Raffy Napay's artwork "Hiding and Living" depicts a yellow silhouette wrapped in stems and branches in warm colors like red and orange, giving a sense of suffocation. Curved lines create familiarity and relaxation, reflecting the woven textures and folk traditions of Filipino culture that Napay learned from his mother. While copying masterworks can help students learn techniques, reproductions lack the original's subtle brushwork and details, failing to capture the beauty and meaning in an artist's process. Reproduction may therefore devalue the artwork by reducing it to a mere image.
Raffy Napay's artwork "Hiding and Living" depicts a yellow silhouette wrapped in stems and branches in warm colors like red and orange, giving a sense of suffocation. Curved lines create familiarity and relaxation, reflecting the woven textures and folk traditions of Filipino culture that Napay learned from his mother. While copying masterworks can help students learn techniques, reproductions lack the original's subtle brushwork and details, failing to capture the beauty and meaning in an artist's process. Reproduction may therefore devalue the artwork by reducing it to a mere image.
Original Description:
Original Title
Art - Hiding and Living by Raffy Napay Reaction paper
Raffy Napay's artwork "Hiding and Living" depicts a yellow silhouette wrapped in stems and branches in warm colors like red and orange, giving a sense of suffocation. Curved lines create familiarity and relaxation, reflecting the woven textures and folk traditions of Filipino culture that Napay learned from his mother. While copying masterworks can help students learn techniques, reproductions lack the original's subtle brushwork and details, failing to capture the beauty and meaning in an artist's process. Reproduction may therefore devalue the artwork by reducing it to a mere image.
Raffy Napay's artwork "Hiding and Living" depicts a yellow silhouette wrapped in stems and branches in warm colors like red and orange, giving a sense of suffocation. Curved lines create familiarity and relaxation, reflecting the woven textures and folk traditions of Filipino culture that Napay learned from his mother. While copying masterworks can help students learn techniques, reproductions lack the original's subtle brushwork and details, failing to capture the beauty and meaning in an artist's process. Reproduction may therefore devalue the artwork by reducing it to a mere image.
1. Describe the elements of art/principles of design found in Raffy Napay's Hiding and Living. It can be seen from Raffy Napay’s visual art named Hiding and Living, the light yellow silhouette wrapped in stems and branches dominated by red, and orange as related to deceit and distrust and the other colors are few green, blue, purple, and white. These scheme is a warm color that evokes higher arousal emotions in people such as energy, warmth, and optimism as giving the impression of someone that has been suffocating from the hands of the world, and has opted to conceal and be acquainted with solace for which it is best for someone’s peace of mind. Moreover, the work seems curvy as it creates a feeling of familiarity and comfort, as well as relaxation. Curved lines are pleasing to the sight and engaging to follow as we can see in the design takes this element to touch our emotions. Curvy lines are associated with nature, it has sentiments of comfort and ease, as well as a sensual quality. The shape that is mostly used is lanceolate type shaped like a grain of rice and a kind of linear shape. Since the medium of his artwork is thread and fabric as he comfortably expresses himself creating sinuous stitches, knots, and tassels on a fabric undergrowth with exotic flora and fauna. By touching, it can feel a woven texture and sort of smooth out of a thread. Napay's work rhythm is sure and peaceful which in addition to a curvy line repeating as forming a swathe that surrounds the silhouette. Despite the disparity between the two sides of a picture, the visual appears whole and sensible.
2. How did Napay reflect the Filipino concept of art in his work? It is the art of the Philippines that distinguishes it as a nation. The artist aimed to convey the Filipino soul and native place in their authentic character by depicting scenes from everyday life and the surroundings without idealizing them. The local magic realists keep a sense of genre in their work, preventing them from being wholly derivative with the use of folk architecture, navigation, weaving, carving, performing arts, oral literature, folk graphic and plastic arts, decorations, textile art, ceramics, and other forms of cultural expression are all examples of folk culture. As per Raffy Napay, he is a well-known contemporary Filipino artist. His works have fine details that are exquisitely depicted due to the artist's excellent use of thread and material which have been taught by his Pinay mother, who is good at seamstress. It reflects the Filipino art concept as it exhibits the life and experiences of Filipinos, which also, me, relates to his work.
3. How can art reproduction be beneficial and disadvantageous to artists and art enthusiasts?
Several inexperienced painters mock the idea of copying another artist's masterwork. Particularly when the concept was originally exhibited at an art session or studio. Most artists are naturally drawn to painting since they have their own unique designs and notions to convey. Even yet, there is a lot an artist may learn from copying other people's work. Reproduction is commonly used in art workshops and studios that specialize in unique oil painting techniques. On several levels, this strategy appears to be sound. Seeing an ultimate painting that truly seems like a masterpiece from legendary artists is unquestionably one of the best ways to demonstrate to an apprentice that these tactics work. There is no better way to get to know a masterpiece or Art to Frames than this. Then try to copy it to learn it in part. Looking at a photograph in a book or on a wall. Learning to brushstroke while attempting to duplicate it is a whole different story. However, on the other hand, the essential beauty of works in its aesthetic form cannot be captured by a reproduction of an artwork. The reproduction lacks the artist's superb original brushwork and detail, as well as the minute nuances in the artist's approach that manage to capture the work so delicately. We overlook the artist's hard work, ability, and talent in picturing and conveying color and form in their pure, classical likeness because we can't see the subtleties of a reproduction up close. In this sense, the lack of aesthetics in the artist's technique and process prevents us from marveling at the pure, artistic beauty of the work's process, and we devalue the work through reproduction, blinded to the aesthetics in the artist's technique and process. As a result, replication might be said to reduce a masterpiece to a mere image that is devoid of meaning.
