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    Mapeh Reviewer

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    LET Reviewer

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    Mapeh Reviewer

    Uploaded by

    sherylbelotendos021
    3 views2 pages
    LET Reviewer

    Original Title

    MAPEH REVIEWER

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    LET Reviewer

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    Download as docx, pdf, or txt
    3 views2 pages

    Mapeh Reviewer

    Uploaded by

    sherylbelotendos021
    LET Reviewer

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Download as docx, pdf, or txt
    of 2

    INTEGRATED MUSIC THEORY Simple Meter: Tue division of time where pulses

    subdivided into groups of two, four etc.

    Duple Meter: Two pulses per group


    Music
    Triple Meter: Three pulses per group
    It is an organized art of sound expresses
    emotions and ideas in forms of melody, rhythm, Quadruple: Four pulses per group
    dynamics, form, timbre, and harmony.
    Dynamics (Intensity, Volume): Loudness and
    "Elements of Music" softness of sound.

    Rhythm: The flow of music through time. Pianissimo (pp): Very quiet

    Beat: Pulsation that divides music into equal Piano (p): Quiet
    units of time.
    Mezzo - Piano (mp): Moderately quiet
    Tempo: The speed of the beat.
    Forte (f): Loud
    Syncopation: Putting accent "off-the-beat"
    Mezzo - Forte (mf): Moderately loud
    Andante: Moderately slow
    Fortissimo (ff): Very loud
    Moderato: Moderately
    Melody: HORIZONTAL presentation of pitch.
    Lento: Slow
    Pitch (Range, Register): Highness and lowness of
    Vivace: Lively a sound.

    Allegro: Fast Conjunct (Legato): Smooth

    Presto: Very fast Disconjunct (Staccato): Hard, disjointedly


    ragged or jumpy.
    Accelerando: Gradually SPEEDING UP the
    tempo. Timbre: The quality or tone color of
    voice/instruments
    Ritardando: Gradually SLOWING DOWN the
    tempo. Soprano - Highest voice of female

    Polyrhythm: More than one independent Mezzo - Middle voice of female


    rhythm or meter happening simulatneously.
    Alto - Lowest voice of female
    Crescendo: Gradually INCREASE the volume.
    Bass - Lowest voice of male
    Decrescendo: Gradually DECREASE the volume.
    Baritone - Middle voice of male
    Meter: Organized into recurring accent
    patterns. Tenor - Highest voice of male
    Orchestral Instruments Phrase: Succession of tones, gives a musical
    thought.
    Rondalla Instruments
    Period: Two phrases, complete musical thought.
    S - B - A - T | Choir formation
    Section: Combination of periods.
    Dotted half note: 3 beats
    Unitary: Consist of one part.
    Whole note: 4 beats
    Binary: Two - part form (A and B)
    Texture: Number of individual musical lines
    (melodies) and the relationship these lines have Ternary: Consists of three parts.
    to one another.
    Rondo: Consists of more than three parts.
    Monophonic: Single melodic line (actual exam: more than two parts)

    Polyphonic: Two or more melodic lines

    Homophonic: Accompanied by chords (triad) "CONDUCTING AND CHORAL WORKS"

    Harmony: VERTICALIZATION of pitch


    (accompanying chords simultaneously in
    instrumental or vocal) Conducting:

    Chord: Three or more tones sounded Art of leading of ensembles, orchestra,


    instrumental, vocal or any groups through the
    Triad: Consists of three parts body movements, facial expressions to
    interpret the emotion and nature of the sounds
    Form Alternation: Structural design for same in the compositions.
    music used over and over for several different
    verses (strophic) of words. "The Essentials of Conducting"

    Strophic form: Folk song, simple verses, Preparatory Beat: Beat before the attack beat,
    repetition of lyrics. preparation of singer to attack the beat and
    breathe at the same time.
    Chorus Song Form (verses): Story - telling
    verses. Attack Beat: Start of the phrase.

    (Example: Chismis by Ryan Cayabyab) Release Beat or Cut Off: End of the phrase,
    clearly seen by the choir members so that the
    Tone: Smallest unit of composition. cessation of the sound will be done clearly.
    Figure: Smallest characteristic group of a tone. Cueing: Entrances of voice parts, softness and
    Motive: Identified with a particular compostion. loudness and speed of the rhythm.
    Tone of group.

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