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PHYSICAL EDUCATION 3

REVIEW

• Base on Webster dictionary, injury defined as hurt, damage, or loss sustained.


The following factors are common among dancers who have injury:
1. Poor body alignment and technique
2. Excessive training duration and intensity
3. Hard dance floor
4. Poor shoe design
5. Muscle imbalance
REVIEW

• These are two types of musculoskeletal injuries: ACUTE AND CHRONIC.


• Acute injuries occur when the mechanical force that is absorbed by the
musculoskeletal structure is more than what it is accustomed to. The onset of
pain and other symptoms occur immediately after the impact.
• Chronic injuries occur due to repetitive trauma and the body is not given
enough time to recover. The onset of pain and other symptoms occur at a
gradual rate, which is usually worsened with activity or training.
REVIEW
REVIEW
OBJECTIVES;

• At the end of this module, you as learner are expected to:


1. Familiarize and understand the nature of Ballroom Dance and master
several techniques as first step in learning the dance as a whole;
2. Challenge one’s self by participating in an online social advocacy
movement towards mental health.; and
3. Create a health banner using dance as an advocacy towards promoting
mental health.
WHAT IS BALLROOM DANCE?

• Ballroom dance refers to a set of partner dances, which are enjoyed both
socially and competitively around the world. Because of its performance and
entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and
television. Ballroom dance may refer, at its widest, to almost any type of social
dancing as recreation.
Two Styles of Ballroom Dancing:
• 1. Smooth or Standard
• 2. Rhythm or Latin.
A BRIEF HISTORY OF BALLROOM DANCING
• “Ballroom dancing” as a term hails from the Latin word “ballare” which, coincidentally,
means “to dance.” Thus, a ballroom is a room in which to dance. Makes sense, right?
• Centuries ago, ballroom dancing was primarily for the privileged and well-to-do, while the
commoners had to make do with folk dancing; however, these boundaries have since
disappeared, leaving ballroom dancing a fun hobby for everyone.
• Today, ballroom dancing applies to numerous dances in which a “leader” and a “follower”
dance together in close proximity, usually with some degree of physical contact. This
closeness is to permit the leader to get the follower to, well, follow along.
A BRIEF HISTORY OF BALLROOM DANCING
Early Ballroom Dancing
• The first documented authority of early ballroom dancing is Jehan
Thoinot’Arbeau’s Orchesographie (1588) that discussed 16th-century French
social dance. In 1650, Jean-Baptiste Lully introduced the Minuet to Paris—a
dance that would dominate ballroom until the end of the 18th century.
• The Waltz came about in England in the early 1800s despite initial opposition to
the closed dance hold. By 1840, the Polka, Mazurka, and Schottische emerged.
A BRIEF HISTORY OF BALLROOM DANCING
Ballroom Dancing Emerges in the US
• In the early 20th century, ballroom dancing experienced massive popularity in
the US with the extremely successful dancing of Fred Astaire and Ginger
Rogers. Even though most of their numbers were meticulously choreographed,
staged, and oft-rehearsed, they influenced greatly ballroom dancing’s acclaim
and acceptance.
TYPES OF BALLROOM DANCING

• Cha-cha
• Foxtrot
• Salsa
• Tango
• Rumba
• Samba
• Jive
• Swing
• Waltz

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