Virginia Woolf Kew Garden

Download as pdf or txt
Download as pdf or txt
You are on page 1of 16

kew gardens

Kew Gardens

v i rg i n i a w o o l f

renard press
RENARD PRESS LTD

Kemp House
152–160 City Road
London EC1V 2NX
United Kingdom
[email protected]
020 8050 2928

www.renardpress.com

Kew Gardens first published in Monday or Tuesday in 1921


This edition first published by Renard Press Ltd in 2020

Edited text © Renard Press Ltd, 2022


Biographical Note © Renard Press Ltd, 2022

Cover design by Will Dady


Extra Material edited by Tom Conaghan

Printed in the United Kingdom by Severn

ISBN: 978-1-913724-12-2

98765432

All rights reserved. This publication may not be reproduced,


stored in a retrieval system or transmitted, in any form or by
any means – electronic, mechanical, photocopying, recording
or otherwise – without the prior permission of the publisher.
contents

Kew Gardens 7

Note on the Text 27

A Biographical Note on
Virginia Woolf  29
kew gardens
F
ro m t h e ova l - s h a p e d flower-
bed there rose perhaps a hundred
stalks spreading into heart-shaped
or tongue-shaped leaves halfway up and un-
furling at the tip red or blue or yellow petals
marked with spots of colour raised upon
the surface; and from the red, blue or yel-
low gloom of the throat emerged a straight
bar, rough with gold dust and slightly
clubbed at the end. The petals were volu-
minous enough to be stirred by the summer
breeze, and when they moved, the red, blue
and yellow lights passed one over the other,
staining an inch of the brown earth beneath
with a spot of the most intricate colour.

9
v i rg i n i a w o o l f

The light fell either upon the smooth, grey


back of a pebble or the shell of a snail
with its brown, circular veins, or, falling
into a raindrop, it expanded with such
intensity of red, blue and yellow the thin
walls of water that one expected them to
burst and disappear. Instead, the drop
was left in a second silver-grey once more,
and the light now settled upon the flesh
of a leaf, revealing the branching thread
of fibre beneath the surface, and again it
moved on and spread its illumination in the
vast green spaces beneath the dome of the
heart-shaped and tongue-shaped leaves.
Then the breeze stirred rather more briskly
overhead and the colour was flashed into
the air above, into the eyes of the men and
women who walk in Kew Gardens in July.
The figures of these men and women
straggled past the flower-bed with a curi-
ously irregular movement not unlike that of

10
kew gardens

the white and blue butterflies who crossed


the turf in zigzag flights from bed to bed.
The man was about six inches in front of
the woman, strolling carelessly, while she
bore on with greater purpose, only turn-
ing her head now and then to see that the
children were not too far behind. The man
kept this distance in front of the woman
purposely, though perhaps unconsciously,
for he wished to go on with his thoughts.
‘Fifteen years ago I came here with
Lily,’ he thought. ‘We sat somewhere
over there by a lake, and I begged her to
marry me all through the hot afternoon.
How the dragonfly kept circling round us;
how clearly I see the dragonfly and her
shoe with the square silver buckle at the
toe. All the time I spoke I saw her shoe,
and when it moved impatiently I knew
without looking up what she was going to
say: the whole of her seemed to be in her

11
v i rg i n i a w o o l f

shoe. And my love, my desire, were in the


dragonfly; for some reason I thought that
if it settled there, on that leaf – the broad
one with the red flower in the middle of
it – if the dragonfly settled on the leaf she
would say ‘Yes’ at once. But the dragon-
fly went round and round: it never settled
anywhere – of course not – happily not, or
I shouldn’t be walking here with Eleanor
and the children – tell me, Eleanor, d’you
ever think of the past?’
‘Why do you ask, Simon?’
‘Because I’ve been thinking of the past.
I’ve been thinking of Lily – the woman I
might have married… Well, why are you si-
lent? Do you mind my thinking of the past?’
‘Why should I mind, Simon? Doesn’t one
always think of the past, in a garden with
men and women lying under the trees?
Aren’t they one’s past, all that remains of
it, those men and women, those ghosts ly-

12
kew gardens

ing under the trees… one’s happiness, one’s


reality?’
‘For me, a square silver shoe buckle and a
dragonfly—’
‘For me, a kiss. Imagine six little girls
sitting before their easels twenty years ago,
down by the side of a lake, painting the
water-lilies – the first red water-lilies I’d
ever seen. And suddenly a kiss, there on
the back of my neck. And my hand shook
all the afternoon so that I couldn’t paint. I
took out my watch and marked the hour
when I would allow myself to think of the
kiss for five minutes only – it was so pre-
cious – the kiss of an old grey-haired wo-
man with a wart on her nose, the mother
of all my kisses all my life. Come, Caroline;
come, Hubert.’
They walked on past the flower-bed, now
walking four abreast, and soon diminished
in size among the trees and looked half

13
ot h e r c l a s s i c n on - f i c t i on f r o m
renard press

ISBN: 9781913724016 ISBN: 978191372641 ISBN: 9781913724306


48pp • Pamphlet • £5 160pp • Paperback • £7.99 60pp • Paperback • £5

ISBN: 9781913724047 ISBN: 9781913724733 ISBN: 9781913724702


64pp • Paperback • £6.99 224pp • Paperback • £7.99 128pp • Paperback • £5.99

d i s c o v e r t h e f u l l c o l l e c t i o n at
www.renardpress.com
a l s o ava i l a b l e by v i r g i n i a wo o l f

the virginia woolf collection


beautiful editions of the major works with gold-foiled covers

ISBN: 9781913724009 ISBN: 9781913724726 ISBN: 9781913724092


Paperback • £7.99 • 160pp 224pp • Paperback • £7.99 Paperback • £7.99 • 224pp

i n t h e s a m e f o r m at a s k e w g a r d e n s :
how should one read a book?

First delivered as a speech to schoolgirls in


Kent in 1926, this enchanting short essay
by the towering Modernist writer Virginia
Woolf celebrates the importance of the
written word.
With a measured but ardent tone, Woolf
weaves together thought and quote, verse
and prose into a moving tract on the power
literature can have over its reader, in a way
ISBN: 9781913724474
which still resounds with truth today.
48pp • Paperback • £5

www.renardpress.com

You might also like