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Contents vii
7.5: Placement Opportunities 125 9.4: Talk Shows and Product Placements 168
7.5.1: Earned Media 126 9.4.1: Talk Shows 168
7.5.2: Owned Media 126 9.4.2: Magazine Shows 170
7.5.3: Paid Media 126 9.4.3: Product Placement 170
7.6: Writing Opinion Pieces 127 9.5: Online Video 171
7.6.1: Op-Eds 127 Summary: Radio, Television, and Online Video 173
7.6.2: Letters to the Editor 129
Summary: Creating Feature Content and Op-Eds 130 10 Websites, Blogs, and Podcasts 175
8 Publicity Photos and Infographics 132 10.1: The Web: Pervasive in Our Lives 175
10.2: The New Public Relations Paradigm 176
8.1: The Importance of Visual Content 132 10.3: Websites 177
8.2: Components of a Good Photo 133 10.3.1: Planning an Effective Website 178
8.2.1: Technical Quality 133 10.3.2: Managing the Website 180
8.2.2: Subject Matter 133 10.3.3: Making the Site Interactive 180
8.2.3: Composition 135 10.3.4: Attracting Visitors to Your Site 181
8.2.4: Action 137 10.3.5: Tracking Site Visitors 183
8.2.5: Scale 137 10.4: Writing for the Web 183
8.2.6: Camera Angle 138 10.4.1: Providing Content for Online Newsrooms 185
8.2.7: Lighting and Timing 138
10.5: Blogs 186
8.3: Working with Photographers 10.5.1: Types of Blogs 187
and Photo Vendors 139
10.6: Podcasts 191
8.3.1: Finding Photographers 139
10.6.1: Applications of Podcasts 191
8.3.2: Contracts 140
10.6.2: Equipment and Production 191
8.3.3: The Photo Session 140
Summary: Websites, Blogs, and Podcasts 192
8.3.4: Finding Stock Photos 140
8.3.5: Cropping and Retouching 141 11 Social Media and Mobile Apps 194
8.3.6: Ethical Considerations 141
8.4: Writing Photo Captions 142 11.1: The Tsunami of Social Media 194
8.5: The Purpose of Infographics 143 11.2: The Use of Social Media in Public Relations 194
8.6: Types of Infographics 143 11.3: The Continuing Role of Traditional Media 195
8.6.1: Charts 144 11.4: Social Networks 196
8.6.2: Graphic Interface of Subject Content 145 11.4.1: Facebook: King of the Social Networks 196
8.6.3: Other Kinds of Graphics 146 11.4.2: Google+ 197
8.7: Creating an Infographic 146 11.4.3: LinkedIn: The Professional Network 198
8.8: Distributing Photos and Infographics 147 11.5: Micro-Blogging Sites and Apps 198
11.5.1: Twitter: Saying It in 140 Characters or Less 198
8.9: Maintaining Photo and Art Files 147
11.5.2: Vine 200
Summary: Publicity Photos and Infographics 148
11.5.3: Instagram 200
9 Radio, Television, and Online Video 150 11.6: Media Sharing Sites 201
11.6.1: YouTube: King of Video Clips 201
9.1: The Reach of Broadcast Media and
11.6.2: Flickr 204
Online Video 150
11.6.3: Pinterest 205
9.2: Radio 151
11.7: The Rising Tide of Mobile Content 206
9.2.1: Radio News Releases 152
11.7.1: An Ocean of Apps 207
9.2.2: Audio News Releases 153
11.7.2: QR Codes: Rich Content a Scan Away 208
9.2.3: Radio Public Service Announcements 154
11.7.3: Texting 209
9.2.4: Radio Media Tours 156
9.2.5: Radio Promotions 157 11.8: Wikis 210
9.2.6: Community Calendars 157 Summary: Social Media and Mobile Apps 210
9.3: Television
9.3.1: Video News Releases
158
158
12 Intranets, Newsletters, and
9.3.2: The New Normal: B-Roll Packaging 161
Brochures 212
9.3.3: Video Public Service Announcements 165 12.1: Tightening the Writing Focus 212
9.3.4: Satellite Media Tours 166 12.2: The Balancing Act of Editors 212
viii Contents
12.2.1: A Mission Statement Gives Purpose 213 14.2.3: Writing the Speech 249
12.2.2: Making an Article Schedule 214 14.3: The Basics of Giving a Speech 251
12.3: Intranets 214 14.3.1: Coaching Speakers 252
12.4: Online Newsletters 215 14.3.2: Structuring the Message for the Ear 252
12.5: The Value of Print Publications 216 14.3.3: Tailoring Remarks to the Audience 252
12.6: Print Newsletters and Magazines 217 14.3.4: Keeping Speeches Timely and Short 253
12.6.1: Meeting Audience Interests 217 14.3.5: Gestures and Eye Contact 253
12.6.2: Article Headlines 218 14.4: Visual Aids for Presentations 254
12.6.3: Article Lead Sentences 219 14.4.1: PowerPoint 255
12.6.4: Periodical Design 220 14.4.2: Prezi 257
12.6.5: Periodical Format 220 14.5: Being a Good Panelist 258
12.6.6: Periodical Layout 221 14.5.1: Panels 258
12.6.7: Photos and Illustrations 223 14.6: Speaker Training and Placement 258
12.7: Brochures 223 14.6.1: Executive Training 258
12.7.1: Planning a Brochure 223 14.6.2: Speaker’s Bureaus 259
12.7.2: Brochure Format 224 14.6.3: Placing Speakers 260
12.7.3: Writing a Brochure 224 14.6.4: Publicity Opportunities 260
12.7.4: Brochure Paper 225 Summary: Giving Speeches and Presentations 261
12.7.5: Types of Fonts 226
12.7.6: Ink and Color 226 15 Organizing Meetings and Events 263
12.7.7: Finding a Printer 227
15.1: A World Filled with Meetings and Events 263
12.8: Annual Reports 228
15.2: Staff and Committee Meetings 264
12.8.1: Planning and Writing Annual Reports 229
15.3: Larger Group Meetings 265
12.8.2: Trends in Content and Delivery 229
15.3.1: Planning Large Group Meetings 265
Summary: Intranets, Newsletters, and Brochures 230
15.3.2: Meeting Space Logistics 266
16.3.3: Direct Mail Brochure 289 17.6.2: The Securities and Exchange Commission 316
16.3.4: Reply Card 289 17.6.3: The Federal Communications Commission 317
16.3.5: Return Envelope 289 17.6.4: The Food and Drug Administration 318
16.3.6: Gifts 290 17.7: Working with Lawyers 318
16.4: The Basics of Public Relations Advertising 290 Summary: Working Within a Legal Framework 319
16.4.1: Advantages of Advertising 291
16.4.2: Disadvantages of Advertising 291 18 Planning Programs and Campaigns 321
16.5: Types of Public Relations Advertising 292 18.1: The Value of a Written Plan 321
16.5.1: Image Building 292 18.2: Developing a PR Plan 321
16.5.2: Investor and Financial Relations 293 18.2.1: Identifying the Situation 321
16.5.3: Public Service 293 18.2.2: Gathering Information 322
16.5.4: Advocacy and Issues 294 18.2.3: Analyzing the Information 323
16.5.5: Announcements 294
18.3: Elements of a PR Plan 323
16.6: Creating a Print Ad 295 18.3.1: The Organization’s Situation 324
16.6.1: Ad Headline 295 18.3.2: Campaign Objectives 325
16.6.2: Ad Text 295 18.3.3: Campaign Audience 327
16.6.3: Ad Artwork 295 18.3.4: Campaign Strategy 327
16.6.4: Ad Layout 295 18.3.5: Campaign Tactics 328
16.7: Working with an Ad Agency 296 18.3.6: Campaign Calendar 329
16.8: Native Advertising 296 18.3.7: Campaign Budget 330
16.9: Other Advertising Channels 297 18.3.8: Campaign Evaluation 330
16.9.1: Billboards 298 18.4: Submitting a Plan for Approval 330
16.9.2: Transit Panels 298 Summary: Planning Programs and Campaigns 332
16.9.3: Buttons and Bumper Stickers 298
16.9.4: Posters 299 19 Measuring Success 333
16.9.5: T-Shirts 299
19.1: The Skill of Measurement 333
16.9.6: Promotional Items 299
19.2: The Importance of Measurement 333
Summary: Using Direct Mail and Advertising 300
19.2.1: Current Status of Measurement
17 Working Within a Legal
and Evaluation 335
19.3: Measurable Program Objectives 336
Framework 302
19.4: Measuring Production/Distribution 336
17.1: A Sampling of Legal Problems 302 19.5: Measuring Message Exposure 337
17.2: Libel and Defamation 303 19.5.1: Media Impressions 338
17.2.1: The Fair Comment Defense 304 19.5.2: Advertising Value Equivalency 338
17.2.2: Avoiding Defamation Suits 304 19.5.3: Systematic Tracking 339
17.3: Invasion of Privacy 305 19.5.4: Monitoring the Web 340
17.3.1: Employee Newsletters 305 19.5.5: Monitoring Social Media 340
17.3.2: Photo Releases 305 19.5.6: Audience Requests, Costs, and Attendance 342
17.3.3: Product Publicity and Advertising 305 19.6: Measuring Audience Awareness 343
17.3.4: Media Inquiries about Employees 306 19.7: Measuring Audience Attitudes 344
17.3.5: Employee Behavior Online 307 19.8: Measuring Audience Action 344
17.4: Copyright Law 309 19.9: Evaluating Newsletters and Brochures 345
17.4.1: Fair Use versus Infringement 310 19.9.1: Evaluation Methods 345
17.4.2: Photography and Artwork 310
19.10: Writing a Measurement Report 346
17.4.3: Work for Hire 311
Summary: Measuring Success 347
17.4.4: Use of Online Material 311
17.5: Trademark Law 312 Media Resources 349
17.5.1: The Protection of Trademarks 312
17.5.2: The Problem of Trademark Infringement 313
Glossary 354
17.5.3: Misappropriation of Personality 314 Credits 357
17.6: Regulatory Agencies 315 Index 363
17.6.1: The Federal Trade Commission 315
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Preface
T
he new edition of Public Relations Writing and Me- become your standard reference source for college and the
dia Techniques continues its reputation as the most first years of your career.
comprehensive “how-to” text on the market. It will
give you a complete tool kit for writing and creating a full
range of public relations materials for distribution through New to the Edition
traditional media (print, radio, television) and the Internet, The increasing array of available media platforms and
including social media. channels is a bonanza for public relations specialists but
Past editions, and this one is no exception, get high also presents two challenges to today’s students and cur-
marks from professors and students as an extremely good, rent practitioners. One challenge is to constantly keep up
user-friendly text written in plain English. It offers com- with the latest developments in mobile devices or new
mon sense advice to students and practitioners about how social networking platforms. The second challenge is to
public relations is practiced in the “real world,” and con- understand how all these new communication platforms
tains clear, step-by-step guidelines illustrated by multiple and channels can be applied in public relations to more ef-
examples from actual award-winning public relations pro- fectively communicate with increasingly segmented audi-
grams conducted by many well-known organizations. ences, across a variety of earned, owned, and paid media.
In addition, it’s the only major PR writing text that pro- This edition offers new and expanded treatment of nu-
vides entire chapters on how to plan meetings and events, merous topics. Some examples include:
compose publicity photos, effectively use infographics,
write news features and op-eds, give a presentation, plan • An updated and revised chapter on websites, blogs,
an entire public relations program or campaign, and mea- and podcasts that includes additional information on
sure the success of a campaign. As one reviewer stated, the role of online newsrooms on organizational web-
“Wilcox and Reber are about the best authors out there.” sites (Chapter 10)
Although the emphasis is on the “nuts and bolts” of • A completely new chapter on social media and apps
effective public relations writing and techniques, the text that thoroughly explores how organizations can effec-
also provides the conceptual framework and broader con- tively use social media to increase consumer engage-
text of how the tactics of public relations fit into the entire ment and brand loyalty (Chapter 11)
public relations process—research, planning, communi- • Expanded information on how to work with influential
cation, and evaluation. The idea is to ensure that you not bloggers (Chapter 4)
only know how to write public relations materials, but also • Completely updated stats on the reach and influence of
understand why they are written from the standpoint of social media (Chapter 11)
furthering organizational objectives.
• Case studies on how major organizations have inte-
The many updates, revisions, and additions to this
grated traditional media and social media in various
new edition reflect today’s work in public relations. Per-
public relations programs and campaigns (all chapters)
haps the most significant changes in this edition concern
the rise of tablets, smartphones, and social media plat- • The use of Search Engine Optimization (SEO) in the
forms that have significantly changed how public relations writing and formatting of news releases (Chapter 5)
writers think and work. Blogs and other social media, such • The increased use and popularity of infographics to
as Facebook, Google+, Twitter, Pinterest, Instagram, and convey a variety of information that is easily digestible
YouTube, have challenged and created new opportunities to the public (Chapter 8)
for public relations practitioners. • How to measure the effectiveness of social media cam-
This edition, more than any other public relations paigns (Chapter 19)
writing text, tells you how to work in the rapidly chang-
• The considerations for designing an attractive and in-
ing digital environment. It’s more than a textbook; it’s a
teractive website (Chapter 10)
handy reference book that students will constantly use on
their first job and current practitioners will use as an ex- • How to prepare and tailor content for distribution in
pert resource. As one professor told their students, “This earned, owned, and paid media (all chapters)
is the one book you should keep. Don’t sell it at the end • The concept of brand journalism and content marketing
of the semester.” In sum, this edition is the book that will as a trend in public relations and marketing (Chapter 7)
xi
xii Preface
• The components and structure of a multimedia news • Guidelines for Designing a Website (Chapter 10)
release and the effectiveness of adding visuals to any • How to Increase Website Visitors (Chapter 10)
news release (Chapters 5, 8)
• The 10 Commandments for Writing Web Content
• The elements of a good online newsletter and how to (Chapter 10)
produce a brochure (Chapter 12)
• How Visitors “Read” a Website (Chapter 10)
• The Components of an Online Newsroom (Chapter 10)
REVEL™
• The Perfect Blog Post by the Numbers (Chapter 10)
Educational technology designed for the way today’s stu-
• How to Do a Podcast (Chapter 10)
dents read, think, and learn
When students are engaged deeply, they learn more • How to Post an Effective Message on Facebook
effectively and perform better in their courses. This simple (Chapter 11)
fact inspired the creation of REVEL: an immersive learn- • How to Improve Your Tweets (Chapter 11)
ing experience designed for the way today’s students read, • How to Use Instagram in Your Organization (Chap-
think, and learn. Built in collaboration with educators and ter 11)
students nationwide, REVEL is the newest, fully digital
• How to Increase Your Organization’s YouTube Views
way to deliver respected Pearson content.
(Chapter 11)
REVEL enlivens course content with media interac-
tives and assessments — integrated directly within the au- • How to Create Content for Pinterest (Chapter 11)
thors’ narrative — that provide opportunities for students • How to Create and Promote an App (Chapter 11)
to read about and practice course material in tandem. This • Lessons in Good Intranet Design (Chapter 12)
immersive educational technology boosts student engage-
• Story Ideas for Employee Periodicals (Chapter 12)
ment, which leads to better understanding of concepts and
• How to Work with Graphic Designers (Chapter 12)
improved performance throughout the course.
Learn more about REVEL • How to Manage Your Email (Chapter 13)
• How to Write a Professional Email (Chapter 13)
• Guidelines for Creating an Infographic (Chapter 8) • The Ice Bucket Challenge Raises $100 Million (Chapter 3)
• Getting Your PSA on the Air (Chapter 9) • The Wall Street Journal Previews a New Hotel (Chapter 4)
Preface xiii
• Boston Marathon Bombing Makes Hospital a Crisis Chapter 5 thoroughly details the structure and for-
Center (Chapter 4) mat of the news release. Attention is given to writing
• Two Successful Pitches (Chapter 6) and formatting digital news releases, including multime-
dia releases, that are distributed via email, websites, and
• An Airport Food Operator Uses a B-Roll to Announce
electronic services. Chapter 6 continues the process by de-
a New Service (Chapter 9)
tailing how to prepare fact sheets, media advisories, and
• Pitching the Airport Food Operator’s B-Roll (Chapter 9) media kits. Particularly valuable is a detailed section on
• A Video PSA Warns About the Use of Decorative how to “pitch” a story idea to a journalist or a blogger.
Contact Lenses (Chapter 9) Chapter 7 focuses on the writing of feature stories,
• Coca-Cola Website Sets the Standard for Brand such as personality profiles and product-application sto-
Journalism (Chapter 10) ries. The writing of opinion pieces, such as op-eds and let-
ters to the editor, are also discussed. Chapter 8 examines
• Seattle Police Blog About Marijuana (Chapter 10)
the elements of good publicity photos and infographics,
• An Oscar Selfie Generates Three Million Retweets
which often make a story more attractive to editors. It
(Chapter 11)
also offers suggestions on how to work with photogra-
• Social Media Fuels a Solar Decathlon (Chapter 11) phers, write photo captions, and use infographics to dis-
• The RFP Process with Caribou Coffee and Skinnygirl tribute information in a highly attractive visual format.
Cocktails (Chapter 13) Chapter 9 is about preparing content for radio, television,
• Festivals Celebrate Everything from Garlic to Beer and online video. The mechanics of video news releases
(Chapter 15) (VNRs) and B-roll packages are explained, as well as how
to book guests on talk shows, conduct satellite media
• U.S. Census Bureau Targets Millennials (Chapter 16)
tours, and create video stories for YouTube and organiza-
• Legal and Regulatory Bodies Continue to Define Social tional websites.
Media Rules (Chapter 17) Chapter 10 is a detailed examination of how to orga-
• A Frito-Lay Campaign Meets Its Objectives (Chapter 19) nize and format content for websites, blogs, and podcasts.
The chapter ends with a detailed discussion about best
Quotes from Leading Professionals practices for organizing and posting content on an organi-
zation’s online newsroom. Chapter 11 is about effectively
New quotes from leading professionals are highlighted
using social media platforms such as Facebook, Twitter,
throughout. These short, pithy statements give the essence
YouTube, and Pinterest to post content that engages con-
of a professional’s insights and wisdom on a particular
sumers and builds brand loyalty. It ends with a discussion
concept or technique. This approach is much more read-
of how today’s messages must be mobile-enabled to ac-
able than the short narrative or Q&A with a professional
commodate the rising tide of smartphone users, and how
featured in some texts.
apps are now a major factor in the distribution of service-
oriented information.
Organization of the Book Chapter 12 offers information on how to prepare
The text is written and organized so instructors can easily print and online newsletters, write and design a bro-
mix and match chapters that suit their students’ needs. It’s chure, and use employee intranets to distribute content.
also adaptable for either a semester or quarter course and The complex job of writing and organizing an organiza-
can even be divided for two courses. tion’s annual report is also discussed. Chapter 13 offers
Chapter 1 reviews the basic concepts of good writing, students tips on email etiquette, how to write a business
errors to avoid, and what resources are needed. Chapter 2 letter, and how to respond to an organization’s Request
continues with the components of persuasive writing, pro- for Proposal (RFP) seeking the services of a public rela-
vides a brief overview of major communication theories, tions or consulting firm.
and ends with the ethical responsibilities of the public rela- Chapter 14 is about how to write and give speeches
tions writer. and presentations. Detailed guidelines for preparing
Chapter 3 helps students think strategically and cre- PowerPoint slides are provided. Chapter 15 is about plan-
atively about what makes news. Traditional journalistic ning meetings and events. Detailed steps are given for
values are emphasized, but students are also told how organizing a banquet, planning a convention, setting up
to brainstorm ideas to generate news through special a trade show, and selecting a celebrity for a promotional
events, contests, and even stunts. Chapter 4 is about how event. Chapter 16 is about preparing direct mail pieces,
to work with journalists and bloggers to ensure effective primarily for non-profit organizations, and the key ele-
media relations. How to communicate during a crisis also ments of public relations advertising. Other media such as
is covered. billboards, transit panels, and event T-shirts are discussed.
xiv Preface
Chapter 17 provides a legal framework for preparing • PowerPoint—provides a core template of the content
materials. Attention is given to libel, privacy, copyright, covered throughout the text. Can easily be added to
trademarks, and governmental regulatory agencies such customize for your classroom.
as the Federal Trade Commission (FTC). Attention is also • Instructor’s Manual—includes a description, in-class
given to the legal or career-damaging consequences of discussion questions, and a research assignment for
posting inappropriate information on organizational or each chapter.
personal social media pages.
• Test Bank—includes additional questions beyond the
Chapter 18 presents the essential elements of a pub-
REVEL in multiple choice and open-ended—short and
lic relations campaign, providing the information needed
essay response—formats.
to integrate various strategies and tactics into an effective
campaign. The steps for how to write a public relations • MyTest—an electronic format of the Test Bank to cus-
plan are given. Chapter 19 explores the various ways that tomize in-class tests or quizzes. Visit: http://www.
the success of a campaign can be measured. A key section pearsonhighered.com/mytest.
of the chapter discusses how social media effectiveness is
measured from the standpoint of reach, share of conver- Acknowledgments
sation, audience engagement, and how much messages We would like to thank those who reviewed previous edi-
are shared. tions and made many suggestions that have been incor-
porated into this revision: Claire Badaracco, Marquette
University; Lora J. DeFore, Mississippi State University;
Available Instructor Resources Donn Silvis, California State University, Dominguez Hills;
The following resources are available for instructors. These and Brenda J. Wrigley, Michigan State University. And a
can be downloaded at http://www.pearsonhighered. special thanks to the many educators who provided input
com/irc. Login required. for this and prior editions.
About the Authors
Dr. Wilcox is professor Dr. Reber is C. Richard
emeritus of public rela- Yarbrough Professor in
tions at San Jose State Uni- Crisis Communication
versity and former director Leadership at the Uni-
of the School of Journalism versity of Georgia, Grady
& Mass Communications. College of Journalism and
He is also the lead author Mass Communication.
of two other popular text- He teaches introduction
books, Public Relations to public relations, man-
Strategies and Tactics and agement, crisis commu-
THINK Public Relations. nication, and writing. On
He is an accredited the graduate level, Reber
Dennis L. Wilcox
(APR) member of the Bryan H. Reber teaches management,
Public Relations Society of America (PRSA) and is also in persuasion, campaign re-
the organization’s College of Fellows, recognizing his life- search, and public opinion.
long contributions to the profession. Wilcox is a former Reber ’s research focuses on public relations theory,
chair of the PRSA Educator’s Academy and the public rela- practice, pedagogy, and crisis and health communi-
tions division of the Association for Education in Journal- cation and has been published in the Journal of Public
ism & Mass Communications (AEJMC). Among his many Relations Research, Journalism and Mass Communication
awards is PRSA’s “Educator of the Year,” the Xifra-Heras Quarterly, Journal of Health Communication, Public Rela-
Award from the University of Girona (Spain), an award of tions Review, and Journal of Broadcasting and Electronic
excellence from the Public Relations Society of India, and Media, among others.
an honorary doctorate from the University of Bucharest for Reber regularly presents his research at national and
his many contributions to global public relations education international academic conferences. He is the co-author
and to advancing the profession. of Gaining Inf luence in Public Relations, Public Relations:
Wilcox is currently active in the International Public Strategies and Tactics, 11th ed., and THINK Public Rela-
Relations Association (IPRA) and is a member of the Ar- tions. Reber serves on the board of the Plank Center for
thur W. Page Society, an organization of senior public rela- Leadership in Public Relations and is a member of the
tions executives. He now travels extensively as a speaker Arthur W. Page Society. He worked for 15 years in public
and consultant in Europe, South America, and Asia. His relations at Bethel College, Kansas. He can be reached at
philosophy, to quote St. Augustine, is “The world is a [email protected].
book, and those who do not travel read only a page.” He
can be reached at [email protected].
xv
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Chapter 1
Getting Organized for Writing
Learning Objectives
1.1 Recognize the public relations framework in 1.5 Express the different forms of research and
which writing plays a role how online resources can assist with public
relations writing tasks
1.2 Express the objectives, audiences, and the
channels used by the public relations writer 1.6 Illustrate the guidelines for public relations
writing
1.3 Describe some of the necessary tools that a
public relations writer needs access to 1.7 Analyze the common errors made by the PR
writer and ways to avoid them
1.4 Report how the professional writer can use
industry resources to keep up with
developments in the field
1
2 Chapter 1
key messages about the product and how it can benefit cus-
tomers?” In the case of a newsletter for an organization, there
might be several objectives. Akron Children’s Hospital, for
example, started Inside Children as a way of reaching single-
family households with children and family incomes of
$30,000 or more within its 17-county service area. The objec-
tives of the newsletter, published three times a year, were:
Tool Kit 2. They are more cost effective in terms of having more
memory and hard disk space than laptops or tablets.
1.3 Describe some of the necessary tools that a public 3. Large monitors and standard keyboards are better
relations writer needs access to suited for writing and editing.
It is essential for the public relations writer to have a work- Others, particularly students and professionals who
space that includes a computer and a printer, Internet travel frequently, prefer laptops with standard-sized
access, and a reference library. keyboards because of their portability and flexibility. In
Exploring the Variety of Random
Documents with Different Content
hostility, while, to Ojeda, he gave much credit for his sagacity. We
shall here add, respecting the fate of Caonabo, that, some time
after, Columbus, on returning to Spain, took this haughty chief with
him. But he died during the voyage.
chapter viii.
chapter ix.
chapter x.
Some time since, some men took twenty-one geese from a farm-
yard in Kent, England, belonging to a Mr. White. A gander, which
belonged to the flock, was left behind, with a bag tied round its
neck, containing twenty-one pence, and the following poetic excuse
written on a slip of paper:
“Dear Mister White,
We wish you good night,
We are sorry we cannot stay longer;
We have taken twenty-one geese,
At a penny a piece,
And left the amount with the gander.”
Washington Irving’s cottage.
“Where have you been this week?” “Me? I’ve been fishing.” “Catch
anything?” “Yes, a cold.” “Where were you last night?” “Ducking.”
“Get any?” “Yes, one.” “Where?” “In the river.” “How?” “Tumbled in.”
Inquisitive Jack.
chapter xi.
About Butterflies.
Our readers must not suppose that our little hero had no interest
in anything but insects. It is true that his mind being once engaged
upon this subject, his curiosity increased with his knowledge, and for
a time he preferred the study of insects to that of anything else. At
one period, as I have told you, he was greatly interested in beetles;
then in spiders; and then in bees. Finally he turned his attention to
butterflies. You may be tired of my story, but you must hear about
this.
One beautiful summer day, he saw a large butterfly seated upon a
flower—its wings were splendidly marked with figures of brown,
black and gold. They were almost as large as the palm of his hand.
As the insect sat upon the flower, he waved them up and down,
seeming to fan the blossom upon which it was resting.
Jack’s first idea was to rush upon the butterfly, and seize it. But
he had now acquired a habit of investigation. He had lost that
instinct which leads little, thoughtless children to snatch at every
new and pleasing object. He was no longer a mere child, but a
thinking boy. His mind was awake, and the pleasure he derived from
its exercise was a very great pleasure.
So Jack, having approached near to the butterfly, paused and
examined it carefully. He found that it had four wings, two large and
two small ones, and that it had six legs, four only of which seemed
to be used.
While Jack was thus pursuing his observations, he gradually drew
nearer, until the alarmed insect took to flight, and, with a wavering
motion, swept across an adjacent meadow, until it was lost in the
distance. As Jack was in the habit of thinking about what he had
seen, he mused upon the little butterfly, and then he asked his Aunt
Betsey about it. She was ever ready to gratify his curiosity, and so
she proceeded to tell him about butterflies, pretty much as follows:
“You must know, my dear Jack,” said she, “that the family of
butterflies is very numerous; this consists not only of those which
pass under the name of butterfly, and which go abroad in the
daylight, but of those which are called moths, and which fly about at
night.
“The butterflies have ever been regarded as among the most
beautiful objects in nature. They seem almost like flowers or gems,
which have become endowed with life, and, taking wings, soar away
upon the breeze. Thus the poet Moore speaks of them, as creatures
‘Which flutter round the jasmine stems,
Like winged flowers, or flying gems.’
“Who, indeed, has not observed these little creatures flying from
flower to flower, sipping the nectar from each, and seeming only to
think of the present happy moment? And who has not thought how
like to happy, heedless, children are these pretty butterflies?
“It is natural that the poets, who were always looking out for
beautiful things, should seize upon such a subject as the butterflies,
and we therefore find them often alluded to in poetry. Spencer, an
old English poet, thus describes one of these insects,—and it is a
very good description too:
‘The velvet nap which on his wings doth lie,
The silken down with which his back is dight,
His broad, outstretched horns, his airy thighs,
His glorious colors, and his glistening eyes.’
“The moths have also attracted the attention of the poet; and as
they are dazzled by a lamp at night, and frequently fly into it and
scorch themselves to death, they have been often compared to
giddy youth, who rush thoughtlessly into dangerous pleasures, and
are thus lost forever.
“The butterflies and moths have not only four wings and six legs,
and two horns or feelers, but they have a little tube or proboscis,
with which they suck in the juice of flowers. When this is not in use,
it is nicely rolled up, and packed beneath the head of the animal,
under a hairy cover made for the purpose.
“When examined with a glass, the body of the insect appears to
be covered with hair, and the fine brilliant dust upon the wings is
found to consist of minute scales.
“But the eyes of butterflies, are, perhaps, their most remarkable
quality. Some of these are simple, while others are composed of a
collection of magnifying lenses. It is said that in some butterflies the
eye consists of sixteen thousand lenses. If so, it would seem that
when a butterfly of this sort looks at a person, he sees sixteen
thousand images of him! Of the butterfly tribe, some live upon the
honey of flowers, others upon the leaves of plants, and others upon
dead wood. Some of them subsist upon animal substances, and are
very destructive to woollen cloths, furs and feathers. The honey-
comb moth we have already mentioned as often infesting the bee-
hive, and preying upon wax.
“While the butterflies, in their perfect state, have always attracted
the attention and excited the interest of mankind, the wonderful
steps by which they reach their perfect state have not formed a less
interesting subject of observation. Most insects have three states of
existence; they are first eggs, then worms, and then the winged and
perfect insect.
“But the transformations of the butterfly have ever been regarded
as very wonderful. The female deposits her eggs upon such plants
as are proper to nourish the little caterpillars which are to proceed
from them. The common white butterfly places hers upon cabbages.
The tortoise-shell and peacock butterflies place theirs upon nettles,
&c. These are generally attached by a kind of glue to the surface of
the plant. The moths are usually more careful, for they generally
deposit their eggs in some concealed place, and wrap them up
carefully in a downy substance.
“Butterflies do not enshroud themselves in a silken case, or
cocoon, spun from the mouth, as is done by many other insects; but
their process is more wonderful. When the butterfly egg is hatched,
it produces a caterpillar. This is a kind of heavy worm, usually
furnished with sixteen feet.
“It grows rapidly after changing its skin, which process lasts three
or four minutes, and frequently proves fatal. It is now furnished with
twelve round eyes, and feeds voraciously upon leaves. Having
reached its full size, it ceases to eat, and retires to some solitary
place to undergo its wonderful transformation.
“Here it proceeds to form a mass of silken threads, which it spins
from its mouth. This is attached to a proper place, and the caterpillar
is soon seen suspended by the tail. It now raises its head a little,
giving a curve to its back. This motion is repeated until a slit is
formed, first behind the head, and then along the back. At length
the skin of the larva disappears, and the chrysalis is formed. This
consists of a smooth, shining mass, speckled with gold.
“The newly-formed chrysalis of a butterfly, when opened, is found
to contain only a mass of pap, in which no trace of the limbs of the
future butterfly can be observed, yet the outer covering is marked
with all the external organs of the future butterfly in a very short
time after the skin of the caterpillar has been cast off. On opening
the chrysalis, indeed, after a proper space, we shall find, encased in
separate parts, the wings, eyes and other organs of the future
butterfly.
“When the insect has remained in this pulpy or chrysalis state for
a proper time, a motion may be perceived within. The skin, which is
now thin and dry, gives way, and bursting into four distinct and
regular pieces, liberates its little prisoner. This now emits a reddish
colored liquid, which superstitious people have called bloody rain; its
wings rapidly assume their proper size, and it joins its companions in
the air. The old poet Spencer thus happily describes the new-born
insect:
‘When he arriving, round about doth fly
From bed to bed, from one to other border;
And takes survey, with curious, busy eye,
Of every flower and herb there set in order;
Now this, now that, he tasteth tenderly,
Yet none of them he rudely doth disorder;
Nor with his feet, their silken leaves deface,
But pastures on the pleasures of each place.’”
chapter xii.
chapter xiii.
Conclusion.
I hope my readers are satisfied, by this time, that Inquisitive Jack,
in pursuing the study of insects, was not wasting his time. It not
only gave him a great deal of pleasure, but he obtained from it much
useful information. He went on, from one step to another, until he
understood the whole science of insects, which is called Entomology.
But I have told you the story of our curious little friend, not so
much to recommend the particular study of insects, as to show the
utility of habits of observation and investigation. You have seen, by
the story I have told you, that, by means of these habits, Jack not
only enjoyed a great deal of pleasure and satisfaction, but that he
became a very learned man; but I must tell you, what I have before
intimated, that his whole attention was not confined to insects. He
observed and investigated plants and flowers, and thus became a
botanist. He studied into the habits and nature of birds, and thus
became an ornithologist; and, in short, he mastered the whole field
of natural history. Perhaps I shall, some time or other, give you an
account of his proceedings in relation to some of these matters.
The Close of the Year.
Look at the picture! It is winter—and the old man is toiling
through the deep, deep snow. A heavy burthen is on his back; the
sky is dark and gloomy; the scene around is desolate and chill. We
can easily fancy that the heart of the aged traveller is heavy; that his
limbs are weary; that a damp, cold moisture is upon his brow, and
an expression of bitterness and sorrow around his lips; yet he plods
stoutly on—and why should he not? If he were to despair, he would
but make the snow his pillow, and the sleety drift his winding-sheet.
Beside, he is not alone. A cheerful friend is with him; a humble one
indeed, yet one that will not desert him, whether in sunshine or
storm, in summer’s joy or winter’s sorrow.
There is something of truth and nature in this scene, and old Bob
Merry feels that it may be properly placed at the head of his annual
goodby. I cannot but entertain the idea that the old man in the cut,
may stand for my representative. He has his burthen, and I my
cares; he is making his way through the heavy drift, and I too am
stumping it on, amid obstacles and difficulties. He has his cheerful
friend, beckoning him on, and I, old and decrepit, am attended by
the angel of Hope, which ministers to me, even when all beside have
deserted me. That hound in the picture may seem to tell the weary
and wayworn traveller of the home that is at hand, of the bright
hearth that burns for him, of the warm hearts that are ready to
receive him. And Hope, the comforter, tells me too, that there are
some bright firesides where Bob Merry is a welcome guest; where
his monthly visits are not a tax, but a pleasure; where to him the
latch of the door is free and the string never pulled in.
These are my fancies—and though they may be but the dreams
of a conceited old man, I will still cherish them. Real or fantastic,
they lighten my heart, cheer my steps, and give me courage to
pursue my journey.
And now, my gentle readers, we are at the close of the old year!
May it find you good and happy. We are at the threshold of the new
year; may this, too, find you good and happy. What better wish can
I utter? And will you continue for twelve months more, the
acquaintance which we have so long sustained? Come! Black Eyes,
Blue Eyes, and Grey Eyes—one and all—let as pursue our rambles,
and I promise still to exert myself for your pleasure and profit! I
have some of Bill Keeler’s stories, which I have picked up, and which
I intend to give you. I have some curious adventures in South
America; some stories of the Old Man in the Corner, and other nuts
to crack for you. So, girls and boys, come along!
Our Correspondence.
The following letter we insert with much pleasure:—
Rindge, N. H., Oct. 27, 1843.
Mr. Merry:
I have taken your Museum the past year, and like it very
much. I should like to have you put in another anecdote
about Bill Keeler. Will you be so kind as to put in the following
Riddles, if you please, to gratify a boy ten years old?
1.
It is in the bolster, but not in the bed;
It is in the grave, but not in the dead;
It is in the rock, but not in the stone;
It is in the marrow, but not in the bone.
2.
I’m captain of a company
That counts full twenty-six;
And also with a party five
I deign to intermix;
With Adam I was seen to stay,
But Eve I do not like;
I’m always found throughout the day,
But never in the night.