Gus Harper

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I love and enjoy doing art on fruits; that is why for my transcription I will be

doing a part of one of Gus Harpers’ ‘citrus-scapes’. His style of lines fading
to the edge of the canvas is particularly pleasing to look at for me as well.
However, sometimes I find pieces that are spread over a few square canvases
to drain out the lines. He tends to do roses in the ‘grid’ style and I think these
are actually really effective as it follows a row of blue roses surrounded by
squares of red roses. This stark contrast to the rest of the image provides a
great centre of attention

Gus Harper does not really do realism and most of his pieces contain just
enough shading to show a narrow field of depth. This is his own style though
and it is evident through his vast amount of techniques he uses he still falls
back on minimal realism and shading: often intensifying shadows where he
wants certain things to pop. Where he lacks in realism he makes up for in
detail – his massive murals contain so much to absorb that you can not just
take a single glance. A lot of surrealist imagery is ‘hidden’ into the
background and sometimes the foreground as well, in turn his wall-art (Put in
real world.
Gus Harper
Gus Harper, son of Fielden Harper, was born and raised in Santa
Monica, California. He sold his first painting at age 17 where he
realized his passion for abstract forms. This led him down an 18 year
path of professional artistry and discovery. Gus Harper travels around
the world producing murals and artworks based on the experiences
and cultures he picked up in those countries. These include: Nepal,
Malaysia, India, Vietnam, Indonesia and Mexico. However it is this
bond with the local people that really gave him the joy and inspiration
he need to make a ‘set’ of designs in that style.

I particularly appreciated his abstract work involving fruit


and animals; the lines that morph into the background
provide a great focal point to admire. His Sobu/Grid series
and his ongoing works involving fruits or vegetables in a
macro manner, is so well lit that you can almost taste the
citrusy flavour by looking at the surface of the fruits. He
tends to use warm hues of yellow to red in his works
however he is never limited to this and uses a diverse range
of methods and techniques in his work. Pieces by him are
mostly realism that morph into fictional ideas and concepts.
This is why I chose him to study as his style provides a
clash of both realism beauty and abstract beauty.
However some works do not resonate with me as strongly, such
as ‘Standing On The Shoulders of Giants, which comes from the
‘Minor Identity Crisis’ selection of works. In fact, many of these
works I have a disliking to, as his use of colour and supposedly
random imagery leaves me rather confused. He is involved in the
visual culture movement (or VCM) where many different views
and beliefs are portrayed through murals.
Jean Michel Basquiat (VCM Haiti)

Gus Harper (VCM Sri Lanka)

Gus Harper’s work has inspired me to add an air of fantasy


into my natural forms to make the piece more unique and
more easily separate the foreground and the background. His
focus on light and its refractions also lend a hand to his
particular style: this is typically made up of large geometric
shapes (his smallest pieces are around the size of an adult)
surrounded by lines or text.

Gus Harper reminds me of another artist, this time in the


world of pottery; Kate Malone. Both Harper and Malone
make work based around fruits however Kate’s are
multipurpose and serve as both a decorative art piece
Kate Malone
and a plain household item such as a kettle. Both Harper
and Malone use bright saturated colours to add indefinite
pop to their works which are stark in contrast next to
their more monochromatic works. Both, although in
different mediums, do not have any real set designs and
both feel free to explore creatively