Estilistica 7
Estilistica 7
Estilistica 7
MODALIDADES DE FIGURAS DE
ESTILO: (;(03/26($3/,&$d®(6
META
$SUHVHQWDUHPFODVVHXPDSRVVtYHOWLSRORJLDGDV¿JXUDVGHHVWLORDWHQWDQGR
SDUDDVXDLPSRUWkQFLDQDDERUGDJHPHVWLOtVWLFDGHWH[WRV
OBJETIVOS
$R¿QDOGHVWDDXODRDOXQRGHYHUi
DSUHFLDURVYDORUHVVHPkQWLFRVTXHDOtQJXDSRUWXJXHVDSRGHH[SUHVVDU
DWUDYpVGRGRPtQLRGH¿JXUDVGHHVWLOR
$VWUDQVIRUPDo}HVIRQpWLFDVGRODWLPSDUDRSRUWXJXrVTXHRULJLQDP
DVYDULDo}HVQDIRUPDGHIDODUFRQWLQXDPDRFRUUHUDWpKRMH
(Fontes: http://linguaportuguesa.uol.com.br)
(VWLOtVWLFD
,1752'8d®2
3DUDFODVVLÀFDURVGLIHUHQWHVGHVYLRVHVWLOtVWLFRVH[LVWHPDVÀJXUDVGH
HVWLORWDPEpPGHQRPLQDGDVGHÀJXUDVGHUHWyULFDGHOLQJXDJHPRXWUR
SRVTXHVHSRGHPLQFOXLUHPWUrVDPSODVPRGDOLGDGHVRVPHWDSODVPRV
RV PHWDWD[HV H RV PHWDVVHPHPDV 3DUD DOpP GHVVD FODVVLÀFDomR RXWUDV
SURSRVWDVVmRDSUHVHQWDGDV
$VVLPUHWRPDQGRDFODVVLÀFDomRDFLPDRGRPtQLRGRVPHWDSODVPRVp
RGDVÀJXUDVTXHDJHPVREUHRDVSHFWRVRQRURRXJUiÀFRGDVSDODYUDVHGDV
XQLGDGHVGHRUGHPLQIHULRUjSDODYUDFRPRRVIRQHPDVHRXJUDIHPDV2
GRPtQLRGDVPHWDWD[HVpRGDVÀJXUDVTXHDJHPVREUHDHVWUXWXUDGDIUDVH
HVWUXWXUDVVLPSOHVRXHVWUXWXUDVFRPSOH[DVVXERUGLQDo}HVRXFRRUGHQD
o}HV2GRPtQLRGRVPHWDVVHPHPDVpRGDVDQWLJDVÀJXUDVGHQRPLQDGDV
GHÀJXUDVGHSHQVDPHQWRTXHPRGLÀFDPRYDORUOyJLFRGDIUDVHHSRU
FRQVHJXLQWHQmRVmRPDLVVXEPHWLGDVDUHVWULo}HVOLQJtVWLFDV
2VDUFDVPRSUHVHQWHQDLOXVWUDomRWUDWDVHGHXPDLURQLDXPDGDVÀJX
ras de linguagem que, tradicionalmente, foram denominadas de tropos.
(Fontes: http://www.multiculturas.com)
58
0RGDOLGDGHVGH¿JXUDVGHHVWLORH[HPSORVHDSOLFDo}HV
Aula
&/$66,),&$d®2*(5$/'$6),*85$6
0HWDSODVPRV WUDWDVH GH PXGDQoD I{QLFD RX JUiÀFD GD IRUPD GD
7
palavra. A forma alterada por metaplasmo constitui uma variante. No
kPELWRGDGLDFURQLDGDKLVWyULDDPXGDQoDIRQpWLFDGDSDODYUDUHJLVWUD
DVXDHYROXomR1RTXHGL]UHVSHLWRjVÀJXUDVGHOLQJXDJHPkPELWRGD
5HWyULFDHVVDVPXGDQoDVLQWHQFLRQDLVSURGX]HPXPHIHLWRGHVHQWLGR2V
metaplasmos podem ser:
325$',d®2325620$325
$&5e6&,0228$80(172
D3UyWHVHDFUpVFLPRGHXPIRQHPDRXJUDIHPDQRLQtFLRGDSDODYUD²D
IRUPDODWLQD´VWDUHµYDLGDU´HVWDUµHPSRUWXJXrV
E(SrQWHVHDFUpVFLPRGHXPIRQHPDRXJUDIHPDQRPHLRGDSDODYUD²D
IRUPDODWLQD´PDVWRµYDLGDUHPSRUWXJXrV´PDVWURµ
F3DUDJRJHDFUpVFLPRGHXPIRQHPDRXJUDIHPDQRÀQDOGDSDODYUD²QR
ODWLP´DQWHµHYROXLSDUDRSRUWXJXrVFRPR´DQWHVµ
32568%75$d®2&257(
',0,18,d®25('8d®2
D$IpUHVHFRQVLVWHQDSHUGDGHIRQHPDRXGHJUDIHPDQRLQtFLRGDSDOD
YUD²DIRUPDODWLQD´DFXPHµGHXHPSRUWXJXrV´FXPHµ
E6tQFRSHFRQVLVWHQDSHUGDGHIRQHPDRXGHJUDIHPDQRPHLRGDSD
ODYUD²DIRUPDODWLQD´PDJLVµGHXHPSRUWXJXrV´PDLVµ
c) Haplologia: consiste no desaparecimento de fonemas (ou de grafemas)
QRÀQDOGDSDODYUD²DIRUPDODWLQD´ERQGDGRVRµGHX´ERQGRVRµHPSRUWXJXrV
G&UDVHFRQVLVWHQDIXVmRGHGRLVIRQHPDVRXJUDIHPDVGHQDWXUH]D
YRFiOLFDLJXDLV'XUDQWHRSURFHVVRKLVWyULFRSRGHRFRUUHUPDLVGHXPWL
SyGHPHWDSODVPRRPHVPRWDPEpPSRGHDFRQWHFHFRPRXVRÀJXUDWLYR
GHVVHIHQ{PHQROLQJtVWLFR²DIRUPDODWLQD´GRORUHµHYROXLSDUD´GRRUµ
HGHSRLVSDUD´GRUµHPSRUWXJXrV
H6LQDOHIDFRQVLVWHQRGHVDSDUHFLPHQWRGHIRQHPDYRFiOLFRQRÀQDOGDSDOD
YUDTXDQGRDSUy[LPDSDODYUDpLQLFLDGDSRUYRJDO²´GHHVWHµGHX´GHVWHµ
3253(5087$752&$68%67,78,d®2
D6RQRUL]DomRFRQVLVWHQDSDVVDJHPGHXPDFRQVRDQWHVXUGDTXDVHVHPSUH
HPSRVLomRLQWHUYRFiOLFDDVXDKRPRUJkQLFDVRQRUDLVWRpSURGX]LGDQR
PHVPRSRQWRGHDUWLFXODomR2YRFiEXORODWLQR´OXSXµGHXHPSRUWXJXrV
´ORERµ´FLYLWDWHµGHX´FLGDGHµ
59
(VWLOtVWLFD
E9RFDOL]DomRUHIHUHVHjWUDQVIRUPDomRGHXPDFRQVRDQWHHPXPDYRJDO
RXVHPLYRJDO´PXFWRµIRUPDODWLQDGHX´PXLWRµHPSRUWXJXrV
F &RQVRQDQWL]DomR p D WUDQVIRUPDomR GH XPD YRJDO RX VHPLYRJDO HP
FRQVRDQWH´,HVXVµGRODWLPFULVWmRGHX´-HVXVµHPSRUWXJXrV
G$VVLPLODomR²UHIHUHVHjWUDQVIRUPDomRGHXPIRQHPDHPRXWURTXH
VHMDLJXDORXVHPHOKDQWHDXPH[LVWHQWHQDPHVPDSDODYUD([LVWHPYiULRV
WLSRVGHDVVLPLODomRWRWDO²RIRQHPDDVVLPLODGRVHLJXDODDRDVVLPLODGRU²
([HPSOR´SHUVRQDµ!SHVVRDSDUFLDO²RIRQHPDDVVLPLODGRVHDVVHPHOKD
DRDVVLPLODGRU²([HPSOR´DXWR!RXURSURJUHVVLYDRIRQHPDDVVLPLODGR
YHPDQWHVGRDVVLPLODU²([HPSOR´QRVWURµ!QRVVRUHJUHVVLYD²RIRQHPD
DVVLPLODGRDFKDVHGHSRLVGRDVVLPLODGRU²([HPSOR´SHUVLFXµ!SrVVHJR
F'LVVLPLODomR²FRQVLVWHQDVXSUHVVmRRXGLIHUHQFLDomRGHIRQHPDVLJXDLV
QXPPHVPRYRFiEXOR(VVHIHQ{PHQRWDPEpPSRGHVHUSURJUHVVLYRD
GLVVLPLODomRGHXPVRPIRQHPDDFRQWHFHUSRULQÁXrQFLDGHXPVRPRX
IRQHPDDQWHULRU([HPSOR´PHPRUDUHµ!QHPEUDU!OHPEUDU$OpPGLVVR
KiGLVVLPLODomRHOLPLQDWyULDTXDQGRRIHQ{PHQRRFRUUHSRULQÁXrQFLDGH
XPVRPIRQHPDDQWHULRU([HPSOR´WHPRURVRµ!WHPHURVR
G1DVDOL]DomR²FRQVLVWHQDSDVVDJHPGHXPVRPIRQHPDRUDOSDUDXP
som/fonema nasal. Exemplo: macula . macla > mancha;
H'HVQDVDOL]DomR²IHQ{PHQRFRQWUiULRjQDVDOL]DomRLVWRpSDVVDJHPGH
XPVRPIRQHPDQDVDOSDUDXPVRPIRQHPDRUDO([HPSOR´SHUVRQDµ!
´SHVVRDµ!SHVVRD
I $SRIRQLD ² IHQ{PHQR TXH PDUFD PXGDQoD GH WLPEUH GH XPD YRJDO
TXHVHDFKDLQÁXHQFLDGDSHODSUHVHQoDGHSUHÀ[R([HPSORSHUIDFWX!
perfactu > perfeito;
J0HWDIRQLD²PXGDQoDGHXPDYRJDOW{QLFDSRULQÁXrQFLDGHXPYRJDO
iWRQDÀQDO´LGRVR²LGRVDµLVWRp´{µ!´yµ
32575$16326,d®2²08'$1d$'2/8*$5'2
)21(0$'(1752'292&É%8/2
D0HWiWHVHFRQVLVWHQDWUDQVSRVLomRGHXPIRQHPDQDPHVPDVtODED
([HPSOR´VHPSHUµIRUPDODWLQDSRU´VHPSUHµIRUPDSRUWXJXHVD
E+LSHUELEDVPR²FRPSUHHQGHRGHVORFDPHQWRGHIRQHPDVRXDFHQWR1DV
OtQJXDVPRGHUQDVDEUDQGHDSHQDVDWUDQVSRVLomRGHHOHPHQWRVVXSUDVVHJ
PHQWDLVGLYLGLQGRVHSRUWDQWRHPVtVWROHHGLiVWROH'LiVWROHDYDQoRGR
DFHQWRW{QLFR²([HPSOROLPLWH!OLPLWHVtVWROHUHFXRGRDFHQWRW{QLFR
²([HPSOR´LGyOXµODWLPSDUD´tGRORµSRUWXJXrV
0HWDWD[HVWHUPRRULXQGRGRYRFiEXORJUHJRTXHSHUWHQFHRXSHU
WHQFLDDRUHJLVWURHVWUDWpJLFRPLOLWDUXWLOL]DGRSDUDQRPHDUDVPXGDQoDV
HPRYLPHQWDo}HVHQWUHÀOHLUDVGHXPH[pUFLWR/LWHUDOPHQWHVLJQLÀFDDOWH
UDo}HVGHRUGHQDomR$VPHWDWD[HVRXÀJXUDVVLQWiWLFDVRXGHFRQVWUXo}HV
60
0RGDOLGDGHVGH¿JXUDVGHHVWLORH[HPSORVHDSOLFDo}HV
Aula
DJHPVREUHDHVWUXWXUDGDIUDVH6mRHODV
D$QiIRUDUHSHWLomRGHXPRXGHPDLVGHXPYRFiEXORQRLQtFLRGHXPD
VHTXrQFLDGHIUDVHVRXGHYHUVRV([HPSOR´+DYLDXPVXVSHQVHQRVROKRV
7
GRSDL+DYLDXPVRUULVRQRVROKRVGDPmH+DYLDXPDYRQWDGHGHJULWDUH
FRUUHU+DYLDXPDVDQWDORXFXUDGHYLHU-RVp0HQGRQoD7HOHV
E0HVRWHOHXWRFRQVLVWHQDUHSHWLomRGHSDODYUDVQRPHLRHQRÀQDOGR
YHUVRRXGDIUDVH([HPSOR´'HL[HPPHHPSD]1mRWDUGRTXHHXQXQFD
WDUGRµ)3HVVRD
F3ROLSWRWRHPSUHJRGHXPDSDODYUDVREYiULDVIRUPDVRXIXQo}HVJUDP
aticais.
([HPSOR´3REUHVGRVSREUHVVmRSREUH]LQKRVµ*XHUUD-XQTXHLUR
G6LOHSVHFRQVLVWHHPID]HUDFRQFRUGkQFLDGHXPDSDODYUDRXH[SUHVVmR
QmRGLUHWDPHQWHFRPRXWUDH[SUHVVDPDVFRPDLGpLDTXHHVWDVXJHUH$
VLOHSVHSRGHVHUGHJrQHUR´&RQKHFLXPDFULDQoDPLPRVHFDVWLJRV
SRXFRSRGLDPFRPHOHµ$*DUUHWWGHQ~PHUR´$QWHVVHMDPRVEUHYH
TXHSUROL[Rµ-RmRGH%DUURVGHSHVVRD´'L]HPTXHRVFDULRFDVVRPRV
SRXFRGDGRVDRMDUGLQVS~EOLFRVµ0GH$VVLV
H(OLSVHÀJXUDGHVLQWD[HTXHWRUQDRHVWLORFRQFLVRHHOHJDQWHHFRQVLVWH
QDRPLVVmRGHXPWHUPRTXHRFRQWH[WRSHUPLWHDROHLWRURXRXYLQWHLGHQ
WLÀFDUFRPIDFLOLGDGH([HPSOR´1DWHUUDKiWDQWDJXHUUDKiWDQWR
HQJDQRKiWDQWDQHFHVVLGDGHDERUUHFLGDµ&DP}HV
I=HXJPDFRQVLVWHQD RPLVVmRGH SDODYUDV MiH[SUHVVDVDQWHULRUPHQWH
([HPSOR´2QGHRGLDpFODURHRQGHpEUHYHµ&DP}HV
J$QDFROXWRFRQVLVWHQDLQWHUUXSomRGRSODQRVLQWiWLFRFRPTXHVHLQLFLD
XPDIUDVHDOWHUDQGROKHDVHTXrQFLDGRSURFHVVROyJLFR([HPSOR´$EHOH]D
pHPQRVTXHHOHH[LVWHµ0DQXHO%DQGHLUD
K3ROLVVtQGHWRXVRUHLWHUDGRGHFRQHWLYRVHPFRRUGHQDomR([HPSOR´4XH
DVHVWUHODVHR&pXHR$UYL]LQKRµ&DP}HV
L$QWLPHWiEROHpDLQYHUVmRHPXPDIUDVHGHSDODYUDVGHRXWUDHPFRQ
WUDVWH2VWURFDGLOKRVVmRERQVH[HPSORV([HPSOR´'HFHUWRVKRPHQV
GL]LD6yFUDWHVTXHQmRFRPLDPSDUDYLYHUPDVTXHYLYLDPSDUDFRPHUµ
3H$QW{QLR9LHLUD
M&OLFKrH[SUHVVmRTXHVHGHVJDVWDGHWDQWDUHSHWLomRRXWDQWRXVR([HP
SORV´YLOPHWDOµ´VLOrQFLRPRUWDOµ´DVWURUHLµHPXLWRVRXWURV
N 3OHRQDVPR SDODYUD RX H[SUHVVmRUHSHWLGD UHGXQGDQWHTXH QRERP
VHQWLGR DYLYD D HORFXomR 3RGH VHU GH QDWXUH]D VHPkQWLFD RX VLQWiWLFD
([HPSORV´-iOiGRV&pXVQmRYHPFHOHVWHDYLVRµ&DP}HV²´2PHOURHX
FRQKHFLRµ*XHUUD-XQTXHLUD
61
(VWLOtVWLFD
D6LQpGRTXHHVSpFLHSDUWLFXODUGDPHWRQtPLD7UDWDVHGDVXEVWLWXLomRGH
XPDSDODYUDSRURXWUDTXHSRVVXLTXHDSUHVHQWDDSHQDVXPDH[WHQVmRGR
VHQWLGRGRYRFiEXOR([HPSORWRPDVHDSDUWHSHORWRGR²´2UHEDQKR
WLQKDPLOFDEHoDVµWRPDVHRWRGRSHODSDUWH´$TXHODPDGDPHYHVWHXP
XUVRµWRPDVHRVLQJXODUSHORSOXUDORXYLFHYHUVD´$PXOKHUIRLFKDPDGD
SDUDLUjVUXDVQDOXWDFRQWUDDYLROrQFLDµHRXWUDVSRVVLELOLGDGHV
E0HWiIRUDpXPDFRPSDUDomRHOtSWLFD1RIXQGRpRXVRGHXPDSDOD
YUDQXPVHQWLGRGLIHUHQWHGHVXDVLJQLÀFDomRQDWXUDO([HPSOR´$YLGDH
FRPEDWHµ*RQoDOYHV'LDV´1mRYHMRDTXHOHFXMRROKDUVmRSLULODPSRVµ
$QW{QLR1REUH
F 0HWRQtPLD HPSUHJR GH XP YRFiEXOR SRU RXWUR FRP R TXDO JXDUGH
DOJXPDUHODomRGHGHSHQGrQFLDVHPkQWLFD([HPSOR´/HLR5XL%DUERVD
WRGRVRVGLDVµ´2%UDVLOYHQFHXDJXHUUDµ
G2[LPRURFRQVLVWHQDDSUR[LPDomRGHYRFiEXORVTXHSRVVXHPFRQWH~GR
RSRVWR XP FRP UHODomR DR RXWUR ([HPSOR ´6LOrQFLR HORTHQWHµ RX
´,QRFHQWHFXOSDµ
H $QWtWHVH XVRGH GXDVSDODYUDV RX GXDVLGpLDVFRPVHQWLGRVGLYHUVRV
([HPSOR´'RULVRVHIH]SUDQWRµ9LQtFLXVGH0RUDHV
I3DUDQRPiVLDHPSUHJRGHSDODYUDVVHPHOKDQWHVTXDQWRDRVRPPDVGLIH
UHQWHVQDVLJQLÀFDomR([HPSOR´$DUWHGDVFULDQoDVHVWiQDVVXDVDUWHVµ
J(XIHPLVPRWUDWDVHGHXPPRGRGHGLVIDUoDUSDODYUDRXH[SUHVVmRTXH
SDUHoDGHVDJUDGiYHO([HPSOR´HQWUHJDUDDOPDD'HXVµSRUPRUUHU
K,URQLDFDUDFWHUL]DVHSRUHQXQFLDUDOJRDRFRQWUiULRGRTXHVHSHQVD
FRPLQWHQomRVDUFiVWLFD([HPSOR´RYHOKRFRPHoRXDÀFDUFRPDTXHOD
FRUGHXPDERQLWDWRQDOLGDGHFDGDYpULFDµ²63RQWH3UHWD
L3DUDGR[RLGHQWLÀFDVHHPWUDQVPLWLUDRSLQLmRFRQWUiULDDRVHQVRFRPXP
aparentando ser um erro, mas pode ser considerada como verdadeira do
SRQWRGHYLVWD´SVLFROyJLFRHRXSRpWLFRµ([HPSOR´3UDVHYLYHUGRDPRU
+iTXHHVTXHFHURDPRUµ&KLFR%XDUTXHGH+ROODQGD
M+LEpUEDWRGHVLJQDWRGDHTXDOTXHULQYHUVmRGDRUGHPQRUPDOGDVSD
ODYUDVQDIUDVHQDRUDomRRXQRVSHUtRGRV([HPSOR´'DWDUGHPRUWDR
PXUPXUDUVHFDODµLQVWRpRPXUPXUDUGDWDUGHPRUWDVHFDOD&GH$EUHX
N 4XLDVPR UHSHWLomR GDV SDODYUDV LQYHUWHQGR D VXD RUGHP ([HPSOR
´7LQKDVDDOPDGHVRQKRVSRYRDGD(DDOPDGHVRQKRVSRYRDGDHXWLQKDµ
Olavo Bilac.
O$SyVWURIHFRQVLVWHQDHYRFDomRGHGHWHUPLQDGDVHQWLGDGHVSRGHQGR
WUDWDUVHGHVHUHVUHDLVRXLPDJLQiULRV([HPSOR´'HXVÐ'HXV2QGH
HVWiVTXHQmRUHVSRQGHV"µ&DVWUR$OYHV
P/LWRWHVFRQVLVWHHPVHDÀUPDURSRVLWLYRSHORQHJDWLYR([HPSOR´(OH
QmRpQDGDWRORµ
Q$QWRQRPiVLDpDVXEVWLWXLomRGHXPQRPHSUySULRSRUXPQRPHFR
PXPRXSRUXPDH[SUHVVmRDHOHOLJDGD([HPSOR´2SRHWDGRVHVFUDYRVµ
62
0RGDOLGDGHVGH¿JXUDVGHHVWLORH[HPSORVHDSOLFDo}HV
Aula
Texto:
$R'HXV.XP8QLN$VVmR
*HQXFLUFXQÁH[DGRYRVDGRXUR
YRVDPRXURDYyVVRQRXUR
GHXVGDEX]LQD GDPRUÀQD
TXHPHHVYD]LDLVHQFKHQGRGHÁDWR
HÁDXWDHIDQRSHLDHIRQHHIHQR
9RVVDSiODYUDRFKmRGHPLQKDFDUQH
HSODQWDEHWHUUDERVEDORXoDQWHV
de intenso carneiral belibalentes
em que disperso espremo e desexprimo
o que em mim aspirava a ser eumano.
63
(VWLOtVWLFD
do lugarfalar
comum.
6DOYHPHLRÀP
GHÀQULQÀQÀP
plurimelodia
distriburrida no planeta.
1RVVDJRHODVHPSUHVHPSUHVHPSUHHVFmRFDUDGD
engole elefantes
HQJROHFDWiVWURIHV
WmRQDWXUDOPHQWHFRPRVH
E PEDE MAIS.
64
0RGDOLGDGHVGH¿JXUDVGHHVWLORH[HPSORVHDSOLFDo}HV
Aula
Cumpro. Sou
geral.
eSRXFR"
7
Multi
versal.
eQDGD
Sou
al.
65
(VWLOtVWLFD
Se komuniko
que amorico
me sentimultiplico
scotch no bico
paparico
rio rico
swalpico
de prazer meu penico
HPYRVVRKRQRUy'HXVNRPXQLNmR
Farto de komunikar
na pequenina taba
VXERDRFpXHPIRJXHWH
DWpDSULPDVROLGmR
levando o som
DFRURSDYLOKmR
GDNRPXQLNkQVLD
LQWHUSODQHWiULDLQWHUSDWHWDO
Convoco os astros
Para o coquetel
os mundos esparsos
SDUDDFRQYHQomR
DLQRFrQFLDGDVJDOi[LDV
SDUDDQRLWtFLD
a nivola
o show de bala
o sexpudim
o blablabum.
(TXDQGRQmRUHVWDU
RPtQLPRSRQWR
a ser detectado
a ser invadido
a ser consumido
e todos os seres
se atomizarem na supermensagem
GRVXSHUYiFXR
e todas as coisas
se apagarem no circuito global
e o Meio
GHL[DUGHVHU)LPHFKHJDUDRÀP
Senhor! Senhor!
66
0RGDOLGDGHVGH¿JXUDVGHHVWLORH[HPSORVHDSOLFDo}HV
Aula
TXHPYRVVDOYDUi
GHYRVVDSUySULDGHYRVVDWHUUtELO
estremendona
7
LQNRPXQLNKDVVmR"
&21&/86®2
9LPRVDRORQJRGHVWDDXODTXHDOtQJXDSRVVXLUHFXUVRVH[SUHVVLYRVHj
GLVSRVLomRGRHVFULWRUOHLWRU0DVHVVHSRGHUGHH[SUHVVLYLGDGHGHFRUUHGD
PDQHLUDFRPRRXVXiULRGDOtQJXDDXWLOL]DHPIXQomRGHVXDÀQDOLGDGH1R
FRWLGLDQRID]HPRVXVRGDOtQJXDFRPXPDÀQDOLGDGHSUiWLFDLVWRpXWLOLWiULD
YLVDQGRDSHQDVDRDWRGHFRPXQLFDUXPDLGpLDXPIDWR(VVHVHULDHQWmR
RXVRJHUDOGDOtQJXD1RHQWDQWRpSUHFLVRFKDPDUDDWHQomRSDUDRXVR
TXHGDOtQJXDID]HPFHUWRVHVFULWRUHVTXHSURFXUDPPDUFiODGHPDQHLUD
especial, tornando-a mais expressiva. Essa expressividade decorre, quase
VHPSUHGRXVRGDOLQJXDJHPQDSHUVSHFWLYDGDFRQRWDomR$VVLPDOtQJXD
VHDIDVWDGDPDQHLUDFRPXPGHH[SUHVVmRSDUDVHPDQLIHVWDUSRUWDGRUDGH
GHVYLRVRTXHFRQVWLWXLHP(VWLOtVWLFDRHVWLORHHVWHUHFRUUHSDUDWDOj
DPSODSRVVLELOLGDGHGDVÀJXUDVGHOLQJXDJHP
RESUMO
2DVVXQWRGHVWDDXODVHFRQFHQWURXQDVÀJXUDVGHHVWLORPDLVSUHFLVD
PHQWHHPDOJXPDVGHODVDVFRQVLGHUDGDVPDLVIUHTHQWHVHPDLVFRPXQV
'HVVH PRGR DSUHVHQWDPRV XPD FODVVLÀFDomR JHUDO GLVWULEXtGD HP WUrV
GLUHo}HVRV PHWDSODVPRV DV PHWDWD[HV H RV PHWDVVHPHPRV $VVLP QR
SULPHLURFDVR²RVPHWDSODVPRV²WHPRVDVÀJXUDVTXHLQFLGHPVREUHR
DVSHFWRVRQRURRXJUiÀFRGDVSDODYUDVFRPRYLPRVQDFODVVLÀFDomRDSUH
sentada no decorrer desta aula; no segundo caso: as metataxes referem-se
jVÀJXUDVTXHDIHWDPDHVWUXWXUDIUiVLFDGRGLVFXUVR$TXLWDPEpPVHOHFLR
namos algumas como exemplo; e o terceiro caso remete aos metassememas
TXHVmRÀJXUDV TXHDWLQJHPDVFDUDFWHUtVWLFDVVrPLFDVLVWRRVWUDoRVGH
sentido, do discurso oral ou escrito, como mostramos acima.
67
(VWLOtVWLFD
ATIVIDADES
(VWDDSUHVHQWDDOJXPDVDWLYLGDGHVTXHYmRUHTXHUHUSHVTXLVDGRVDOXQRV
HDFRPSDQKDPHQWRGRVWXWRUHVQmRVySHODH[WHQVmRGRTXHVHYDLVROLFLWDU
PDVWDPEpPSRUXPDFHUWDFRPSOH[LGDGHGRWHPD9DPRVOiDSHVTXLVHP
HPJUDPiWLFDVKLVWyULFDVFRPRDGH,VPDHO/LPD&RXWLQKRPDLVXPH[
HPSORSDUDFDGDFDVRGHPHWDSODVPR)DoDPWDPEpPXPOHYDQWDPHQWR
PDLVXPH[HPSORGDVÀJXUDVPHWDWD[HVHPHWDVVHPHPDV2UJDQL]HPXPD
HVSpFLHGHJORVViULRPDLVRXPHQRVFRPSOHWRHGHDFRUGRFRPDUHODomR
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GARCIA. Othon M. &RPXQLFDomRHPSURVDPRGHUQD. Rio. FGV. 1974.
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JAKOBSON. Roman. /LQJtVWLFDHFRPXQLFDomR6mR3DXOR(G&XO
trix. 1970.
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