Digital Feature - Final Paper
Digital Feature - Final Paper
Digital Feature - Final Paper
Sasha Belorme
12/9/2022
Whenever I think of Nickelodeon and Cartoon Network these days, I think of that comic strip /
meme of the dog sitting in his apartment on fire saying 'This is fine'. I know that we (okay,
mostly I) always go on about Nickelodeon's fall-off, but Cartoon Network's is just as bad. If
you’re old enough to feel nostalgic towards many of their classic shows during their salad days
you definitely know how far this modern channel has gone down in such a short amount of time.
Today Cartoon Network sits closer than ever to irrelevance. However, unlike the strange
dilemma over at Nickelodeon it’s not the Spongebob Syndrome that takes the blame. It’s clearly
studio heads who have learned nothing from their previous mistakes, some more recent than
others. This year Cartoon Network celebrated its 30th anniversary during their debatably lowest
point in history with a dangerously low amount of alive and kicking shows under their belt. The
network has gone through many ups and downs through their lifespan but the rut they are in now
seems not to be stopping anytime soon and nothing they are doing is showing they will soon
bounce back. Fans and critics believe they are trapped (haven't learned to let go of the past) and
haven't found a way to evolve as a channel and brand that resonates with the general public.
Unlike the decades prior, they haven’t had a big revolutionary series yet despite it nearly being
three years into this decade. Let’s look over its history, the rise and fall and see how they can
make a comeback.
In the late summer of 1986 Ted Turner's Turner Broadcasting System obtained
mandated to give MGM/UA back to Kerkorian after just 75 days. (Delugach, 1986) However,
Turner still had a huge chunk of MGM's movie and TV library made prior to May 1986 and
developed Turner Entertainment Co. Turner Network Television debuted in October of 1988. In
1991, Turner made a deal to buy Hanna-Barbera’s library for $320 million. (Hall, 1990) Betty
Cohen was picked by Turner himself to make a channel that would encase these shows and she
became the first president of Cartoon Network. On October 1 1992 Cartoon Network was
officially launched and played only cartoons 24/7. (Winfrey, 1992) The channel was a grower but
soon stuck and by 1994 Cartoon Network was the fifth most popular cable network in the United
States. The first era of Cartoon Network is known as the Checkerboard era due to the logo’s
appearance. The first show to be exclusively shown on the channel was The Moxy Show in
1993. The first series to be produced by Cartoon Network however was Space Ghost Coast To
Coast. Cartoon Network studios was initiated in 1994 and was a new division of Hanna Barbera.
The first show to air was the What A Cartoon show, whose main goal was to be an exhibit for
young creators to present their ideas. Popular shows to be spawned from this program include
Cow and Chicken, Johnny Bravo, I am Weasel and Dexter’s Laboratory. They eventually became
series of their own. (Strike, 2003) In 1997 Toonami, a programming block dedicated to anime
and action shows, was launched. (Arnold, 2017) The Checkerboard era ended in 1997 and was
replaced by the Powerhouse era, which was called that since it used the instrumental Powerhouse
by Raymond Scott. (Goldmark & Taylor, 2002) Popular shows from this era include Powerpuff
Girls, Ed, Edd n Eddy, Courage the Cowardly Dog, Samurai Jack, Codename: Kids Next Door
and The Grim Adventures of Billy & Mandy. There was also the introduction of Cartoon Cartoon
Fridays in 1999. It was a block of original cartoons from the channel that aired new episodes,
Betty Cohen stepped down as president of Cartoon Network in June of 2001 and was
replaced by Jim Samples in August. (Wall Street Journal Staff Reporter, 2001) In September of
2001 Adult Swim was launched and debuted with the shows Harvey Birdman: Attorney at Law,
Sealab 2021, Cowboy Bebop, The Brak Show, Aqua Teen Hunger Force, and Space Ghost Coast
to Coast. (Bahr, 2021) July of 2002 was when Cartoon Network released their first theatrical film
based on an original series The Powerpuff Girls Movie. Despite it being received warmly by
critics it was a box office failure grossing only 16.4 million dollars on an 11 million budget. In
the early summer of 2004 the Powerhouse era came to an end and was replaced by the CN City
era and Cartoon Network got a new logo and motto “This is Cartoon Network!”.(Time Warner,
2004) The defining characteristic of this era was the bumpers that had Cartoon Network
characters interact with each other and is constantly seen as the best Cartoon Network era due to
its creativity. Many of the original cartoon cartoons ceased production around this time and were
being replaced by new shows like Foster's Home for Imaginary Friends, Ben 10, My Gym
Partner's a Monkey, The Life and Times of Juniper Lee and Camp Lazlo. In the late summer of
2005 Cartoon Network introduced their first preschool block called Tickle U that was meant to
compete with Noggin (now known as Nick Jr.) and Playhouse Disney (now known as Disney Jr.)
Tickle U was very unsuccessful and was canned in January of 2006. The CN City era ended in
spring of 2006 and was replaced by the Yes era. The Yes era had more simplistic bumpers
consisting of stick puppets and characters saying and doing things in front of a red background.
The Yes era was succeeded by the Summer of 2007 era that ended in September of that same
year and was succeeded by the Fall era. In February of 2007 Jim Samples resigned after a Boston
bomb scare caused by packages that were meant to promote the Adult Swim series Aqua Teen
Hunger Force. (Gough, 2007) Stuart Snyder took his place in May. (Romano, 2007) 2007 also
saw big changes for the network as it was the year they premiered their very first live action
show Out of Jimmy’s Head. The Fall of 2007 era was replaced by the Noods era in July of 2008.
Noods were plain white figurines that could take on the color scheme of a cartoon character or
change into another color. (Cone, 2009) In September of that year Cartoon Network’s longest
running block at the time Toonami concluded.(Loo, 2008) This era is seen by many as the
defining moment that Cartoon Network jumped the shark and took a turn for the worse leading to
one of its most infamous eras. Now we’re entering the dark age.
During the mid to late 2000s Nickelodeon and Disney Channel struck gold with sitcoms
like Drake & Josh, iCarly, True Jackson VP, The Suite Life of Zack & Cody, Hannah Montana
and Wizards of Waverly Place. Cartoon Network was desperately trying to get a piece of the pie
by trying to make live action series of their own. Making a live action series was a lot cheaper
and took a shorter time too. In summer of 2009, the network debuted the CN Real programming
block. Five live action series premiered that whole year, The Othersiders, Bobb'e Says, Dude,
What Would Happen, BrainRush, and Destroy Build Destroy.(Lloyd, 2009) While no new
original cartoon was in sight for the whole twelve months. Many people agree that this was the
period in time when Cartoon Network had officially reached their nadir, the bottom of the barrel.
Most didn’t sit well with the fact that live action shows were airing on a channel dedicated
towards just cartoons. Due to the overwhelming levels of hatred most of these shows were
getting from the general public most were quickly canceled and never aired again. Around this
time imported Canadian cartoons like Total Drama Island, 6teen and Johnny Test started airing.
The Noods era ended in 2010 and was replaced by the CHECK it era. Dude, What Would
Happen? and Destroy Build Destroy were the only two CN Real shows to air during the CHECK
it era. Cartoon Network would still air several other live-action shows during this era, such
original programs like Level Up and Incredible Crew and the acquired show Hole in the Wall.
The live action content stopped airing permanently in April 2013. In April of 2010 Cartoon
Network began airing their first original cartoon in over a year Adventure Time. It was also the
first show on the channel to broadcast in high definition. In fall of that same year Regular Show
also premiered. Both of these shows were huge crowd pullers and paved the way for a very good
age for the network. This era is widely known as the Cartoon Network renaissance era since it
revived the network’s popularity after the mixed reception and failure of the Noods era and CN
Real. Despite having some hiccups here and there like Problem Solverz and The High Fructose
Adventures of Annoying Orange Cartoon Network did start showing a lot of major
improvements while other children network’s lagged behind. Nickelodeon was tainting their
reputation and legacy by releasing an onslaught of egregious live action and animated shows and
started airing Spongebob ad nauseam which led to their dramatic fall from grace. Disney
Channel on the other hand was focusing on only live action programming and hardly gave any
In retrospect the CHECK it era is seen by the general consensus as one of the best
Cartoon Network eras alongside the Powerhouse and CN City era and the last truly great era they
ever had and will have. TV-PG programming started to air for the first time ever and the TV-PG
shows of the era were edgier, mature and appealed to many generations. More successful shows
to come from this era include The Amazing World of Gumball, The Looney Tunes Show, Ben
10: Omniverse, Steven Universe and Clarence. Sadly however, in 2013 they debuted an acquired
series from DC and Warner Bros. called Teen Titans Go which was a spinoff of the popular
action series Teen Titans from 2003. Despite the series being universally lambasted by critics and
fans the series still ended up being commercially successful. It quickly became one of Cartoon
Network’s most popular series at the time. By 2015, ratings were extraordinarily high, often
surpassing that of not just the main kids channels, but even shows on the big four networks like
ABC, NBC, CBS and Fox. Consequently this caused the show to eventually get a lot of special
treatment and favoritism. By the mid 2010s Teen Titans Go had already cemented itself as one of
the biggest kids shows in America and had nothing to prove. Cartoon Network was in more than
a position to slow down on the oversaturation. But their reluctance to do so not only caused a
decline in their popularity and their ratings, but most importantly, it tainted their legacy forever.
MTV’s Ridiculousness with how much overexposure it got. Several programming blocks were
dedicated to it and led to more overexposure. The overexposure was so severe that it prevented
most Cartoon Network series other than Gumball to ever get any airtime at all other than
graveyard slots, hurting their ratings and causing a few of them (e.g. Uncle Grandpa and
Clarence) to get unceremoniously canceled. One of its most infamous examples of its
overexposure was during the last week of December of 2017 when it took 99% of that week’s air
time. (CNschedules, 2017) By the later half of 2018, the superfluous broadcasting began to take
a nosedive as its popularity decayed, former fans turned their backs against it and the theatrical
flick was seen as a box-office disappointment. Not a single episode of Teen Titans Go or any
Cartoon Network series has hit a million views since 2018 and in the past year or so viewership
was down to at least 180,000. Although another large factor into this is also streaming and social
It truly is sad to see what happened to Cartoon Network. Before Teen Titans Go they had
other bad shows like Secret Mountain Fort Awesome or pretty much anything on the CN Real
block, but none of them have marred their reputation and public respect more than the overuse of
Teen Titans Go has. They are also starting to repeat their past mistakes by making a new
preschool block and making live action content again like the upcoming show Family Mash-Up.
It's like executives failed to forget why the channel was great to begin with. However, as bad as
the network is now they will always be better than Nickelodeon. They’ve had many shows that
have lasted for 4, 5 or 6 seasons and they usually don’t instantly cancel something if it’s not a
runaway success like Spongebob. "Leave them wanting more" should be the motto that they live
by. Open up more opportunities for new content, do more cartoon shorts programs like What a
Cartoon. And allow other people besides CalArts graduates & storyboard artists on other popular
shows to have a shot at getting their ideas out there. I still have hope Cartoon Network will
someday find a happy ending. Nickelodeon on the other hand, not at all.
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