Ar8701 - Landscape Design - Unit 5 - 2
Ar8701 - Landscape Design - Unit 5 - 2
Ar8701 - Landscape Design - Unit 5 - 2
LANDSCAPING OF FUNCTIONAL
AREAS
Urban open spaces and principle of urban landscape. Street landscaping,
landscape design for waterfront areas and functional areas in urban centres.
Green infrastructure including green roofs and walls.
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URBAN OPEN SPACES
In land-use planning, urban open space is open-space areas reserved for
parks, "green spaces", and other open areas. The landscape of urban open
spaces can range from playing fields to highly maintained environments to
relatively natural landscapes. Generally considered open to the public, urban
open spaces are sometimes privately owned, such as higher education
campuses, neighborhood/community parks/gardens, and institutional or
corporate grounds. Areas outside city boundaries, such as state and national
parks as well as open space in the countryside, are not considered urban
open space. Streets, piazzas, plazas and urban squares are not always
defined as urban open space in land use planning.
The terms "urban open space" can describe many types of open areas. One
definition holds that, "As the counterpart of development, urban open space
is a natural and cultural resource, synonymous with neither 'unused land'
nor 'park and recreation areas." Another is "Open space is land and/or water
area with its surface open to the sky, consciously acquired or publicly
regulated to serve conservation and urban shaping function in addition to
providing recreational opportunities." In almost all instances, the space
referred to by the term is, in fact, green space. However, there are examples
of urban green space which, though not publicly owned/regulated, are still
considered urban open space.
BENEFITS
The benefits that urban open space provides to citizens can be broken into
four basic forms; recreation, ecology, aesthetic value, and positive health
impacts. Psychological benefits gained by visitors to urban green spaces
increased with their biodiversity, indicating that 'green' alone is not
sufficient; the quality of that green is important as well.
Recreational
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Studies done on physically active adults middle aged and older show there
are amplified benefits when the physical activities are coupled with green
space environments. Such coupling leads to decreased levels of stress,
lowers the risk for depression as well as increase the frequency of
participation in exercise. Casual group walks in a green environment (nature
walks) increase one's positive attitude and lower stress levels as well as risk
of depression.
Ecological
Aesthetic
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Impact on health
Green spaces within urban areas can help reduce these increased
temperatures through shading and evapotranspiration. Shading comes from
the taller plants, such as trees, planted in green spaces that can contribute
to lowering the surface heat island effect. The shade provides protection
from the sun for vulnerable populations, such as children, during periods of
increased temperature, during the summer months or during a heat wave.
Tree cover prevents some solar radiation from reaching the ground with its
leaves and branches. This reduces the effect of surface urban heat islands.
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Open spaces that include any type of vegetation help offset the high
temperatures through the natural process of evapotranspiration.
Evapotranspiration releases water into the air therefore dissipating heat.
There are many elements of an urban open space that can contribute to the
mitigation of urban heat islands including the type of open space (park or
nature reserve), type of plant species, and the density of vegetation. Green
spaces contribute to the reduction of local heat, decreasing the overall effect
of UHIs. The larger the distribution of green spaces, the bigger the area of
heat reduction. Green spaces that are clustered together will have an
additive heat reduction resulting in a greater decrease in temperature in the
local area compared to surrounding areas.
Human activity has increased air pollution in the earth's atmosphere and
trees play an essential role in removing human-made pollutants from the air,
aka particulate matter (PM). Trees produce oxygen and absorb CO2. In
urban green spaces, trees filter out man-made pollutants. Air quality data
collected on cities with and without urban green space has shown that areas
with an abundance of trees have considerably less air pollutants, i.e. O3,
PM10, NO2, SO2, and CO. As air pollutants accumulate in the atmosphere,
vulnerable populations, such as children, may suffer from increased
incidences of respiratory disease[39]. Particulate matter or particle pollution
with a diameter of 10 microns (PM10) or 2.5 microns (PM2.5) is associated
with heart diseases and respiratory diseases including lung cancer.
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and colour combinations (Keshtkaran et al., 2017). In fact, a city is a
physical object and consideration of experts merely is on visual aspects of
the city. Regarding this view, Gibberd (1970) as one of the followers of
artistic view, introduces texture, colour, mass and lines as the most
important elements of the urban landscape.
In another view, Le Corbusier (1920) defines four essential areas for the city
included residential, industrial, commercial, and a transportation
infrastructure. Therefore, the city of Le Corbusier is a functional city. Versus
the artistic vision, He believed that simplicity in architecture is the best-
known aesthetic answer to human needs. Some scientist such as Lynch
(1960), considered the city as more than individuals and social facilities. In
their view, the city is more of a state of thought. The coherence of organized
habits and traditions and attitudes. The city is not merely a physical
mechanism but is involved in the social process of the people who formed it.
The more recent group of theorists consider the city as a product of nature
and is considered and evaluated as part of an ecosystem with a powerful
human presence (Council of Europe, 2000; Leopold, 1942; McHarg and
Mumford, 1969; Steiner and Steiner, 2002; Wu et al., 2013).
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of an integrated artistic space. In this space urban landscape as a
comprehensive art is inherently related to other forms of art. Thus various
forms of art play an important role in the formation of urban landscape. It
can be said the contemporary urban landscape includes dynamic and flexible
relationships; layering, congestion and the landscapes interpenetration make
an unbounded and undefined spatial- temporal urban continuity which is
difficult to distinguish (de Wit, 2016). In fact, the urban landscape includes
all areas and functions such as residential, institutional, commercial,
industrial, cultural land uses (Kalaiarasan, 2016).
According to the above, it can be seen that the concept of the urban
landscape as a medium that provides the ability to read urban text is very
controversial .In the meantime, by studying the history of the urban
landscape, the development of this concept can be traced over the last
decades.
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In fact, the urban landscape can be considered as a paradigm, which has a
set of concepts, theories, rules, patterns, measurement tools, and executive
practices. By investigating the history of urban change and study of the
different viewpoint of theorists in urban studies and related major such as
architecture, urban design and urbanism, four main approaches (Golkar,
2008) can be proposed for the urban landscape: Artistic approach,
Functional approach, Perceptual/ contextual approach, Sustainable
approach.
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It is true that the urban landscape has undergone an evolutionary process
and has a wider dimension, but it should be considered that some
governments and designers continue to use their past approaches and
designs and by neglecting the new approaches, continue to follow the path
that has led to project failures and urban problems. According to Table 1,
each of the design approaches has set some criteria as their primary goal
and put them at the head designs and researches. Basis on table 1,
generally, it can be stated that the factors of "aesthetics", "function",
"identity" and "ecology" are the four main goals of the urban landscape
which are obvious in the work of designers and theorists from past decades
until now and as it is seen, due to these goals, different movement and style
have been created. These goals have been extracted after studying the
evolution of urban landscape approaches, which include four approaches;
Artistic approach, Functional approach, Perceptual/ contextual approach,
Sustainable approach (Table1).
1.AESTHETICS
For the first time, the term of aesthetics in the Aristotle era was used to
some extent to its current meaning. In this period, the term of aesthetics
was used as aesthesis. This term implies sensation and sensory perception
and generally makes perception through senses. In fact, there is a special
sensory perception that was at that time against rational perception.
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Today's conception of aesthetics is the result of the successive meanings of
philosophers like Kant and Hegel. But the discussion of the meanings of
aesthetics in our time continues and, from the view of many philosophers, in
particular, analytic philosophers, should not confuse aesthetics with the
philosophy of art. Aesthetics, more than anything, relates to sensory
experience, in the general sense; for example, it can be an experience of
beautiful artistic or natural beauty.
Urban landscape aesthetics - The cities with their powerful context which
can create an opportunity to stimulate our imagination are important
sources for an active aesthetic life. Urban Landscape aesthetics and people’s
daily life are closely related to each other and a large number of researches
has been done to comprehend the public’s landscape preferences. In fact,
people’s perception of their everyday environment is affected by Landscape
patterns and to understand landscape preferences, landscape aesthetic
theories suggest applying the landscape patterns. Hence, the landscape
aesthetics value has converted to one of the most significant socio-ecological
research issues and also has gained important regard in public perception.
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subjective/perceptual studies of the urban environment Kaplan studies
show that aesthetic preferences cannot be separated from the examination
of the mental concepts of individuals relative to the place. Because the
perception of beauty is related to personal emotions and the person's mental
background.
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by landscape architects or environmental psychologists. The dominant
methodology in this study is widely used in behavioural approaches .
In general, in the twentieth century, the objective approach was widely used
in urban management and versus, major research projects were conducted
with a subjective approach based on public judgments.
2.FUNCTION
Urban Landscape function is changed to the significant concept in
policymaking. One of the most important challenges at the landscape is
deciding on the optimal allotment and management of different land use
alternatives and services which encounter different groups of experts such
as policymakers, urban planner, urban manager and landscape architect to
the complex problem. Land use management and adopting the best decision
and applying the maximum potential of urban spaces is one of the main
challenges facing the different groups of experts such as policymakers,
urban planners, urban managers and landscape architects.
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Generally, different and sometimes conflicting criteria and selecting a
suitable alternative, convert the urban landscape policy to the kind of Multi-
Criteria decision making (MCDM) problem. The correct and proper
understanding of the concept of urban landscape function requires a series
of preparations, which are referred to below.
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When all types of activities take place together and complete each other, the
collective spaces of cities become meaningful and attractive.
In this regard, Carr et al (1992) argue that urban spaces in addition to being
meaningful and democratic must meet the needs of "comfort, relaxation,
passive engagement with the environment, active engagement with the
environment and discovery". Good places mostly consider more than one
purposes.
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flexibility, stewardship, diversity, naturalness, safety, enclosure, complexity,
and visual aspect Therefore, urban landscape can apply its proper functional
role by considering these criteria to reach a favourable quality.
3.IDENTITY
―Identitas‖ is the Latin root of ―identity‖ which it means is ―sameness‖. Identity
is "the distinguishing character or personality of an individual" according to
Webster’s Tenth Collegiate Dictionary, (2003). In fact, the identity is the
human beings interpretation from his association with history over the time,
a history related to the various components of the life of "man of today".
Human identity is a multi-dimensional narrative that embraces many of the
subjective and objective arenas of its life; an interpretation of the
interaction of these components. In other definition, defines identity as
"subjective feeling of self-sameness and continuity over time in different
places and social situations". In general, it can be stated Identity is a set of
material and spiritual attachments of a man whose principles have already
been formed, so identity is the issue that can vary in different situations in
different people and societies.
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need for place identity was highlighted as follows: ―A deep human need
exists for associations with significant places‖ Lynch (1981) also defines
identity as ―the extent to which a person can recognize or recall a place as
being distinct from other places‖. Place identity can be boosted by memory
and hope of communities.
Cities like humans and places have an identity; the dynamic and changing
identity. The city's public identity is intertwined with our imagination of
urban landscapes. The urban landscape indicates the lifestyle of the
residents, their interactions and their activities, the values and beliefs of the
inhabitants, the affiliations of the city to the geographical location, time,
climate, economy, society and politics residents, their interactions and their
activities, the values and beliefs of the inhabitants, the affiliations of the city
to the geographical location, time, climate, economy, society and politics
4.ECOLOGY
Landscape ecology is one of the youngest branches of ecology that has been
developed in Europe since World War II and has been considered as a
distinct science. Although this term has been introduced since the 1930s,
landscape ecology has become a specialized field since the 80's, when
software and computers applied to help the ecologists and geographers.
Today, landscape ecology is a well-known, specialized field of study by
landscape architects, ecological scientist, geographers and researchers of
the social sciences around the world. Landscape ecology is a complex cross-
sectional discipline that integrated urban ecology early on, first as a special
section but later recognized it as science requiring a consolidated theory. In
fact, visions in landscape ecology gradually have evolved and human as
main part of studies is added, according to this, nowadays the landscape is
recognized as a product of the complex relations between humans and
nature. Some of the definitions proposed by scientists and theorists in this
area are shown in Table 2.
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main elements of landscape ecology which Forman and Godron (1986)
introduced to describe the spatial patterns in natural and rural landscapes.
But that was one of the early methods to study and evaluate urban ecology.
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STREET LANDSCAPING
Landscape and streetscape design should unify the different modules
and help establish a distinct identity.
Develop streets and public spaces that are pedestrian and bicycle
friendly, environmentally responsible and aesthetically pleasing.
The landscape plan should mimic natural systems to manage water
quantity and quality, reduce heat island effects, respond to seasonal
temperatures and support wildlife habitat.
All landscape elements should provide for and reinforce the function of
each specific space: vehicular-oriented streets, pedestrian-oriented
streets, other pedestrian spaces, areas that frame views and vistas,
stormwater management, wildlife habitat.
1. PLANTING
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2. SUSTAINABLE DESIGN
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4. FURNISHINGS
Amenities such as outdoor seating and plaza areas for meetings and
gatherings are encouraged throughout. Selected furnishings will add
character as well as create environments for community interaction. The
degree to which site furnishings vary among building sites and campus
spaces should be minimal.
Benches
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Seat walls
Table Sets
Table sets, all steel components with powder coated finish, finish
color to be determined, should be located throughout the campus in
outdoor seating areas and plazas.
Trash Receptacles
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Bicycle Racks
Bollards
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5. RETAINING WALLS
•The design and materials for retaining walls should complement the
principal buildings with regard to color, quality, scale and detail.
6. LIGHTING
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7. STORMWATER
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WATERFRONT AREAS
The definition of waterfront area The waterfront area is the confluence area
of water and land. It is not only the edge of land but also the edge of water,
and the land should cover some areas.
Most of the waterfront lands are like belts along the coastlines. People want
to make use of these areas, so planners begin to think of a way to make it
attractive for people. How to connect traffic, establish different functions,
and how to communicate with inner cities are the main problems.
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In geographical aspect, the urban landscape is a synthesis of climate, soil,
biology and physiognomy. If it is explained in an ecological aspect, it is an
ecosystem of correlative space. The most popular explanation is that it is the
collection of integrated elements in the space of cities, including landscape
elements, functional characters and cultural character, and most importantly,
the activities of people. The essence of a city is to make the city convenient
for people to live. An integrated landscape includes artificial landscape and
natural landscape. The artificial landscapes include architecture, streets,
squares and so on.
The extent of waterfront areas refers to how large area a waterfront area
can be. In different places, this question is answered differently, because it
depends on many things, such as history, culture, city planning, economic
development and climate. In the book titled Landscape Architecture of
Waterfront, the landscape area is defined as a land 100 feet to 5 miles in
front of shoreline. In my opinion, the landscape area can be defined by the
citizens who live in the city, because they are the users in that waterfront
area. After the research I think 200 to 300 meters is the usual range. (Tang
Jian, 2007)
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THE STRUCTURE OF WATERFRONT LANDSCAPE
Urban waterfront landscape plans are the most complex and difficult plans of
all the landscape plans. Generally, it consists of a greenbelt, architecture,
landscape arrangement and shorelines. A waterfront area is closely related
with water, so it has different landscape characteristics from other places. It
has five characteristics:
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Xuanwu Lake, and after the investigation, people find out that it was put in
by planners to restrain another plant, but algae did not have any natural
enemies in that lake, so it quickly grew out of control.
2. Public aspect
Waterfront areas are the most public areas. In an ecological aspect, the
nature of waterfront area makes the ecosystem balanced. In the economic
aspect, waterfront areas have high quality spaces, such as green belts,
squares and sometimes sand beaches. These are often established areas for
shopping, taking a walk and relaxing. In China, waterfront landscapes are
usually very important in the cities, and the government often build a
largescale planning as a land mark of the city.
Many years ago in ancient times, many of the urban waterfront areas were
the original places for people to live. It became the first place to be
developed; it greatly affected the development of cities. Water is also the
door to communicate with other cities in transporting, trading, information
and culture, at that time all the transportation was done on water. So the
culture emerged first in the waterfront areas.
4. Diversity characteristic
5. Characteristic aspect
In Kevin Lynch’s famous work, The Images of the City published in 1960, he
said that space has five elements:
1. Paths, such as the streets, sidewalks, trails, and some other channels;
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4. Nodes, such as focal points and intersections;
2. Traffic programming
This is how to connect the traffic outside and inside of the waterfront
area together.
3. Shoreline
4.Some details such as pavement and statues can show the history
and culture of this waterfront. The waterfront areas should have six
functions: trade, relaxing recreation, education, environment,
residence and open port.
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PRINCIPLES OF PLANNING
1.When we plan the waterfront area, we need to think about the plan
of the inner city, which needs to base on the overall city planning.
After the overall city planning, planners will know which land will be
used as waterfront land. In traffic aspect, the traffic should be firmly
connected with the traffic in the inner city. Complementarities are also
a way to renew the landscape in the future.
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4.Pay attention to the mixture of tradition and modernization There is
an adage in China- ―the more traditional the more beautiful‖. There are
two ways to mix the tradition and modernization; one is to use some
traditional details in modern planning, another is to use modern details
in traditional plan. Both of these ways is a basic ways to plan.
5.Keep close with water - People are born to love water. Some
years age, the riverbanks were high and thick, block off people and
water. Now people can handle the water well, so they like to be as
close as possible. According to the demand of the citizens, some big
steps close to water are often designed.
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URBAN CENTRES
A cluster of contiguous grid cells of 1 km² (excluding diagonals) with a
population density of at least 1 500 inhabitants per km² and collectively a
minimum population of 50 000 inhabitants after gap-filling.
Unlike an urban area, a metropolitan area includes not only the urban area,
but also satellite cities plus intervening rural land that is socio-economically
connected to the urban core city, typically by employment ties through
commuting, with the urban core city being the primary labor market.
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GREEN ROOF
The green roof will not be a place for people to gather, but rather an
aesthetically pleasing alternative rooftop visible from key areas within the
building. Yet again, maybe the green roof will not be seen by anyone. Green
roof design often requires balancing desire, need, and finances. Establishing
a green roof can be a simultaneously rewarding and exasperating
experience. One can take an otherwise drab and unappealing area atop a
building and transform it into a remarkable green space. One may also
spend several months working on a project only to have the green roof
eliminated due to budgetary constraints. In order to give a green roof
project every chance to succeed, it is important to clearly identify the intent
and limitations specific to the project. The first section of this book will
discuss design options, benefits, and ramifications. Designing a green roof is
not necessarily a linear process. Although it is best to attempt to address
issues in a logical order, one must often revisit earlier portions of the design
to tweak, refine, and on occasion, scrap and start over. The goal is to design
a green roof that will come to fruition, meet the intent of the design, and
become a source of pride for its owner.
Why is the owner of this structure interested in building this particular green
roof? The answers to this question will give those involved in the project
some direction as they develop their vision of the green roof project. To
obtain the answers needed, one must ask some more specific questions
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about the green roof he or she wants to build. It’s best to start with the
desired use of the rooftop space. Will people gather and congregate on the
green roof? If the answer is yes, then the green roof is likely a rooftop
garden for the enjoyment of visitors. If the answer is no, the green roof will
be designed to meet visual, environmental, and regulatory goals. Many
design considerations will need to be addressed based on building a rooftop
garden versus a green roof.
At this point, the general scope of the project has been determined and
some weight and access issues that will affect the final design have been
considered. However, the focus has been limited to the rooftop; next, it will
be expanded to include the area around the building. This section will look at
the project location and the important elements that will impact the green
roof. In this important phase of design, one must consider the conditions
that will shape the plant selection palette. Here the idea of the color and
texture of the rooftop space is fleshed out. The orientation of the roof area
will be considered first.
Hoisting The height of the building section dictates several aspects of the
green roof design. It has been stated that good green roof construction is all
in the material handling. The volume and weight of the green roof material,
especially growth media, makes roof loading a challenge. The taller the
building, the more expensive it will be to get material to the rooftop. The
following categories simplify consideration of height for material hoisting:
rooftops below 20 feet, rooftops between 20 and 120 feet, and rooftops
higher than 120 feet. Rooftops between 20 and 120 feet typically require the
use of a crane to hoist material to the rooftop. Conducting operations at this
height requires a great deal of skill and coordination. Using a crane to hoist
material requires experience in rigging loads for hoisting, the use of hand
signals and radio equipment to communicate with the crane operator,
understanding of point loading capacity of the roof deck, and safety practices
and regulations for rooftop activities and other hoisting procedures. The
typical hoisting operation is conducted by six or more highly paid tradesmen.
Coordination of material delivery times and crane availability is critical to
avoid paying workers to wait on the arrival of hoisting equipment.
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Taller, upright plants catch wind and may need to be situated away from the
roof edge where winds are stronger. Supplemental anchoring may be
necessary to allow these taller plants a chance to establish roots capable of
withstanding wind loads. The perimeter of the roof is affected by a
phenomenon known as wind vortex, where wind travels up the wall of the
building and creates negative pressure at the roof surface as it swirls along
the roof edge. It may be necessary to incorporate ―no plant zones‖ in these
areas. Often concrete pavers are used to add additional weight to counter
wind uplift forces along the roof perimeter. Even on the interior regions of
the roof, strong winds can wreak havoc on the green roof surface. Well-
rooted and established plants help hold the growth media to prevent
scouring. The use of wind blankets may be necessary to offer protection
against scouring until plants can be established.
Shadowing Taller structures in close proximity to the green roof may cast
shadows over the green roof. Depending on the orientation, shadows may
fall over the roof surface at various times throughout the day as well as
throughout the year. Care must be taken to match the sunlight requirement
of the selected green roof plant species with the sunlight available on the
also be used to one’s advantage. Plants that are less tolerant of heat can be
positioned to take advantage of the morning sunlight while afternoon
shading provides relief from the heat. Green roofs in constant shade require
careful plant selection. Some plant species may have a distinctly different
appearance when fully shaded than when exposed to direct sunlight. Some
species will not tolerate winter shading in northern climates. It is best to
embark on shaded green roof projects with realistic expectations regarding
the trial and error necessary to develop a plant scheme that will thrive on
the chosen rooftop
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Access Adjacent building sections can both enhance and inhibit access to
the rooftop on which the green roof will be built. Doorways and windows
through adjacent building sections provide easy access to the rooftop.
However, adjacent building sections may prohibit crane and forklift access to
the rooftop, requiring material to be conveyed through the building or over
the top of adjacent roofs. This requires double handling of material and can
significantly increase the cost of the green roof. Modular green roof systems
are particularly attractive for these situations as the growth media and
plants are contained in individual modules.
Exposure Taller adjacent building sections can dramatically reduce the wind
and extreme weather exposure for a green roof. Green roofs oriented
downwind of prevailing weather patterns will experience less wind-driven
rain and snow. However, upwind orientation will result in greater snow drifts
against the taller structure and greater accumulation of water along the base
of the adjacent wall.
Taller adjacent building sections can also provide visibility of the green roof
from the interior of the building. Planting strategies for these green roofs
may include evergreen species that provide vibrant foliage during the winter
months. Flowering annuals can be used for adding spring and summertime
color. Green roofs that are visible from the interior of the building become an
amenity allowing interaction with the occupants and adding value to the
property.
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structural limitations, rainwater harvesting is becoming an integral
component of green roof design.
Global warming isn’t helping the cause either and the risk of flooding is
heightened throughout the UK. To counter this threat, green roofs are
a terrific option. Water is stored in plants and substrate, before being
released back into the environment naturally.
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A rooftop is continually under attack from the elements and has plenty
to cope with throughout the year. Not only will a roof need to
sufficiently deal with wind and rain, but ultraviolet light and fluctuating
temperatures too. As such, it’s common for both homeowners and
businesses to consider an alternative option for the roof.
Green roofs offer this opportunity and have proved to double or even
triple the life expectancy of your rooftop. The barrier of greenery helps
protect the waterproof membrane underneath and ensure your
rooftop’s life expectancy lasts well for decades.
This all changes with the aid of a green roof. By implementing a green
roof you can ensure to improve energy efficiency and limit the usage
of air conditioning too. Plants absorb the sun’s energy and therefore
reduce the temperature of the roof in summer, whilst aiding thermal
efficiency in the colder winter by locking heat inside.
In a similar vein to the point above, green roofs reduce the need for
air conditioning, whilst also ensuring less heat is required for the
winter. Both air con and the generation of heat create CO2.
Green roofs also help support wildlife and in turn, can create a healthy
habitat. Whilst they won’t directly replace ground environments,
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they’re perfect for attracting birds and other wildlife to create a
thriving eco-friendly habitat.
Each green roof will support varying habitats, dependent largely on the
type of vegetation included. According to a survey in Switzerland, the
study of 11 green rooftops found there to be an incredible 172
separate species.
However, despite the greater initial setback, over time these green
roofs more than make up for the outlay. When you consider the range
of incredible benefits highlighted earlier, there should be no reason to
allow cost to play a determining role in your decision.
There’s no doubt about it, green roofs are heavier and as such, require
more structural support to be implemented. Typically, the addition of a
green roof will add between 50 and 200kg/metre squared to an
existing rooftop. Although some rooftops will need to be retrofitted to
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cope with the increase in load, fortunately flat roofs are often able to
handle this capacity.
General considerations:
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Disposing the water from drainage system
Pruning if necessary
Timely application of fertilizers
1. Aesthetic effects
2. Acts as natural insulation for hot and cold air and a save energy
for your building
3. Reduces CO2 levels and increases oxygen and improved air quality
4. Conserves water and watering takes less effort
5. Sound absorption and noise absorption
6. Improves thermal insulation and energy efficiency
7. Provides protection to buildings from adverse temperature and
hence improves the life expectancy of the buildings
8. Mitigate urban island heat effect
9. It holds rain water, providing food and shelter for wildlife
i) Green façade
ii) Living/green wall
Green facades:
Green facades are a type of green wall system in which climbing plants
or cascading groundcovers are trained to cover specially designed
supporting structures.
Plants are either grown in the ground or in the elevated containers
where they are watered and fertilized
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Green facades are a type of green wall system in which climbing plants or
cascading groundcovers are trained to cover specially designed supporing
structures. Rooted at the base of these structure, in the ground, in
intermediate planters or even on achieving full coverage. Green facades can
be anchored to existing walls or built as freestanding structure, such as
fences or columns.
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Vegetated mat wall :This system, pioneered by Patrick Blanc, is composed
of two layers of synthetic fabric with pockets filled with the plants and
growing media .The fabric walls are supported on a framework and backed
by a waterproof membrane against the building wall Nutrients and water are
delivered through an irrigation system at the top of the wall.
Green wall system vary greatly in their design and construction from DIY
projects to modular green wall systems. This heading provides information
on
The best plants for vertical gardens are dense, compact and low growing.
Make sure you choose species that suit the aspect of the wall on which
they’ll be growing. A wall drenched in sun, for instance, will need a selection
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of fairly drought-tolerant plants, whereas a shady spot – perhaps under a
pergola or verandah – will require a selection of shade lovers, such as ferns.
Also bear in mind that the bottom of the unit will hold more moisture than
the top, so consider this when you’re deciding what to plant where.
Apart from aesthetic preferences and the plants ability to grow in a soilless,
vertical location; the selection of plants is based on several factors, for
example: What is the local climate like (minimum temperature especially
important to know)? How much sun exposure is each area of the surface
receiving and how does it change during the year? Is there any particular
micro climate — such as high buildings creating strong winds along a wall?
Understanding the prevailing growing conditions is essential to make the
right decision when choosing plants.
Growing media:
Requirements:
Weightless media
High Water holding capacity
High Nutrient holding capacity
Good Porosity
Neutral pH
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Loose medium walls tend to be "soil-on-a-shelf" or "soil-in-a-bag"
type systems. Loose medium systems have their soil packed into a
shelf or bag and then are installed onto the wall. These systems
require their media to be replaced at least once a year on exteriors
and approximately every two years on interiors. Loose soil systems are
not well suited for areas with any seismic activity. Reparations are only
achieved by re-stuffing soil into the holes on the wall, which is both
difficult and messy. Loose-soil systems should not be used in areas
where there will be a lot of public interaction as they are quite messy
and lose their soil little by little over time. Loose-soil systems with
physical media erosion systems are well suited for all green wall
applications.
Mat type systems tend to be either coir fibre or felt mats. Mat media
are quite thin, even in multiple layers, and as such cannot support
vibrant root systems of mature plants for more than three to five years
before the roots overtake the mat and water is not able to adequately
wick through the mats. The method of reparation of these systems is
to replace large sections of the system at a time by cutting the mat
out of the wall and replacing it with new mat. This process
compromises the root structures of the neighbouring plants on the wall
and often kills many surrounding plants in the reparation process.
Structural media are growth medium "blocks" that are not loose,
nor mats, but incorporate the best features of both into a block that
can be manufactured into various sizes, shapes and thicknesses. These
media have the advantage that they do not break down for 10 to 15
years, can be made to have a higher or lower water holding capacity
depending on the plant selection for the wall, can have their pH and
EC's customized to suit the plants, and are easily handled for
maintenance and replacements. They are the most robust option for a
living wall for both exterior applications and for interior applications.
They are also the best choice in areas where high-winds, seismic
activity or heights need to be addressed in the design. Structural
media are superior to the other media for their longevity and high-
level of performance in a variety of circumstances. Depending on the
installation, they do tend to be more expensive to install, but lower
cost to maintain.
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inconsistent moisture management, although errors can still occur.
Automated, remotely controllable irrigation systems are used for walls in
high profile locations, or in situations where access is challenging. Note that
the quality, design and costs will vary between different systems. The most
sophisticated systems enable the maintenance supervisor to keep track of
the automated performance of the system, including the volume of irrigation
delivered, its frequency, substrate moisture content, as well as pH and
nutrient levels in the water supply. The settings can be overridden if needed;
for instance, the frequency or duration of irrigation cycles may be increased
on hot days. In hydroponic systems, plant nutrition is delivered by a
fertilizer injection system that releases controlled doses of fertiliser into the
irrigation system (fertigation). Management of fertigation systems and rates
of delivery requires specialist knowledge, as it is more complex than
fertilizing soil or growing media. Hydroponic systems require continual
monitoring of pH, water hardness and total dissolved solids (TDS), and
adjustment of these parameters where necessary.
Irrigation:
For hydroponic green wall systems, the fertigation system may apply 0.5-20
litres of irrigation solution per square metre perday. Internal green wall
requirements are at the lower end of this range, and external green walls at
the higher end. Irrigation cycles typically last a few minutes and will be
required several times a day. Keeping irrigation volumes low minimises
waste and reduces run-off. Irrigation run-off may be captured in a tank at
the base of the wall and recycled back through the green wall system. Green
walls that use a high quality, water-retentive growing medium, and are not
in an exposed or particularly hot location, may thrive on a weekly watering
regime. In most simple, soil-based systems, including DIY systems,
controlled release fertiliser is mixed in with the growing medium, rather than
using a fertigation system. Irrigation must be available as soon as the plants
are installed in the wall system. The irrigation system requires a water meter
to monitor irrigation volume, and a pressure gauge to monitor the even
application of water. The need for ongoing regular irrigation and the
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expectation that water will be used sustainably means that stored
(harvested or recycled) water should be used whenever possible, so a pump
is necessary.
Light:
Direct sunlight can deliver over 100.000 lux whereas the average light level
in an office is around 300-500 lux. Even if the least light demanding species
are used, artificial light is normally necessary indoor. A few species will stay
fine at 900 lux, but a slightly increased level at some parts of the surface will
broaden the variation of species that can be used. An artificially illuminated
surface has shifting light levels, due to the fact that light reduces with the
square of the distance from the light source. Some areas might have 3.000
lux and others 900 lux. The plant design is made with this in mind, taking
advantage of the higher levels for more demanding and interesting species.
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