and examines the effect of covert
Cover Up Barbara Trent USA 1988 60mins US foreign policy on communities throughout the world.
This thought-provoking animated film points out the connections
between surplus and famine questions many assumptions about aid
and trade, and shows a game of chance being played across
continuents and through the centuries, as the crops contend with
Crops and Robbers Leeds Animation Workshop UK 1986 15mins the robbers.
An experimental documentary that speaks to issues surrounding
Cultural skitzo-Phrenia Jamika Ajalon UK/USA 1995 10mins what is 'black enough'.
Homai Vyarawalia was a pioneer in the field of documentary
photography. She began taking photographs in the 1930s her work
spans more than three decades in the birth of the 'young India' and
she is responsible for some of the key images through which this
Daalda 13 Monica Baker UK 1996 23mins perioed is framed.
This documentary is about the social injectice and exploitation of
prostitutes living in the Karmathapuri area of Bombay, where over
200,000 women and girls ,(mainly from Nepal - a relatively poor
country in comparison with urban India), live and work under the
Daasi (slaves) Jabeen Siddique UK 1985 45mins most demoralising conditions.
Lulu and Lala are twin sisters, but live apart from one another. When
Lala is watching a video of beautiful boys in a midnight screening,
Dandelion (Rosaceae) Utako Koguchi Japan 1990 08mins by chance she finds her father appears in it.
DANIELLA & NICOLE is a subtle and warm drama about the
Daniella & Nicole El Glinoer UK 1984 26mins relationship between two very different women.
Seen through the eyes of the film-maker, herself a child of
concentration camp servivors, the film looks at how the children of
survivors have been affected by their parents ordeal as well as how
their German contemporaries deal with the confusion and guilt
Dark Lullabies IL Angelico Canada 1985 81mins about their parents crimes.
Daughter Rite Michelle Citron USA 1978 53mins In this remarkable and ground-breaking
A Powerfully challenging, experimental video that explores and
communicates the filmmaker's feelings towards losing a friend who
Dear Rebecca Katie Barlow UK 1992 15mins suffered from Bulimia Nervosa
A kinetic meditation on female expressions of power and desire. A
Delilah Tanya Syed UK 1996 12mins chiaroscuro of tension and release.
An androgynous woman's surreal journey through the
carnivalesque, that embodies spectatorship, erotica, sexuality,
Deviant Beauty Tina Keane UK 1996 12mins death and decay.
This moving and informative film features seven women--including
the filmmaker -- describing their experiences with manic
depression, multiple personalities, schizophrenia, euphoria and
Dialogues with Mad Women Allie Light UK 1993 90mins recovery.
DIANA was produced initially for the Portsmouth Rape Crisis Line
for training purposes and to raise questions in the mind of
'professional' people who come into contact with women who have
Diana Jan Dennis UK 1985 40mins been raped or sexually assaulted.
Subverting themes from traditional stories, this entertaining and
through provoking cartoon helps to show why women are under-
Did I say Hairdressing? I Meant Astrophysics Leeds Animation Workshop UK 1998 14mins presented in science, engineering and technology.
Images of non-perfect bodies are intercut with shots of food and
eating while voices discuss the personal and political issues of
Dinner Party Ali Farrelly UK 1994 12mins women and body-images.
Every year an average of sixty service personnel are administratively
discharged from the British forces on grounds of being lesbian or
Disgraceful Conduct Eva Weber UK 1995 17mins gay.
Dissolution Athina Tsoulis NZ 1993 07mins
This situation comedy revolves around Emma who has just left her
husband and moved with her daughter Jenny to live with her lover,
Domestic Bliss Joy Chamberlain UK 1984 52mins middle class Diana.
A documentary drama oresented by writer Firdas Kanga exploring
Double the Troube, Twice the Fun Pratibha Parmar UK 1992 24mins issues around sexuality and disability.
Douglas and the flour Baby is a modern day fairy tale set in the
Douglas and the Flour Baby Aimee Jackson UK 1997 11mins unchanged, north-eastern coastal town of Saltburn-by-the-Sea
The Takarazuka Revue is an enormously successful spectacular
where an all women cast create fantasies of erotic love and
Dream Girls Kim Loginotto, Jano Williams Japan/UK 1995 50mins sensitive men.
DREAMING BLIND is a thought provolking and terrifying exploration
Dreaming Blind Anna Turville UK 1997 10mins of the dreams of three blind people.
DRIVE SHE SAID is an abstracted meditation on the nature of hope,
Drive she Said Ruth Novaczek UK 1998 05mins love and the unknown.
DUEL PASSPORT is an exploration of compulsion and the ritual in
Dual Passport Fanny Jacobsen Australia 1998 08mins the form of a journey through real space/time and memory.
Eva Weber's humorous and passionate parody unfolds over nine
mini-episodes. The story introduces the 'DYKE BLEND' couple,
Dyke Blend Eva Weber UK 1996 10mins Donna and Louise and follows their evolving romance.
A celebration of lesbian sensuality and sexuality. An evocative
montage of 110 images of touch -women touching, hair brushing,
water stroking, bathing, eathing and loving - an erotic lesbian
Dyketactics Barbara Hammer USA 1974 04mins commercial.
EAT THE KIMONO is a brilliant documentary about Hanavagi
Genshu, a Japanese feminist and avant-garde dancer and
performer, who has spent her life defying her consersvative
Eat The Kimono Kim Longinotto Japan/UK 1989 60mins culture's contemot for independence and unconventionality.
This short, named after Sylvia Plath's last poem, is about the
woman who is a daughter; icy, perfected and petrified for the
Edge Sandra Lahire UK 1986 07mins patriarchy.
Eerie Sandra Lahire UK 1992 01mins EERIE is a vertiginous lesbian kiss in a mountain cablecar.
In this whimsical comedy - drama, Eileen (Tami Hinz) buries roadkill
and spies on various residents of a small Minnesota town, jotting
down her observations and occasionally employing a camera and a
tape recorder, perhaps hoping to somehow dive into the stream of
Eileen is a Spy Sayer Frey UK 1998 74mins human affairs,
EKLEIPSIS delves into two histories; the history of hysteria and the
Ekleipsis Tran T Kim Trang USA 1998 22mins Cambodian civil war.
ELLA is a black version of the fairy-tale story 'Cinderella', cleverly
adapted and performed originally as a play, by Catalyst - a group of
young black people based in Liverpool, who started their own
drama/dance group and are involved in all aspects of production:
choreography, scripting, directing, producing, song-writing, search
Ella Witch, Catalyst Production UK 1986 20mins for venues, costumes... the list is endless.
A video featuring Black and Third World women artists and poets.
Includes Audre Lourde, Sutapa Biswas, Mona Hatoum and Mei Ling
Emergence Pratibha Parmar UK 1986 20mins Jin
ENCUENTRO is a documentation of the Third Latin American and
Caribbean Feminist meeting which took place in Brazil in 1985,
bringing together 900 women from Latin America and many other
Enceuntro Women In Sync UK 1985 35mins countries.
Ewa is a movingn account of a Jewish woman's survival under Nazi
Ewa - My Gradmothers Story Harriet Wistrich UK 1988 53mins occupation.
EXILES is a portrait of age and ageing, memories recollected at the
end of longer lives. Memories and routines are woven together in a
Exiles Jill Daniels UK 1991 42mins moving and compelling portrait of past and present.
Jo Spence takes us through photographs from her 'family album',
blowing the dust off and looking a bit harder at the things society
ignores so that we may confront ourselves and accept what we
Face Value Jo Spence UK 1981 19mins usually cover up.'
"We like to think that our films try to pay tribute to key moments and
movements in cinema’s history, as well as our own lives. They are,
we hope, experimental, comical and maybe political”. Bev Zalcock
Fast Friends Pitbull Productions UK 2000 03mins and Sara Chambers a.k.a Pitbull Productions.
FASTER PRINCESS uses a mixture of live action, cut-outs and pop-
up animation to tell the story a young woman preparing herself for
Faster Princess Martine Thoquenne UK 1982 10mins the ball… a ball with a difference.
Fierce Detail Helen Goldwater UK 1995 03mins FIERCE DETAIL seeks the erotic in our everyday lives.
FIGHTING FOR PEACE, a production of the Women's Film Unit at
Film Australia, is a rousing documentary about the Australian
women's Peace Movement - past and present - told by those who
Fighting for Peace Irina Dunn Australia 1984 30mins helped shape it.
A love story set in the Middle Ages in which spiritual love is pitted
Fine Amour Katherine Fry New Zealand 1994 13mins against courtly love.
This lesbian re-working of Kenneth Anger's homoerotic classic, is a
heady mis of influences from the avant garde to girl gang movies -
Fireworks Revisted Bev Zalcock UK 1994 09mins Eisenstein to Prisoner Cell Block H.
FIRST BASE is a light-hearted drama focusing on the moment at
First Base Megan Siler USA 1991 13mins which girls are still allowed to love other girls.
FIRST COMMUNION pieces together a montage if images and
First Communion Martine Thoquenne UK 1986 13mins memories.
Fistful Laurel Swenson Canada 1996 06mins
This feature-length lesbian film, a dystopian vision of the 28th
Century brings together a freewheeling pyromaniac, a haunted
necromaniac, a vengeful cartoonist, a rough lesbian in wacky
Flaming Ears Hans Scheirl, Dietmar Schipek, Ursula Pumer Austria 1992 83mins German avant-garde future wear for adventure, murder, and lust.
Flesh and Paper Pratibha Parmar UK 1990 24mins A portrait of Indian writer and poet, Suniti Namjoshi.
Floating Mass Sophie Outram UK 1999 05mins Moving weightless in the water.
FOCII brings together performance, art and film. A woman dances
and mimes, her stark white image moving across a red floor,
Foccii Jeanette Iljon UK 1975 06mins reflected in a fractured wall of mirrors.
In FOR GOOD Angie, Helen and Geoff, who suffer from cerebral
palsy, talk about their experiences of living in that able-bodied
For Good Christine Booth UK 1979 45mins world.
FOR LOVE OR MONEY is an exhilarating, superbly crafted feature
Margot Nash, Jeni Thornley, Megan McMurchy, length film. It tells the story of women's working lives throughout
For Love or Money Margot Oliver Australia 1983 109mins Australia's history.
The point of departure in a relationship is a time when emotions,
Forever Emma Black UK 1989 10mins feelings and memories become hightened.
The filmmaker combines her personal story (bracketing the film with
a tongue-in-cheek fashion show by the film maker herself) with the
Framing Lesbian Fashion Karen Everett USA 1992 59mins fashion journeys of six other lesbians.
This detailed and moving documentary examines arguments from
Fully Ordained Meat Pie Gillian Coote UK 1988 53mins various viewpoints on the ordination of women into the priesthood.
This documentary is about the life and work of Ella Baker, veteran
American Civil Rights campaigner, a militant political activist who
became best known for her championing of non-violent methods of
Fundi - The Ellla Baker Story Joanne Grant USA 1982 45mins civil disobedience.
In Susan Stein's early film, G, her interest is language and work and
G Susan Stein UK 1979 5mins how the two are connected.
Gay Youth Pam Walton USA 1992 40mins Since 1992, Gay Youth and its 16-page study guide have been among the most wide
This text of Gently Down The Stream is a succession of fourteen
Gently Down the Stream Su Friedrich USA 1981 14mins dreams taken from eight years of my journals.' (Su Friedrich)
GIFT OF A GIRL concentrates on the movement to stop female
Gift of a Girl Jo Smith, Mayyasa Al-Malazi UK/India 1997 24mins infanticide rather than the tragedies of its victims.
Using some of the devices of the genre of melodrama - the
Girl Carol Morley UK 1993 06mins staircase, the father - as some kind of destiny.
A short animation depicting an ironic take on the Garden of Eden
Girls in the Garden Louise Lockwood Scotland 1997 03mins staring 'eve & eve'.
A Girl’s Own Story offers a lyrical exploration of three young girls on
the brink of womanhood in a ‘60s Australia in a state of cultural flux.
Ideas explored here – including the inherent violence of sexuality;
dysfunctional relationships and the interplay between amorous
desire and more conservative social norms – are recurrent themes
Girls Own Story Jane Campion Australia 1983 25mins found in much of Campion’s oeuvre.
Using a combination of live action and animation this fast-moving,
witty film charts the constant harassment which women face every
day, and clearly depicts the continuum, which ranges from street
Give us a Smile Leeds Animation Workshop UK 1983 13mins humour to stereotyped media images to actual physical violence.
Based on a Christina Rossetti's romantic poem of the same name,
GOBLIN MARKET tells the story of two sisters tempted by goblins
Goblin Market Jo Smith UK 1993 10mins to eat enchanted fruit.
“We want our films to be enjoyed and we want to convey the
enjoyment we experience in making them. To misquote Marilyn
Tweedie “We require filmic pleasure!” - Bev Zalcock and Sara
Golden Green Pitbull Productions USA 2000 03mins Chambers a.k.a Pitbull Productions.
A saccharine tune from the 50's Mickey Mouse Club is transformed
Great Dykes of Holland Jennifer Maytorena Taylor USA 1993 07mins into a wild samba celebration of contemporary lesbian expression.
in 1929 Nell Logan took part in a youth peace conference in
Moscow. More than 50 years later she was among the women
Greenham Granny Caroline Goldie UK 1986 42mins fighting against Cruise missiles at Greenham Common.
Groove frantically plunges into the dark history of two women
Groove on a Stanley Knife Tinge Krishnan UK 1997 42mins fleeing violent crack dealers in the north of England.
GUERRILLAS IN OUR MIDST presents a savvy exploration of the
machinations of the commercial art-world during its boom in the
Guerrillas in Our Midst Amy Harrison USA 1992 35mins 1980's, and brings the Guerrilla Girls to the screen.
The issues surrounding violence against women, in a particular
wife-battering and the social structures within which women
continue to be victims, are effectively put across using an innovative
Hands Off(Blijf Van M'n Lijf) Monique Renault Netherlands 1984 18mins style of drawn animation.
Thirteen 1 minute films which grew out of a series of short poems
written by Lis Rhodes, reflecting on the traditional patterns of
oppression in women's lives (pornography, violence, nuclear
Hang on a Minute Lis Rhodes, Joanna Davis UK 1983 13mins weapons) and the many forms that resistance takes.
HELL TO PAY exposes the devastating effects of the foreign debt in
Bolivia, through the impassioned testimony of women from the
countryside, the mining communities, and the capital, La Paz'
Hell to Pay Alexandra Anderson, Anne Cottridger UK 1988 52mins (Margarita Laime)
HEY MACK takes the insistent image of passing trucks, filmed from
a pedestrian viewpoint, and sets them against the feminist
perspective of music by Disband, a New york-based group of
Hey Mack Tina Keane UK 1982 15mins women.
Internationally acclaimed, collaborative documentary with/about
Hidden Faces Kim Longinotto UK 1996 52mins Egyptian women.
Filmed in black and white, this evocative short is a poignant
Hidden Wisdom Patricia Diaz UK 1988 11mins relection on the passing of wisdom.
The creativity and the rich cultural and artistic lives of women
Hidden Worlds Sara Bowman UK 1991 30mins embroiderers inspire HIDDEN WORLDS.
Four women fall into conversation in a launderette. As the machines
whirl and the powder flows, they talk about their housing
Home and Dry Leeds Animation Workshop UK 1987 08mins experiences, hopes and expectations.
A warm film, which uses humour to make the experience of growing
Home Movie Jan Oxenburg USA 1975 10mins up gay accessible to everyone.
Under the NHS every woman has the right to have her baby at
home. She is entitled to the services of a qualified NHS midwife for
Home Truths Yvonne Baginsky UK 1983 50mins antenatal care in her own home and attendance at the birth.
A tale of ordinary obession about a dishevelled dyke who discovers
Home You Go Colette Cullen UK 1993 11mins the key to an older woman's art deco flat.
HOME-MADE MELODRAMA follows the struggles of three women
whose search for harmony takes them through pressures and
Home-Made Melodrama Jacqui Duckworth UK 1982 55mins contradictions, jealousies and insecurities.
Using archive stills, HOME FOR THE PEOPLE looks back to the
slums of 1848 and asks what improvements have been made since
Homes for the People Kay Mander UK 1945 30mins then.
A place where travellers and/or lovers rendezvous or rest; a visit
Hotel Chelsea-Koln Tanya Ury Germany 1995 28mins possibly forgotten in its transience or remembered by its intensity.
This a video about wanting to be alone and being lonely - a
meditation on the cult of individuality and independence in our
How to be a Recluse Laurel Swenson Canada 1998 06mins anxious urban world.
Hysteria Martine Thoquenne UK
The comedy industry has always put women and Black people in
the firing line - which makes I BE DONE BEEN WAS IS all the more
I Be Done I was is Debra Robinson USA 1983 58mins important.
In I DISH a woman searches for and finds, then carefully digs out, a
I Dish Jayne Parker UK 1982 16mins fish from a vast wet beach.
The stories told in this video are personal memories but they are
also about the nature of memory - how it's kept and how it can be
challenged by the conflicting memories of others - and the
significance of these stories you tell yourself to your sense of past
I feel Hopeful About the Future Ronna Bloom UK 1986 11mins and present identity.
The film was made because of my own experience of anorexia, in
relation to developing as an individual/woman in this society… also
because I feel that subsituting an obsession with the body and with
food for a deeper, less tangible problem is a very widespread
I Substitute Harriet McKern UK 1985 13mins activity.' (Harriet McKern)
I'LL BE THERE FOR ALL TIME is an informative and entertaining
film which challenges the popular notion that women's place is in
the home. Its basic premise is that a knowledge of women's history
I'll Be Here For All Time Boadicea Films UK 1985 25mins is essential: without it, women are always beginning again.
I'M BRITISH BUT… uses Bhangra music, Bangla music and the
testimonies of sons and daughters of Asian Britons to discover a
I'm British But Gurinda Chadha UK 1989 30mins defiant popular culture - a synthesis, part Asian, part British.
Rachel is a Jewish woman, in her early forties, living alone in a small
council flat in a tower block in the city. She never leaves the flat and
I'm in Heaven Jill Daniels UK 1989 28mins has retreated into a life of repetitive domestic ritual.
Witty and provocative I'M NOT A FEMINIST, BUT… shakes the
foundations upon which fundamental inequalities have been built by
I'm Not a Feminist, But? Marjut Rimminen UK 1986 07mins skilfully confronting sexism at its own game.
In the 1970's the actor Sir Alex Guinness wrote a letter of complaint
to the The Times newspaper about the lack of attention shop
I'm Not Here Mandrika Rupa UK 1994 14mins assisants gave to customers.
This powerful documentary focuses on HIV-positive women and
women with AIDS in New York State, making the transition form
I'm You You're Me Catherine Saalfield, Debra Levine USA 1993 26mins prison to independent living.
Hot wheels, hot girls, hot cars, hot crashes. Gear up for a racy high
Impact Zone Kadet Kuhne, Sophie Constantinou USA 1996 10mins octane overdrive of auto erotica…'
IMPRESSIONS OF EXILE focuses on the personal struggle of three
Chilean women, living in Britian, learning a new language, and
Impressions of Exile A Florin, J Harris, C Wilkinson UK 1985 31mins dealing with the racism and isolation they experience.
Inspired by the 'impulse' deodorant television advert, new meaning
is created and underlying significance laid bare in this effectively
Impulse Ramona Metcalfe UK 1987 01min subversive version.
IN LANDS WHERE SERPENTS SLEEP presents on one level a re-
working of the myth of Narcissus. On other levels it offers a series of
ideas about time, language, memory and how man came to see
In Lands Where Serpents Speak Janni Perton UK 1986 13mins himself as the centre of the universe (and how women did not).
A grainy black and white experimental film that uses performance to
address the issue of a third sexuality that stands outside traditional
In Loving Memory Leone Knight Australia 1992 05mins gender representations.
IN NOMINE DOMINI is an animation in ten parts, each of which
illustrates the Church's historical endorsements of the repression of
In Nomine Domini (In the Name of the Lord) Martine Lumbroso Netherlands 1982 04mins women.
IN OUR HANDS, GREENHAM uses a video installation to convey
In Our Hands, Greenham Tina Keane UK 1984 40mins women's struggle against nuclear weapons.
IN THE BEGINNING… OF THE END, is a film version of a multi-
media audio-visual experience, which originally combined slides,
In the Beginning… Of the End Renate Stendhal, Maj Skadegaard France 1985 60mins Super-8, sound effects and music.
Valentine Films presents a zany thriller, produced in Glorious
Technicolor plasticine' In the hospital operating room a
Inside Job Maya Brandt UK 1984 06mins gynaecological examination is about to begin.
This video explores the history of the day and shows highlights from
activities organised by women around March 8th, focusing
International Womens Day Vera Productions UK 1988 13mins especially on events in Leeds.
Based on a poem 'Excuses for Not Moving', INTRUSIONS
throughtfully explores the contradictions within the traditional role of
Intrusions Caroline Sheldon UK 1976 32mins the housewife.
Valie Export demonstrates the meanings and interventions of the
media in our lives, while the sci-fi narrative becomes a surrel vehicle
Invisible Adversaries Valie Export Austria 1977 109mins for her discussion of sexual and national politics.
Throughout the memories of a woman at her ironing board, the film
lays before us the history of a mother-daughter relationship and its
Ironing Lynne Conroy USA 1979 15mins ever-changing moods.
Hollywood's image subtext is the beginning for this broken narrative
anti-dramatic film. Two women, a niece and her aunt, contemplate
the familial cycles of relationships, death, secrets and confidences.
Through their correspondence they question the power of images,
trace authority's abuse through various spheres, and engage in a
dialogue with history. History itself is embedded in us, in our flesh.
Its evidence in our lives is manifest through us and through the
familial and political relationships and structures we carry forward.
Is Dad Dead Yet? b. h. Yael Canada 1991 32mins The two women offer each other a place of rest.
After attempts at exchanging cooking recipes, an intense domestic
altercation and an episode with a heavy breather, Isolde and
Seahell, two young women of opposite personalities, the one blithe
and fun-loving, the other morbid and depressive, roam the streets
Je N'aime Pas Les Crepes Suzette Stephane Jaggers France/UK 1994 20mins and cafes of Paris in search of true love.
JIGSAW is a film that examines autism, a state in which the mind
locks into fantasy so that communication with the outside world
Jigsaw Robina Rose UK 1980 67mins becomes increasingly remote.
A Celebration of hollywood actress Jodie Foster as an icon for
Jodie an Icon Pratibha Parmar UK 1996 28mins lesbians.
JOURNEY OF NO RETURN is a series of tableaux, put together as a
Journey of No Return Mitra Tabrizian UK 1994 23mins fake autobiography of a woman.
A woman, looking straight at the camera gives a 12-minute
monologue. The camera remains stationary, looking at her, possibly
Judgement Day Victoria Mappleback UK 1989 12mins judging her.
Three friends, a couple of nose rings, a birthday and a fillet o'fish.
Caught between American pop culture and her traditional Indian
Junky Punky Girlz Nisha Ganatra USA 1996 11mins heritage, Anita attempts to pierce her nose.
JUST BECAUSE OF WHO WE ARE is a challenging documentary,
focusing on a subject rarely discussed by mainstream media:
Just Because of Who We Are Abigail Norman Heramedia USA 1996 28mins Violence against lesbians.
JUST LIKE SARAH BERNHARDT humorously explores sexuality
and Jewish identity, intertwining the complex relationship of
performance and film. A woman tells a story of her intense meeting
Just Like Sarah Bernhardt Helena Goldwater UK 1992 07mins with another woman.
Popular conventions from TV, cinema and theatre are used to draw
attention to issues raised by middle-class feminism. The format
parodies typical soap opera programmes and in so doing highlights
how, in its attempts to relfect ordinary life, soap opera grossly
Kaleidoscope Judith Barry USA 1978 50mins distorts reality through over-dramatisation and compacting events.
This tape juxtaposes intimate images of at-home-with-a-lesbian-
couple and a monstrous catalogue of images of the police who
descended in force on the March 28, 1989 New York City Hall
demonstration held by the AIDS coalition to unleash power (ACT
Keep Your Laws Off My Body Catherine Saalfield, Zoe Leonard USA 1990 13mins UP)
As a seemingly innocuous contemporary environment is
transformed into a monument to a persistent past, we catch
glimpses of how historic events can shape contemporary
Keeper of the Accounts Lily Markiewiez UK 1988 14mins experience.
I'm just a regular bloke…' Kelby's gender was decided for him at
Kelby Annette Kennerley UK 1997 20mins birth 'he later put right the mistake.
A film exploring the lives of Asian lesbian and gay men in Britain and
Khush Pratibha Parmar UK 1991 24mins India.
A tale of adopted personas compellingly bound to one another,
Killing Time Esther T UK 1997 11mins killing time on a rainy afternoon.
Using an intriguing mixture of statistics, humour, insight and
outrage, Jean Kilbourne questions how far the used and abused of
women in advertising is connected to the sexual exploitation of
Killing Us Softly - Advertising's Image of Women Jean Kilbourne USA 1979 30mins women at large and the increasing incidence of child abuse.
This piece investigates the conjunction of sexuality with: the eye, as
purveyor of desire; the sexual fear and fantasy of blindness with a
Kore Tran T Kim Trang USA 1994 17mins focus on the blindfold; and women and AIDS.
An innovative video that takes the impressionist motif of women
working in the laundry and brings it up to date to incorporate
La Blanchisseuse Rohesia Hamilton Metcalife USA 1993 11mins contemporary women's feelings about domestic work.
LADY LAZARUS is a visually woven response to Sylvia Plath's own
Lady Lazarus Sandra Lahire UK 1991 25mins readings of her poetry.
In 1981 and 1982 Carole Isaacs and Julia Lesage visited Nicaragua
Las Nicas Julia Lesage Nicaragua 1982 45mins and filmed in-depth interviews with women in the Managua area.
A journey through the mind of a lonely person, trapped within the
Last June 4.30am Suse Bohse UK 1998 12mins space and leaving only by the power of memory.
An advertisement for lesbianism that combines galmour and safe
Le Ravissment Charline Boudreau Canada 1993 04mins sex. Scenes from a 1920s grand ball are intercut with 90's erotica.
LEGAL LIMBO is a documentary which investigates how women in
Legal Limbo Tish Barry UK 1985 30mins Ireland live through the ordeal of the breakdown of marriage.
Drawing on the Arab heritage of oral tradition and mosaic pattern,
LEILA AND THE WOLVES is an exploration of collective memory of
Arab women and their hidden role in history throughout the past half
Leila and the Wolves Heiny Srour UK/Lebanon 1984 90mins century of the Middle-East, both in Palestine and in Lebanon.
This wild spoof of TV magazine journalism takes a mock-serious
look at a phenonmenon which is reportedly sweeping through the
Lesbian Bed Dead-Myth or Epidemic Stacey Folies USA 1995 14mins lesbian community.
Devised by London Lesbians in Health-Care, a diverse multi-
disciplinary group of health-care workers, this tape is intended to
Lesbian Health Matters Ukele Productions UK 1995 46mins raise awareness of lesbians as service users.
The tape combines drama and documentary to convey the
significance of personal realisation in the face of broader political
Liberty, Equality? Maternity? S Fonseca, S Gille, V Grut, J Holland UK 1985 32mins circumstances, and the relatonship between theory and practice.
She watched herself being looked at She looked at herself being
watched but could not perceive herself as the subject of the
Light Reading Lis Rhodes UK 1978 20mins sentence…" (Lis Rhodes).
A Lesbian mother and her son describe what they have in common,
Like Mother Like Son Annette Kennerley UK 1994 04mins that includes parties, dressing up and shopping.
Fred and Frances Cook' is a TV cookery programme. Frances is the
Loaf Deva Parmier UK 1997 10mins assistant and partner, who fred abandons.
LOOPHOLE aims to investigate the construction of conventional
narrative. Inspired by Borges' Garden of forking paths, it attempts
to reconstruct our perception of cinematic narrative and with it,
escape the inexorable demise of the femme fatale that is so typical
Loophole Miranda Bowen UK 1998 10mins of film noir.
A distanced handling of two widespread problems seemingly
caused of perpetuated by patriarchal values and capitalism:
Losing, A Conversation with the Parents Martha Rosler USA 1977 20mins anorexia nervosa and starvation due to poverty.
Focusing on two parallel lesbian relationships this film reflects the
reality of living with an 'invisible' disability, challenging preconceived
notions of the illness to reveal how it operates outside the epileptic
Loss of Heat Noski Deville UK 1994 20mins fit on a daily basis.
This video is a body substitute, examining the ways in which new
technology succeeds and fails as a holding medium for a long
Lost in Telespace Fanny Jacobsen, Colleen Cruise Australlia 1995 12mins distance relationship.
This beautiful and powerful documentary tells the stories of the
women who compries the labour force of Colombian flower industry
Love, Women and Flowers Marta Rodriguez, Jorge Silva UK/Columbia 1988 56mins in the plain of Bogota.
LUCY, my mother's sister, immigrated from a little Bavarian village
to the United States in 1934. From the date she did not give any
Lucy Verena Rudolph Germany 1984 47mins more news of herself
In 1998, Managua, Nicaragua became host to one of the most
publicised and controversial cases of sexual abuse to hit modern
Macho Lucinda Broadbent Scotland/Nicaragua 2000 26mins day Latin America.
A featurette which uses the female buddy movie to explore the
Mad, Bad and Barking Bev Zalcock, Sara Chambers UK 1996 28mins relationship between a woman and her dog.
This visually rich and haunting film follows the journey of a young
woman, Cait, through her pain from a broken relationship to her
Mad, Bad Mortal Beings Lumdmilla Andrews UK 1992 18mins eventual resolution.
MADE IN CHINA is a personal film about a Chinese American's
Made in China Lisa Hsia USA 1985 30mins search for identity.
It is the story of seventy years of change and upheaval, the gradual
disintegration of the traditional family and the search for new forms
and ways of relating as typified by Jeni's attempt to break the
pattern of the past and to create a new identity for herself.'
Maidens Jeni Thornley Australia 1978 15mins (Margaret Flaws)
Intercut with Punch & Judy images, this documentary reveals the
common ground shared by women of different classes and cultures
as they explore the reasons why they stayed in violent relationships
Making the break anne marie mcdermott UK 1995 46mins for so long and their lives now, after “making the break
She has been portrayed as a powerful matriarch within the confines
Mam Red Flannel Films UK 1988 52mins of the miner's home and family.
MAMA I’M CRYING is a lively documentary about the personal story
of a Black woman, Joyce Seroke, and a white Jewish woman, Betty
Mama I'm Crying Joyce Seroke, Betty Wolpert UK 1986 52mins Wolpert
The screen in MAN MADE IMAGES is a mirror to my consciousness,
providing a way to reflect my transfer from a male defined woman
Man Made Images Rachel Finkelstein UK 1981 25mins to a woman searching for her definition.' (Rachel Finkelstein)
Exploring both dance and some of the properties of film, MANTRA
begins by recreating movement through a rhythmic series of still
Mantra Jeanetta Iljon UK 1976 05mins images.
A hallucinogenic experience on a sunny afternoon to a soundtrack
Marijuana Moment Bev Zalcock UK 1999 02mins of Jefferson Airplane's 'White Rabbit'.
MARY, MARY is the true story of 11-year old Mary Bell who killed
Mary, Mary Annie Wright NL 1998 09mins two small boys in England in 1986
MASQUERADE is an amusing animated film dealing with the effects
Masquerade Sarah Rose Bell UK 1992 03mins of magazine images on women.
Five years after the making of the video portrait Boys in the
Backyard, the filmmaker returns to San Francisco to see what has
Matt Annette Kennerley UK 1998 20mins become of MATT.
A homage to film noir, soap thrillers and Mexian comic book
Mayhem Abigail Child USA 1987 20mins generate the action.
A video exploring photographic representation of experiences of
Memory Pictures Pratibha Parmar UK 1989 26mins migration and identity.
A tribute to African-American women activisits, whose violent
actions were often characterised as being the result of mental
Memory Tracks Jamika Ajalon UK/USA 1997 10mins illness.
Using magic realism, MEMSAHIB RITA looks at the physical and
emotional violence of racism. Shanti is haunted by both the racist
taunts of nationalist white youths and the memory of her whiite
Memsahib Rita Pratibha Parmar UK 1994 20mins mother.
Images and sounds of American mass media are dissected and
carefully composed into a rapid-fire montage which reveals the
Mercy Abigail Child USA 1989 10mins processes at work.
A woman returning home falls asleep and has vivid dreams that may
or may not be happening in reality. Through repetitive images and
complete mismatching of the objective view of time and space, her
Meshes of the Afternoon Maya Deren USA 1943 18mins dark inner desires play out on-screen.
MILK AND GLASS is primarily concerned with exploring where
Milk and Glass Sarah Pucill UK 1993 10mins woman is in relation to sexual desire.
In an expression of levels of balance and control, ritual and sound
Mirrored Measure Sarah Pucill UK 1996 07mins osciliate between a point of contact and an accompanying break.
Mixing reality with fairy tale MISS QUEENCAKE follows the plight of
Miss Queencake Amanda Holiday UK 1991 24mins Bira, a 16-year-old mixed race girl from the North of England.
Monique Yvonne Welbon USA 1991 03mins Using a childhood experience of racial bigotry at school, this film looks at the ways i
MONOMYTH is an experimental film that uses time, space, ritual
Monomyth Rachel Ara UK 1998 15mins and repetition to depict loss.
This beautiful documentary uses the art of video to examine the
Moodeitj Yorgas (Solid Women) Tracey Moffart Australia 1990 24mins working lives of some Western Australian Aboriginal women.
The relationship between Kay and her adopted daughter, Chris, is
Mothers Sabina Wynn Australia 1984 12mins thrown wide open when Chris decides to meet her natural mother.
The aim of this video is to raise issues about safer sex for women in
a way which wil enable women watching the video to discuss their
Mouthing Off Leeds Aids Advice UK 1991 35mins own fears, experiences and sucesses about safer sex more easily.
MOVE OVER DARLING is an informative magazine style careers
Move Over Darling Second Sight UK 1993 16mins guide focusing on women in the media.
Made by a single mother, MUM'S THE WORD looks at three single
mothers, living on social security benefit or pensions, and explores
how they maintain thei families and survive - often below the
Mums the Word Carole Kostanich Australia 1982 23mins 'poverty line'.
Relating a real case, this animated film is devised as a play and is
Murders Most Foul Gillian Lacey UK 1987 07mins set in the crown court.
Powerful interviews with feminist leaders including bell hooks,
Gloria Steinem, and Urvsahi Vaid are intercut with documentary
sequences to engagingly explore the past and present status of the
My Feminism Laurie Colbert, Dominique Cardona USA 1997 55mins women's movement.
MYSTERIES is a photomontage film, Beginning with a quotation
from a dream , it becomes the filmmakers interpretation of the
Mysteries Judith Noble UK 1982 06mins harvest and the old mystic theme of Mysteries.
The traditional expectations of an Indian family in the South Pacific
(NZ) are confronted in this short drama written and directed by
Naya Zamana Mandrika Rupa New Zealand 1996 10mins Mandrika Rupa.
An East Indian Canadian travels to India to meet her father's family.
She finds that India is in no simple way her 'home', yet she also
can't hide behind the tourist's camera. Western representations of
India are challenged as we see India through a weave of location
New View, New Eyes Gitanjali Canada 1993 50mins imagery, music, poetry, conversation and journal entries.
NICARGAGUA , DREAM OF A FREE COUNTRY is a positive and
refreshing look at women's participation in Nicaragua's national
Nicaragua, Dream of a Free Country Kathleen Shannon, Ginny Stikerman Canada 1983 60mins struggle for self-determination.
NICE COLOURED GIRLS is a stylised experimental drama exploring
Nice Coloured Girls Tracey Moffatt Australia 1987 18mins attitudes of Aboriginal women to white women and vice versa.
Ultimately, the film is a celebration which aims to create a space for
another voice to speak about a part of female experience long-
Nice Girls Don't Do it Kathy Daymond USA 1989 13mins shrouded in silence and ignominy.
NIETTA'S DIARY is a film about the lesbian relationship of Nietta
Nietta's Diary Gabriella Romano UK/Italy 1997 30mins Apra and Linda (Flafi) Mazzuccato in pre and post war italy.
This is the age of the Personal Computer the Private Catacomb for
the switched-on elite. Its dark doorways are for the wandering
Night Dances Sandra Lahire UK 1995 15mins homeless…true survivors…
It is night and, in the foyer of a small hotel, a receptionist performs
her tasks, unhurried and impassive, her face ghost-white, an
Nightshift Robina Rose UK 1981 75mins emotional mask.
No Glove No Love is a very hot public service announcement from
No Glove No Love Inka Petersen & Anja Schulz USA 1991 1.5mins Germany.
NO LONGER SILENT takes a revealing look at aspects of this
discrimination and at the determination of some Indian women to
No Longer Silent Lorette Deschamps Canada 1986 56mins bring about change.
Like its predecessor, Through the Glass Celling, this short animated
film is a fairy story with a difference: it takes as its theme the very
No Offence Leeds Animation Workshop UK 1996 12mins issue of harassment at work.
Sydney writer and performer Norrie May Welby argues the case for
Norrie Annette Kennerley UK 1997 21mins a genderless society.
A timeless and compelling love story set against the backdrop of
Nazi-occupied France. On the brink of war and in the face of
escalating anti-Jewish activity, November has fled her native
Germany for the relative safety of Paris. She meets and falls in love
Novembermoon Alexandra von Grote Germany 1985 105mins with Férial, a fiercely patriotic French woman.
NOW PRETEND is an experimental investigation into the use of race
Now Pretend Leah Gilliam USA 1991 10mins as an arbitrary signifier.
NUCLEAR DEFENCE LIVING IN A FOOL'S PARASIDE explores the
reaction of participants and onlookers on the day, making
connections between our attitudes to protest and the influence of
Nuclear Defence 'Living in a Fool's Paradise' S Fonseca, S Gillie, V Grut, J Holland UK 1984 20mins the education systems, the media and the state.
OFTEN DURING THE DAY focuses on the activities that take place
in the kitchen. A series of delicately tinted black and white stills
draw our attention to those familiar corners of the kitchen where dirt
gets trapped; the dark stains left by tea leaves; the spattering of
Often During the Day Joanna Davis UK 1979 16mins food round the cat's saucer on the floor.
A faithful adaptation of Dorothy Bussy's autobiographical novel.
OLIVIA is the story of an English girl sent to finishing school in
Olivia Jacqueline Audry France 1951 106mins France towards the end of the 19th Century.
Set against the backdrop of modern-day Sydney, this heist-style
thriller involves four politicalised women from varying backgrounds,
who conspire to sabotage the research programme of a multi-
On Guard Susan Lambert Australia 1983 50mins national firm, Utero, which is engaged in reproductive engineering.
An examination of a breakdown on one'sown language. It is record
of a personal struggle in trying to construct meaning as an outsider
On the Threshold of Liberty Heidi Tikka Finland 1992 12mins in foreign culture.
ONE AND THE OTHER TIME is an erotically charged experimental
One and the Other Time Sarah Turner UK 1990 05mins film exploring the dynamics between intimacy and violence.
Drawing on Western histories of glamour, Hollywood and powerful
Jewish icons such as Barbra Streisand as portrayed in the 1960's
Ooh Life is Juicy Helena Goldwater UK 1994 14mins film Funny Girl.
The film regards surgery of Asian (prodominantly women) eyelids as
a self-effacing fantasy of attaining the standard of beauty as
maintained in this society, a standard which demands conformity to
Operculum Tran T Kim Trang USA 1993 16mins the norm of being average.
This humorous animated film graphically demonstrates the way in
which men dominate language, monopolise space and structure
Out to Lunch Leeds Animation Workshop UK 1989 12mins women into subservient roles.
Set in the years 1916-18 PEASANT WOMEN OF RYAZAN portrays
life in a close-knit rural community in Revolutionary Russia
Peasant Women of Ryazan (Babi Rianzanskic) Olga Prebrazhenskaya USSR 1927 70mins concentrating on the oppression of women in that community.
PERILS is an homage to silent films: the clash of ambiguous
Perils Abigail Child USA 1985 05mins innocence and unsophisticated villainy.
A trip through the psyche of the 'post Holocaust' woman. An avant
garde musical of musing on the philosophy of despair and its
Philosopher Queen Ruth Novaczek UK 1994 20mins bittersweet humour.
A set of photographs taken by police in 1922 a contemporary
woman who has come across the photographs is haunted by them
and tries to imagine what might have happened… the stills become
Photographic Exhibits Claire Barwell UK 1984 20mins animated, two characters appear and disappear.
In this closely textured work, pictures and meanings are
experimented with, brought richly together or pared down to
Pictures On Pink Papper Lis Rhodes UK 1982 35mins abstraction in order to challenge and re-create.
A recording of eleven women in order of their age, from a child of 6
months to a women of 82. Each child/woman was asked to sit in
the playpen for 2 mins and, without direction, left to their own
Playpen Tina Keane UK 1979 20mins devices.
This video looks at what has happened to the 'Women Against Pit
Please Don’t Say We're Wonderful Steel Bank Co-op UK 1986 52mins Closures' movement since the end of the 1984-85 Miners' strike.
Is the woman worker at the terminals an extension of the plutonium-
decanning monitors, or is she a gem in the nuclear plant that grows
Plutonium Blonde Sandra Lahire UK 1987 15mins into self-control.
A poem by the Munirah Theatre Company, urging Black people
Polishing Black Diamonds Susannah Lopez USA 1989 21mins living in Britian to treasure their history, gives this video its title.
This incidence of POLOGAMY amongst educated women in
Senegal is actually on the increase. More and more women are
Polygamy - Senegalese Style. Sokhna Dieng Senegal 1985 30mins choosing to become a man's second or third wife
A documentary portraying three Indian women whose families came
to New Zealand as early as the 1890’s. As they carve out their
Poonam Mandrika Rupa New Zealand 1994 16mins identities a hybridity emerges.
This documentary on obstetrics takes a succinct and radical look at
the history, sociology and politics - no to mention physiology - of
Positions of Power Jacky Garstin, Delyse Hawkins UK 1983 35mins childbirth.
PRETEND YOU'LL SURVIVE uses a combination of different
animation techniques to conjure up a thought-provoking challenge
Pretend You'll survive Leeds Animation Workshop UK 1981 09mins to prehaps the greatest threat we face in the Twentieth Century.
Rainer's 6th feature is a genuinely subversive movie about
menopause. Out of a subject that has been denied on film by
Privilege Yvonne Rainer USA 1990 103mins virtually everybody.
Cathy lives an apparently uneventful life in Birmingham, until she is
Property Rites Heather Powell UK 1984 59mins asked to write an article for a community magazine.
This evocatively entertaining film is a fairy tale about a northern
Rabbit on the Moon Monica Pellizzari Australia 1987 13mins Italian girl growing up in suburban Australia.
This film effectively explores those elements in our society that
Rape Culture M Lazarus, R Wunderlich USA 1983 35mins contribute to an ideology that supports rage.
RASH takes a furtive look at female sexual fetishism through an
Rash Vicky Smith UK 1997 07mins imaginary voyahe around the body.
This video was completed as part of an undergraduate thesis,
intended to expose the negative character that has been historically
assigned to the roles and images of Black women by films and
Re-creating Black Women's Media Image Zeinabu Irene Davis USA 1983 30mins television.
A documentary film that looks at the process of rediscovering
women's history, using the 1915 Glasgow Rent Strike as a focal
point. The Rent Strike was a protest against Glasgow's landlords
Red Skirts on Clydeside Sheffield Film Co-op UK 1983 40mins who were exploting the war situation.
Sound and images collide to a reggae beat in this short but effective
Reggae Piece Ramona Metcalife UK 1987 02mins black and white video.
I wanted to express my continued anger at the way in which
partiarchy excludes women who don't conform to its ideals and
Remember Me Judith Noble UK 1992 10mins beliefs from history.' (Judith Higginbottom)
Stunningly shot (originally on 35mm) and beautifully edited,
Reservaat Clara Van Gool Holland 1988 07mins RESERVAAT is a witty pastiche about women and nature.
RETHINKING RAPE examines why sexual violence has become
such an acceptable part of society, and 'acquaintance rape' (when
Rethinking Rape Jeanne Le Page USA 1986 26mins the rapiest is known to the woman) so commonplace.
An illuminating exposure and investigation into the participation of
Rise of the New Eve Siobhan Cleary UK 1997 28mins women in fascist parties, filmed across Europe.
This lively animated film deals with the important issue of health and
Risky Business Leeds Animation Workshop UK 1980 15mins safety at work.
Ritual In Transfigured Time silently follows Rita Christiani’s
perspective as she enters an apartment to find Maya Deren
immersed in the ritual of unwinding wool from a loom. Deren
includes another expression of the external invading the internal
with a strange wind that surrounds and entrances her as she
becomes transported by the ritual. Ritual in Transfigured Time links
the looming ritual with the ritual of the social greeting. The film’s
continuity is established by an emphasis on gesture and/or dance
Ritual in Transfigured Time Maya Deren USA 1946 15mins throughout.
ROOTLESS COSMOPOLITANS mixes music, family and food to
take a wry look at the myth of the Jewish princess and asks 'What
Rootless Cosmopolitans Ruth Novaczek UK 1990 20mins is a Jew?'
A sharply sexy story of personal awakening. When Kay moves into a
new flat, she finds herself unexpectedly intrigued by the open
Rosebud Cheryl Farthing UK 1992 14mins sexuality of the lesbian couple that live next door.
The story of a love affair its demise told through one of the primary
objects shared by the couple: an old beige station wagon with fake
Rules of the Road Su Friederich USA 1994 31mins wooden panellings along the sides.
RUNNING LIGHT is about enforced labour and displaced persons,
Running Light Lis Rhodes UK 1996 14mins in two places, in two periods of the 20th Century.
In October 1986, nurses in Australia began a strike which was to
last for 50 days. Despite intense indoctrination to be 'good girls',
nurses walked out of hospitals, community health centres, intensive
Running out of Patience Serena Everill, Chris Brown Australia 1987 40mins care units and labour wards.
Suction Termination of pregnancy is examined in terms of the
process as it is carried out and the effect that is may have on the
S.T.O.P Ali Farrelly UK 1994 05mins woman.
A black and white Trans-Alantic road movie set in the American
Salvation Guaranteed Karen Ingham UK 1990 21mins mid-west where driving is as essential as breathing.
Loosely based on the 1950's British detective film Sapphire, in
which two detectives investigate the murder of a young woman who
Sapphire and the Slave Girl Leah Gilliam USA 1996 18mins is passing for white.
A video poem of remembrance made in memory of a young Asian
woman killed by three white youths on the streets of London in
Sari Red Pratibha Parmar UK 1988 11mins 1985
SCUOLA SENZA FINE shows how the experiment extended into the
lives of women takingthe course, most of whom were housewives.
The film was produced in collaboration with these students as part
of their studies for the class, turning the cirriculum's question about
the representation of women into the questions about the
Scula Senza Fine Adriana Monti Italy 1983 40mins representation of themselves.
This piece was based on a series of my own mestrual dreams about
Sea Dreams Judith Noble UK 1982 17mins the sea.' (Judith Higginbottom)
Secrets Colette Cullen, Sarah Myland UK 1993 05mins A witty animated short film about the taboos around menstruation.
A look at the intersection of cultures and classes as exemplified the
Secrets From the Street: No Disclosure Martha Rosler USA 1980 10mins street life of San Francisco's Mission District.
Part journey film and part photographic collage, SEED OF SARAH
takes us through the momeories of hungarian Holocaust survivor
Seed of Sarah Andrea Weiss UK/USA 1998 30mins and author Judith Magyar Isaacson.
Women in two very different 'Third World' environments are shown
making their own efforts to improve their circumstances and
Seeds of Resistance Juliet Miller UK 1985 50mins achieve equal rights.
A Channel 4 documentary, co-produced with the Arts Council,
looking at the work of four women film makers - Annabel Nicolson,
Lis Rhodes, Jo Davis and Tina Keane - and the role of Circles in
Seeing for Ourselves - Women working with Film Margaret Williams UK 1983 56mins providing a historical and contemporary context for women in film.
SEMIOTICS OF THE KITCHEN invents an 'alphabet' of kitchen
apppliances and these recognisable 'signs' of domestic industry
become instruments of mad music or interpersonal violence - a
vehicle for the rage and frustration of the unsimiling antithesis of a
Semiotics of the Kitchen Martha Rosler USA 1975 08mins perfect bourgeois housewife, as seen on TV.
SEPARATE SKIN intercuts present day 'reality' with both flashbacks
and fantasy sequences revealing Emily's state of mind as she
Separate Skin Deirdre Fishel USA 1987 26mins battles with her fears and desires.
Judy is 7-years-old and about to take her First Communion. In her
realm, rituals are stolen from adults and invested with a peculiar
Serendipity Karen Borger Australia 1992 17mins magic.
SERIOUS UNDERTAKINGS takes up these themes of culture,
Serious Undertakings Helen Grace, Erika Addis Australia 1983 28mins language and politics in a questioning and innovative way.
SERPENT RIVER is the final part ofa trilogy (see Uranium Hex and
Plutonium Blonde) of anti-nuclear films in which the filmmaker
Serpent River Sandra Lahire UK 1989 30mins makes visible the invisible menace of radioactivity.
Then you lit a cigarette and carefully put the tip of it to the corner of
the photograph and watched it smoulder and curl…' SEX LIES
RELIGION is a sexy dyke film made the day after two women met at
Sex Lies and Religion Annette Kennerley UK 1993 06mins the Clit Club.
A lyrical, sensual place which deals with issues surrounding skin
Shades Jamika Ajalon UK/USA 1995 13mins colour and codes of Blackness.
The film is about internal and external states ofemergency, about
personal and collective 'shadows' (past, memories and conditioned
Shadow Panic Margot Nash Australia 1989 26mins stereotypes), about resistance and spirit.
SHADOWS OF A JOURNEY was filmed on a ferry going to the Isle
Shadows of a Journey Tina Keane UK 1980 20mins of Harris from the Isle of Skye.
Two women- one passive and resigned, the other aggressive and
domineering - interact in various locations in New York city. The film
explores the dynamic between them before ending with a
She Had Her Gun All Ready Vivienne Dick USA 1978 28mins showdown at the roller-coaster on Coney Island.
SHE SAID explores the theme of women and work, using the formal
properties of film to reflect on the overlap between work and free
She Said Susan Stein UK 1982 30mins time.
Featuring the Carpenters song 'Close To You', this is an ode to love
She Wanted Green Lawns Sarah Turner UK 1989 04mins and fantasy.
A video-film-music documentary by and about the dykes beginning
She's Real Worse than Queer Lucy Thane USA 1997 50mins to find culture/lives they can stand through punk rock.
A woman's voice recounts a subversive tale, interweaving suburban
Sheller Shares Her Secret Sarah Turner UK 1994 07mins kitsch with childhood defiance.
This film is set in the New Marilyn night club in Tokyo where all the
Shinjuku Boys Kim Longinotto Japan/UK 1995 54mins hosts are women who have decided to live as men.
An erotic urban allegory: a police woman pursues a dark silhouette.
Shoot me Angel Amal Bedjaoui france 1995 09mins A strange duel ensues between violence and desire.
Based on a true story about the filmmaker's grandmother who, after
the death of her mother, put a shrine to St Mary Magdalene in a
wood. The Department of Transport now plans to build a new
motorway running straight through the wood. Looks at how the
destruction of the shrine marks the destruction of the world of
imagery she has created throughout her lifetime. Follows her
walking through the wood to the shrine on the day it is to be
removed by the authorities. As she walks, she relives the day when
aged twelve, she put up the statue. Images of people she has seen
and things that have happened to her during her walks there flash
Shrine Clio David UK 1995 10mins up.
SHUBH-VIVAH examines the attitudes towards women that prevail
from birth and emphasises the vital role education and economic
Shubh-Vivah Nina Sabnani India 1984 05mins independence play in gaining freedom for women.
This is the first known Irish film by a lesbian writer/director to be
shot in Ireland by an almost-entirely Irish crew and deals with
Silences Colette Cullen Ireland 1995 21mins themes of invisibility, difference and self-expression.
Black Voices, the Birmingham based all-female group of cappella
singers expresses through the lyrics of songs, fused with free-style
movement of dances, the issue of the high incidence of serious
Silent in the Crowd Monika Baker UK 1991 13mins mental health illness amoung Carribean immigrants in Britian.
Through a series of twenty six short stories, a girl describes the
childhood events that shaped her ideas about fatherhood, family
Sink or Swim Su Friedrich UK 1990 70mins relations, work and play.
White petals falling pearls of pain a wing flutters a stain bleeds and
Sins of the Father Nuala Harvey Poland 1996 16mins the sings of the father forever remain.'
Set in Kumba, a small town in Southwest Cameroon, Sisters in Law
follows the work of the female State Counsel and Court President
as they try to help women to change their lives. Incredibly moving
and at times disturbing, Kim Longinotto's latest film spectacularly
Sister in Law Kim Longinotto UK/Cameroon 2005 104mins encompasses courage, hope, and the possibility of change.
This innovative and entertaining documentary explores the varied
work, motivation, politics and lifestyles of five Black women
Sistren in Photography Aphra Video UK 1991 26mins photographers based in Birmingham.
A discussion about body images, sexuality, society, conditioning of
what women should look like, the fashion industry's profits from
Size ten Sarah Gibson & Suzanne Lambert Australia 1978 18mins women's insecurities and the pressures on women to conform.
A scrambling of culural codes of female movement by juxtaposing
images of a performance artist with the same woman as a nude
Skinesthesia Vicky Funari USA 1996 18mins dander in a peep show.
SLIDES I-V is a continuing equence of tactile films made in the
Slides I-V Annabel Nicolson UK 1971 16mins printer from my earlier material.
Ostensibly a film about the experience of Australian women and
their education, SNAKES AND LADDERS is a feminist documentary
Snakes and Ladders Mitzi Goldman, Trish Fitzsimmons Australia 1987 59mins of great humour and artist merit.
This compelling and beautifully made documentary tells the life
story of Blue Lunden, a lesbain/feminist peace activist who found
herself run out of New Orleans during the 1950s for wearing men's
Some Ground to Stand On Joyce Warshow USA 1998 35mins clothes.
This is a documentary animated film based on the true story of
Some Protection Marjut Rimminen UK 1987 10mins Josie O'dwyer, and using her own voice as personal commentary.
This animated film is constructed as 'an opera in three tragic acts',
Someone must be Trusted Gillian Lacey, Christine Roche UK 1987 07mins concentrating on the inherent bias of the tribunals and courts of law.
Life was a series of routines, and Sunday was the day of the week.
Each New Year, I would check what day Christmas fell on. If it were
a Sunday it meant we didn't have to go to Church twice in one week
Song of Air Merilee Bennett Australia 1985 51mins and the whole year felt better.' (Merilee Bennett)
This stylistic, non-narrative film is a complex, impessionistic work
documenting and interpreting a Sri Lankan ritual of spirit possession
Song of Ceylon Laleen Jayamanne Australia 1985 51mins and cure through the exploration of various bodily states.
SPACE DOG ASSASSIN features Pit Bull Production's indefatigable
star Maisie as the dog who fell to the earth; her assignment: 'To kill
Space Dog Assassin Bev Zalcock, Sara Chambers UK 1998 07mins the cabinet!'
SPACE INVADERS is a science fantasy that maps the terrain of
what might have been regarded, in the 60's, as a 'global village', the
giant video screen of the disco, the home television and the video
Space Invaders Judith Barry USA 1982 08mins arcade game.
With "Sparklehorse", Gariné Torossian returns to the collage style of
filmmaking explored in her earlier films, "Visions," "Girl From
Moush," and "Drowning In Flames." "Sparklehorse" subtly conveys,
with characteristic poetry, the ways in which people communicate
with and value each other in a world of spiralling meditation. The
film is divided into three distinct sections: "Happy Man," "Good
Sparklehorse Garine Torossian 1999 09mins Morning Spider" and "Hundreds of Sparrows."
In 1985, 17,000 women descended on Nairobi for the International
Speaking of Nairobi Tina Home Canada 1986 60mins Women's Conference.
Recent years have seen a deepening divide in attitudes towards
Special Delivery Red Flannel Films UK 1991 52mins maternity care.
The film is a lyrical portrait of the work atmosphere in part of the
Spinning Room Prue Waller UK 1987 16mins Ropery of the former Royal Dockyard at Chatham.
STIGMATA is a riveting look at body modification such as tattooing,
cutting, piercing and branding, practices which are becoming
Stigmata Leslie Asako Gladsjo USA 1991 27mins increasingly popular amoungst women.
Substituting sly metaphor for political rhetoric on immigration, Lin
Stranger Baby Lana Lin USA 1995 14mins examines our world of ethical and racial complexities.
Although rooted in the Victorian values of the time, A House Divided
Suspense Lois Weber USA 1913 13mins breaks with the dominant tradition.
Child layers on artifice and excess as the TV serial sputters apart in
Swamp Abigail Child USA 1990 25mins a dizzyiny discountinuous montage.
SWEET SUGAR RAGE shows the work of, and explores the
methods used by the theatre collective Sistren to highlight the harsh
Sweet Sugar Rage Sistren Theatre Collective Jamaica 1985 42mins conditions facing female workers on a Jamaican sugar estate.
A visual, surrealistic narrative of a woman travelling both literally and
Swollen Stigma Sarah Pucill UK 1998 21mins psychically through an interior space of several rooms.
I went Israel to see for myself, knowing that Israel is a mixed
population, in every way, and hoping to find Israelis who weren't
necessarily holocaust survivors, or Europeans, or warmongers, or
Talk Israel Ruth Novaczek UK 1992 23mins heterosexial, or men.' (Ruth Novaczeck)
Two stories of paternal abuse, one fictional fairy tale and one true
story, are interwined to evoke the pain and anger of the relationship
Tarantella Samantha Moore UK 1994 06mins between daughter and father.
This film relates to what I'd call the typical Jewish London woman of
my generation: growing up in the 60's, at a comprehensive school…
the confusion of denying your culture and your sexuality for years
through having it beaten out of you - and then waking up in the
Tea Leaf Ruth Novaczek UK 1986 10mins thatcherite 80's' (Ruth Novaczek)
Originally shot on 35mm, this beautifully filmed witty short film offers
a gorgeous seduction on horseback, creating an erotic charge
Tempted Anne Marie Booresboom Netherlands 1991 07mins between two women.
Confusion, underlying meaning and unspoken truths are often
associated with the dialectic of sexual communication. Mingled with
the intensity and unpredictability of a “one night stand,” they
generate unique sensations – mixed emotion, risk, and excitement.
The film employs formal devices in a manner that is exceedingly
simple, yet very effective. It's subject matter, sexuality and
communication, gains depth and poignancy through the artist’s
decision to shoot the film’s three scenes for projection in a “double
Ten Cents Midi Onodera Canada 1985 27mins screen” configuration.
Tenosynovitis is a work-relationed disease - a form of Repetitive
strain injury - which is now the most common cause of lost working
Teno Margot Nash Australia 1984 12mins time for women and the third most common for men.
TERMINALS is a stream-of-consciousness collage, which asks us
to look at and question the dangers of technological advances and
Terminals Sandra Lahire UK 1986 15mins nuclear power.
All I know is like, 25 days after I come out and that I get it in a towel.
That Time of the Month WITCH UK 1986 25mins It goes after three days!'
That’s Entertainment/The Conjours Assistant Jeanette Iljon UK 1979 35mins Taking 100 feet of film shoot at a childrens party.
A personal film which attempts to convey the feeling of those
The Arranged Marriage Jazvinder Phull UK 1986 05mins women who find themselves in an arranged marriage.
Sophisiticated story-telling full of digression, sharply-observed
detail and a great deal of wi as well as a campaigning spirit, all to be
The Blot Lois Weber USA 1921 104mins found in THE BLOT
The bold exploration of the relationship between a white mother
who undergoes a radical mastectomy and her black daughter who
embarks on a modelling career reveals the profound effects of body
image and the strain of racial and sexual identity on their charhed,
The Body Beautiful Ngozi Onwurah UK 1990 23mins intensely loving bond.
An imaginary biography of Audre Lorde - African-American, lesbian,
feminist, professor, mother, visionary and 'warrior poet' - who died
The Body of a Poet: A tribute to Audrey Lorde Sonali Fernando UK 1995 29mins of breast cancer, metastasised to her liver in 1992.
Intermingling memories, dreams and symbols relating to birth, death
and time, this non-traditional narrative shows us sisters at three
The Book of Laughs Roberta Cantow USA 1993 40mins stages of life.
Girls' school stories have been uniquely popular with girls
worldwide throughout the 20th century, but the genre has faced
widespread dismissal, critiscism, hostility and redicule for ites
The Chalet School Revisted Ju Gosling UK 1998 60mins representations of a girl - and women - centered world.
Using a combbination of pastel coloured lines drawings and
atmospheric music, this lively animation captures and recreates all
the thrills, spectacle and excitement of the Big Top, and the
The Circus Ann Barefoot Uk 1985 05mins interaction between audience and performer. ]
A “narrative” film centered on young artists living in New York City
around 1979. The film is about a certain stage in the development of
a young artist confronting the real world in terms of her own
idealistic notions of what art is supposed to do. You never see her.
She is the camera’s eye and when someone says to the camera
“My darling be careful”, it could be addressing her or you the
spectator. The subjective camera set-up challenges your position as
The Cold Eye Babette Mangolte USA 1980 90mins an impartial observer.
This tongue-in-cheek video raises questions around the myth of the
eternally smooth and hairless woman and the reality of the process
The Cutting Edge Gabrielle Bown UK 1986 07mins necessary to conform to this ideal.
THE DANCING SILHOUETTES is about Lotte Reiniger who made
The Dancing Silhouettes Felicity Field UK 1983 27mins the first full-length animated feature film in the history of the cinema.
THE DEATH OF A FATHER sets out to explore the way in which
women are rendered silent, absent or marginal within a male-
The Death of the Father Jane Harris UK 1986 29mins centered language system.
The film expresses the dilemma of motherhood: caught in between
a childhood world and a reality in which the dreams of princessess
rapidly dissolves into mountains of housework, nappies and routine
The Decision Vera Neubeauer uk 1981 33mins chores.
This videotape is a dynamic series of skits and performances by the
The Disabled Women's Theatre Project Disabled Womens Theatre Project USA 1982 60mins Disabled Women's Theatre Project.
THE DISPLACED VIEW is a film that moveingly dpicts the odyssey
of an American-born Japanese granddaughter in search of her
identity through her grandmother who is the last of the family born
The Displaced View Midi Onodera Canada 1988 52mins in Japan.
A tongue-and-cheek presentation of the booklet that accompanies
The East is Red, The West is Bending Martha Rosler USA 1977 20mins a newly-marketed, modern cooking applicance: an electric wok.
THE ELECTRONIC SWEATSHOP explores the automation of work
in a time of recession: the loss of control over work, the
fragmentation of tasks, the mental strain and high levels of stress
that result in many health problems, the new forms of electronic
The Electronic Sweatshop Sophie Bissonette Canada 1986 58mins monitoring and, of course, redundancies.
This film uses a 'scene' between a woman and a female-to-male
transsexual to mobilise Giles Deleuze's work on masochism as
The Father is Nothing Leone Knight Australia 1991 10mins explored in his book - 'Coldness and Cruelty'.
THE FEMALE CLOSET takes an historical look at the world of 'high
The Female Closet Barbara Hammer USA 1998 60mins art' through the lives and work of three women artists.
When Kazuko Hohki goes back to Tokyo with her group 'Frank
The Good Wife of Toyko Kim Longinotto Japan/UK 1992 52mins Chicken', she decides to get married to please her mother.
Nostalgia and memory are combined with the theme of departures
The Grass Was Deep Jennie Russell USA 1986 13mins and arrival symbolised by the activity of the city.
What starts as a row over the child's haircut, develops to explore
the wider social issues of the responsibilities of child rearing and
The Haircut Veronica Martel UK 1987 10mins childcare.
Being gay in Ireland was once a crime and many gays and lesbians
The Happy Gordons Paula Crickard N.Ireland 1994 28mins emigrated to America where they hoped they would be free.
This documentary takes a critical look at the conditions of
employment for the one in three women who work as typists,
receptionists, clerks and secretaries in Great Britian and exmaines
The Hired Hands Jabeen Siddique UK 1985 30mins why women in these positions are often underpaid and exploited.
One of many films comissioned by the U.N to commemorate the
Decade For Women, which began in 1976, THE IMPOSSIBLE
DECADE assesses what has actually happened to women in those
The Impossible Decade Juliet Miler UK 1985 50mins then years.
THE INVISIBLE HANDS is a contemporary story about two
The Invisible Hand Athina Tsoulis new Zealand 1992 11mins seemingly unconnected people.
A part-dramatised, often humour, documentary showing some of
the ways the state and the system have pushed women into
economic dependence on men in different historical periods, the
The Life and Hard Times of Susie P Winklepicker Deborah Hall, Women and the Law Collective UK 1986 35mins fights wages against this and the situation at the present time.
THE LONDON STORY is a camp tale of espionage. Filmed on
location in London, images of Whitehall and the Central Statistics
Office form the back drop for the woman 'spy' (sunglasses and
mink coat) and her collaborators, the Doorman and the Xerox man,
The London Story Sally Potter UK 1987 15mins who both work in the Cabinet Office.
A documentary that celebrates the achievements of the world's first
The Lost Garden Marquise Lepage Canada 1995 53mins woman filmmaker, including clips from 16 of her films.
With the unique style that has characterised her for previous
features, Yvonne Rainer explores the issues of sexuality, ageing,
The Man who Envied Women Yvonne Rainer USA 1985 125mins power relations and political activism.
THE MARK OF LILITH is a film that deconstructs traditional images
of the vampire and confronts power, race and gender politics within
The Mark of Lilth P. Gladwin, Zachary Mack-Nataf, Bruna Fionda UK 1986 32mins relationships.
This unconventional comedy explores women's sexuality through
The Match that Started my Fire Cathy Cook USA 1991 19mins candid stories of sexual discoveries, fantasies and pleasures.
An evocative animation that illusrates the freedom a woman
The Mermaids Tale Samantha Moore UK 1991 19mins experience when she takes to the water.
This animated film deals with the sheer rediculousness of women
The Office Debra Robinson UK 1991 05mins office workers' daily routine.
The reality of violence is represented by live action black and white
The Pecking Order Vicky Smith UK 1989 05mins shots of two knives being sharpened for the slaughter.
Of Jeanette Williamson and Angela Carter, The Pink is a
conglomeration of different fairy tales, focusing on the subversion
The Pink Katherine Fry new Zealand 1993 08mins of conventional gender.
THE RIGHTEOUS BABES passionately aruges that feminism in the
1990s is at its most vibrant in popular culture and in particular in
The Righteous Babes Pratibha Parmar UK 1998 50mins rock music.
Inspired by Flaubert's 'Madame Bovary', this is the story of Mme.
The seashell and The Clergyman Germaine Dulac France 1927 30mins Beudet who is married to a bombastic older man.
This video is humorous, absurd, heartfeld and worshipful look at
sex. Guided through this unique adventure by sexpert extraordinaire
Annie Sprinkle and the 'Transformation Facilitators' , you will
explore the ancient and forbidden knowledge about female
The sluts and Goddesses Annie Sprinkle, Maria Beatty USA 1992 52mins sexuality.
An early comedy, which tells a tale of martial strife - mutual
The Smiling Madame Beudet Germaine Dulac france 1922 35mins suspicion comes between a woman and her husband.
Presents a forgotten classic about a robbery, a taxi and a stolen bus
The Story so Far Noski Deville, Rif Sharif UK 1994 39mins with a mighty cast of local Black and white dykes.
THE THIRD WOMAN is a drama about an Iranian woman in an
The Third Woman Mitra Tabrizian UK 1991 20mins Islamic resistance group during the post-revolutionary period.
Su Friedrich's experimental documentary looks at both the
The Ties That Bind Su Friederich USA 1984 55mins mother/daughter relationship and the demands of national identity.
Nicaraguan women describe details of their daily lives under the
The Tigers Milk-Women of Nicaragua Fiona Macintosh UK 1987 30mins Somoza regime in this instructive documentary.
THE WAY OF THE WICKED is a humorous fast-cut short film which
uawa rhw wvocative rite of a child's first Holy Communion as a
starting point to question childhood and innocence, repression and
The Way of the Wicked Christine Vachon UK 1989 15mins abuse and the thrills of transgression.
Set in 1977, THE WEEK ELVIS DIED is an evocative and bittersweet
The Week Elvis Died Carol Morley UK 1997 15mins look at life from a child's point of view.
A woman locked up in a cell, and deprived of any outside stimulus,
begins to fantasise about the women in the next cell, to the extent
The White Room El Glinoer UK 1983 20mins that fantasy and reality are no longer separate entities
The novel aspects of the theme raised in Helen Doyle's tape are
represented by her attempts to forge conceptual links between
The Words/Wounds of Silence Helen Doyle Canada 1983 55mins creativity and madness inwomen.
THEY WORK THEY SAY IS MINE celebrates women's central role in
The Work They Say is Mine Rosie Gibson UK 1986 50mins the past and present of Shetland life.
Babette Mangolte has called THERE? WHERE? An essay on
There? Where? Babette Mangolte USA 1979 09mins displacement
THIS ISN'T WONDERLAND explores the meaning and politics of
'women and madness' from a feminist perspective, threading
This Isn't Wonderland Helen Doyle, Nicole Giguere Canada 1981 57mins together elements of narrative, theatre and documentary.
Shot in 16mm but origonally conceived as a three screen piece of
video this film is a delicious and curious exploration of familiar
Those Roads Suse Bohse, Evelyn Ficarra UK 1994 09mins objects and the sounds they make.
Through taped interviews, photographs and songs introducing each
section, THREE JEWISH WOMEN, in their 50s and 60s, describe
Three Jewish Women Jewish Women in London UK 1987 30mins their experiences of being immigrants or daughters of immigrants.
The first 'episode', a black comedy is simple called 'Penis Envy' and
Three Short Episodes Rachel Finkelstein UK 1980 10mins finds a bride with a banana - eating it, spitting it out, cutting it up…
Once upon a time, a princess set out to look for a job which would
make fill use of her abilities. To her surprise, she found a series of
Through the Glass Celling Leeds Animation Workshop UK 1994 17mins barriers place in her path - simply because she was a woman.
TIME AND TIME AGAIN focuses on the lives of women in prision
Time and Time Again - Women in Prison Nina Ward / Women and The Law Collective UK 1986 35mins through interviews with four ex-prisoners.
The film explores language, communication and fragile
Time is All There Is Suse Bohse UK 1995 09mins development of relationships.
The documentary of the struggles in Australia for equal pay for
women concentrating on the case put forward by the Australian
Council for Trade Unions (ACTU) that traditional woman's
professions be measured against traditional men's professions to
Time's up Cynthia Connop UK 1986 21mins determine their 'comparable worth'
TIME MACHINE is a comment on the representation of history
Timemachine Marion Reichert UK 1993 03mins within the age of the 90s computer technology.
Made in 1951, this coumentary about women's employment states
its case through carefully reasoned arguments articulated by Wendy
Hiller's vehement commentary, accompained by powerful visual
footage of women at work together, and historical archive material
To Be A Woman Jill Craigie UK 1951 18mins on women's struggle for equality.
Using a metaphor of peeling skin, images from the filmmaker's
family history are combined with black and white images of famour
paintings. A woman is seen being physically manipulated into each
To Be Silent Is The Most Painful Part Cheryl Edwards UK 1985 06mina of the archetypal representations failing upon her skin.
Traces is a short digital film that explores the linage of family
Traces Charlie Murphy UK 1995 07mins resemblance using a computer to animate photographic stills.
A comic tale in three parts, with each intoduced by a reading from
Transeltown Myra Paci USA 1992 19mins Dante's Divine Comedy.
The filmmaker returns to the American girls' camp of her childhood
True Blue Camper Cairo Cannon UK 1996 10mins to relive old memories of togetherness in the wild.
A documentary that looks at the limits and censorship of erotic
True Inversions Lorna Boshman Canada 1992 24mins images.
This autobiographical film shows the video maker lost her fear of
Unus Mundus or How I Became A Scientist Marion Reichert UK 1993 20mins technology and learned to love her motocyle instead.
Using a kaledoscopic array of experimental techniques, this film
explores uranium mining in Canada and its destructive effects on
Uranium Hex Sandra Lahire UK 1987 11mins both the environment and the women working in the mines.
A simple and touching drama situated around an encounter
between a second generation Australian-Italian teenager abd a
Velo Nero Monica Pellizzari Australia 1987 13mins traditional Italian widow.
The story of a young woman who gets the idea to make and market
Veneo Video Viceo Rohesia Hamilton Metcalfe USA 1991 55mins a shallow and exploitative tape serves as the core narrative.
Made with young lesbians ages between 16 and 23 from
Newcastle, Liverpool and London, this warm and engaging film
explores the ups and downs of being lesbain in a predominately
heterosexual and homophobic society geared to wedding bells and
Veronica 4 Rose Melanie Chait UK 1983 48mins boys.
A celebration and a record of some of the many flight back events
Video 28 Vera Productions UK 1988 20mins against Section 28 of the Local Government Act.
VISIONS is a hopeful documentary centered around four teenage
girls, their expectations in relations to work, the sort of power and
control they feel they have over their futures and how they connect
Visions Jennie Russell UK 1988 15mins their dreams with real-life expectations.
VITAL STATISTICS… looks at the objectification of women in a
Vital Statistics of a Citizen, Simply Obtained Martha Rosler USA 1977 40mins technological/bureaucratic society.
Filmed in the markets, streets and hospitals of Baghdad, offers an
insight into the emotional and social legacy of continuous conflict in
Voices from Iraq Miriam Ryle UK 1994 58mins Iraq.
With courage and honesty three rape victims explore the immediate
trauma of rape and reveal the long-term psychological effects of
Waking up to Rape Meri Weingarten USA 19854 35mins this all too common violent crime.
Poetic and passionate in tone, yet clearly focused on its message,
WARRIOR MASKS unlocks some of the cultural and political
Warrior Marks Pratibha Parmar UK 1993 54mins complexes surrounding the issue of female fenital mutilation.
This short animated film is designed to encourage energy
Waste Watchers Leeds Animation Worksho UK 1996 12mins conversation in the home, the school and the workplace.
November 1985 - for the first time in Britian women take part in a
Watch that Lift Martine Lumbroso UK 1986 13mins national Olympic Weight Lifting Championship.
Judith Higginbottom's WATER INTO WINE draws on the collective
experiences of 27 women, including her, recordered over 13 lunar
Water into Wine Judith Noble UK 1980 13mins months.
In her quest for true love and human contact, Mona (Indra Ove,
interview with a Vampire) is persuaded to try cybersex, which is
Wavelengths Pratibha Parmar Uk 1997 15mins emotionally and physically safe.
The spectator is put in the position of Maisie, given a child's eye
What Maisie Knew Babette Mangolte USA 1975 60mins view, a position outside the knowledge.
WHO TAKES THE RAP - IMMIGRATION covers the history of
Who Takes the Rap - Immigration Lai Ngan Walsh UK 1986 38mins immigration law in Britain from 1903 to the present day.
A fast, witty and pertinent film which pulls apart the dominant (male)
ideology of art through the ages and points an instructive (female)
Woman: Who is Me? Judith Keller USA 1977 10mins finger at all those who never looked further than the image itself.
WOMAN FOR A CHANGE is a documentary highlighting the British
govenments aid policies and practices in relation to womens in
Women for a Change War on Want, Cinestra Pictures UK 1987 28mins Africa, Asia and Latin America.
This superbly shot film is a moving docu-drama which allowed the
women of South Lebanon to spek for themselves, using archive
footage, interviews and the dramatic reconstruction of the
Women from South Lebanon Mai Masri, Jean Chamoun Lebanon 1986 71mins experience of Khadijeh, a Lebanese woman.
WOMEN IN VIEW is an infortmative documentary about a group of
Women in View Bruna Fionda UK 1988 31mins women artists.
In this documentary, women munitions workers recall the part they
played during the Second World War; the types of work they did in
Women Of Steel Sheffield Film Co-op UK 1984 27mins factories and the conditions.
Esther Ronay, Mary Kelly, Mary Crapps, Humphrey WOMEN OF THE RHONDDA turns much needed attention to the
Trevelyan, Margaret Dickinson, Brigid Seagrave, role played by women in the gruelling Welsh Miners' Strikes of the
Women of the Rhondda Susan Shapiro UK 1972 20mins 20s and 30s
Contrary to the usual portrayal of Black and 'Third World' women in
media, WORDS IN ACTION shows women as a powerful and
Words in Action Christine Pearce, Litza Jansz UK 1985 35mins articulate force in world politics.
An erotic, witty and disturbing film. An intriguing mix of fact and
WormsCharmer Roz Mortimer UK 1998 09mins fiction.
Working with footage of wrestlers and eager audiences - by the
ringside and in front of their TV sets - the film examines peoples
Wrestling Gabrielle Bown UK 1980 20mins responses to images of violence as entertainment.
A poem made from cut-ups of American women's magazines; a
soundtrack by the legendary Wink Hackman Disco All Stars; shots
of Chicago reminiscent of Warhol's silk screen prints; a
computerisation in Adobe Photoshop of Stars and Stripes and
Duane Hanson's fake "tourist", add up to an unlikely celebration of
Yesterday Hometown Marion Reichert UK 1994 03mins American style.
Using domestic objects the film looks at woman's struggle to free
her from an imposed role in a society that feeds her psychical
You Be Mother Sarah Pucill UK 1991 08mins reality.
YOU GOT TO MOVE is an empowering, uplifting documentary
about extraordinary people involved in various social change
movements in the American South and how they move from feeling
You Got to Move Lucy Phenix USA 1986 80mins powerless to taking action.

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