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THE FREELANCE WRITER’S
GUIDE TO CONTENT
MARKETING
MRIDU KHULLAR RELPH
Copyright © 2018 Mridu Khullar Relph.
All rights reserved.
No part of this book may be reproduced in any form or by any electronic or
mechanical means, including information storage and retrieval systems, without
written permission from the author, except for the use of brief quotations in a
book review.
For my parents,
who believed me when I said
writing could be as profitable a career
as engineering.
CONTENTS
Afterword
Making Six Figures
Free Resources!
The Freelance Writer’s Guide Series
The Finishers
ABOUT THE AUTHOR
I BET you’ve heard it said before but there’s never truly been a more
amazing or profitable time to be a freelance writer. Don’t listen to
the naysayers who’re telling you that $50 blog posts and 10-cents-a-
word parenting reprints are all that’s available to the average
freelance writer. They’re not.
As businesses have started understanding the importance of
good content, they’re increasingly investing more money to bring in
writers to create that content. These businesses are both large and
small—I’ve written content for large multinational financial services
firms as well as small retail stores—but they may not even be
businesses at all. Associations, non-profit organizations, even
governments are beginning to understand how to use content
marketing to further their goals and connect with their customers
and audiences. And they need good writers to do so.
At the beginning of this book, I told you that I’d been amazed
when I found that my income had doubled from the year before with
only 20% of additional effort. When you consider the higher payoff
and return on your time, it’s a no-brainer that content marketing
writing could not only massively increase your income, but also get
you to the six-figure threshold quite easily.
Here are some of the reasons why content marketing writing is
better and more profitable than your average freelance work. I list
these reasons not only to show you how content marketing can
make a difference in your income, but also because as you move
through the industry and try to find the right clients, you’ll come
across all sorts. The list below will help you set the standard by
which you need to measure your clients because what I’m listing
below is not out of the ordinary by any stretch. So if you’re waiting
three months for your payments to clear or getting repeat edits like
you did with that women’s magazine editor, you need to revisit the
relationship.
1. GREAT PAY
Let’s get straight to the good stuff. Content marketing writing pays
well. I average $300-400 per hour, but even if you’re a bit less
experienced, finding the right clients could easily mean 50-cents-a-
word assignments right off the bat.
That said, you do have to be somewhat experienced. If you’re a
new writer, you may have to build up your clips and credits with $50
blog posts, but the good news is, once you have about 3-4
recognizable credits and good clips to show in a certain industry, you
can start getting higher-paying work pretty easily.
If you are new, try going after some traditional media work first,
even if you have to do it for low pay. That blog post you wrote for
The Atlantic’s website or a New York Times blog may only pay $100,
but it will build credibility very quickly, especially in the content
marketing space. Businesses love to see recognizable names in your
portfolio and they’ll often pay more if you have those clips and a
specialized knowledge of their niche or topic.
In stark contrast to the falling rates many of us see for stories in
newspapers and magazines, in my experience, content marketing
rates have consistently stayed high for talented writers who
understand this market. The more efficiently you work, the more you
will make.
2. ENJOYABLE WORK
Writing good content for businesses isn’t all that different from the
work you may be doing as a freelance writer for websites or even
newspapers and magazines, with the exception of hard news or
investigative reporting.
The point of content marketing is to deliver information to
readers that is well researched, trustworthy, and entertaining. As a
content marketing writer, I’ve been asked to write service stories
(how-to style articles), trend stories, and profiles in exactly the way I
would have written them for any of my magazine or newspaper
clients.
And if I’m going to write the same types of stories as I normally
would, I’m quite happy to earn substantially more for my time.
A common misconception among writers is that content
marketing writing equals just blogging. Since I don’t particularly
enjoy blogging for businesses, I’ve stayed away from those jobs.
Yet, I still get enough work that I routinely have to turn down
assignments that don’t appeal to me. Likewise, if you love the idea
of writing posts for a company’s blog but don’t want to work on case
studies, you’ll likely be able to do that.
3. EFFICIENT EDITS
This is probably the biggest sell of content marketing writing for me:
The ease and efficiency of edits.
Compared to traditional media, businesses run with a much
higher sense of urgency. When a business fails to be efficient, in
content or anything else, they lose money. They learn to get things
done pretty quickly, even if they’re a big hairy corporation that
requires multiple levels of approval. This drive for efficiency works in
your favor.
Because business clients are less likely to ask for multiple
revisions and aren’t content specialists themselves (which is partly
why they’ve hired you), I find that they request fewer—and easier—
edits. When you spend less time on revisions, you have more time to
devote to your next assignment and boost your hourly earnings.
As an entrepreneur myself, the efficiency of these business
clients appeals to me greatly. And as a writer who likes to get paid
on time, it appeals to me even more.
4. QUICK PAYMENT
Speaking of efficiency, have I mentioned that no matter whether you
work through an agency or directly with a client, you’ll often be paid
within a week of submitting your work? Of course, this depends on
your clients and their policies, but typically, many clients will pay
pretty quickly—no later than a month after acceptance.
If you pick your clients wisely, work with reputable agencies that
have established relationships with clients whose names you
recognize, and negotiate your contracts well, you’ll find that chasing
invoices will quickly become a thing of the past.
(And if you find that this is not your experience and you have to
chase payments with someone, it may be time to dump that
particular client.)
5. CONSISTENT WORK
One of the biggest problems freelancers face—and a common
reason why many quit freelancing—is irregular cash flow.
Traditional media (and even online publications) often simply
don’t have enough work to give to you on a monthly basis. Even
when I had stellar relationships with editors, I could never get more
than one article in their magazines each month. Unless you’re
blogging for a publication or get on board as a columnist, it’s very
difficult to get regular slots in enough publications that your cash
flow becomes regular.
Not so with content marketing writing. In fact, if you provide
consistently good work that needs little or no reworking, you’ll find
that you can rely on assignments on pretty much a weekly basis
from the same clients, sometimes even more. This dependable work
helps you forecast your income for the month and more importantly,
find some stability in your cash flow.
CHAPTER THREE
MYTHS THAT HOLD YOU
BACK
BE INDEPENDENT
One of the main reasons I don’t find it difficult to straddle both
journalism and content marketing is because at the core, I’m an
independent journalist and writer. I haven’t signed allegiance with
any one publication, editor, client, or brand. I’ve never been asked
but if I were ever in a position where I had to write untruths or
exaggerated positives about a brand, I’d easily walk away.
What keeps it simple for me is that I’ve set my own standards
and they happen to be the same for both journalism and content
marketing work. They are:
ONCE MORE SEE THE OLD FLAG AND THE BOYS IN BLUE—MR.
KIMBALL AND MRS. DICKINSON RECOMPENSED—FIND THE
NINTH MICHIGAN CAVALRY—INTERVIEWED BY GEN’L
KILPATRICK—ALL RIGHT AT LAST.
END OF DIARY.
THE FINIS.