The Zone System - Ansel Adams
The Zone System - Ansel Adams
The Zone System - Ansel Adams
When I first approached digital darkroom technology, I was frustrated by the inconsistencies between how the image looked on my monitor and printed from my Epson Photo700 printer. Even with my scanner, monitor and printer calibrated
The Zone System was developed by Ansel Adams and Fred Archer in the 1940
obtained by metering any single toned subject. Meter and expose a black card, a grey card and a white card on 3 different film frames in consistent light and the resulting 3 slides or prints will be the same, uniform mid grey tone. The Zones above Zone V correspond to exposure increases of one stop. i.e. Zone VI is +1 stop, Zone VII is +2 stops... and so on. Similarly, the Zones below Zone V are -1, -2, -3... and so on. Zone System photographers modify their light meters so that they can meter any Zone and place that Zone as the correct exposure for a scene. You don't really have to be an expert on the Zone system to use it effectively in the digital darkroom but it is important to think about an image as a range of tones that must fit within the limited range of what your printer and paper can reproduce. And you will find it very useful to refer to the Zone references for typical subjects as you manipulate your images. The first step in this digital Zone system is to make a Zone scale that truly reflects the printing range of your particular printer, ink and paper. You're welcome to download mine, but it may need some tweaking to work with your system.
with the correct colour profiles, results were not what I wanted especially with black and white prints. Then it occurred to me that the Zone System principles would apply as readily to digital printing as they would to traditional film and paper.