Paper 1 Section A and B
Paper 1 Section A and B
Paper 1 Section A and B
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How do you write and/ or analyze the following Genres for Paper 1 (Q1 a, b) and Q2
The key difference between literary devices and figures of speech (aka figurative
language)
is that the literary devices involve all literary elements in a literary work while the figures of
speech mainly involve language and style of a literary work.
Literary devices are ways/tactics/devices an author uses to have a specific effect on their
audience.
Similes, metaphors, and hyperbole are three examples of figurative language which can be
used by authors. Literary devices include the use of figurative language, foreshadowing, and
allusion, among many more. So, figurative language is just one type of literary device.
:
allusion, among many more. So, figurative language is just one type of literary device.
Literary devices and figures of speech are both tools used by writers to create a more
engaging and effective text. However, there are some key differences between them.
Literary devices are techniques that writers use to convey meaning, create a particular mood,
or evoke certain emotions in the reader. These can be structural, linguistic, or thematic
devices. Some examples of literary devices include:
1. Imagery - the use of vivid and descriptive language to create a mental image for the
reader. Example: "The sun was a fiery ball in the sky, casting long shadows across the
empty desert."
2. Symbolism - the use of objects, characters, or actions to represent abstract ideas or
concepts. Example: In "The Great Gatsby," the green light at the end of Daisy's dock
symbolizes Gatsby's longing for her.
3. Foreshadowing - the use of hints or clues to suggest what will happen later in the
story. Example: In "Romeo and Juliet," Romeo says "My life were better ended by their
hate, than death prorogued, wanting of thy love" foreshadowing his own death.
On the other hand, figures of speech are specific types of literary devices that involve using
language in a non-literal way to create meaning or effect. These are often used to add
emphasis, humor, or to create a more vivid image in the reader's mind. Some examples of
figures of speech include:
1. Simile - a comparison between two things using "like" or "as." Example: "Her hair
was as black as night."
2. Metaphor - a comparison between two things without using "like" or "as." Example:
"He was a lion on the battlefield."
3. Hyperbole - an exaggeration used to emphasize a point. Example: "I've told you a
million times to clean your room!"
In summary, literary devices are broader techniques used by writers to create a desired effect,
while figures of speech are specific types of literary devices that use language in a non-literal
way.
- don't just state these points, state WHY the author picks it and what effect it had on the
intended audience. PEE - POINT, EXAMPLE, EFFECT(on audience)
:
Sample Analysis Paragraph Layout - Comparative Analysis
When comparing Text A and Text B make sure you intertwine them and not look at them
separately.
Introduction
Para 1: Form (compare original text and your text) under heading Genre, Purpose, target
audience and tone
Para 2: Structure (compare original text and your text) Length of paragraphs, opening
paragraphs , Ending development, contrast, shifts, pace
Para 3: Structure continued…(continue with above prompts)
Para 4: Language used in both texts, Lexis, Figures of speech, persuasive techniques,
grammar/syntax and punctuation
Para 5: Language continued …(continue with above prompts)
Conclusion
Essays: Essays are a form of writing that presents a writer's argument or point of view on a
:
Essays: Essays are a form of writing that presents a writer's argument or point of view on a
particular topic. The form and genre of essays can be analyzed by considering its conventions,
structure, and language devices.
Form/Genre conventions:
● Use of a clear thesis statement to establish the writer's argument or point of view.
● Use of evidence to support the writer's argument.
● Use of counterarguments to address opposing viewpoints.
Structure:
● Use of an introduction to establish the topic and the writer's thesis statement.
● Use of body paragraphs to present evidence and support the thesis statement.
● Use of a conclusion to summarize the writer's argument and provide a final reflection
on the topic.
Language devices:
● Use of formal language to establish credibility and authority.
● Use of rhetorical questions to engage the reader and prompt them to think about the
topic.
● Use of persuasive language, such as emotional appeals and vivid imagery, to
persuade the reader.
Example: An essay might begin with an introduction that establishes the topic and the writer's
thesis statement. The essay might then present evidence and support for the thesis statement
through body paragraphs. The writer might address counterarguments and provide a rebuttal
to opposing viewpoints. The essay might end with a conclusion that summarizes the writer's
argument and provides a final reflection on the topic. Throughout the essay, the writer might
use formal language and persuasive language, such as rhetorical questions and vivid imagery,
to engage and persuade the reader.
Scripted Speech: Scripted speech refers to written language intended to be spoken aloud,
such as speeches, presentations, or plays. The form and genre of scripted speech can be
analyzed by considering its conventions, structure, and language devices.
Form/Genre conventions:
● Use of dialogue to convey meaning and advance the plot.
● Use of stage directions to provide context for the action.
● Use of characterization to create believable and compelling characters.
Structure:
● Use of an introduction to establish the topic and engage the audience.
● Use of body paragraphs or scenes to develop the main points of the speech or play.
● Use of a conclusion to summarize the main points and provide a call to action or final
reflection.
Language devices:
● Use of figurative language, such as metaphors or similes, to create vivid images and
convey meaning.
● Use of repetition to emphasize key ideas or create a rhythmic effect.
● Use of humor, irony, or sarcasm to engage and entertain the audience.
Example: A scripted speech might begin with an introduction that establishes the topic and
engages the audience. The speech might then use body paragraphs to develop the main
points and provide evidence to support the argument. The speaker might use humor or
rhetorical questions to engage and entertain the audience. The speech might end with a
conclusion that summarizes the main points and provides a call to action or final reflection.
Throughout the speech, the speaker might use figurative language, repetition, and other
language devices to create a memorable and impactful performance.
Narrative Writing: Narrative writing refers to writing that tells a story, such as fiction, non-
fiction, or memoir. The form and genre of narrative writing can be analyzed by considering its
conventions, structure, and language devices.
Form/Genre conventions:
● Use of characters to drive the plot and convey meaning.
● Use of a narrative arc to structure the story, including exposition, rising action, climax,
falling action, and resolution.
● Use of dialogue and description to convey action and establish setting.
Structure:
:
Structure:
● Use of an introduction to establish the setting and characters.
● Use of rising action to develop the conflict and move the plot forward.
● Use of a climax to create tension and resolve the conflict.
● Use of falling action to resolve remaining issues and lead to a conclusion.
Language devices:
● Use of sensory details to create a vivid and immersive setting.
● Use of figurative language, such as metaphors or similes, to create a memorable and
impactful story.
● Use of point of view to create a unique perspective and convey meaning.
Example: A narrative writing piece might begin with an introduction that establishes the setting
and characters. The story might then use rising action to develop the conflict and move the plot
forward. The climax might create tension and resolve the conflict, leading to falling action that
resolves remaining issues and leads to a conclusion. Throughout the story, the writer might
use sensory details and figurative language to create a vivid and memorable setting. The writer
might also use point of view to create a unique perspective and convey meaning.
Descriptive Writing: Descriptive writing refers to writing that describes a person, place, or
thing, often with the goal of creating a vivid and immersive sensory experience for the reader.
The form and genre of descriptive writing can be analyzed by considering its conventions,
structure, and language devices.
Form/Genre conventions:
● Use of sensory details to create a vivid and immersive experience for the reader.
● Use of figurative language, such as metaphors or similes, to create a memorable and
impactful description.
● Use of structure to create a logical progression of details that build towards a
complete picture.
Structure:
● Use of an introduction to establish the subject of the description.
● Use of body paragraphs to provide detailed descriptions of various aspects of the
subject.
● Use of a conclusion to summarize the description and provide a final impression.
Language devices:
● Use of sensory details to create a vivid and immersive experience for the reader.
● Use of figurative language, such as metaphors or similes, to create a memorable and
impactful description.
● Use of specific language and details to create a clear and specific image in the
reader's mind.
Example: A descriptive writing piece might begin with an introduction that establishes the
subject of the description. The writer might then use body paragraphs to provide detailed
descriptions of various aspects of the subject, using sensory details and figurative language to
create a vivid and memorable experience for the reader. The description might build towards a
complete picture, with each detail contributing to a clear and specific image in the reader's
mind. The writer might end with a conclusion that summarizes the description and provides a
final impression, leaving the reader with a lasting image of the subject.
Here are some examples of 1) literary devices, 2) figurative language, and 3) structural
elements for each genre:
Advertisements:
Literary devices: Repetition, Pathos (evoke a positive or negative response), Logos (an
appeal to your logic), Ethos (emotions of someone, credibility, celebrity endorsements)
Figurative language: Hyperbole, simile, metaphor.
Example: "The new car is so fast it feels like you're flying" - using hyperbole to emphasize
speed.
Example: "Snap, Crackle, Pop" - Rice Krispies cereal slogan using alliteration and
onomatopoeia.
Structural elements: Slogan, jingle, catchy tagline.
Example: "Just Do It" - Nike's tagline that has become synonymous with the brand.
Brochures/Leaflets:
Literary devices: Name, logo, slogan, enticing cover, Imagery, repetition, parallel structure.
:
Literary devices: Name, logo, slogan, enticing cover, Imagery, repetition, parallel structure.
Example: "Experience the magic of the tropics with our luxurious resort, where you can relax,
unwind, and escape."
Figurative language: Personification, hyperbole, metaphor.
Example: "Our hotel is a hidden gem, a paradise on earth, where the ocean whispers its
secrets to the wind."
Structural elements: Bold headings, bullet points, infographics.
Example: "10 Reasons to Choose Our Hotel" - a brochure that uses numbered bullet points to
highlight its best features.
Editorials:
Literary devices: Rhetorical question, allusion, irony,
Example: "Are we really a land of the free when our laws are constantly restricting our basic
human rights?"
Figurative language: Metaphor, simile, hyperbole.
Example: "The new tax laws are like a straightjacket for small businesses, suffocating their
growth and innovation."
Structural elements: Opinionated tone - direct (your opinion first followed by the argument or
indirect (argument first followed by your opinion), clear argument, call to action.
Example: "It's time for our government to take action and prioritize the needs of the people
over corporate interests."
News stories:
Literary devices: Quotations, foreshadowing, imagery.
Example: "As John Smith put it, 'I never imagined I'd witness something so devastating.' Little
did he know, the worst was yet to come."
Figurative language: Juxtaposition, hyperbole, metaphor.
Example: "The contrast between the pristine beauty of the park and the oil spill that
contaminated it was like a punch in the gut."
Structural elements: Inverted pyramid style, objective tone, headline, accuracy, balance,
concise, current.
Example: "Breaking News: Massive Earthquake Rocks the City" - a news story that starts with
the most important information first.
Articles:
Literary devices: Anecdotes, statistics, allusions.
Example: "In a recent study, 75% of people reported feeling anxious about the future. It's no
wonder, considering the political climate we're in."
Figurative language: Metaphor, simile, personification.
Example: "The Internet is a vast ocean of information, constantly churning and evolving with
the tides of technology."
Structural elements: Can be Popular for general public, or Conventional and specific e.g. for a
scholarly publication. Introduction, body, conclusion, subheadings.
Example: "The Rise of Remote Work: How It's Changing the Way We Work and Live" - an
article that uses subheadings to organize its content.
Reviews:
Literary devices: Hyperbole, repetition, rhetorical questions.
Example: "This restaurant's food was so good, I wanted to lick the plate clean. But is it worth
the price?"
Figurative language: Simile, metaphor, personification.
Example: "The wine had a bold, robust flavor, like a lion roaring in the jungle."
Structural elements: formal, factual directly to the reader. , gives personal opinion with
confidence and evidence of that. Rating system, description
Letters
Literary devices: Allusion, metaphor, simile, symbolism
Example: "Your words were music to my ears, a symphony of hope that lifted my spirits and
carried me through the dark night of my soul."
Figurative language: Personification, hyperbole, rhetorical question
Example: "Does the sun rise and set on your love for me? It certainly feels that way when I
:
Example: "Does the sun rise and set on your love for me? It certainly feels that way when I
read your letters."
Structural elements: Salutation, body, closing
Example: "Dear [Name], Body of letter, Sincerely/With love/Best regards, [Your Name]"
Podcasts
Literary devices: Foreshadowing, flashback, symbolism
Example: "As I walked through the deserted streets, I couldn't shake the feeling that I was
being followed. Little did I know that my past was about to catch up with me."
Figurative language: Metaphor, repetition, alliteration
Example: "The rhythm of the city is like a heartbeat, pounding with the energy of a million
souls. And yet, beneath the surface, there are whispers of secrets waiting to be uncovered."
Structural elements: Introduction, segments/topics, conclusion
Example: "Welcome to [Podcast Name], where we explore the hidden stories and untold truths
of our world. In today's episode, we'll be diving into [Segment/Topic], so sit back, relax, and
let's explore together."
(Auto)biographies
Literary devices: Flashback, foreshadowing, symbolism
Example: "As I stood at the edge of the cliff, looking out over the vast expanse of the ocean, I
couldn't help but think about the journey that brought me here. Little did I know, it was only the
beginning of my adventure."
Figurative language: Metaphor, simile, hyperbole
Example: "My heart was a raging inferno, burning with passion and desire. But just as quickly
as it had ignited, it was extinguished by the icy waters of reality."
Structural elements: Introduction, chronological order, reflection/closing
Example: "My name is [Name], and this is my story. From my humble beginnings in
[Birthplace], to the heights of success and the depths of despair, I've lived a life filled with love,
loss, and everything in between. Join me as I take you on a journey through the ups and
downs of my life, and the lessons I've learned along the way."
Travel writing
Literary devices: Imagery, sensory details, symbolism
Example: "The scent of exotic spices mingled with the salty sea breeze, filling my nostrils with
the promise of adventure. As I stepped off the boat and onto the sun-kissed sand, I knew that I
had arrived in paradise."
Figurative language: Metaphor, personification, hyperbole
Example: "The waves crashed against the shore like an angry beast, devouring the sand with
each ferocious roar. And yet, beneath the surface, there was a gentle rhythm that beckoned
me to dive deeper."
Structural elements: Introduction, setting description, personal experience/reflection,
conclusion
Example: "From the bustling streets of Tokyo to the tranquil beauty of the Swiss Alps, travel
has always been my passion. Join me as I take you on a journey through the sights, sounds,
and tastes of some of the world's most breathtaking destinations. From the heart-pounding
thrill of adventure to the quiet introspection of solitude, I'll show you the world through my eyes.
Blogs:
Literary devices:
Allusion: Referring to a well-known person, event or work of art to make a point
Anaphora: Repeating a word or phrase at the beginning of successive sentences or
paragraphs
Epiphora: Repeating a word or phrase at the end of successive sentences or paragraphs
Figurative language:
Metaphor: Comparing two dissimilar things without using "like" or "as"
Simile: Comparing two dissimilar things using "like" or "as"
Personification: Giving human qualities to non-human things
Structural elements:
Lists: Presenting information in a clear and concise way
:
Lists: Presenting information in a clear and concise way
Subheadings: Breaking up the text into manageable sections
Hyperlinks: Providing additional information or resources for the reader
Example: In a blog post about travel, a writer might use the literary device of allusion to
reference famous travel writers like Jack Kerouac. They could also use a metaphor to describe
the feeling of wanderlust as a "itchy foot that never stays still." Structural elements like
subheadings and lists can help break up the post into easy-to-read sections, and hyperlinks
can provide additional information for the reader.
Investigative journalism:
Literary devices:
Foreshadowing: Hinting at what's to come in the story
Dramatic irony: The audience knows something that the characters do not
Satire: Using humor to criticize society or politics
Figurative language:
Hyperbole: Exaggerating for effect
Irony: Saying the opposite of what is meant for effect
Juxtaposition: Placing two things side by side for effect
Structural elements:
Chronological order: Presenting events in the order they occurred
Segments: Breaking the story up into parts to keep the reader engaged
Direct quotes: Using quotes from interviews to add credibility to the story
Example: In an investigative journalism piece about political corruption, a writer might use
foreshadowing to hint at the events to come. They could also use hyperbole to describe the
amount of money involved in the scandal, and irony to comment on the politician's claims of
innocence. Structural elements like chronological order and segments can help keep the
reader engaged, and direct quotes can add credibility to the story.
Letters:
Literary devices:
Tone: The writer's attitude toward the subject
Imagery: Using sensory language to create a picture in the reader's mind
Symbolism: Using an object or idea to represent a larger concept
Figurative language:
Metaphor: Comparing two dissimilar things without using "like" or "as"
Personification: Giving human qualities to non-human things
Irony: Saying the opposite of what is meant for effect
Structural elements:
Greetings and salutations: Setting the tone for the letter
Clear paragraphs: Breaking up the letter into manageable sections
Closing remarks: Ending the letter with a clear message
Example: In a letter to a friend, a writer might use imagery to describe their recent travels.
They could also use a metaphor to describe their feelings about returning home as "coming
back down to earth." Structural elements like clear paragraphs and closing remarks can help
organize the letter and leave a lasting impression on the reader.
Bang!
The gun went.
Man, a lot can go through a sprinter’s mind over 100 metres, and I’ve talked garbage to
myself in every race I’ve ever run in. That might sound crazy to a lot of people because
the metres flash by in just over nine and a half seconds, ten on a really bad day for me,
but in that time I can think about a hell of a lot of stuff: like my start as I burst out of the
line, especially if I’ve left the blocks too late. I think about who’s doing what ahead of me
in the lanes, or whether someone behind is doing something stupid, like trying to beat
me. Seriously, I talk a lot of trash in my head when I’m tearing down the track at top
speed.
Pow!
I burst from the blocks, but Richard Thompson, the Trinidad and Tobago sprinter, was in
the lane next to me and he got a start like nobody else in the history of the Olympics.
Wow! How did he do that?! Now I can’t see where I am in the race, because he’s
blocking my view of Asafa on the other side.
I kept my eye on him all the way, extending my legs out of the drive phase. I made one,
two, three steps and then I stumbled – I made a bad step and rocked to my right – but I
:
two, three steps and then I stumbled – I made a bad step and rocked to my right – but I
recovered quickly and maintained my cool. I’d been through races before where I’d
suffered a bad start, or a shaky first 20 metres, so I didn’t freak.
Like Stockholm, yo. Remember Stockholm. Do not panic. Get through your drive phase
and chill. Chill, chill, chill. Thompson hasn’t pulled away. He’s right there in front of you...
I glanced across the line.
He’s the only dude leading the pack.
And then there was me.
Keep chilling.
I could feel my momentum building, my longer stride taking me past Thompson, and
once I’d cleared him, I could see the rest of the line. I did a quick check – I was ahead,
but there was no Asafa.
Where the hell is Asafa?
Everybody else was there, bunched in. Thompson, Walter Dix (USA), Churandy Martina
(Netherlands Antilles), Michael Frater (Jamaica), Marc Burns (Trinidad and Tobago) and
the other American runner, Darvis Patton, but still no Asafa. That seemed stupid to me,
he was supposed to be there.
This is kinda weird. He should be around ...
At 75, 80 metres I peeped again. I say peeped, but I actually looked back over my
shoulder. I needed to know where he was.
Where are you, bredder?
You’re the man that’s supposed to be doing well here now
Tyson’s not playing. What are you doing? Do I need to run harder? Can I chill?
Then it dawned on me.
Oh man, oh man I’m gonna win this race!
Talk about losing it. I went totally wild even though I was still ten metres from the line. I
threw my hands up in the air and acted all mad. I pounded my chest because I knew that
nobody was going to catch me. It was done, I was the Olympic champ and all the
work I’d suffered with Coach had paid off – all those laps of the track had taken me to the
tape in first place.
(a) You are a journalist at the Olympic 100 metres final which Usain Bolt describes in the
extract. Write your report of the race for the sports section of your newspaper. Use 150–200
words.
Usain Bolt’s first gold medal victory at the 2008 Beijing Olympics was a race for the ages. The
Jamaican sprinter started slow out of the blocks and found himself trailing Richard Thompson
of Trinidad and Tobago early on. However, Bolt quickly regained his composure and began to
surge ahead of the pack with his long, fluid strides. As he approached the finish line, Bolt
realized that his teammate and fellow sprinting superstar, Asafa Powell, was nowhere to be
seen among the other runners.
Despite the absence of Powell, Bolt remained focused and crossed the finish line in first place
:
Despite the absence of Powell, Bolt remained focused and crossed the finish line in first place
with a time of 9.69 seconds, setting a new world record in the process. He celebrated his
victory with wild gestures and chest pounding, knowing that all the hard work and training with
his coach had paid off. Thompson finished second with a time of 9.89 seconds, while American
sprinter Walter Dix took the bronze medal with a time of 9.91 seconds.
Bolt’s victory in Beijing marked the beginning of his reign as the world’s fastest man, and
cemented his status as one of the greatest sprinters of all time. With his lightning-fast speed
and charismatic personality, Bolt has become a beloved figure in the world of sports and a true
inspiration to athletes around the world.
● Give examples
● Ask what effect
this has on the
audience
(b) Compare your newspaper report with the autobiographical extract, analysing form,
structure and language.
Comparative Essay on Text 1 and Text 2
Form:
The two texts being compared are an extract from Usain Bolt's autobiography that describes
his first Olympic gold race, and a newspaper sports article reporting on the same event. Text 1
has a personal and subjective tone, as it is Bolt's own description of the race from his
perspective, with his thoughts and emotions included. In contrast, Text 2 has a more objective
and informative tone, aimed at a wider audience. The target audience for Text 1 is readers
interested in sports, and those who admire Bolt, whereas Text 2 targets a wider audience of
sports enthusiasts, reporters, and the general public interested in the Olympics. The personal
tone of Text 1 is achieved through the use of first-person narration, such as "I can think about a
hell of a lot of stuff", and emotive language, such as "Talk about losing it", while Text 2 uses
more formal language, avoiding contractions and slang, to convey the news in a factual way,
such as "Bolt realized that his teammate and fellow sprinting superstar, Asafa Powell, was
nowhere to be seen among the other runners".
Structure:
The two texts have different structures, with Text 1 being a narrative, and Text 2 being a news
article. Text 1 starts with an attention-grabbing sound effect of the gun going off, followed by a
personal reflection on Bolt's thoughts during the race. It then describes his experience of falling
behind early on and regaining his composure, before surging ahead to win the race. The
ending is dramatic, with Bolt realizing that he is going to win and celebrating wildly. In contrast,
Text 2 starts with a headline and an opening sentence that summarizes the event. It then goes
on to describe the race in a chronological order, with Bolt's victory and the world record time
mentioned as the main focus. The ending is more subdued, with a summary of the final
positions and the significance of Bolt's victory. Both texts use descriptive language to create
vivid images of the race, such as "long, fluid strides" in Text 2, and "I burst from the blocks" in
Text 1. Text 1 has more contrasts within the text, such as the contrast between Bolt's initial
thoughts and his realization of victory, while Text 2 has a more consistent tone throughout.
Language:
There are differences in the linguistic features of the two texts. Text 1 uses a lot of personal
pronouns, such as "I" and "me", to create a sense of intimacy and subjectivity, as well as
rhetorical questions, such as "Where the hell is Asafa?", to convey Bolt's thought process. Text
2, on the other hand, uses more formal language, avoiding colloquial expressions, and relying
on facts and statistics, such as "setting a new world record in the process". Both texts use
metaphors, such as "burst from the blocks" in Text 1, and "surge ahead" in Text 2, to describe
Bolt's running style. Text 1 also uses repetition, such as "Chill, chill, chill", to emphasize Bolt's
:
Bolt's running style. Text 1 also uses repetition, such as "Chill, chill, chill", to emphasize Bolt's
mental state during the race, while Text 2 uses alliteration, such as "fellow sprinting superstar",
to create a rhythmic effect. In addition, Text 2 uses more objective language, such as "Despite
the absence of Powell, Bolt remained focused", which avoids the emotional and subjective
language of Text 1.
In conclusion, Text 1 and Text 2 each text has a different form, structure, and use of language
to convey their purpose to their target audience.
● Give examples
● Ask what effect
this has on the
audience
(A) You are a blogger for your university student website and you attended Hillary R. Clinton’s
speech. Write a blog post for your fellow students, giving your personal account of the event.
Use 150–200 words.
(B) Compare your blog post with the original speech, analysing form, structure and
language.Sure, here's a comparison of the blog post I wrote and Hillary Clinton's speech to the
United Nations Fourth World Conference on Women in 1994:
Genre:
Clinton's speech is a formal address given at a UN conference, aimed at a global audience of
world leaders, policy makers, and women's rights advocates. The purpose is to advocate for
the rights of women and girls worldwide and to call for action towards gender equality.
The blog post is a more informal, personal account of attending the speech, written by a
university student blogger to their fellow students. The purpose is to convey the importance of
the speech and inspire fellow students to take action towards gender equality.
Structure:
Clinton's speech is structured into several paragraphs, each with a clear topic and argument.
The use of discourse markers such as "However different we may be" and "Let them listen to
the voices of women" helps to transition between ideas and emphasize key points.
The blog post is also structured into paragraphs, but they are shorter and less formal. There is
more use of rhetorical questions, such as "Can you imagine being in a room full of women from
all over the world, all fighting for the same thing?" to engage the reader and encourage
reflection.
Language:
Clinton's speech uses language devices such as positive lexicon, repetition, and parallel
structures to emphasize the importance of gender equality. For example, she repeats the
phrase "If women" to highlight the connection between women's rights and the well-being of
families and communities. She also uses contrasts such as "access to education, health care,
jobs, and credit" versus "basic legal and human rights" to show the different challenges facing
women.
The blog post also uses positive lexicon and repetition to convey the importance of the speech,
such as "a celebration of the contributions women make in every aspect of life" and "the
chance to enjoy basic legal and human rights." However, there is less use of rhetorical devices
overall, with more focus on personal reflection and storytelling.
Overall, while both Clinton's speech and the blog post share a focus on gender equality, they
differ in their genre, structure, and language. Clinton's speech is more formal and structured,
with a focus on advocacy and argumentation, while the blog post is more informal and
personal, with a focus on reflection and inspiration.
● Give examples
● Ask what effect
this has on the
audience
:
Read the following text, which is a blog post from the Psychology Today website.
Here’s food for thought: Taste happens in your head, not your mouth. Color, for instance, is a
strong influence on how we perceive flavor. Purple grapes don’t look quite right when served
on a blue plate. Similar color contrast impressions operate at multiple levels both
psychologically and in the brain. It may be that the term ‘blue plate special’ became popular
during the 1930s Depression when cooks noticed that customers were satisfied with smaller
portions when meals were served on a blue plate. Shape affects gustatory judgments, too. An
angular plate emphasizes the sharpness of a dish. Weight also matters: the more heft a bowl
has the more satiated you’ll feel no matter how much or little you eat.
Labeling is powerful: In blind tastings people judge wine as tasting superior when told it costs a
lot despite being exactly the same drink as the competitors they taste. Studies repeatedly
show that consumers can’t detect any difference between organic-labeled and conventionally
grown vegetables even when 30% of those tested thought that organic vegetables had to taste
better.
Expectation and belief strongly shade how food tastes, even when it is served blind or in black
glassware. A lack of visual cues can make it impossible to tell one flavor from another. The 8%
of men who are red–green colorblind, for example, can’t tell the difference between a rare
steak and one well done. One would think that a tough texture gave the overcooked steak
away, but visual cues, or their absence, outweigh other signals.
Now imagine fields of old-fashioned produce. Chickens clucking in the yard. A nice image, but
not necessarily reality. As organic products have gained in popularity the incentive to
industrialize has influenced producers. That’s perfectly legal because ‘organic’ by definition
means only not sprayed with synthetic fertilizers or pesticides. That leaves more than 20
chemicals approved for organic farming that may not be any less risky or more sustainable
than synthetic ones.
One USDA1 report showed that 43% of 571 samples labeled organic contained prohibited
pesticide residues. Some were mislabeled regular produce. Others were downwind from
prohibited pesticides used in conventional fields nearby. Major brands often grow their organic
crops next to conventional ones, so it’s no surprise they’re contaminated.
Labels have become a problem: Organic isn’t much about food at all. It’s now an image and
testament to a lifestyle, a virtuous story about the person whose kitchen it fills. People choose
it because they value romanticized notions of health, quality, the natural world. Marketers know
that we’re swayed by confirmation bias so they can sell us 35 products that don’t live up to an
imagined ideal. Confirmation bias is basically believing evidence that supports what you
already believe while rejecting whatever doesn’t fit.
‘Organic’ once did mean more traditional farming practices and less-processed raw
ingredients. Our brains still hang on to that ideal even in the face of negative evidence.
Attached to beliefs and symbols of a principled lifestyle, cognitive bias nudges us to reject
contrary facts. Advertisers claim their organic cereal is healthier, and our critical thinking
forgets that frosted cereals are nutritionally poor choices no matter which way you grow, grind,
and bake them.
The smokiest mirror of the organic industrial complex may be that its system is based on trust.
An investigation by the Wall Street Journal found that 47% of USDA certifying agents – people
accredited by USDA and trusted to inspect and certify organic farms and suppliers – failed to
uphold basic Agriculture Department standards at least once. Caveat emptor2 : claims of
health benefits and ‘natural’ ingredients can be meaningless when we take producers at their
literal word.
There is more to labels than meets the eye, and the psychology of food marketing has yet to
change reality. Swedish researchers concluded that ‘choosing a lifestyle based upon an
organic diet constitutes a return to the natural world on a philosophical level, whereas on a
psychological level it connects one to aspects such as identity, values, and well-being’.
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psychological level it connects one to aspects such as identity, values, and well-being’.
Organic chickens may be ‘cage-free’ and have ‘outdoor access,’ but that doesn’t mean they’re
not still living in crowded factory-conditions-plus-window. You have to look beyond the label. As
for moral superiority, that can’t fit in a shopping cart anyway.
(a) Your teacher has asked you to write the opening speech for a class debate on the subject
of organic food. Write your speech, outlining the pros and cons of organic food. Use 150–200
words.
Good afternoon everyone,
As we gather here today to discuss the topic of organic food, it is important to consider both
the pros and cons of this popular food trend. On the one hand, proponents of organic food
argue that it is healthier, more sustainable, and better for the environment.
However, others argue that the label "organic" may not always be as meaningful as it
appears.
It is true that organic produce is not sprayed with synthetic fertilizers or pesticides, which
can be beneficial for both the environment and our health. However, it is important to
note that there are over 20 chemicals approved for organic farming that may not be any
less risky or more sustainable than synthetic ones. In addition, studies have shown that
consumers cannot always detect a taste difference between organic and conventionally
grown vegetables, despite the perception that organic food should taste better.
Furthermore, the labeling of organic food has become a problem in and of itself. Many
people choose organic food because of the romanticized notions of health, quality, and
the natural world that it represents. However, this image may not always be accurate, as
some organic products have been found to contain prohibited pesticide residues, or may
be grown next to conventional crops and thus contaminated.
In conclusion, while organic food may offer certain benefits, it is important to consider the
limitations of the label and the actual practices involved in organic farming. As we
continue this debate, let us keep an open mind and consider all perspectives in making
an informed decision about the food we choose to eat.
Thank you.
(B) Compare your speech with the blog post, analysing form, structure and language.
Genre:
The original Psychology Today blog post and the opening speech have different genres,
conventions, rules, purposes, and audiences. The blog post is a scientific article that
presents research findings on the psychology of taste and perception, while the opening
speech is a persuasive speech that aims to introduce and discuss the pros and cons of
organic food for a class debate. The purpose of the blog post is to inform and educate
the general public about the psychology of taste, while the purpose of the opening
speech is to persuade the audience to consider both sides of the organic food debate.
The audience of the blog post is a general audience interested in the science of taste
and perception, while the audience of the opening speech is a classroom of students
who will engage in a debate about organic food.
Structure:
The structure of the two texts is different in terms of paragraph style, punctuation, and
:
Structure:
The structure of the two texts is different in terms of paragraph style, punctuation, and
discourse markers. The blog post has several short paragraphs that present different
aspects of the psychology of taste and perception, with minimal use of punctuation and
discourse markers. The opening speech, on the other hand, has longer paragraphs that
present different arguments for and against organic food, with the use of punctuation and
discourse markers such as colons, dashes, and rhetorical questions to organize and
emphasize key points.
Language:
The language used in the two texts also differs in terms of language devices such as
positive lexicon, repetition, usage of pronouns, parallel structures, contrasts, and
rhetorical devices. The blog post uses descriptive and technical language to explain the
research findings on the psychology of taste and perception, with a focus on objective
facts and evidence. The opening speech, on the other hand, uses more persuasive
language devices such as repetition, contrasts, and rhetorical questions to engage and
persuade the audience. For example, the opening speech uses the rhetorical question
"Now imagine fields of old-fashioned produce. Chickens clucking in the yard. A nice
image, but not necessarily reality" to challenge the audience's assumptions about
organic farming. It also uses repetition of the phrase "confirmation bias" to emphasize
the role of cognitive bias in shaping consumer behavior.
Overall, the two texts have different genres, structures, and language devices that reflect
their different purposes and audiences. The blog post focuses on objective facts and
research findings, while the opening speech aims to engage and persuade the audience
to consider both sides of the organic food debate.
● Give examples
● Ask what effect
this has on the
audience
(1) Form ; discuss purpose of both texts, target audience of both texts, tone of both texts
and how they differ, how each text appeals to it’s audience and the effect it has on the
audience. Give examples from each text and label the linguistic device used to back up
your points
(2) Structure ; compare and contrast both texts in relation to their introductions, their
endings, development throughout, contrasts within each separate text, any shifts in
either text (topic, tone, pace, etc.) Give examples from each text and label the linguistic
device used when making a point
(3) Language ; are there any differences in linguistic features of both texts ( eg.
hyperbole, anaphora, personification, juxtaposition, pronoun usage, grammar, syntax,
punctuation or any other linguistic devices) Give examples from the texts and label the
linguistic device when making points
Also include a brief introduction and a concise conclusion, write an essay of about 450
words.
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