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    HindustaniMusicVocal SQP

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    Vinay Kumar
    This document provides a sample question paper for Class 12 Hindustani Music (Vocal) exam with sections on theory, tala, raga identification and notation. The paper tests knowledge across several topics including [1] the author and century of origin of historical music texts, [2] concepts like alankar and swara combinations in ragas, and [3] descriptions of ragas, talas and the contributions of famous musicians. It aims to evaluate students' understanding of both fundamental and advanced Hindustani classical music concepts.

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    © All Rights Reserved
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    HindustaniMusicVocal SQP

    Uploaded by

    Vinay Kumar
    108 views3 pages
    This document provides a sample question paper for Class 12 Hindustani Music (Vocal) exam with sections on theory, tala, raga identification and notation. The paper tests knowledge across several topics including [1] the author and century of origin of historical music texts, [2] concepts like alankar and swara combinations in ragas, and [3] descriptions of ragas, talas and the contributions of famous musicians. It aims to evaluate students' understanding of both fundamental and advanced Hindustani classical music concepts.

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    HindustaniMusicVocal-SQP (1)

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    This document provides a sample question paper for Class 12 Hindustani Music (Vocal) exam with sections on theory, tala, raga identification and notation. The paper tests knowledge across several topics including [1] the author and century of origin of historical music texts, [2] concepts like alankar and swara combinations in ragas, and [3] descriptions of ragas, talas and the contributions of famous musicians. It aims to evaluate students' understanding of both fundamental and advanced Hindustani classical music concepts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    108 views3 pages

    HindustaniMusicVocal SQP

    Uploaded by

    Vinay Kumar
    This document provides a sample question paper for Class 12 Hindustani Music (Vocal) exam with sections on theory, tala, raga identification and notation. The paper tests knowledge across several topics including [1] the author and century of origin of historical music texts, [2] concepts like alankar and swara combinations in ragas, and [3] descriptions of ragas, talas and the contributions of famous musicians. It aims to evaluate students' understanding of both fundamental and advanced Hindustani classical music concepts.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    Subject- HINDUSTANI MUSIC

    VOCAL- CODE-034
    SAMPLE QUESTION PAPER
    CLASS XII (2022-23)
    One Theory Paper – 2 hrs Total Marks – 30

    General Instructions
     Section-A
    Attempt all Questions (Each Question will carry 1 mark)
     Section-B
    Attempt all Questions (Each Question will carry 2 Marks)
     Section-C
    Attempt any two Questions (Each Question will carry 6 Marks)

    S.No. SECTION-A Marks


    1. Sangeet Ratnakar was written in : 1
    1. 10th century
    2. 11th century
    3. 12th century
    4. 13th century
    2. Kampit and Plavit are the types of 1
    1. Alankar
    2. Khatka
    3. Aalap
    4. Gamak
    3. Komal swaras used in Raga Bageshri- 1
    1. Ga Ni
    2. Re Dha
    3. Dha Ni
    4. Re Ni
    4. Choose the correct statements: 1

    A. Ma is called Adhvadarshak swar.


    B. Sandhi Prakash Ragas are sung during night only.
    C. Jati of Raga Bhairav is Bhairav.
    D. Sangeet Parijat was written by Pt. Ahobal.

    Choose the correct option:


    1. A & B
    2. B & C
    3. A & C
    4. A & D
    5. Choose the correct statement: 1
    A. Dhamar Tala has 10 Matras.
    B. 2nd and 3rd strings of Tanpura are called Jodi ke Taar.
    C. Gandhar Gram is extinct now.
    D. Malkauns is Sampurna Jati Raga.

    Choose the correct option:


    1. A & C
    2. A & D
    3. B & C
    4. B & D
    6. Match List I with List II 1

    List I List II
    A. Drut Khayal I. Re Dha
    B. Ragavivekadhyaya II.
    C. Bhairav III. Choota Khayal
    D. Meend IV. Sangeet
    Ratnakar

    Choose the correct answer from the options given below:

    1. A - IV, B - I, C - II, D - III


    2. A-II, B-I, C-III, D-IV
    3. A-III, B-IV, C-I, D-II
    4. A-IV, B-I, C-III, D-II
    7. Statement I- A specific pattern of notes is called Alankar. 1
    Statement II- Alankars can be composed in any Raga.

    Choose the correct option:


    1. Statement I & II both are true
    2. Statement I & II both are false
    3. Statement I is true but II is false
    4. Statement I is false but II is true
    8. Statement I- Rupak Tala has 7 matras. 1
    Statement II- Dhamar Taal has Khali on its first beat.

    Choose the correct option:


    1. Statement I & II both are true
    2. Statement I & II both are false
    3. Statement I is true but II is false
    4. Statement I is false but II is true
    SECTION-B
    9. Describe in brief any two of the following: 2
    Murchhana, Gamak, Meend
    (OR)
    Describe in brief the life sketch of Pt. Krishna Rao Shankar Pandit and his contribution to
    music.

    10. Give a brief description of Sangeet Parijat. 2


    (OR)
    Give a brief account of historical development of Time Theory of Ragas.

    11. Write salient features of Raga Bhairav OR Raga Malkauns. 2


    (OR)

    Describe in brief the life sketch of Bade Ghulam Ali Khan and his contribution to music.
    12. Describe briefly any two of the following: 2
    Alankar, Khatka-Murki, Gram
    (OR)

    Give a brief description of Sangeet Ratnakar.


    13. Identify the Raga from the following phrases of swaras and elaborate it upto 50 swaras- 2

    (OR)
    Write the method of tuning of Tanpura.
    SECTION-C
    14. Write the notation of Dhamar in any one of the prescribed Ragas. 6

    15. Give introduction of Tala Dhamar Or Jhaptala and write Tigun of Dhamar Or Chaugun of 6
    Rupak.

    16. Write the notation of Vilambit Khayal in any one of the prescribed Raga. 6

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