ABRSM英皇竖琴2019考纲（英文）

Qualification Specification
MUSIC PERFORMANCE
GRADES
HARP
Syllabus (Section 3)
second edition – valid for exams from 6 September 2021
This syllabus is specific to Harp and is part of the main

Qualification Specification: Music Performance Grades. The
remainder of that specification provides other relevant
information for those preparing for Performance Grades
exams and applies to all subjects (instruments). It can be
found at www.abrsm.org/performancegrades and should
be read when preparing for an exam. 23 July 2021
Qualification Specification: Performance Grades
Contents
3. Harp Performance Grades syllabus 2

Introducing the qualification 2
Performance Grades: requirements and information 2
• Instruments2
• Performance as a whole 3
• Selecting repertoire 3
• Preparing for the exam 5
Harp (Pedal) repertoire lists 7
Harp (Non-pedal) repertoire lists 19
Programme form 28
Changes in this edition

This second edition, first published July 2021, includes several significant changes and updates to
the exam requirements and information. There are no changes to the repertoire lists.
• We have provided additional guidance for the performance as a whole component of the exam
• We have made a change to the own-choice piece requirements to allow unpublished repertoire,
including candidates’ own compositions
• We have changed our policy on the use of the same piece(s) in more than one exam; this is
now allowed
• We have updated the Programme form – in particular, the Candidate ID should now be provided
• We have introduced a new Adapted Instruments policy; instruments adapted for beginners can
be used in exams at any grade, as long as all the exam requirements can be met.
A range of updates have also been made to the text to further clarify the existing requirements and
information, based on queries and feedback received since the Performance Grades qualification
was launched in summer 2020.
The overarching Qualification Specification: Music Performance Grades document, which has other
important and relevant information for those preparing for Performance Grades, has also been
significantly updated.
© 2020 by The Associated Board of the Royal Schools of Music

All the syllabus information in this document, including repertoire lists, is the copyright of ABRSM.
No syllabus listing may be reproduced or published without the permission of ABRSM. Updated in 2021.
3. Harp Performance Grades syllabus
Introducing the qualification
Performance Grades are new qualifications from ABRSM, introduced in 2020 to run alongside
our long-standing and respected Practical Grades. They allow learners to focus on and showcase
their performance skills if that is their preference. This additional suite of qualifications has
been designed to allow learners to play to their strengths and interests and still have their level
of achievement formally recognised with a regulated qualification that attracts UCAS points
(in the UK) at Grades 6 to 8. Performance Grades are accessible exams given their sole focus
on performance, without the assessment of any supporting tests. Instead they encourage the
selection of appropriate repertoire to be delivered in a sustained performance, even at the earliest
levels.
Musicians learn to play an instrument to explore and perform repertoire, which is why pieces, and
the way they can be combined to create a convincing and sustained performance, are the focus
of the exam. For Performance Grades, candidates are asked to present four pieces at each grade.
ABRSM Performance Grades draw on the same repertoire set for our Practical Grades. This
syllabus repertoire is organised into lists, which explore different traditions and styles, dating
from the Renaissance period to the present day. Choosing repertoire from different lists gives
candidates the opportunity to perform a balanced selection and demonstrate a range of skills.
Since Performance Grades focus on performance alone, the choice of repertoire is important, and
attention should be given to the way pieces are contrasted, the order in which they are presented,
and the different moods and characters they inhabit. This will enable candidates to demonstrate
their ability to deliver a coherent and convincing performance event, not just a series of individual
pieces. Credit for this is given through the performance as a whole assessment criteria that are
applied.
Performance Grades: requirements and information

The syllabus repertoire is valid until further notice.
This section provides a summary of the most important points that teachers and candidates
need to know when taking ABRSM Performance Grades for Harp. Further details, as well as
administrative information about the exams, are given in ABRSM’s Exam Regulations (available
at www.abrsm.org/examregulations) which should be read before making an exam booking.
Instruments
Pedal harp: The pieces from Grade 4 are generally for instruments with a minimum of 46 strings.
Non-pedal harp: The pieces from Grade 3 are generally for instruments with E - tuning and with a
minimum of 34 strings (pitch of bottom string: C two octaves below middle C, or lower).
ABRSM welcomes the use of instruments adapted for younger/smaller beginners in our graded
exams in accordance with the details set out in our Adapted Instruments Policy, available at www.
abrsm.org/policies.
2
Performance Grades 3. Harp Performance Grades syllabus
Performance as a whole
Performance skills are at the heart of Performance Grades, and go beyond the preparation of
individual pieces. Designing programmes that play to learners’ strengths as performers, and
then delivering them with a real sense of musical intent and communication, is central to musical
development. This also builds stamina, and embeds the technical control required to play a
whole programme through, including managing the transitions from one piece to another. Finding
ways to put across the mood and character, and really get inside the style of different types of
repertoire, as well as arranging pieces into coherent and compelling programmes will in turn
increase learners’ knowledge and understanding of music more broadly.
For full details of how the performance as a whole component of the exam is assessed, see
Section 4 of the Qualification Specification: Music Performance Grades.
Selecting repertoire
Number of pieces: Candidates present four pieces in one continuous performance (without a
break). They choose at least one piece from each of the three lists (A, B and C). The fourth piece
can be from the repertoire lists or a piece of the candidate’s choice. The pieces can be performed
in any order. See further programming requirements within this ‘Selecting repertoire’ section
before finalising choices.
Own-choice piece: The following options and restrictions apply to the own-choice piece selection:
• The piece should be broadly the same standard, or above, as repertoire set for the grade being
taken (prior approval from ABRSM is not needed, and can’t be given).
• The piece may be chosen from any of the repertoire lists set for the grade, as long as all other
requirements within this ‘Selecting repertoire’ section are also met, including the minimum
duration. Performing all four pieces from the lists gives no advantage.
• The piece may be a candidate’s own composition or arrangement (see ‘Own composition’).
• The piece must exist in a legible and fully-notated score using standard music notation (e.g.
not in tab, not a lead sheet if candidate is playing a harmonic instrument etc.) and must be
performed as notated in that score.
In cases where there is a concern about the standard of an own-choice piece presented, ABRSM
reserves the right to request a copy from the Applicant where we cannot readily access one
ourselves. This may delay the issuing of the exam result.
• At Grades 6 to 8, the piece may be performed on a related instrument (see ‘Related instrument
option’).
• The piece must not last less than the following timings for each grade (unless the overall
programme time would be exceeded; see ‘Programme times’):
Grade
1 2 3 4 5 6 7 8
Minimum duration (mm:ss) 00:25 00:30 00:35 00:45 01:00 01:30 02:00 03:00
The duration for each grade is the minimum time required in order to demonstrate the breadth
and depth of skills required, including stamina.
The other programming requirements described in this ‘Selecting repertoire’ section must also
be met.
3
Programme times: The overall performance, including transitions between pieces, should not
exceed the maximum programme time set for the grade, as shown in the following table. The
programme time is the duration from the first note of the performance to the last. The examiner
may stop listening to the recording if the candidate’s performance goes over the maximum
programme time.
Grade
1 2 3 4 5 6 7 8
Maximum programme time
6 7 8 10 12 15 20 25
(minutes)
Composers: Up to two pieces by the same composer may be performed. Where two or more
pieces/movements by a composer are required by the syllabus (i.e. under one list number and
indicated with an ‘and’), these are considered as one ‘piece’.
Own composition: ABRSM welcomes the inclusion of candidates’ own compositions, or
arrangements, to be performed as their own-choice piece. We will not judge or provide feedback
on the structure or quality of the composition, only the performance of it. However, as with any
other own-choice piece, the technical demand of the composition must be broadly the same as
repertoire set for the grade being taken.
Repertoire lists: Every effort has been made to feature a broad range of repertoire to suit and
appeal to candidates of different ages, backgrounds and interests. Certain pieces may not be
suitable for every candidate for technical reasons or because of wider context (historical, cultural,
subject matter, lyrics if an arrangement of a song, etc.). Pieces should be considered carefully for
their appropriateness to each individual, which may need consultation between teachers and
parents/carers. Teachers and parents/carers should also exercise caution when allowing younger
candidates to research pieces online: www.nspcc.org.uk/onlinesafety.
The repertoire lists are the same as for ABRSM Practical Grades. Candidates intending on taking
both qualifications at the same grade may find their musical development benefits from preparing
different pieces for each.
Exam music & editions: Wherever the syllabus includes an arrangement or transcription
(appearing as ‘arr.’ or ‘trans.’ in the repertoire lists), the edition listed in the syllabus must be
used. For all other pieces, editions are listed for guidance only and candidates may use any edition
of their choice. This includes editions that are downloaded. Information on sourcing exam music
is given on page 6.
Repeats: In most cases, da capo and dal segno indications must be followed but other repeats
may be included, or not, at candidates’ discretion (in order to achieve a musically satisfying
performance). If the syllabus specifies that a repeat should be included, this instruction must be
followed. If the syllabus indicates that a da capo/dal segno should be omitted, candidates have the
option to include or not. The maximum programme time should also be taken into consideration
when deciding whether to include repeats (see ‘Programme times’).
Related instrument option: At Grades 6 to 8, Harp (Pedal) candidates may choose to play their
own-choice piece on a non-pedal harp while Harp (Non-pedal) candidates may choose to play
theirs on a pedal harp. No extra marks are awarded for playing a related instrument.
4
Preparing for the exam

Programme form & pre-performance procedures: Candidates should complete a programme
form and show it to the camera, for approximately five seconds, at the start of the exam recording.
A form that can be printed and completed is provided on page 28. Alternatively, the required
information can be written on a blank piece of paper. The piece information required should be
given in the order the pieces will be performed.
As well as showing the form to camera, candidates should show the opening of their own-choice
piece and announce themselves and their pieces before beginning their performance. Candidates
taking a Grade 6, 7 or 8 must additionally show a form of photographic identification to the
camera. This is because these qualifications can be used either as a prerequisite for higher grades
and diplomas, or as part of a university application.
If preferred, a Responsible Adult present may show the form and music to camera (but not the
ID, where applicable) and make the introductory announcement, as this does not form part of
the performance. The assessment of the performance begins on the first note of music played.
More information on all of the above is given in the Guidance for Music Performance Grades
available at www.abrsm.org/performancegrades.
Interpreting the score: Printed editorial suggestions such as fingering, metronome marks,
realisation of ornaments, etc. do not need to be strictly observed. Whether the piece contains
musical indications or not, candidates are encouraged to interpret the score in a musical and
stylistic way. For pieces in a jazz style, candidates may add slight embellishment, as stylistically
appropriate, but not include extensive improvisation. Examiners’ marking will be determined by
how candidates’ decisions contribute to the musical outcome of each individual piece and to the
performance as a whole.
Performing from memory: There is no requirement to perform from memory although candidates
are encouraged to do so, if they believe it will enhance their performance. No extra marks are
directly awarded for performing from memory.
Ossias: Where an ossia (alternative musical line or note) occurs in the music, candidates may
choose either option unless the repertoire list specifies differently.
Tuning: Tuning should be completed before the exam recording is started. Once the performance
of the programme has begun, candidates are responsible for any tuning adjustments that may
be needed (all grades).
Page-turns: Candidates need to manage any page-turns appropriately to avoid any adverse
effect on the performance as a whole, which examiners will be assessing. Candidates may use
an extra copy of the music or a photocopy of a section of the piece (but see ‘Copyright’) to help
with page-turns. They may also use a page-turner (prior permission is not required; the turner
may be the teacher).
Copyright: Performing from unauthorised photocopies (or other kinds of copies) or illegal
downloads of copyright music is not allowed. In the UK, copies may be used in certain limited
circumstances – for full details, see the MPA’s Code of Fair Practice at www.mpaonline.org.uk/
mpa-guidelines. In all other cases, application should be made to the copyright holder before
any copy is made. Care should also be taken when making arrangements, as permission will be
required in the case of copyright music.
5
Candidates and Applicants are expected to act within the law with regard to copyright. ABRSM
may withhold the exam result where we have evidence that this is not the case.
Sourcing exam music: Exam music is available from music retailers, specialist harp retailers and
online, including at the ABRSM music shop: www.abrsm.org/shop. Every effort has been made to
make sure that the publications listed will be available for the duration of the syllabus. We advise
candidates to get their music well before the exam in case items are not kept in stock by retailers.
Non-exam related questions about the music (e.g. editorial, availability) should be addressed to
the relevant publisher: contact details are listed at www.abrsm.org/publishers.
6
Harp (Pedal)
Performance Grades Performance Grades fromfrom
Harp (Pedal) 2019
2019
GRADE 1
FOUR PIECES: at least one chosen by the candidate from each of the three Lists, A, B and C, and a fourth of the
candidate’s own choice; for further programming requirements, see pages 3–4
COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)
A 1 Bernard No. 1 (from Asters) Bernard Andrès: Asters (Hamelle)
Andrès
2 Anon. The Jolly Peasant, arr. Paret First Harp Book (G. Schirmer)
Bohemian
3 Betty Paret Rondo First Harp Book (G. Schirmer)
4 Anon. Italian O Sanctissima, arr. Milligan Fun from the First! Vol. 2 (Lyon & Healy)
5 Grandjany Little Waltz Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
6 Weidensaul Midnight Stars Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
7 Weidensaul Barn Dance Memory Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
8 Soler Allegretto, arr. Schlomovitz Beginner’s Harp Book, 1 (Salvi)
B 1 Anon. Chinese The Purple Bamboo, arr. Milligan Fun from the First! Vol. 2 (Lyon & Healy)
+ s in glissandi may be played as = s
2 Fiona Charlotte in Spring (from Harping On, Book 1) Fiona Clifton-Welker: Harping On, Book 1
Clifton-Welker (Clifton-Welker)
3 Bonnie Azaleas in Houston (from A Bouquet for Young Bonnie Goodrich: A Bouquet for Young Harpists
Goodrich Harpists) (Hal Leonard)
4 Bonnie Japanese Lanterns (from A Bouquet for Young Bonnie Goodrich: A Bouquet for Young Harpists
5 arr. Meinir Three Blind Mice 12 Easy Nursery Tunes for Young Harpists (Alaw)
Heulyn
6 Claire Jones & Stars (from Six Pieces for Harp) Claire Jones & Chris Marshall: Six Pieces for Harp
Chris Marshall (Marshall Jones Music)
7 Anne Lullaby Comunn na Clarsaich: Folio 18 (Clarsach Society)
Macdearmid
8 Anne The Merry-go-Round Comunn na Clarsaich: Folio 18 (Clarsach Society)
Macdearmid
9 David Watkins Berceuse (No. 2 from Six Pieces) David Watkins: Six Pieces (Boosey & Hawkes)
C 1 Dominig Coquillages (Shells) Harpe d’or (Billaudot)
Bouchaud
2 Dominig A pas de fourmis (Ant’s Steps) Harpe d’or (Billaudot)
Bouchaud
3 Dominig La balle (The Ball) Harpe d’or (Billaudot)
Bouchaud
4 van Campen Etude No. 2 (from Tutor for the Celtic Harp, Vol. 1) van Campen: Tutor for the Celtic Harp, Vol. 1 (Harmonia)
6 Skaila Kanga Sound the Trumpets (No. 8 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
7 Skaila Kanga The Glittering Ballroom (No. 10 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
8 Pozzoli 1st Grade: No. 2 (from 65 piccoli studi facili e P. 91 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
progressivi)
progressivi)
11 Tournier Les tierces Les plaisirs de la harpe, Vol. 1 (Lemoine)
7
Performance Grades Harp (Pedal) from 2019
GRADE 2
A 1 Bernard No. 2 (from Aquatintes) Bernard Andrès: Aquatintes (Hamelle)
Andrès
2 Bernard No. 6 (from Aquatintes) Bernard Andrès: Aquatintes (Hamelle)
Andrès
3 Anon. Scottish College Hornpipe, arr. Mieras A Harper’s Pleasure (Swanston Music)
4 Anon. Welsh Dacw Mam yn Dwad (Here Comes Mother), O’r Dechrau (From the Beginning) (Alaw)
arr. Heulyn harp 1 part
5 Anon. Welsh Can y Melinydd (The Miller’s Song), O’r Dechrau (From the Beginning) (Alaw)
6 J. S. Bach While Bagpipes Play, arr. Paret Second Harp Book (Lyra)
7 J.-J. Rousseau Evening Song, arr. Paret Second Harp Book (Lyra)
8 Mel Bonis Le petit mendiant (The Little Beggar) Les plaisirs de la harpe, Vol. 1 (Lemoine)
9 Grandjany Gigue (No. 2 from Petite suite classique) Grandjany: Petite suite classique (Carl Fischer)
10 Grandjany The See-Saw (from Little Harp Book) Grandjany: Little Harp Book (Carl Fischer)
11 L. Thomson Ebbing Tide L. Thomson: Ebbing Tide (Thomson)
12 L. Thomson Song at Night L. Thomson: Song at Night (Thomson)
B 1 Bartók In Phrygian Mode (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
2 Bartók In Yugoslav Mode (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
3 Burgon Dawn (No. 1 from Beginnings) Burgon: Beginnings (Stainer & Bell)
4 Fiona Goblin Rustle (from Harping On, Book 1) Fiona Clifton-Welker: Harping On, Book 1
5 Gabus Crépuscule sur le lagon (Twilight on the Les plaisirs de la harpe, Vol. 1 (Lemoine)
Lagoon)
6 Yann Geslin Complainte (Lament) Les plaisirs de la harpe, Vol. 1 (Lemoine)
7 Grandjany Rêverie (No. 1 from Trois petites pièces très faciles, Grandjany: Trois petites pièces très faciles, Op. 7 (Leduc)
Op. 7)
8 Stewart Green Mister Blister’s March (from Blistering Along!) P. 2 from Stewart Green: Blistering Along!
(Spartan Press)
9 Claire Jones & MJ the Cat (from Six Pieces for Harp) Claire Jones & Chris Marshall: Six Pieces for Harp
10 Skaila Kanga Hippopotamus Rag (No. 27 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
11 Skaila Kanga Bedtime Blues (No. 28 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
12 Skaila Kanga Swing Time (No. 29 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
C 1 Dominig Parapluie (Umbrella) Harpe d’or (Billaudot)
Bouchaud
2 Dominig Le crabe (The Crab) Harpe d’or (Billaudot)
Bouchaud
5 Skaila Kanga Mountain Stream (No. 14 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
6 Skaila Kanga Garden of Dreams (No. 22 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
7 Pozzoli 1st Grade: No. 13a (from 65 piccoli studi facili e P. 100 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
8
Performance Grades Harp (Pedal) from 2019 Grade 2

8 Pozzoli 1st Grade: No. 13b (from 65 piccoli studi facili e P. 100 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
9 Pozzoli 2nd Grade: No. 11 (from 65 piccoli studi facili e P. 116 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
progressivi)
11 Schlomovitz Ballerina Beginner’s Harp Book, 1 (Salvi)
9
GRADE 3
A 1 Bernard Gavotte (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
2 Anon. Welsh Llwyn Onn (The Ash Grove), arr. Milligan Pp. 20–22 from Medieval to Modern, Vol. 2
(Lyon & Healy)
3 Bochsa Rondo ‘Le garçon volage’ (from Air and Rondo), Pp. 4–6 from Medieval to Modern, Vol. 2 (Lyon & Healy)
arr. Milligan
4 J. S. Bach Minuet (from Sixth French Suite), arr. Paret Second Harp Book (Lyra)
5 J. Clarke Chaconne, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
6 Handel Allegro, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
7 Handel Sonatina, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
8 Skaila Kanga Country Dance (No. 2 from Miniatures) Skaila Kanga: Miniatures (Alaw)
harp 1 part
9 Koechlin Sicilienne Les plaisirs de la harpe, Vol. 1 (Lemoine)
10 Pässler Rondo, arr. Grandjany Short Pieces from the Masters (Carl Fischer)
B 1 Anon. Scottish A’ Bheairt-Fhioda (A Weaving Lilt), arr. Mieras A Harper’s Pleasure (Swanston Music)
2 Bartók Triplets (from Mikrokosmos), arr. Marzuki Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
3 Bartók Five-tone Scale (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
4 Delibes Solo for Harp Franck & Delibes: Two Original Pieces (OUP archive)
5 Grandjany Barcarolle (No. 3 from Trois petites pièces très Grandjany: Trois petites pièces très faciles, Op. 7 (Leduc)
faciles, Op. 7)
6 Stewart Green Blistering Rock! (from Blistering Along!) Stewart Green: Blistering Along! (Spartan Press)
7 Hasselmans Rouet (No. 2 from Trois petites pièces faciles) Hasselmans: Trois petites pièces faciles (Durand)
8 Susann Alpine Waltz Linda Wood & Susann McDonald: Harp Solos, Vol. 3
McDonald (Musicworks)
9 Linda Wood Russian Lullaby Linda Wood & Susann McDonald: Harp Solos, Vol. 3
(Musicworks)
10 B. Orr No. 2 (from Three Diatonic Preludes) B. Orr: Three Diatonic Preludes (OUP archive)
C 1 Bochsa No. 4 (from 40 études faciles, Op. 318) Bochsa: 40 études faciles, Op. 318, Book 1 (Leduc)
2 Bochsa No. 5 (from 40 études faciles, Op. 318) Bochsa: 40 études faciles, Op. 318, Book 1 (Leduc)
3 van Campen Scale-Study No. 4 (from Tutor for the Celtic Harp, P. 47 from van Campen: Tutor for the Celtic Harp, Vol. 1
Vol. 1) (Harmonia)
4 Damase No. 1 (from Dix études faciles et progressives) Damase: Dix études faciles et progressives (Billaudot)
6 C. Grossi Etude Les plaisirs de la harpe, Vol. 1 (Lemoine)
7 Pozzoli No. 1 (from Studi di media difficoltà) Pozzoli: Studi di media difficoltà (Ricordi)
10
GRADE 4
A 1 Bernard Sarabande (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
2 Bernard Gaillarde (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
3 J. S. Bach Prelude in C, BWV 846, arr. Paret Second Harp Book (Lyra)
4 Clementi Allegro (1st movt from Sonatina in C, Op. 36 Second Harp Book (Lyra)
No. 1), arr. Paret
5 arr. Olivia Merch Megan (Megan’s Daughter) Merch Megan (Megan’s Daughter) (Adlais)
Dussek
6 Handel Sarabande, arr. Paret Second Harp Book (Lyra)
7 Grandjany Gavotte (No. 3 from Petite suite classique) Grandjany: Petite suite classique (Carl Fischer)
B 1 Bartók Merriment (from Mikrokosmos), arr. Marzuki Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
2 arr. Deborah Scarborough Fair Scarborough Fair (Friou Music)
Friou
3 Stewart Green Ragged Robin (from Flights of Fancy) Stewart Green: Flights of Fancy (Spartan Press)
4 arr. Meinir O’er the Sea to Skye Famous Music for the Harp, Vol. 1 (Alaw)
Heulyn
5 arr. Meinir Y Ferch o Blwy’ Penderyn (The Girl from Telynor Llys a Chastell (Harpist of Court and Castle)
Heulyn Penderyn) (Adlais)
6 arr. Meinir Ar Hyd y Nos (All Through the Night) Telynor Llys a Chastell (Harpist of Court and Castle)
Heulyn (Adlais)
7 Skaila Kanga Skating on Ice (No. 4 from Miniatures) Skaila Kanga: Miniatures (Alaw)
harp 1 part
8 Alfredo Waiting The International Rhythmic Collection, Vol. 1
Rolando Ortiz (AROY Music)
9 Alfredo The Harp Cha-cha-chá The International Rhythmic Collection, Vol. 1
10 Alfredo Tango triste The International Rhythmic Collection, Vol. 2
11 Alfredo Carnaval Brasileiro The International Rhythmic Collection, Vol. 2
12 Renié Angélus (from Feuillets d’album) Renié: Feuillets d’album (Lemoine)
13 Renié Conte de Noël (No. 1 from Six pièces brèves) Renié: Six pièces brèves, 1st Suite (Leduc)
14 arr. Ronald Eriskay Love-Lilt Sounding Strings (UMP)
Stevenson
15 Linda Wood Two Guitars Linda Wood & Susann McDonald: Harp Solos, Vol. 4
(Musicworks)
C 1 F. Alberti No. 3 (from Dix études progressives et techniques) F. Alberti: Dix études progressives et techniques
(Hamelle)
2 F. Alberti No. 8 (from Dix études progressives et techniques) F. Alberti: Dix études progressives et techniques
(Hamelle)
4 L. Concone Prélude (No. 1 from 30 études progressives, L. Concone: 30 études progressives, Op. 26, Book 1
Op. 26) (Billaudot)
6 Damase No. 1 (from 12 études) Damase: 12 études pour harpe (Lemoine)
9 Schlomovitz Butterflies Beginner’s Harp Book, 1 (Salvi)
11
GRADE 5
A 1 Anon. Pavane, trans. Salzédo Solos for the Harp Player (G. Schirmer)
2 Corelli Sarabande, trans. Owens Solos for the Harp Player (G. Schirmer)
3 Anon. Theme and Variations 2, 5 and 6 (from Variations sur un thème de Mozart (Billaudot)
Variations sur un thème de Mozart),
arr. Le Dentu
4 T. A. Arne Presto: Gigue (2nd movt from Sonata No. 6 in Anthology of English Music for the Harp, Vol. 3
G minor) (Stainer & Bell)
5 Clementi Andante and Vivace (2nd and 3rd movts from Composers in Georgian London (Blue Crescent Music)
Sonatina in C, Op. 36 No. 1), trans. Shaljean
6 J. L. Dussek Allegro (2nd movt from Sonatina No. 2 in F) J. L. Dussek: Six sonatines pour la harpe
(Bärenreiter Praha)
7 arr. Meinir Ymadawiad y Brenin (The King’s Departure) Telynor Llys a Chastell (Harpist of Court and Castle)
Heulyn (Adlais)
8 Naderman Allegro maestoso (1st movt from Sonatina No. 2 Naderman: Sept sonates progressives (Leduc)
in C minor)
9 D. Scarlatti Sonata in C, arr. Bouchaud Pièces Classiques, Book 5 (Billaudot)
B 1 Anon. Water is Wide, arr. Robertson Treasures of the Celtic Harp (Mel Bay)
2 van Delden Notturno van Delden: Notturno (Lengnick)
3 Jeffrey Fiskars (from People and Places) Jeffrey Mayhew: People and Places
Mayhew (Creighton’s Collection)
4 Jeffrey El Colibri (from People and Places) Jeffrey Mayhew: People and Places
5 Susann Nocturne Susann McDonald & Linda Wood: Harp Solos, Vol. 5
6 O’Carolan Carolan’s Farewell to Music, arr. Larchet P. 103 from The Irish Harp Book (Carysfort Press)
Cuthbert
7 Anne-Marie Prelude for Irish Harp The O’Farrell Collection, Vol. 3: Ancient to Modern
O’Farrell (O’Farrell)
9 Alfredo Noche de Fiesta The International Rhythmic Collection, Vol. 1
10 Renié Au bord du ruisseau Renié: Au bord du ruisseau (Leduc)
11 Renié Esquisse (from Feuillets d’album) Renié: Feuillets d’album (Lemoine)
12 C. Salzédo Short Fantasy on a Catalan Carol Christmas Harp Collection (Boosey & Hawkes)
13 Tournier Prélude No. 1 in G - (from Quatre préludes, Op. 16) Tournier: Quatre préludes, Op. 16 (Leduc)
(Hamelle)
2 Bernard No. 1 (from Préludes, Book 1) Bernard Andrès: Préludes, Book 1 (Hamelle)
Andrès
3 Bernard No. 3 (from Préludes, Book 1) Bernard Andrès: Préludes, Book 1 (Hamelle)
Andrès
7 L. Concone Prélude in B - (No. 2 from 30 études progressives, L. Concone: 30 études progressives, Op. 26, Book 1
Op. 26) (Billaudot)
12

15 Sor Etude No. 5, arr. Bouchaud Panorama de la harpe celtique, Vol. 1
(Editions Musicales Transatlantiques)
13
GRADE 6
PREREQUISITE FOR ENTRY: ABRSM Grade 5 (or above) in Music Theory, Practical Musicianship or a Practical
Grades solo Jazz instrument. For alternatives, see www.abrsm.org/prerequisite.
A 1 Blow Mortlack’s Ground Anthology of English Music for the Harp, Vol. 2
(Stainer & Bell)
2 Cabezón Pavane and Variations Spanish Masters of the 16th and 17th Century (Schott)
3 J. L. Dussek Sonatina No. 6 in E - complete J. L. Dussek: Six sonatines pour la harpe
(Bärenreiter Praha)
4 Handel Gigue, arr. Thomas Handel: Gigue for Harp (Adlais)
5 John Parry Allegro (1st movt from Sonata No. 1 in D) Anthology of English Music for the Harp, Vol. 3
(Stainer & Bell)
6 Rameau Tambourin, trans. Salzédo Solos for the Harp Player (G. Schirmer)
7 D. Scarlatti Sonata in A, Kp. 208, L. 238, trans. Wooldridge D. Scarlatti: Two Sonatas for Harp (Lyon & Healy)
B 1 Britten Interlude (No. 7 from A Ceremony of Carols, Britten: A Ceremony of Carols, Op. 28: harp part
Op. 28) (Boosey & Hawkes)
2 Paul Lewis Blue Fiver (No. 3 from Saturday Night Jazz Suite) Paul Lewis: Saturday Night Jazz Suite (Goodmusic)
3 H. Mancini Moon River, arr. Kanga All-Time Jazz Favourites (Alaw)
4 C. Salzédo Polka (from Suite of Eight Dances) C. Salzédo: Suite of Eight Dances (Lyon & Healy)
5 arr. John Bugeilio’r Gwenith Gwyn (Watching the Wheat) Bugeilio’r Gwenith Gwyn (Watching the Wheat) (Adlais)
Thomas
6 Tournier Les enfants à la crèche de Noël (from Images, Tournier: Images, Op. 31, Suite No. 2 (Lemoine)
Op. 31)
7 Tournier Prélude No. 3 in E - (from Quatre préludes, Op. 16) Tournier: Quatre préludes, Op. 16 (Leduc)
8 Tournier Prélude No. 4 in G - (from Quatre préludes, Op. 16) Tournier: Quatre préludes, Op. 16 (Leduc)
(Hamelle)
(Hamelle)
3 Bochsa No. 1 (from 50 études, Op. 34) Bochsa: 50 études, Op. 34, Book 1 (Leduc)
4 Bochsa No. 2 (from 50 études, Op. 34) Bochsa: 50 études, Op. 34, Book 1 (Leduc)
Op. 26) (Billaudot)
10 Dizi No. 7 (from 48 études) Dizi: 48 études, Book 1 (Lemoine)
11 S. Heller Etude in C, Op. 45 No. 1, trans. Shaljean Etudes for Concert or Celtic Harp (Blue Crescent Music)
14 Bonnie Prelude in A minor (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
Shaljean (Blue Crescent Music)
14
GRADE 7
A 1 T. A. Arne Allegro and Andante (1st and 2nd movts from Anthology of English Music for the Harp, Vol. 3
Sonata No. 7 in A) (Stainer & Bell)
2 S. Dussek Any two movements (from Sonata in C minor, S. Dussek: Sonata in C minor, Op. 2 No. 3 (Schott)
Op. 2 No. 3)
3 Handel Passacaglia, arr. Béon Handel: Passacaglia for Harp (Leduc)
4 Handel Theme and Variations Handel: Theme and Variations for Harp (Schott)
5 P. J. Mayer Andante and Un poco allegro (1st and 2nd P. J. Mayer: Sonata in G minor, Op. 3 No. 6 (Schott)
movts from Sonata in G minor, Op. 3 No. 6)
6 Naderman Prélude and Allegro brillante poco moderato Naderman: Sept sonates progressives (Leduc)
(from Sonatina No. 7 in C)
7 John Parry Any two movements (from Sonata No. 2 in G) John Parry: Four Sonatas (Salvi)
8 C. Salzédo Menuet (from Suite of Eight Dances) C. Salzédo: Suite of Eight Dances (Lyon & Healy)
9 C. Salzédo Siciliana (from Suite of Eight Dances) C. Salzédo: Suite of Eight Dances (Lyon & Healy)
10 D. Scarlatti Sonata in A minor, Kp. 61, L. 136, arr. Bouchaud Pièces Classiques, Book 6 (Billaudot)
11 Bonnie The Seven Joys Bonnie Shaljean: The Seven Joys (Blue Crescent Music)
Shaljean
B 1 Alwyn Crépuscule Alwyn: Crépuscule (Lengnick)
2 Falla Danse du corregidor, arr. Watkins Falla: Three Pieces for Harp (Chester)
3 Field Nocturne in D minor Anthology of English Music for the Harp, Vol. 4
(Stainer & Bell)
4 Glinka Nocturne Glinka: Variations on a Theme of Mozart and Nocturne
(Salvi)
5 Hasselmans Prière Hasselmans: Prière (Salabert)
6 Deborah Nataliana Deborah Henson-Conant: Nataliana
Henson- (Golden Cage Music)
Conant
7 arr. Meinir Pedair ‘Waltz’ o Gymru (Four Welsh Waltzes) Gwledd Geltaidd (A Celtic Feast), Vol. 1 (Alaw)
Heulyn
8 Ibert Scherzetto (No. 2 from Six pièces) Ibert: Six pièces: Scherzetto (Leduc)
9 Skaila Kanga Any two movements (from Les saisons de la Skaila Kanga: Les saisons de la harpe (Alaw)
harpe)
10 W. Mathias Any two movements (from Improvisations, W. Mathias: Improvisations, Op. 10 (OUP)
Op. 10)
11 Sergiu Natra Any two movements (from Sonatina for Harp) Sergiu Natra: Sonatina for Harp (Israel Music Institute)
12 Alfredo Danza Cubana The International Rhythmic Collection, Vol. 2
13 John Rutter Interlude (from Dancing Day) John Rutter: Dancing Day: harp part (OUP)
14 David Watkins Nocturne (from Petite Suite) David Watkins: Petite Suite (Adlais)
15 David Watkins Fire Dance (from Petite Suite) David Watkins: Petite Suite (Adlais)
C 1 J. S. Bach, No. 9 (from Etudes for Harp) J. S. Bach: Etudes for Harp (Carl Fischer)
arr. Grandjany
2 Damase Allegretto (from 12 préludes) Pp. 4–6 from Damase: 12 préludes pour harpe (Lemoine)
3 Damase Allegro vivace (from 12 préludes) Pp. 8–11 from Damase: 12 préludes pour harpe (Lemoine)
4 Desserre No. 1 in C - (from Trois études) Desserre: Trois études
(Les Nouvelles Éditions Méridian) l
l Limited availability 15

5 Desserre No. 3 in G - (from Trois études) Desserre: Trois études
9 Moszkowski Etude in C, Op. 91 No. 11, trans. Shaljean Etudes for Concert or Celtic Harp (Blue Crescent Music)
10 Bonnie Prelude in C (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
11 Bonnie Prelude in B - (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
12 Tournier Étude de concert ‘Au matin’ Tournier: Étude de concert ‘Au matin’ (Leduc)
13 Zabel Marguerite au rouet, Op. 19 Zabel: Marguerite au rouet, Op. 19 (Adlais)
16 l Limited availability
GRADE 8
A 1 J. L. Dussek Allegro brillante (1st movt from Sonata in E -, J. L. Dussek: Deux grandes sonates, Op. 34 (Salvi)
Op. 34 No. 1)
2 S. Dussek The Garland of Love, trans. Shaljean S. Dussek: The Garland of Love (Blue Crescent Music)
3 Giuranna Allegretto con fantasia (1st movt from Sonatina Giuranna: Sonatina for Harp (Ricordi)
for Harp)
4 Glinka Variations on a Theme of Mozart Glinka: Variations on a Theme of Mozart and Nocturne
version No. 1 for harp (Salvi)
5 Handel Air and Variations ‘The Harmonious Pièces Classiques, Book 6 (Billaudot)
Blacksmith’, arr. Bouchaud
6 Handel Andante allegro and Larghetto (1st and 2nd Handel: Concerto for Harp in B -, Op. 4 No. 6, HWV 294
movts from Concerto in B -, Op. 4 No. 6, (pedal harp solo part: Bärenreiter)
HWV 294) unaccompanied
7 Handel, Prelude and Toccata Grandjany: Music for the Harp (AMP)
arr. Grandjany
8 Pierné Impromptu-Caprice, Op. 9 Pierné: Impromptu-Caprice, Op. 9 (Leduc)
9 Respighi Siciliana, trans. Grandjany Respighi: Siciliana for Harp (Ricordi)
10 J. Rodrigo Adagio con passione (2nd movt from Concierto J. Rodrigo: Concierto de Aranjuez, for Harp (Safari) o
de Aranjuez), trans. Hurst
11 C. Salzédo Gavotte and Tango (from Suite of Eight Dances) C. Salzédo: Suite of Eight Dances (Lyon & Healy)
12 D. Scarlatti Sonata in D, Kp. 430, L. 463, arr. Owens D. Scarlatti: Three Sonatas (Lyon & Healy)
13 David Watkins Prelude (from Petite Suite) David Watkins: Petite Suite (Adlais)
14 von Würtzler Variations on a Theme of Corelli von Würtzler: Variations on a Theme of Corelli
omitting Variations 4 & 5 (GMPC) l
B 1 Y. Bowen Arabesque Y. Bowen: Arabesque for Harp (Novello)
2 Büsser Pièce de concert, Op. 32 observing both cuts Büsser: Pièce de concert, Op. 32 (Leduc)
3 Flothuis Pour le tombeau d’Orphée, Op. 37 Flothuis: Pour le tombeau d’Orphée, Op. 37 (Donemus)
4 Eugene Ballade No. 2 Eugene Goossens: Deux ballades (Leduc)
Goossens
5 Guridi Viejo zortzico Guridi: Viejo zortzico (UME)
6 Hasselmans Valse de concert Hasselmans: Valse de concert (Combre)
7 Alfredo Milonga para amar advanced version P. 52 from The International Rhythmic Collection, Vol. 2
8 Rodgers My Favourite Things, arr. Kanga All-Time Jazz Favourites (Alaw)
9 A. Roussel Impromptu, Op. 21 A. Roussel: Impromptu, Op. 21 (Durand)
10 Bonnie Slow Train Bonnie Shaljean: Slow Train (Blue Crescent Music)
Shaljean
11 Tailleferre Perpetuum mobile (3rd movt from Sonata for Tailleferre: Sonata for Harp (Peermusic Classical)
Harp)
C 1 J. S. Bach, No. 1 (from Etudes for Harp) J. S. Bach: Etudes for Harp (Carl Fischer)
arr. Grandjany
2 J. S. Bach, No. 12 (from Etudes for Harp) J. S. Bach: Etudes for Harp (Carl Fischer)
arr. Grandjany
3 Beethoven Mandolin Sonatina in C, trans. Shaljean Beethoven for Harp (Blue Crescent Music)
4 Desserre No. 2 in E - (from Trois études) Desserre: Trois études
l Limited availability o Out of print 17


8 Prokofiev Prelude in C, Op. 12 No. 7 Prokofiev: Prelude in C, Op. 12 No. 7 (Forberg)
9 N. Rota Toccata (from Sarabanda e toccata) N. Rota: Sarabanda e toccata (Ricordi)
10 Eric Schmidt No. 6 (from Six études) Eric Schmidt: Six études (Leduc)
11 Bonnie Prelude in D minor (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
12 Bonnie Prelude in F (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
13 J. Thomas Study No. 2 in B - minor J. Thomas: Selected Studies (Adlais)
14 J. Thomas Study No. 4 in G - J. Thomas: Selected Studies (Adlais)
15 Zabel No. 1 in E - (from Three Concert Études) Zabel: Three Concert Études (Zimmermann)
18
Harp (Non-pedal)
Performance Grades Performance Grades
Harp fromfrom
(Non-pedal) 2019
2019
GRADE 1
A 1 Bernard No. 1 (from Asters) Bernard Andrès: Asters (Hamelle)
Andrès
2 Anon. The Jolly Peasant, arr. Paret First Harp Book (G. Schirmer)
Bohemian
3 Betty Paret Rondo First Harp Book (G. Schirmer)
4 Anon. Italian O Sanctissima, arr. Milligan Fun from the First! Vol. 2 (Lyon & Healy)
5 Grandjany Little Waltz Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
6 Weidensaul Midnight Stars Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
7 Weidensaul Barn Dance Memory Grandjany & Weidensaul: First-Grade Pieces for Harp
(Carl Fischer)
8 Soler Allegretto, arr. Schlomovitz Beginner’s Harp Book, 1 (Salvi)
B 1 Anon. Chinese The Purple Bamboo, arr. Milligan Fun from the First! Vol. 2 (Lyon & Healy)
+ s in glissandi may be played as = s
2 Fiona Charlotte in Spring (from Harping On, Book 1) Fiona Clifton-Welker: Harping On, Book 1
3 Bonnie Azaleas in Houston (from A Bouquet for Young Bonnie Goodrich: A Bouquet for Young Harpists
4 Bonnie Japanese Lanterns (from A Bouquet for Young Bonnie Goodrich: A Bouquet for Young Harpists
5 arr. Meinir Three Blind Mice 12 Easy Nursery Tunes for Young Harpists (Alaw)
Heulyn
6 Claire Jones & Stars (from Six Pieces for Harp) Claire Jones & Chris Marshall: Six Pieces for Harp
7 Anne Lullaby Comunn na Clarsaich: Folio 18 (Clarsach Society)
Macdearmid
8 Anne The Merry-go-Round Comunn na Clarsaich: Folio 18 (Clarsach Society)
Macdearmid
9 David Watkins Berceuse (No. 2 from Six Pieces) David Watkins: Six Pieces (Boosey & Hawkes)
C 1 Dominig Coquillages (Shells) Harpe d’or (Billaudot)
Bouchaud
2 Dominig A pas de fourmis (Ant’s Steps) Harpe d’or (Billaudot)
Bouchaud
3 Dominig La balle (The Ball) Harpe d’or (Billaudot)
Bouchaud
6 Skaila Kanga Sound the Trumpets (No. 8 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
7 Skaila Kanga The Glittering Ballroom (No. 10 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
progressivi)
progressivi)
progressivi)
11 Tournier Les tierces Les plaisirs de la harpe, Vol. 1 (Lemoine)
19
Performance Grades Harp (Non-pedal) from 2019
GRADE 2
A 1 Bernard No. 2 (from Aquatintes) Bernard Andrès: Aquatintes (Hamelle)
Andrès
2 Bernard No. 6 (from Aquatintes) Bernard Andrès: Aquatintes (Hamelle)
Andrès
3 Anon. Scottish College Hornpipe, arr. Mieras A Harper’s Pleasure (Swanston Music)
4 Anon. Welsh Dacw Mam yn Dwad (Here Comes Mother), O’r Dechrau (From the Beginning) (Alaw)
5 Anon. Welsh Can y Melinydd (The Miller’s Song), O’r Dechrau (From the Beginning) (Alaw)
6 J. S. Bach While Bagpipes Play, arr. Paret Second Harp Book (Lyra)
7 J.-J. Rousseau Evening Song, arr. Paret Second Harp Book (Lyra)
8 Mel Bonis Le petit mendiant (The Little Beggar) Les plaisirs de la harpe, Vol. 1 (Lemoine)
9 Grandjany Gigue (No. 2 from Petite suite classique) Grandjany: Petite suite classique (Carl Fischer)
10 Grandjany The See-Saw (from Little Harp Book) Grandjany: Little Harp Book (Carl Fischer)
11 L. Thomson Ebbing Tide L. Thomson: Ebbing Tide (Thomson)
12 L. Thomson Song at Night L. Thomson: Song at Night (Thomson)
B 1 Bartók In Phrygian Mode (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
2 Bartók In Yugoslav Mode (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
3 Burgon Dawn (No. 1 from Beginnings) Burgon: Beginnings (Stainer & Bell)
4 Fiona Goblin Rustle (from Harping On, Book 1) Fiona Clifton-Welker: Harping On, Book 1
5 Gabus Crépuscule sur le lagon (Twilight on the Les plaisirs de la harpe, Vol. 1 (Lemoine)
Lagoon)
6 Yann Geslin Complainte (Lament) Les plaisirs de la harpe, Vol. 1 (Lemoine)
7 Grandjany Rêverie (No. 1 from Trois petites pièces très faciles, Grandjany: Trois petites pièces très faciles, Op. 7 (Leduc)
Op. 7)
8 Stewart Green Mister Blister’s March (from Blistering Along!) P. 2 from Stewart Green: Blistering Along!
(Spartan Press)
9 Claire Jones & MJ the Cat (from Six Pieces for Harp) Claire Jones & Chris Marshall: Six Pieces for Harp
10 Skaila Kanga Hippopotamus Rag (No. 27 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
11 Skaila Kanga Bedtime Blues (No. 28 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
12 Skaila Kanga Swing Time (No. 29 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
C 1 Dominig Parapluie (Umbrella) Harpe d’or (Billaudot)
Bouchaud
2 Dominig Le crabe (The Crab) Harpe d’or (Billaudot)
Bouchaud
5 Skaila Kanga Mountain Stream (No. 14 from Minstrel’s Gallery) Skaila Kanga: Minstrel’s Gallery (Maruka Music)
6 Skaila Kanga Garden of Dreams (No. 22 from Minstrel’s Skaila Kanga: Minstrel’s Gallery (Maruka Music)
Gallery)
7 Pozzoli 1st Grade: No. 13a (from 65 piccoli studi facili e P. 100 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
20
Performance Grades Harp (Non-pedal) from 2019 Grade 2

8 Pozzoli 1st Grade: No. 13b (from 65 piccoli studi facili e P. 100 from M. Grossi: Metodo per arpa (Ricordi)
progressivi)
progressivi)
progressivi)
11 Schlomovitz Ballerina Beginner’s Harp Book, 1 (Salvi)
21
GRADE 3
A 1 Bernard Gavotte (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
2 Anon. Welsh Llwyn Onn (The Ash Grove), arr. Milligan Pp. 20–22 from Medieval to Modern, Vol. 2
(Lyon & Healy)
3 Bochsa Rondo ‘Le garçon volage’ (from Air and Rondo), Pp. 4–6 from Medieval to Modern, Vol. 2 (Lyon & Healy)
arr. Milligan
4 J. Clarke Chaconne, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
5 Handel Allegro, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
6 Handel Sonatina, arr. Powell Y Telynor Clasurol (The Classical Harpist) (Adlais)
7 Skaila Kanga Country Dance (No. 2 from Miniatures) Skaila Kanga: Miniatures (Alaw)
harp 1 part
8 Pässler Rondo, arr. Grandjany Short Pieces from the Masters (Carl Fischer)
B 1 Anon. Scottish A’ Bheairt-Fhioda (A Weaving Lilt), arr. Mieras A Harper’s Pleasure (Swanston Music)
2 Bartók Triplets (from Mikrokosmos), arr. Marzuki Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
3 Bartók Five-tone Scale (from Mikrokosmos), Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
arr. Marzuki
4 Grandjany Barcarolle (No. 3 from Trois petites pièces très Grandjany: Trois petites pièces très faciles, Op. 7 (Leduc)
faciles, Op. 7) may be played in C
5 Stewart Green Blistering Rock! (from Blistering Along!) Stewart Green: Blistering Along! (Spartan Press)
6 Susann Alpine Waltz Linda Wood & Susann McDonald: Harp Solos, Vol. 3
C 1 van Campen Scale-Study No. 4 (from Tutor for the Celtic Harp, P. 47 from van Campen: Tutor for the Celtic Harp, Vol. 1
Vol. 1) (Harmonia)
4 C. Grossi Etude Les plaisirs de la harpe, Vol. 1 (Lemoine)
22
GRADE 4
A 1 Bernard Sarabande (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
2 Bernard Gaillarde (from Automates) Bernard Andrès: Automates (Hamelle)
Andrès
3 J. S. Bach Prelude in C, BWV 846, arr. O’Farrell The O’Farrell Collection, Vol. 2: A Baroque Bouquet
(O’Farrell)
4 Clementi Allegro (1st movt from Sonatina in C, Op. 36 Composers in Georgian London (Blue Crescent Music)
No. 1), trans. Shaljean
5 Kuhlau Theme and Variations, arr. Bouchaud Panorama de la harpe celtique, Vol. 1
6 Mozart Andante grazioso (from Piano Sonata, K. 331), No. 22 from Panorama de la harpe celtique, Vol. 1
arr. Bouchaud (Editions Musicales Transatlantiques)
7 A. Scarlatti Minuetto, arr. Bouchaud Panorama de la harpe celtique, Vol. 1
B 1 Bartók Merriment (from Mikrokosmos), arr. Marzuki Bartók: Mikrokosmos for Harp (Boosey & Hawkes)
2 arr. Deborah Scarborough Fair Scarborough Fair (Friou Music)
Friou
3 Stewart Green Ragged Robin (from Flights of Fancy) Stewart Green: Flights of Fancy (Spartan Press)
4 arr. Meinir O’er the Sea to Skye Famous Music for the Harp, Vol. 1 (Alaw)
Heulyn
5 Skaila Kanga Skating on Ice (No. 4 from Miniatures) Skaila Kanga: Miniatures (Alaw)
harp 1 part
6 Alfredo Waiting The International Rhythmic Collection, Vol. 1
7 Alfredo The Harp Cha-cha-chá The International Rhythmic Collection, Vol. 1
8 Alfredo Tango triste The International Rhythmic Collection, Vol. 2
9 Alfredo Carnaval Brasileiro The International Rhythmic Collection, Vol. 2
10 arr. Ronald Eriskay Love-Lilt Sounding Strings (UMP)
Stevenson
(Hamelle)
(Hamelle)
3 L. Concone Prélude (No. 1 from 30 études progressives, L. Concone: 30 études progressives, Op. 26, Book 1
Op. 26) (Billaudot)
5 Schlomovitz Butterflies Beginner’s Harp Book, 1 (Salvi)
23
GRADE 5
A 1 Anon. Theme and Variations 2, 5 and 6 (from Variations sur un thème de Mozart (Billaudot)
Variations sur un thème de Mozart), arr. Le Dentu
2 Clementi Andante and Vivace (2nd and 3rd movts from Composers in Georgian London (Blue Crescent Music)
Sonatina in C, Op. 36 No. 1), trans. Shaljean
3 O’Carolan Concerto, arr. Bouchaud Panorama de la harpe celtique, Vol. 1
4 O’Carolan Madam Cole, arr. Yeats Sounding Harps, Book 3 (Cáirde na Cruite)
5 O’Carolan Lady Dillon, arr. Groocock Sounding Harps, Book 3 (Cáirde na Cruite)
6 D. Scarlatti Sonata in C, arr. Bouchaud Pièces Classiques, Book 5 (Billaudot)
7 arr. Florence Eilean a’ Chéo (The Misty Island) Comunn na Clarsaich: Folio 8 (Clarsach Society)
Wilson
B 1 Anon. Water is Wide, arr. Robertson Treasures of the Celtic Harp (Mel Bay)
2 Jeffrey Fiskars (from People and Places) Jeffrey Mayhew: People and Places
3 O’Carolan Carolan’s Farewell to Music, arr. Larchet P. 103 from The Irish Harp Book (Carysfort Press)
Cuthbert
4 Anne-Marie Prelude for Irish Harp The O’Farrell Collection, Vol. 3: Ancient to Modern
6 Alfredo Noche de Fiesta The International Rhythmic Collection, Vol. 1
7 arr. Ronald Harp of Gold and The Cockle-Gatherer Sounding Strings (UMP)
Stevenson
(Hamelle)
Op. 26) (Billaudot)
5 Sor Etude No. 5, arr. Bouchaud Panorama de la harpe celtique, Vol. 1
24
GRADE 6
A 1 Anon. Irish Bean Dubh an Ghleanna (The Dark Woman of Sounding Harps, Book 3 (Cáirde na Cruite)
the Glen), arr. McCrann
2 Anon. Irish Shule Aroon, arr. Robertson Treasures of the Celtic Harp (Mel Bay)
3 J. C. Bach Presto, arr. Bouchaud Pièces Classiques, Book 5 (Billaudot)
4 T. C. Kelly Interlude Pp. 116–8 from The Irish Harp Book (Carysfort Press)
B 1 D. McNulty Berceuse Pp. 166–7 from The Irish Harp Book (Carysfort Press)
2 O’Carolan Planxty Johnston, arr. Yeats Sounding Harps, Book 3 (Cáirde na Cruite)
3 arr. Don Oíche Úd i mBeithil (The Night in Don Oíche Úd i mBeithil (The Night in Bethlehem)
Anne-Marie Bethlehem) (O’Farrell)
O’Farrell
4 Alfredo Danza de Luzma advanced version P. 54 from The International Rhythmic Collection, Vol. 1
5 Alfredo Tu Ventana advanced version P. 38 from The International Rhythmic Collection, Vol. 2
6 Alfredo The Butterfly Trees The International Rhythmic Collection, Vol. 2
(Hamelle)
(Hamelle)
Op. 26) (Billaudot)
6 S. Heller Etude in C, Op. 45 No. 1, trans. Shaljean Etudes for Concert or Celtic Harp (Blue Crescent Music)
7 Bonnie Prelude in A minor (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
25
GRADE 7
A 1 Anon. Irish Miss Brown’s Fancy, arr. Robertson Treasures of the Celtic Harp (Mel Bay)
2 Edward Jones Pant Corlan yr Wyn (The Hollow of the Clasuron Edward Jones (Edward Jones Classics) (Alaw)
Lambsfold)
3 Anne-Marie Chorale Variations on ‘Deus Meus Adiuva Me’ The O’Farrell Collection, Vol. 3: Ancient to Modern
4 D. Scarlatti Sonata in A minor, Kp. 61, L. 136, arr. Bouchaud Pièces Classiques, Book 6 (Billaudot)
5 J. P. Sweelinck Bergamasca, arr. Bouchaud Pièces Classiques, Book 6 (Billaudot)
omitting Variations 3, 4 & 5
6 Bonnie The Seven Joys Bonnie Shaljean: The Seven Joys (Blue Crescent Music)
Shaljean
B 1 Deborah Nataliana Deborah Henson-Conant: Nataliana
Henson- (Golden Cage Music)
Conant
2 arr. Meinir Pedair ‘Waltz’ o Gymru (Four Welsh Waltzes) Gwledd Geltaidd (A Celtic Feast), Vol. 1 (Alaw)
Heulyn
3 Alfredo Cocorná advanced version P. 29 from The International Rhythmic Collection, Vol. 2
4 Victory Allegro assai (No. 3 from Three Pieces for the Pp. 141–4 from The Irish Harp Book (Carysfort Press)
Irish Harp)
C 1 Moszkowski Etude in C, Op. 91 No. 11, trans. Shaljean Etudes for Concert or Celtic Harp (Blue Crescent Music)
2 Viner Etude in A minor Etudes for Concert or Celtic Harp (Blue Crescent Music)
and
B. Shaljean Etude after Viner
3 arr. Kim Glenlivet Treasures of the Celtic Harp (Mel Bay)
Robertson
4 arr. Kim Moving Cloud Treasures of the Celtic Harp (Mel Bay)
Robertson
5 Bonnie Prelude in C (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
6 Bonnie Prelude in B - (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
26
GRADE 8
A 1 S. Dussek The Garland of Love, trans. Shaljean S. Dussek: The Garland of Love (Blue Crescent Music)
2 Handel Air and Variations ‘The Harmonious Pièces Classiques, Book 6 (Billaudot)
Blacksmith’, arr. Bouchaud
3 Handel Andante allegro and Larghetto (1st and 2nd Handel: Concerto in B - for Celtic Harp (Billaudot)
movts from Concerto in B -, Op. 4 No. 6,
HWV 294), arr. Le Dentu unaccompanied
4 Anne-Marie The Knappogue Medley Anne-Marie O’Farrell: The Knappogue Medley (O’Farrell)
O’Farrell
5 arr. Hannah The Spanish Ladie and The Butterfly The Scottish Harp Anthology, Vol. 3: Advanced
Phillips observing repeat as needed (Pentland Publishing)
6 Bonnie Fantasia on a Sonata by Cardon Bonnie Shaljean: Fantasia on a Sonata by Cardon
B 1 Debussy Première arabesque, trans. Brundage Debussy: Première arabesque (Seaside Press)
2 Anne Sea Rapture Anne Macdearmid: Sea Rapture (Macdearmid) l
Macdearmid
3 D. McNulty Fantasia and Rondo Pp. 163–5 and 168–71 from The Irish Harp Book
(Carysfort Press)
4 Alfredo Milonga para amar advanced version P. 52 from The International Rhythmic Collection, Vol. 2
5 Bonnie Slow Train Bonnie Shaljean: Slow Train (Blue Crescent Music)
Shaljean
6 Victory Grazioso and Lento assai (Nos. 1 and 2 from Pp. 135–137 and 138–140 from The Irish Harp Book
Three Pieces for the Irish Harp) (Carysfort Press)
C 1 J. S. Bach Prelude (from Lute Suite, BWV 1006a), J. S. Bach: Prelude from Lute Suite, BWV 1006a
trans. O’Farrell (O’Farrell)
2 Beethoven Mandolin Sonatina in C, arr. Shaljean Beethoven for Harp (Blue Crescent Music)
3 Alfredo Theme (from Suite to Luzma) Latin American Harps History, Music and Techniques
4 Kim Robertson Boundless Treasures of the Celtic Harp (Mel Bay)
5 Bonnie Prelude in D minor (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
6 Bonnie Prelude in F (from 12 Preludes) Bonnie Shaljean: 12 Preludes for Concert or Celtic Harp
l Limited availability 27
Programme form – Performance Grades
Please show this completed form and your own-choice piece/song to the camera, and announce yourself (name, subject, grade) and your
pieces/songs (titles, composers, list information) in the order you will be performing them, before beginning your performance.
Candidate name ________________________________________________________________________________________ Subject (instrument) _______________________________________________________
Candidate/National ID ____________________________________________________________________________ Grade _________________________________________________________________________________
Piece/Song Title Composer List* Number*
* Write ‘OC’ for your own-choice piece/song

Year of syllabus repertoire lists ___________________________ (unless from the repertoire lists);
leave ‘List’ blank if a Snare Drum, Timpani or
Related instrument(s) (if used) _________________________________________________________________________________________________________________ Tuned Percussion candidate
Additional information for own-choice piece/song (unless chosen from the repertoire lists)
Arranger Book/publication title Publisher/available from

(if applicable) (if applicable)
Programme form – Performance Grades
Please show this completed form and your own-choice piece/song to the camera, and
announce yourself (name, subject, grade) and your pieces/songs (titles, composers, list
information) in the order you will be performing them, before beginning your performance.
Candidate name _______________________________________________________________________________________________
Candidate/National ID _______________________________________________________________________________________________
Subject (instrument) _______________________________________________________________________________________________
Grade _______________________________________________
Piece/Song Title Composer List* Number*
Year of syllabus repertoire lists ___________________________
Related instrument(s) (if used) _________________________________________________________________________________________________________________
Additional information for own-choice piece/song (unless chosen from the repertoire lists)
Arranger Book/publication title Publisher/available from

(if applicable) (if applicable)
* Write ‘OC’ for your own-choice piece/song (unless from the repertoire lists);
leave ‘List’ blank if a Snare Drum, Timpani or Tuned Percussion candidate

ABRSM英皇竖琴2019考纲（英文）

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Qualification Specification

This syllabus is specific to Harp and is part of the main

3. Harp Performance Grades syllabus 2

Changes in this edition

© 2020 by The Associated Board of the Royal Schools of Music

Performance Grades: requirements and information

Preparing for the exam

COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)

COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)

COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)

l Limited availability o Out of print 17

COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)

COMPOSER PIECE / WORK / ARRANGER PUBLICATION (PUBLISHER)

Candidate name ________________________________________________________________________________________ Subject (instrument) _______________________________________________________

Candidate/National ID ____________________________________________________________________________ Grade _________________________________________________________________________________

Piece/Song Title Composer List* Number*

* Write ‘OC’ for your own-choice piece/song

Arranger Book/publication title Publisher/available from

Candidate name _______________________________________________________________________________________________

Subject (instrument) _______________________________________________________________________________________________

Piece/Song Title Composer List* Number*

Year of syllabus repertoire lists ___________________________

Related instrument(s) (if used) _________________________________________________________________________________________________________________

Arranger Book/publication title Publisher/available from

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3. Harp Performance Grades syllabus 2

Candidate name __________________________________ Subject (instrument) _

Candidate/National ID Grade _____