Forrest Publications

Books:
Forrest, Jennifer, ed. The Legend Returns and Dies Harder Another Day: Essays on Film
Series. Jefferson, NC: McFarland & Company, 2008.
Forrest, Jennifer and Leonard R. Koos, eds. Dead Ringers: The Remake in Theory and
Practice. Albany: SUNY Press, 2002.
Chapters in Books:
Forrest, Jennifer. "Cirque." Dictionnaire Octave Mirbeau. Ed. Yannick Lemarié and Pierre
Michel. Paris: L'Age d'homme, 2011. 696-97.
Forrest, Jennifer. “Of True Sequels: the Four Daughters Movies, or the Series that Wasn’t.”
Take 2. Ed. Constantine Verevis and Carolyn Jess- Cooke. Albany: SUNY Press, 2010. 31-
44.
"Introduction." The Legend Returns and Dies Harder Another Day: Essays on Film Series.
Ed. Jennifer Forrest. Jefferson, NC: McFarland & Company, 2008. 1-19.
Forrest, Jennifer. "The Poetics of Film Series." The Legend Returns and Dies Harder Another
Day: Essays on Film Series. Ed. Jennifer Forrest. Jefferson, NC: McFarland & Company,
2008. 21-38.
Forrest, Jennifer. "The Trouble With Maisie: Insubordination and the Empowered Woman
Series." The Legend Returns and Dies Harder Another Day: Essays on Film Series. Ed.
Jennifer Forrest. Jefferson, NC: McFarland & Company, 2008. 105-29
Forrest, Jennifer. “Pierrette, assassine assassinée: The Portrait of Lulu in Two Tableaux.” Ed.
Peter Schulman and Aminia Brueggemann. Rhine Crossings: France and Germany in Love
And War. Albany: SUNY Press, 2005. 143-63.
Forrest, Jennifer. “Aerial Misses and Spectating Messieurs: The Paradox of the Lady Acrobat
in the French fin de siècle.” Peripheries of Nineteenth-Century French Studies. Ed. Timothy
Raser. Newark: University of Delaware Press, 2002. 133-55.
Forrest, Jennifer and Leonard Koos. “Reviewing Remakes: An Introduction.” Dead Ringers:
The Remake in Theory and Practice. Ed. Jennifer Forrest and Leonard R. Koos. Albany:
State University at New York Press, 2002. 1-36.
Forrest, Jennifer. “Remaking The Blue Veil: An Interview With Norman Corwin.” Dead
Ringers: The Remake in Theory and Practice. Ed. Jennifer Forrest and Leonard R. Koos.
Albany: State University of New York Press, 2002. 309-36.
Forrest, Jennifer. “The ‘Personal’ Touch: The Original , the Remake, and the Dupe in Early
Cinema.” Dead Ringers: The Remake in Theory and Practice. Ed. Jennifer Forrest and
Leonard R. Koos. Albany: State University of New York Press, 2002. 89-126.
Forrest, Jennifer. “Sadie Thompson Redux: Postwar Reintegration of the Wartime Wayward
Woman.” Dead Ringers: The Remake in Theory and Practice. Ed. Jennifer Forrest and
Leonard R. Koos. Albany: State University of New York Press, 2002. 169-202.
Forrest, Jennifer. “The (Con)Quest of the Other in Voyage au bout de la nuit.” Eds.
Rosemarie Scullion, Philip H. Solomon, and ThomasSpear. Céline and the Politics of
Difference. Hanover and London: University Press of New England, 1995. 120-139.
Refereed Journal Articles:

Forrest, Jennifer. "Pierrot's Decadent Sense of Humor in Jules Laforgue's Pierrot
Fumiste." (under consideration at the Society of Dix-Neuvièmistes).
Forrest, Jennifer. “Artists Unknown: The Poetics of Anonymity in Jean Richepin’s
Braves gens. Romance Studies 31.2 (2013): 101-12.
Forrest, Jennifer. "Portrait of the Opportunist as Circus Acrobat: Félicien Champsaur's Entrée
de clowns." Image [&] Narrative 12:4 (2011): 78-114. http://www.imageandnarrative.be/
Forrest, Jennifer. “‘La Mort plutôt que le déshonneur’ dans L’Ecuyère d’Octave Mirbeau”
(“’Death Before Dishonor’ in Octave Mirbeau’s L’Ecuyère).” Cahiers Octave Mirbeau 14
(2007): 3-20.
Forrest, Jennifer. “Nineteenth-Century Nostalgia for Eighteenth- Century Wit, Style, and
Aesthetic Disengagement: The Goncourt Brothers’ Histories of Eighteenth-Century Art and
Women.” Nineteenth-Century French Studies 34 :1-2 (2005- 06): 44-62.
Forrest, Jennifer. “Théodore de Banville and Funambulesque Aesthetics.” Dalhousie French
Studies 72 (2005): 31-44.
Forrest, Jennifer. “The Banquet impérial: History in Wax in the Second Empire.” Dalhousie
French Studies 63 (2003): 31-44.
Forrest, Jennifer. “Cocteau au cirque: The Poetics of Parade and ‘Le Numéro Barbette.’”
Studies in Twentieth-Century Literature 27:1 (2003): 9-47.
Forrest, Jennifer. “The Moral Legacy of Les Mille et une nuits: Where the Postcolonial East
Opens its Portals onto the West.” Nottingham French Studies 40.2 (2001): 69-83.
Forrest, Jennifer. “Scripting the Female Voice: The Phonograph, the Cinematograph, and the
Ideal Woman.” Nineteenth-Century French Studies 27.1-2 (1998-99): 71-95.
Forrest, Jennifer. “Paris à Rebours: How Huysmans Put the Faux in Faubourg.” The South
Atlantic Review 62.2 (1997):10-28.
Forrest, Jennifer. “The Lord of Hadaly's Rings: Regulating the Female Body in Villiers de
l'Isle-Adam's L'Eve future.” South Central Review 13.4 (1996): 33-52.
Forrest, Jennifer. “Figuring Modernity: Juan Ramón Jiménez and the Baudelairian Tradition
of the Prose Poem.” Co-author: Catherine Jaffe. Comparative Literature 48.3 (1996): 265-
293.
Other Publications:
Forrest, Jennifer. "Cirque." Dictionnaire Octave Mirbeau. Société Octave Mirbeau (2010)
<http://mirbeau.asso.fr/dictionnaire/index.php?option=com_glossary&id= 369>.
Sivan, Pierre. “Caroline and Angélique: Seductresses of the French Screen.” Trans. Jennifer
Forrest. The Legend Returns and Dies Harder Another Day: Essays on Film Series.
Jefferson, NC: McFarland & Company, 2008. 197-209.

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