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Copyright © 2021 by Perry Merrill LLC
All rights reserved.
Published in the United States by Random House, an imprint and
division of Penguin Random House LLC, New York.
Random House and the House colophon are registered trademarks of
Penguin Random House LLC.
library of congress cataloging-in-publication data
Names: Rhodes, Benjamin, author.
Title: After the fall : being American in the world we’ve made / Ben
Rhodes.
Other titles: Being American in the world we’ve made
Description: New York : Random House, [2021] | Includes index.
Identifiers: LCCN 2020056623 (print) | LCCN 2020056624 (ebook)
| ISBN 9781984856050 (hardback) | ISBN 9781984856067 (ebook)
Subjects: LCSH: World politics—21st century. | Globalization—
Political aspects—United States. | United States—Politics and
government—2017– | Nationalism—United States—History—21st
century. | Political corruption—Hungary—History—21st century. |
Political corruption—Russia (Federation)—History—21st century. |
Political corruption—China—History—21st century. | Global
Financial Crisis, 2008–2009.
Classification: LCC D863 .R48 2021 (print) | LCC D863 (ebook) |
DDC 909.83/1—dc23
LC record available at https://lccn.loc.gov/2020056623
LC ebook record available at https://lccn.loc.gov/2020056624
Ebook ISBN 9781984856067
randomhousebooks.com
Book design by Fritz Metsch, adapted for ebook
Cover design: Oliver Munday
Cover photograph: Oliver Haynes/SOPA Image/LightRocket/Getty
Images
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Contents
Cover
Title Page
Copyright
Epigraph
Prologue
Dedication
Acknowledgments
By Ben Rhodes
About the Author
The final takeover does not happen with one spectacular
Reichstag conflagration, but is instead an excruciating, years-
long process of many scattered, seemingly insignificant little
fires that smolder without flames.
—ece temelkuran
Prologue
i set out to write this book in the wake of the Obama presidency so
that I could understand what happened to the world, my country,
and myself. After working for eight years at the height of American
political power, I felt like an exile in my own country. It was a newly
disorienting reality, and one that lent itself to questioning every
assumption I had as an American.
Travel was the most comforting and illuminating escape I could
make from the political chaos back home. I took every opportunity I
could to go overseas, and I found myself seeking out the kind of
people I never really had the opportunity to fully know when I was
in government: dissidents, activists, oppositionists—anyone, really,
who looked at power from the perspective of an outsider. What an
opportunity—to learn the stories of individuals who lived the political
trends that I had watched from the exalted distance of the White
House. Unburdened by being American themselves, they
experienced no difficulty of politeness or discomfort that prevented
them from seeing the Trump years for what they were: an American
experiment with fascism, albeit of a particularly incompetent and
corrupt kind. But there was also a similarly obvious reality: The
forces that produced a Trump presidency long predated it and would
still be there after it was over. Indeed, a new model of nationalist
authoritarian politics is a defining reality of our world today.
The more I investigated this phenomenon, trying to work it out
for myself, the more I saw the fingerprints of the era of American
hegemony on what was shaping the lives of people all around me.
How the 2008 financial crisis had collapsed not only the global
economy, but also confidence in the very fact of American-led
globalization, opening the door to deeply familiar nationalist appeals.
How the post-9/11 wars had also discredited American leadership
while opening the door to a hypersecuritized politics of Us versus
Them, one that could easily be repurposed to target an available
Other in country after country. How the spread of social media had
unleashed a flood of disinformation that undermined democracy
while offering autocrats ever more powerful tools of social and
political control.
I saw this most clearly in three countries that were Communist
throughout the Cold War and are at the center of the political forces
remaking the world today. In Hungary, where the anticommunist
liberal turned reactionary nationalist Viktor Orban took advantage of
the 2008 financial crisis to create a model of authoritarian politics
that is strikingly similar to the playbook that the Republican Party
has run in America. In Russia, where Vladimir Putin capitalized upon
the humiliations of the end of the Cold War to build a cabal anchored
in corruption and nationalism and then set out to turn the United
States into a mirror image with American social media as his most
potent offensive weapon. And in China, where Xi Jinping is building
the model for a new world order on the pillars of state-controlled
capitalism, national sovereignty, and totalitarian technology. Remove
any democratic values, and you get the shift from the recent
American model to the emerging Chinese one.
This is a book of stories, based on the instinct that it is best to
see global events through the perspective of individual lives. The
Hungarian opposition searching for a democratic identity capable of
overcoming the blood-and-soil nationalism of the past and the failure
of globalization to deliver on its promise. The Russians who have
been victimized by violence and are still insisting on a politics
cleansed of corruption, anchored in the truth. The Hong Kong
protesters who saw a freedomless capitalist techno-totalitarian
future encroaching upon their city and launched a movement that
should be heard as a cry of warning. Collectively, their stories
allowed me to see more clearly what had happened in their
countries and why, as well as to see the myriad ways that the era of
American hegemony had contributed to it. That, in turn, allowed me
to see America more clearly—through the eyes of outsiders in other
countries, and through my own experience of being an outsider at
home.
Ultimately, this book is my story. My journey from the wake of a
historic presidency to a world that looked at America and saw that
presidency’s opposite. My effort to relearn what it means to be an
American in a world gone wrong. While I was writing this book, a
Russian who is a leading character in it was poisoned and nearly
killed, the Hong Kong protests I immersed myself in were snuffed
out, the world went on lockdown in the face of a pandemic, and an
American autocrat was voted out of office and sought to overturn
the result. Through these dramatic developments, the currents of
history that I was feeling around me remained constant; if anything,
the picture became clearer and clearer, like a landscape from which
fog is lifting.
Because this book represents my own experience of these things,
it is inevitably incomplete. We are all inherently limited in our
perspective, shaped by our own history. But by recognizing ourselves
in others, we can expand our own lens of vision. Perhaps we can
also see our own shortcomings more clearly. For me, the experience
of looking into the eye of where America has gone wrong has only
made me love more fiercely what America is supposed to be.
That is the starting point of my present journey.
Part I
We can never start a new life. We can only continue the old one.
—imre kertesz
1
from the moment I was deposited back into civilian life after the Trump
inauguration, I felt compelled to get away from what was happening
in America. To emerge bleary-eyed from some international flight,
change currency in the baggage claim, and walk into blinding
sunlight and the cacophony of voices speaking another language
along the curbside—men smoking in soccer jerseys, clustered
around a metal pole—was to be reminded that life went on despite
the sense of hostage taking that afflicted my homeland. It was a
form of self-imposed exile. And yet, in each locale, there was the
discovery that the same thing was happening everywhere.
In March 2017, I went to Myanmar to help the government there
prepare for peace negotiations with a patchwork of provincial ethnic
groups who had been waging civil war for decades. Diplomacy, it
turned out, was privatized like everything else. I would be an
independent contractor for a British-based nongovernmental
organization (NGO) led by Jonathan Powell, who had served as chief
of staff for Tony Blair. Powell had led the negotiations to secure the
Good Friday Accords that secured peace in Northern Ireland in the
late nineties. Ever since, he’d become something of a globe-trotting
private peacemaker from Africa to Latin America to Southeast Asia, a
figure out of a Graham Greene novel meeting rebels in jungles and
deserts, seeking to recapture the accomplishment of his career’s
high-water mark. Perhaps because I was newly admitted into the
ranks of former officials, it seemed no surprise to Powell or his staff
that I wanted to get to Burma a little early to unwind. We were
trying to help end wars, but we were also dealing with our own
private ones.
For a couple of days, I walked aimlessly around the sprawling city
of Yangon, a blanket of heavy heat over me, buying knock-off Nikes
for a few bucks to make it easier on my feet. I went to a pagoda and
sat staring at a Buddha, waiting to feel something. I walked into a
U.S.-government-funded library where I’d been a guest of honor a
couple of years before, now anonymous to young Burmese buried in
books and screens. Then I conducted workshops in the capital city
of Naypyidaw to help the Myanmar negotiating team prepare,
sharing lessons I’d learned while negotiating reconciliation between
the United States and Cuba. The civilians took earnest, copious
notes. The stern-faced military men in drab green uniforms wrote
nothing down. Afterward, I joined a meeting with Aung San Suu Kyi,
dissident turned state councilor, at her residence. For the first time in
my several meetings with her, we were asked to take off our shoes
inside the Buddhist home, a reminder of the Burmese Buddhist
nationalism that had become more predominant in recent years.
Within a matter of months, the Burmese military that had once
imprisoned Suu Kyi would pursue a campaign of ethnic cleansing
against a Muslim minority, the Rohingya. A million people were
driven into neighboring Bangladesh. Through it all, Suu Kyi would
remain silent. People wondered at her fall from Nobel Peace laureate
of the early nineties to international pariah. But it made a certain
kind of sad sense to me. A survivor from a country on the periphery
of power in the world, she once surfed the wave of democracy that
accompanied the end of the Cold War. She rocketed to international
attention in 1989, the year that the Berlin Wall came down, by
leading a democratic movement protesting the military government.
By 2017, she was doing what she felt she needed to do to survive in
a world where nationalism ran amok. Her own journey—from
democracy icon to tacit collaborator in brutality fueled by Buddhist
nationalism and rampant anti-Rohingya disinformation on Facebook
—didn’t cut against the currents of history, it drifted in the wake of
events in the wider world.
In April 2017, I went to Milan with Barack Obama. He was there
to speak about climate change a few weeks after Donald Trump
pulled out of the Paris Climate Agreement. The rhythm of the trip
felt familiar: a private plane, a block of hotel rooms, Secret Service
agents. But the plane was a fraction the size of Air Force One, there
were only a handful of hotel rooms and agents, and unlike the crush
of responsibilities that used to follow me, I had very little to do. I
accompanied Obama on a private tour of Leonardo da Vinci’s
drawings, peering down at bold lines that improbably anticipated the
machines of the future—helicopters and missiles, the machinery of
war that we’d presided over for eight years. Dusty volumes hundreds
of years old lined the walls of the library. From human creations like
this the Renaissance had emerged, paving the way for the pursuit of
scientific inquiry and cultivation of a more enlightened Western
civilization that now felt under assault. Back at the hotel, throngs of
Italians waited outside Obama’s hotel. I told him that he remained
the most popular politician in the world. “No,” he corrected me, “I’m
one of the biggest celebrities in the world now.” He didn’t mean it as
a good thing—progressive change relegated to cultural celebrity.
In July 2017, I went to Cuba. I stayed at the sprawling Hotel
Nacional in the heart of Havana. Black-and-white photos of the
Castros with visiting dignitaries and celebrities, vestiges of Cold War
history, hung in the lobby. I met a friend from the American embassy
for drinks at the outdoor bar, the kind of place that you assume has
been populated by revolutionaries and spies for the last several
decades. In a hushed voice, my friend told me about a mysterious
illness that had struck employees of the embassy. There were
theories about “sonic attacks,” but the source would never be firmly
established. It felt to us like something the Russians might do—
people who wanted to sow conflict, drive others apart, put America
and Cuba back into the Cold War that I thought we had ended.
A couple of days later, I flew to Santiago, where the Cuban
Revolution had begun. I felt sicker than I could remember ever
having been—a throbbing headache, ringing in the ears, repeatedly
(and not always successfully) suppressing the urge to vomit. Was it
food poisoning, or something else? I was shown around the
revolutionary sites by an eager guide. A museum that documented
the crimes of the prerevolutionary, U.S.-backed Batista government
felt several historical epochs out of date, and so did the Cuban
Revolution. I was driven into the countryside, almost two hours on
roads at times blocked by mangy herds of animals, my stomach
doing flips with every bump. We came to a secluded cemetery in the
mountains, the place where the revolutionaries had become
guerrillas. It was lush and peaceful, the only sounds coming from
the birds and the breeze through the trees. An old man who’d fought
with the Castros showed me around, his tour culminating at the site
where Raúl Castro would be buried. I looked at the tomb with Raul’s
name already etched into it; this was a man who wanted to be
remembered in the place where he had been young, when it was all
still a cause uncorrupted by power and the passage of time.
Back at the Nacional the next day, I lay on my bed staring at the
ceiling and having a conversation in my head. Had we misled all of
these people, from the Cubans who wanted to move beyond the
past, to the Europeans who saw America as a guarantor of
democracy, to the Burmese who wanted democracy for themselves?
People who had trusted us, only to be burned. Or were we always
pushing against inexorable forces, the hard-line Cubans who clung to
power with Russian backers, the nationalists trying to unravel the
European Union, the Burmese military who wanted a nation for
Buddhists? Was the dark turn I sensed everywhere I went a cause of
America’s nationalist, authoritarian turn, or was America merely
following the same turn happening everywhere, caught in the
current of history like a piece of driftwood?
This question continued to roll around in my head, from continent
to continent. In Kenya, an American diplomat told me the Chinese
were methodically supplanting American influence—buying up
businesses and media, courting the students who no longer felt
welcome in the United States. In Singapore, a senior government
official told me casually over drinks that Asia had moved on from
America—speaking as if this gleaming capitalist construction had
almost been seamlessly handed off to the Chinese. In Amsterdam,
Obama and I toured the empty Anne Frank house at night, peering
into the small rooms where she’d penned her diary, the absence of
tourists lending the place a feeling of having been forgotten.
In country after country, people asked me searching questions
about how Trump could have happened. In Europe, Trump was often
tied to the British vote for Brexit and the refugee crisis of 2015, the
fears of Muslim hordes invading our open societies. But this theory, I
felt certain, was wrong. It diminished the more structural,
consequential forces at work everywhere I went, forces that had
been building for a long time. No, this wasn’t some black swan
event, easily explained by a couple of years’ worth of scary
headlines. It ignored the lived reality of the eight years that I worked
in the White House, the feeling that a cancer was metastasizing
everywhere despite our efforts to treat it. It conveniently elided the
ways in which decades of American capitalism, technology, and the
politicized pursuit of national security had ripened so many people in
the United States and around the world for crude nationalist
appeals.
Then, on an early 2018 trip to Berlin for an Obama town hall with
European youth, I met a young Hungarian named Sandor Lederer.
We talked in an empty room of what was once the headquarters of
the German Democratic Republic (GDR), a Soviet-backed nation that
doesn’t exist anymore. The building was built in the drab style of
1960s Communist architecture. The exterior was gray and imposing,
the interior filled with mosaics depicting idealized scenes of Germans
in factories, farms, and mines contrasted with images of book
burning and the persecution of workers under the Nazis. For more
than three decades, the men who ruled the GDR with access to the
Stasi’s files on the private lives of other East German citizens came
to work in this building. It has since become one of Germany’s
leading business schools, the European School of Management and
Technology (ESMT), a name that encapsulates the technocratic
ethos of globalization that shaped the beginning of the twenty-first
century. A monument to Communist power turned into a place to
train capitalists. A reminder that history never ends.
Not yet forty, Sandor had knowing, sunken eyes and a mop of
black hair flecked with gray, as if he carried around his country’s
post–Cold War journey like a weight. I asked him to walk me
through how his country’s prime minister, Viktor Orban, had
transformed Hungary from an open democracy to a largely
authoritarian system in the span of a decade. It took him only a few
minutes. Win elections through right-wing populism that taps into
people’s outrage over the corruption and inequities wrought by
unbridled globalization. Enrich corrupt oligarchs who in turn fund
your politics. Create a vast partisan propaganda machine. Redraw
parliamentary districts to entrench your party in power. Pack the
courts with right-wing judges and erode the independence of the
rule of law. Keep big business on your side with low taxes and
favorable treatment. Demonize your political opponents through
social media disinformation. Attack civil society as a tool of George
Soros. Cast yourself as the sole legitimate defender of national
security. Wrap the whole project in a Christian nationalist message
that taps into the longing for a great past. Offer a sense of
belonging for the disaffected masses. Relentlessly attack the Other:
immigrants, Muslims, liberal elites.
It struck me that Sandor could have been describing America
instead of Hungary.
I saw more clearly what had been stirring in me since Trump’s
inauguration: America wasn’t at risk of being transformed into a
semiauthoritarian nation by Trump; we were already well along that
spectrum, and the damage could not be undone by any single
election. And sitting in the old headquarters of the GDR, this
monument to the world that America transformed with the end of
the Cold War, I began to see the outlines of how America’s own
actions over the last thirty years made this transformation possible—
in our own country and in others.
This is the world we made.
2
sandor lederer was six years old when the Berlin Wall was torn down
in 1989. His father was a foreign correspondent based in East Berlin,
and Sandor remembers the energy of the people in the streets, the
excited conversations at the dinner table, the sense that something
important was happening all around him even if he was too young to
fully grasp it. After experiencing the euphoria of Berlin’s
reunification, his family returned to Budapest to find it transforming.
“As a child,” he told me, “you see the visuals. Visuals in terms of
statues that you see on the streets, street names, cars on the street,
billboard advertising, and also what you see on TV—several political
parties discussing things.” Gone were the traces of Soviet-sponsored
totalitarianism, with its stale sameness, Communist iconography, and
anointed heroes. In its place, suddenly, was the promise of an open
society—the freedom to choose what news you watched, what
products you aspired to buy, which political parties you joined. The
freedom to choose who you were.
Viktor Orban was just twenty-five years old when he made his
first impression on Hungarians at a rally in Budapest five months
before the Wall came down. The purpose of the rally was to rebury
the corpse of the martyred Imre Nagy, the man who led Hungary
during its 1956 uprising against Soviet rule. Nagy, the Communist
prime minister, had embraced the uprising, called for multiparty
democracy, declared Hungary’s neutrality in the Cold War, and
demanded an end to Soviet military occupation. In a scene
analogous to that in Tiananmen Square a few decades later, Soviet
tanks rolled into Budapest, crushing the uprising, killing thousands
and displacing hundreds of thousands more. Nagy was hanged, his
body discarded in a prisoner’s grave.
At the time of the 1989 rally, Orban was a young beneficiary of
the wealthy Hungarian-American émigré George Soros. As the leader
of the Federation of Young Democrats, Orban represented the
demands of Hungarian youth. Tieless, his dark hair in the style of a
1980s lead singer, he stood in front of four microphones and a crowd
of a hundred thousand people. Orban paid tribute to the fact that
Nagy “identified himself with the wishes of the Hungarian nation to
put an end to the Communist taboos, blind obedience to the Russian
Empire, and the dictatorship of a single party.” Orban himself was
strident and uncompromising in his own defiance.
“Orban was a very popular liberal politician back then,” Sandor
told me. Listening to him recall those days, I remembered my
wonder at the images I watched on television as a twelve-year-old in
New York City, of the crowds of Europeans filling the streets of fallen
imperial capitals. I believed that what they wanted was simple: They
wanted freedom, and that meant that America—in my young boy’s
mind—was winning. The winds of change.
This was freedom’s high-water mark. In a dizzying few years, the
Communist regimes of Eastern Europe collapsed, followed by the
Soviet Union. Nelson Mandela strode out of a South African prison.
Right-wing dictatorships tumbled from South America to Southeast
Asia, no longer a useful extension of American anticommunism. The
organizing principle of American politics disappeared as well: the
Cold War, which had driven everything from our ascent to the moon,
to the structure of our government, to the pop culture that shaped
my worldview through osmosis. Bill Clinton was elected, the first
American president born after World War II, who melded together
center-left policies with accommodation to the unregulated, wealth-
creating markets unleashed by the collapse of the Iron Curtain.
When the Cold War ended, Orban was in some ways an American
creation—an underdog and vessel for the same arguments American
presidents had been making for decades, a beneficiary of the
American policy of containment that compressed the Communist
bloc into a pressure cooker overheated by its own corruption and
hypocrisy. Today, the anticorruption organization that Sandor leads,
along with many other civil society organizations, has been deemed
an “enemy of the state” by the government of Prime Minister Viktor
Orban. Meanwhile, Orban has become what he once railed against:
obedient to Russia, the corrupt beneficiary of the dark money that
courses through the veins of global markets, leader of what
increasingly resembles a dictatorship by a single party. The story of
how that happened is the story of how the period after that high-
water mark of freedom failed to reconcile the wounds of the past or
offer people a sense of purpose for the future. It’s a story that
shaped the lives of Hungarians like Viktor Orban and Sandor Lederer
in very different ways.
at the time, the fall of the Berlin Wall seemed to end the historical
epoch that had begun with the rise of fascism and Communism. The
carnage of World War II had morphed into the competition between
capitalist democracy and Communist autocracy, and now that battle
was over. As an American, I believed we had all emerged into a new
consensus, the benevolent cocoon of American-led globalization. But
within Europe, the early-twentieth-century clashes over identity cast
long shadows; after the Iron Curtain was lifted, the shadows were
still there within nations, communities, and individual lives.
Sandor is a half-Jewish Hungarian whose family circle
encompasses the various conflicts and contradictions of the
twentieth century. He was born in a country that suffered under the
rule of Nazi-backed Hungarian fascists during World War II and
Russian-backed Communists during the Cold War. His Jewish
grandparents on his father’s side met in exile, in Turkey, during
World War II. During the war, Sandor’s grandmother—who was born
in the Ukrainian city of Odessa—worked for Soviet intelligence.
Sandor’s grandfather—horrified by what was happening in Europe—
worked for the British secret services. After the war, Sandor’s
grandparents moved to Budapest, where they were generally loyal to
the new Soviet-backed system. “For them,” Sandor said, “I think the
Communist rule was a safeguard that Nazism could not come back.
Politics was a question of red or brown”—Communist or Nazi.
As a child, Sandor was preoccupied with the Holocaust. He wasn’t
religious, but he was acutely aware that he would have been marked
for the death camps. “It’s still a lesson from history that shapes my
thinking,” he said. “How such a tragedy can happen in a civilized
world as Europe was in the first half of the twentieth century.”
During his time in Germany as a child, Sandor used to take a
particular interest in the older buildings, whose timelessness seemed
to represent something sturdy and lasting from the past. He’d look
around and wonder how it was that a country that was in many
ways the center of Western civilization could produce such evil,
supported explicitly or implicitly by the people who’d lived in those
old buildings. As I am half-Jewish and secular myself, it’s not
surprising that this question used to gnaw at my American mind as a
child as well, even though I was insulated by the distance of an
ocean.
Sandor grew up wary of the dark places that charismatic political
leaders can take nations, so his heroes were not politicians, but
ordinary people—Victor Kugler and Johannes Kleinman, the two
Dutch men who helped hide Anne Frank and her family in that small
annex to an apartment during the Nazi occupation of Holland. “I
never really liked authority and celebrities and stars and these kinds
of heroes,” Sandor told me. “And for me these two guys were
powerful examples of risking their own lives, risking their own well-
being, to protect a family that was in danger because they were
Jewish.” It made no difference that none of the people in this drama
were Hungarian. “What we need in society are such people,” he said.
Yet as Sandor moved through school in 1990s Budapest, he
noticed how Hungarians avoided the minefields of the twentieth
century. Some Hungarians had supported the Nazi-collaborating
government that sent hundreds of thousands of Jews to their death.
Others, like Sandor’s family, had supported the Communists who
kept a tight lid on Hungary for more than four decades. “We did not
really deal with it,” he said. “Teachers were afraid to touch these
topics, or speak out on this, because immediately students brought
up their family stories. Because every family could look back on this
—we were victims of the Nazis, we were benefiting from the
Communists, we were benefiting from the Nazis taking flats from the
Jews. So instead of having these debates, the teachers I think
always wanted to share the minimum—the dates and people
involved, and just to have a timeline of history but not really the
interesting stuff.”
In this way, instead of forging a renewed sense of national
identity after the experience of the Cold War, one that exorcised its
ghosts and replaced them with something different, the newly free
Hungary avoided the matter of identity, what it meant to be
Hungarian in the political sense. That was something private, tied to
the painful past. Globalization was the new identity on offer from the
American victors of the Cold War: expanding markets, opening
societies, and liberal democracy washing over Eastern Europe like
the rushing water of a breaking wave before it recedes.
—
as sandor moved through school, Viktor Orban began his
transformation from liberal firebrand to reactionary. There was a
crowded slate of parties on the left, and Orban’s own party—Fidesz
—performed poorly in elections. So he pulled his party to the right,
embracing—at first—a conventional form of center-right politics:
smaller government, market-friendly, socially conservative. He
served an unremarkable term as prime minister from 1998 to 2002
and was then voted out.
Over the next eight years, Orban turned his political party into a
social movement, organizing “civic circles” across the country. The
civic circles were small gatherings of people, often centered in
churches, that cemented a longing for a traditional set of values
rooted in a lost Hungarian identity: a Hungary that was Christian, a
Hungary with an ancient past, a brotherhood rooted in patriotism
and shared grievances. Orban reached back to the time before the
Cold War and even before World War II. He highlighted the historic
humiliation of the Treaty of Trianon, which dismembered Hungary at
the end of World War I, costing it two thirds of its territory and
stranding millions of ethnic Hungarians beyond newly drawn
borders. Here was a history that many Hungarians could agree
upon. But it was also the same blood-and-soil form of European
nationalism that had ravaged the continent during World War II and
killed hundreds of thousands of people in the Balkan wars of the
1990s, a nationalism that implicitly excused the ideology of fascism
while rebuking the more recent evil of Communism.
Orban’s politics didn’t always fit neatly on the West’s left-right
spectrum. Many of his supporters from the civic circles joined the
global protests against the Iraq War in 2003, embracing antiwar
rhetoric that rightly cast the American occupation of an Arab country
as a form of imperialism that discredited the entire American-led
international order. As the decade marched on toward the financial
crisis of 2008, Orban attacked amoral multinational corporations and
the neoliberalism that fueled their profits, along with widening
inequality between individuals and nations. In this way, Orban’s
identity-based nationalism drew upon resentment of two
fundamental pillars of the post–Cold War American order: the
unequal wealth creation of open markets, and the unchecked
excesses of American military power. At the same time, Orban began
to expropriate themes from the Republican Party’s culture wars
within American society: fidelity to Christian values, opposition to
abortion and LGBT rights, antipathy to crass popular culture, and
resentment of the political correctness of elites.
To many Hungarians, the first two decades after the fall of the
Berlin Wall had been disorienting and disappointing. The nation was
wealthier, but that wealth was still far behind that of its Western
European neighbors, and it was concentrated more in the hands of
faceless corporations and a small elite than in those of individual
Hungarians. The nation was a member of clubs like NATO and the
European Union, but it lacked the clout to have a voice on foolish
American projects like the invasion of Iraq. The nation was free, but
to many, the liberated culture seemed designed to offend more
traditional Christian sensibilities. In response, Orban wasn’t just
leading a political party, he was building a movement rooted in a
deeper sense of national identity, offering a seawall of protection
against the encroaching tides of globalization. To do that, he planted
a foot on one side of that unresolved divide between red and brown
—Communism and fascism—in Hungarian history. He was a
nationalist, and he was poised to make Hungary great again.
around the same time, in the mid-2000s, Sandor had a very different
kind of political awakening. He was finishing university with plans to
be a diplomat when he noticed that one of his favorite parts of
Budapest was being systematically destroyed—the 7th District, a
neighborhood of pleasantly worn-in nineteenth-century buildings
with balconies and long courtyards, housing a teeming mix of people
from different classes, backgrounds, and ethnicities. It was also
Hungary’s old Jewish quarter, the neighborhood where Jews had
been pushed into ghettos toward the end of Nazi dominance. That
distinctive charm and resonant history, he noticed, was being
replaced by new buildings without any character—the stale
sameness not of Communism but of utilitarian capitalism. “Ugly,
irrelevant buildings,” Sandor told me, “that could be anywhere in the
world.”
It was not hard for me to understand why Sandor might have a
visceral reaction to this cultural erasure. Like Sandor’s, my Jewish
roots are in the Eastern European countries where pogroms drove
people deep into the Jewish quarters of the grand cities. A good
chunk of my family came to America early, decades before German
nationalism lit the fires that fueled the Holocaust, while some stayed
behind, destined to be surrounded by walls. Growing up in New York
City, I did not feel my Jewishness as a religious identity; history was
something we had escaped from. Our rabbis were writers—Roth,
Bellow, Singer—who told stories from the residue of nation-states,
the assertion of the individual. Our temples were the apartment
buildings, courtyards, and fire escapes of Manhattan, where every
life contained multitudes. As unbridled capitalism washed across
New York at the same time that it remade Budapest, I had felt
Sandor’s sense of loss as I watched characterless glass towers erase
those old apartment buildings and with them the stories they held.
While Orban was starting his civic circles, Sandor decided to
investigate what was remaking this neighborhood he cared about. It
wasn’t hard to find a paper trail around the real estate transactions,
or to figure out the larger context. The people kicked out of their old
apartments received little compensation. The developers made a lot
of money putting up these larger, uglier buildings. The politicians
funded their campaigns—and probably made something on the side
—from the developers. “It was not simply ignorance or a lack of
culture,” he told me, “it was mainly corruption. Very typical. I think
you have these stories all around the world.”
When Sandor graduated from university, he decided to do
something about it. Together with two friends, he started K-Monitor,
an organization dedicated to combating corruption and promoting
transparency and accountability in politics. They had no money. They
worked, Sandor said, like a garage band out of a worn-down house
that one of his friends’ parents owned on the outskirts of Budapest.
They collected data and created a database mapping corruption
across the country. The Internet was essential to their work.
Ultimately, their database grew to include more than fifty thousand
articles. They began to raise funds and receive grants. In keeping
with the grassroots, egalitarian ethos of the organization, Sandor
insisted on paying each employee the same amount, himself
included.
In their different ways, Orban and Sandor were both reacting to a
sense in the broader society that the economy and politics were
increasingly corrupted. And there was ample evidence to justify that
feeling. At the same time that K-Monitor was formed in 2006,
confidence in the center-left government collapsed when the
recently reelected prime minister, Ferenc Gyurcsány, was secretly
recorded giving a speech to party elites in which he acknowledged,
“obviously we lied throughout the last year and a half, two years…
we lied morning, noon and night.” He was referring, in part, to a
refusal to tell the truth in the last campaign about austerity
measures that would be needed because of the excess government
spending that seemed to have benefited mostly those at the top. “If
there is a scandal in the society,” he lamented, “it’s the fact that the
upper ten thousand are building themselves up again using public
money.” As if anticipating the coming direction of events, he
implored the left “that it doesn’t have to hang its head in this fucking
country. That we shouldn’t shit ourselves in fear of Viktor Orban and
the right.”
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CHAPTER XVI.
THE UNIVERSITY DURING THE REIGNS OF GEORGE III.
FOOTNOTES:
[16] See Chapter XVII.
CHAPTER XVII.
OXFORD STUDIES AND EXAMINATIONS IN THE
NINETEENTH CENTURY.
MOVEMENT.’